The table BRICK is the discovery that even with a natural and simple as wood, can you do technology. The concept of the extension table is declared in its name (from "BRICK" brick): the precious teak, absolute protagonist of the collection, it breaks up into pieces, in a geometrically perfect joints paced game that characterize the design of the plan. At the dynamism of the extensible top it is opposed to the stability of the structure, drawn by bold lines and essential that shape the teak. The important dimensions and the functional throttle opening system that allows to easily extract the hidden extensions from the sliding plane, allow to create space for a large friendliness. Given the complexity of construction and the large number of wood blocks of the plan, over time may occur slight movements of these parts, if directly exposed to atmospheric agents. These movements are natural and do not affect the use and functionality of the table. To maintain stable BRICK table in time, it is suggested to place it covered areas such as porches or verandas. BRICK extendable table received the Honorable Mention at the XXIV Premio Compasso d'Oro in 2016 Designed by Gordon Guillaumier

K. Ursomarso
Elegant concrete paver patio photo in Philadelphia

Elegant and luxurious pull out system ELLETIPI for waste separation, provided with metal sliders for total extraction, and soft closing return mechanism. The buckets are installed inside a stainless steel structure (AISI 430) which is 100% recyclable, as are all its components. The simple lines, the finishes, the materials and processing, render this series the top of the range. It contains a bucket with a special anti-odor lid with a filter (washable cloth that can be regenerated many times using soap and water). You can install these bins in kitchen bases, specifically under the sink. Its installation on the bottom of the kitchen base with the 8 supplied self-tapping screws is easy and practical.

Chilton Royal Chateau is a blend of colors from green, lavender, blue and gray. Believe it or not, all of this stone comes from the same quarry. During extraction, color can vary from layer to layer. All of our Royal Chateau blends are sawn top and bottom for clean, uniform effect.

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An active radon mitigation system neatly tucked into a residential exterior corner. Featuring an outdoor-rated inline fan, weatherproof electrical disconnect, and custom PVC routing, this system safely extracts radon gas from the foundation and vents it above the roofline. System Type: Active Soil Depressurization (ASD) Design: Compact corner installation on vinyl siding Purpose: Residential indoor air quality and radon reduction

**I. Spatial Composition & Architectural Volume** This vignette operates as a masterclass in the choreography of compressed urban space, deploying a classic enfilade strategy to extract depth from a modest footprint. The composition is organized around a cased opening — flanked by heavy, mitered pilaster-style jambs and a substantial crown-capped header — that frames the kitchen beyond like a proscenium, establishing a telescoping sightline from the foreground banquette nook through to the range wall and its marble backsplash. The immediate volume is a canted, faceted room; the angled corner walls and the polygonal ceiling perimeter generate a subtle rotational geometry that is echoed, with deliberate rhyme, in the octagonal tabletop and its faceted plinth base. Architectural discipline is supplied by comprehensive millwork: recessed applied-molding wall panels calibrated to the wall heights, a built-in bibliothèque with adjustable shelving and integrated media niche on the left, and a bench base detailed as cabinetry with a plinth and reveal, so the seating reads as architecture rather than furniture. The crowning gesture is a stone-clad soffit and cove above the multi-part cornice, which visually lifts the ceiling plane and dissolves the corner conditions of the canted plan into a continuous, luminous band. **II. Materiality, Color & Texture** The palette is a study in low-chroma tonal layering, structured on a base of dove-grey lacquered joinery whose cool, faintly greige undertone reads as both patrician and contemporary. Against this, book-matched white marble with grey and taupe veining appears in three registers — the ceiling cove, the kitchen backsplash, and the honed tabletop — creating a vertical and horizontal continuity of stone that binds the two rooms into one material narrative. Underfoot, wide-plank white oak laid in a herringbone pattern is finished in a wire-brushed, cerused grey-brown, its open grain supplying essential tactility and directional energy that counteracts the smoothness of the cabinetry. The tonal reserve is punctured by a single decisive chromatic move: the oxblood-to-cognac aniline leather banquette, its capitonné-adjacent piping and channeled seat cushion delivering saturated warmth and a supple, patinating counterpoint to the cool minerals. Metals are deliberately stratified — brushed stainless on the appliance suite, polished nickel on the cabinet hardware and pendant collars, and a high-mirror chromed column and base on the table that pulls reflected fragments of the room into itself. Textile relief arrives through a heather-grey wool bolster and the woven, honeycomb-textured sconce shades, while the sunflowers and pantry provisions behind glazed muntin doors introduce a curated, humanizing note of the quotidian. **III. Lighting, Atmosphere & Style Profile** The lighting scheme is layered and hierarchical. Ambient illumination is borrowed rather than direct: the kitchen functions as a light well, its own concealed under-cabinet lighting and cove-washed ceiling projecting a cool, diffuse glow forward through the cased opening, so the brighter volume beyond reads as both destination and light source. In the foreground, symmetrically paired wall sconces with textured drum shades cast a warm, amber-filtered ellipse of light onto the paneling — providing intimate, low-level modeling that emphasizes the millwork's shadow lines and flatters the leather's depth. The kitchen's aligned trio of spun-metal dome pendants, with polished collars and diffused lenses, reinforce the axial perspective and supply task-appropriate downlight, while the marble cove above serves as an indirect reflector, softening any residual harshness. The cumulative atmosphere is hushed, refined, and slightly cinematic — a quiet formality more contemplative than performative. Stylistically, the project synthesizes into a form of Transitional Classicism, or more precisely a tailored American Neoclassicism recalibrated for contemporary living: the vocabulary of paneled millwork, crown profiles, and cased openings is retained, but stripped of ornament, flattened in profile, and rendered in a monochrome envelope, then energized by faceted geometries, mirror-finish metal, and a single confident stroke of leather. It is restraint deployed as luxury.

