This 14,000 sq.ft. one of a kind Spanish Colonial Revival Estate is reminiscent of the grand estate era of the 1920’s in Boca Raton, Florida. Inspired by Addison Mizner and George Washington Smith, this landmark home, located in Northern California, is a timeless masterpiece with fixtures and finishes imported from around the world including: custom cabinets from Portugal and hand carved fireplace faces from Jerusalem. This stunning mansion was designed with amenities that allow for an intimate family lifestyle while affording for large formal functions and fundraising events.

Mumford & Wood’s Georgian-style box sash windows and doors have been incorporated in a beautiful Georgian new build residence in South Oxfordshire. The property features bespoke double glazed floor-to-ceiling Georgian-style box sash windows from Mumford & Wood’s Conservation™ range which have been specified throughout. “The large pane sash windows and doorsets are totally authentic of traditional Georgian window design and their floor-to-ceiling heights meet the immense scale of these spectacular rooms that follow a strict rule of proportion.”

Our Temptress Mantel Scene invites guests to the party, who take creepy couture well beyond traditional orange and black. Our 5-foot skeleton brings the bling in gold–skull to toe bones–featuring hinged joints for posing or dressing to suit the soiree. His friend, the witch? She’s only halfway-committed to the event… And whatever you do, don’t get caught staring at the exquisite, handpainted details of the Temptress, perched high above the room in feathers and lace. She draws you in, but you can’t be sure what she’ll do.

Mudroom in Modern Farmhouse style home
Inspiration for a mid-sized transitional medium tone wood floor and brown floor mudroom remodel in Seattle with gray walls

Zeke Ruelas
Mid-sized and bedroom trendy guest and girl medium tone wood floor and brown floor kids' bedroom photo in Los Angeles with pink walls and no fireplace

The exterior of what looks like a vernacular Hamptons shingle cottage, designed by architect Blaze Makoid, is intentionally deceiving. For the interiors, Axis Mundi typically decided not to play by the rules. Instead of de rigeur nautical artifacts, floppy sofas and wicker furniture, the firm responded to Makoid’s all-white interior envelope by injecting rooms with comfortable modern elegance that’s more contemporary Cap Ferrat than Eastern Long Island. Clean furniture silhouettes—from Cassina, Poltrona Frau and B&B Italia—a Massimo Vitali beach scene, a Moooi chandelier and industrial finishes (such as the steel of the fireplace surround and the anodized aluminum of a sleek Bulthaup kitchen) spark a creative tension between indoors and out. The gray palette provides a quiet backdrop for the nature outside, except for the master suite, where custom oak panels and blue shades create a reassuring warmth conducive to sleep. Photography: Mark Roskams

Lincoln Barbour
Bathroom - transitional bathroom idea in Portland

Terren Landscapes http://www.terrenlandscapes.com Project Entry: Pembrooke Estate Rain Garden 2014 PLNA Awards for Landscape Excellence Winner Category: Sustainable Landscape &60,000-$120,000 Award Level: Silver Project Description: The client contracted our company to solve multiple existing drainage problems. In a heavy rain event the existing French drain system would overflow, causing water to pool in the driveway. After investigating the system we found that the capacity of the French drain was undersized for the amount of storm water from the large rain events received in recent years. As a result of our findings and at the request of the homeowner, we designed a storm water management system to capture all storm water from the structures on the property and regenerate the underground aquifers for the volume of a 5.8” rainstorm. In addition to the new drain system, the homeowners wanted a rain garden to provide a backdrop for an existing formal garden, provide a habitat for wildlife, and provide screening from an adjacent neighbor. Throughout the design process many challenges were presented, including an existing gas line, which ran directly through the area that best suited the bioswale. The existence of the gas line caused us to alter the shape and depth of the bioswale in some areas. We also inspected the existing downspouts to make sure there were no obstructions that would impede the system’s efficiency, and then conducted a test pit dig to make sure we had sufficient percolation rates for disposal of storm water. To effectively capture the storm water runoff, the existing downspouts were piped from the main house and the large detached garage to a large catch basin located at the low point in the driveway. The driveway catch basin contains two outlet pipes at different elevations within the basin allowing water from smaller rain events to enter the bioswale and rain garden area to percolate into the soil before excess water overflows into a sediment trap which filters out any debris and is then piped to an underground StormTech® pit to slowly percolate into the ground. The other outlet pipe in the driveway catch basin is used for larger storm water events, taking the water directly to the StormTech® pit. Accepting and slowing the velocity of the storm water, mitigation of erosion, and filtering out pollutants contained in the “first flush” of rainfall are the primary functions of the bioswale and rain garden. Planting these areas with mostly native plant species helps carry out these functions while attracting and providing shelter for wildlife. The ‘Niobe’ weeping willow is the centerpiece of the rain garden, connecting with the axis of the existing formal garden. To screen the neighboring property we chose Chamaecyparis nootkatensis ‘Pendula’ for its graceful evergreen habit and tolerance of wet sites. ‘Ivory Halo’ dogwood and Panicum ‘Cloud Nine’ were used for screening as well as winter interest. To provide deciduous structure to the garden Taxodium distichum and Magnolia virginiana were used in conjunction with witch hazel. Mostly native wetland perennials were used due to their tolerance of wet conditions and occasional drought. The area above the StormTech® pit provides space for the client’s family to relax. The rain garden and bioswale provide screening, storm water management, a habitat for wildlife, and plants that enhance the adjacent formal garden. Photo Credit: Terren Landscapes