We received a request to renovate Victorian tiled hallway floor at a house in the London borough of Harlesden NW10. My client had modernised the heating system and this unfortunately required a section of the tiled flooring to be dug up so new pipework could be laid. After speaking on the phone, I arranged an initial visit to the property so I could properly assess the work required and provide a price for restoring the floor. During my visit I could see there was another section of missing tiles at one of the door thresholds which would need attention. Except for the missing sections of floor I could see that the tiles themselves were in good condition for their age and would respond well to a deep clean and fresh seal. I was confident on being able to source matching replacements for the missing tiles and reassured my client that we would be able not only repair the floor but also renovate it to a good standard. I gave them a price to do the restoration which they were happy to accept, and the work was booked. After some research I managed to source replacement tiles from the Vintage Floor Tile Company in Kent; Victorian tiles are still popular so there a few companies that keep stock so we can usually find a match. With the replacements in hand, work started by removing the cement and loose material from the missing sections of flooring and backfilling with self-levelling compound to bring the exposed base up to the right level for tiling. The tiles were then cut to shape as required to match the existing patten and fixed into place with a quick setting adhesive and then grouted. The floor was left to overnight to allow the adhesive to harden fully, and I returned the next day to deep clean the whole floor. To give the tiles are deep clean a strong dilution of Tile Doctor Remove and Go was sprayed onto the floor and left to soak in for ten minutes. It was then scrubbed into the floor using a rotary machine fitted with a with a black pad. This action lifted the dirt out of the tiles and the resulting slurry was removed with the wet vacuum. It turned out that the pores of the tiles were holding a lot of dirt, so the process was repeated until I was satisfied. Due to the age of the property, there was no damp-proof membrane installed so I do try to minimise the amount of water I use in this process as there is always a chance of exacerbating any latent efflorescence issues. Efflorescence occurs where moisture rises through the tile bringing with it salts from underneath the floor as it evaporates on the surface. This can lead to unsightly white marks appearing on the tile. To counteract this potential problem the cleaning was followed by an acid wash using Tile Doctor Acid Gel applied with a 100 then 200-grit pad, before finishing on a 400-grit burnishing pad. The floor was again rinsed with water after the application of each pad to remove the slurry and extracted with a wet vacuum. Once I was satisfied the floor was as clean as possible, we left site and the area was left to dry over the weekend ready for application of a new sealer. I returned on the Monday and started by taking a few moisture readings to check the floor was dry. The floor was in an acceptable range, so I applied the first of 4 coats of sealer. For this floor I chose Tile Doctor Seal and Go Extra which is specially formulated product that provides stain resistance with a hard wearing low-sheen finish. This product is also breathable which is an important feature for old floors, anything that blocks moisture from rising through the tile will cause it to become trapped underneath where it will pool and eventually reach out to the walls and result in rising damp. Once complete the floor looked brand new and I’m pleased to say with the deep clean and a fresh sealer applied it was impossible to tell the difference between the original and repaired sections of flooring. For the aftercare of sealed Victorian tiled floors, I recommend Tile Doctor Neutral Cleaner, it’s a mild day to day cleaner with a neutral pH that won’t damage the sealer. Many of the tile cleaning products you find in supermarkets are simply too strong. Andrew Newstead North London Tile Doctor