Factory by Aster Cucine Italy, Industrial design kitchen. Designers Lorenzo Granocchia Design Year 2015 ‘Work in process’ is how we like to define our Factory mood.‎ Think of this as an atelier teeming with ideas, cross-contaminations of different styles and materials.‎ Steel and wood.‎ Corten weathered steel and gloss lacquered finishes? The Factory mood is all about breaking rules for people who don’t just want to tow the line.‎ It’s about taking a stand for non-conformists, with the accent on standing out from the ordinary.‎ Eclectic, transgressive, unique.‎

This home remodel is a celebration of curves and light. Starting from humble beginnings as a basic builder ranch style house, the design challenge was maximizing natural light throughout and providing the unique contemporary style the client’s craved. The Entry offers a spectacular first impression and sets the tone with a large skylight and an illuminated curved wall covered in a wavy pattern Porcelanosa tile. The chic entertaining kitchen was designed to celebrate a public lifestyle and plenty of entertaining. Celebrating height with a robust amount of interior architectural details, this dynamic kitchen still gives one that cozy feeling of home sweet home. The large “L” shaped island accommodates 7 for seating. Large pendants over the kitchen table and sink provide additional task lighting and whimsy. The Dekton “puzzle” countertop connection was designed to aid the transition between the two color countertops and is one of the homeowner’s favorite details. The built-in bistro table provides additional seating and flows easily into the Living Room. A curved wall in the Living Room showcases a contemporary linear fireplace and tv which is tucked away in a niche. Placing the fireplace and furniture arrangement at an angle allowed for more natural walkway areas that communicated with the exterior doors and the kitchen working areas. The dining room’s open plan is perfect for small groups and expands easily for larger events. Raising the ceiling created visual interest and bringing the pop of teal from the Kitchen cabinets ties the space together. A built-in buffet provides ample storage and display. The Sitting Room (also called the Piano room for its previous life as such) is adjacent to the Kitchen and allows for easy conversation between chef and guests. It captures the homeowner’s chic sense of style and joie de vivre.

Axis Mundi typically decided not to play by the rules. Instead of de rigeur nautical artifacts, floppy sofas and wicker furniture, the firm responded to Makoid’s all-white interior envelope by injecting rooms with comfortable modern elegance that’s more contemporary Cap Ferrat than Eastern Long Island. Clean furniture silhouettes—from Cassina, Poltrona Frau and B&B Italia—a Massimo Vitali beach scene, a Moooi chandelier and industrial finishes (such as the steel of the fireplace surround and the anodized aluminum of a sleek Bulthaup kitchen) spark a creative tension between indoors and out. The gray palette provides a quiet backdrop for the nature outside, except for the master suite, where custom oak panels and blue shades create a reassuring warmth conducive to sleep. Size: 1,920 sf Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Architect: Blaze Makoid Architecture Contractor: Greg D'Angelo Construction Inc. Photographer: Mark Roskams © Axis Mundi Design LLC.

Mumford & Wood’s Georgian-style box sash windows and doors have been incorporated in a beautiful Georgian new build residence in South Oxfordshire. The property features bespoke double glazed floor-to-ceiling Georgian-style box sash windows from Mumford & Wood’s Conservation™ range which have been specified throughout. “The large pane sash windows and doorsets are totally authentic of traditional Georgian window design and their floor-to-ceiling heights meet the immense scale of these spectacular rooms that follow a strict rule of proportion.”

Amy Bartlam
Inspiration for a bedroom eclectic gender-neutral medium tone wood floor kids' bedroom remodel in Los Angeles with multicolored walls

Perched on a 16-acre property in Norther Minnesota, this home offers expansive views of Lake Superior’s rugged coastline. A single view takes precedence: During storm events, a micro-island of solid rock experiences dramatic cross-currents and explosive waves. In fair weather the island is a picturesque monolith emerging from dark waters. Core living spaces (Entry, Kitchen, Dining, Living) share this view by establishing lower relative floor planes; rooms step down in reverence to this ever-changing landscape feature.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

John Bessler
Bedroom - traditional medium tone wood floor bedroom idea in New York with multicolored walls

Recessed panel Woodharbor cabinetry with combination painted white finishes Wolf 48” dual fuel range with double oven, six burners and griddle in stainless steel Wolf 24” E series steam oven in stainless steel Wolf Microwave Drawer 24″ Stainless transitional E series in Stainless Steel Wolf 30” Warming Drawer panel ready Best 48″ hood insert in stainless steel with 1200cfm remote blower Sub-Zero 36″ panel ready integrated refrigerator Sub-Zero 36″ panel ready integrated freezer Cove 24” built-In panel-ready dishwasher Kitchen stone tops 1/2″ Krion in White Concrete #9104 with a 1-1/4″ thick mitered edge

Factory by Aster Cucine Italy, Industrial design kitchen. Designers Lorenzo Granocchia Design Year 2015 ‘Work in process’ is how we like to define our Factory mood.‎ Think of this as an atelier teeming with ideas, cross-contaminations of different styles and materials.‎ Steel and wood.‎ Corten weathered steel and gloss lacquered finishes? The Factory mood is all about breaking rules for people who don’t just want to tow the line.‎ It’s about taking a stand for non-conformists, with the accent on standing out from the ordinary.‎ Eclectic, transgressive, unique.‎