Our client was in the process of building a new house to their specification in Fraserburgh. The centrepiece? A contemporary, open-plan kitchen that not only serves as a functional space but also as an inviting hub for family gatherings. Opting for the Nolte SoftLack range, we integrated the Silver MatrixArt handleless trims, complemented by elegant integrated lighting. The main furniture showcases a soothing Sahara hue, contrasted smartly by the Lava accent. The 20mm Dekton Trilium worktop exudes sophistication, while the 40mm Nolte Platinum Bough Oak table adds a touch of warmth. We included a full suite of NEFF appliances: a single oven, combination microwave, induction hob, ceiling extraction, and a full-height fridge and freezer, meeting every culinary need. Special requests are what make a design truly personal. We incorporated a Blanco Subline undermounted sink in Alumetallic, a state-of-the-art Quooker Fusion Square Stainless Steel instant boiling water tap, and durable Pergo flooring. Notably, the elevated dishwasher was positioned conveniently beside the sink, based on the client's preference. The tall units were seamlessly integrated into the ceiling, complemented by an artful goal-post niche. Furthermore, the extractor finds its home within a stylish ceiling drop box, highlighted by a subtly lit stepped ledge. Dreaming of your own bespoke kitchen? Let us transform your vision into reality.

I recently visited a client living in the market town of Woodstock in Oxfordshire to rejuvenate a fantastic multi-coloured Slate floor that had been hidden under several years’ worth of dirt in their kitchen. Slate is a typically hard-wearing tile used for flooring high traffic areas of houses and public buildings but does need sealing to bring out its best features and in this case the sealer had long since worn off and dirt had become ingrained in the stone. My first task in the cleaning process was to mix a strong solution of Tile Doctor Pro-Clean, which is a strong alkaline cleaner safe to use on Tile and Stone, and NanoTech HBU (Heavy Build-up Remover), which is a particularly powerful product that uses nano-sized particles to tackle muck in areas of the stone where typical cleaners simply can’t reach. I spread this solution across the floor and left it to seep into the stone, to get underneath and lift out the ingrained dirt. After allowing the solution adequate time to dwell, I scrubbed the floor with a carbon brush to gradually reveal the fantastic natural colours of the Slate hidden beneath. Following this, I rinsed the entire floor several times with clean water, before soaking up the resulting soiled residue with a wet vacuum. The next part of the cleaning process entailed paying particular attention to the grout lines. I used Tile Doctor Grout Clean-Up to scrub the grout lines and also to treat a small amount of efflorescence. The resulting residue was promptly extracted with the wet vacuum and I finished by giving the whole floor a rinse with Tile Doctor pH Neutral Tile Cleaner. This is a day to day tile cleaning product which is recommended for stone floors, many supermarket tile cleaning products are only suitable for ceramic tiles due to their acidic formula and can damage a floor over years of use so you should always read the label. I then left the floor to dry completely overnight. On day two, the Slate tiled floor was dry and ready to seal. The floor had to be completely dry, as any excess moisture has the potential to the damage the performance of the sealer. Since my client had specifically requested a matte finish, I opted to use Tile Doctor Colour Grow. Colour Grow is an impregnating sealer that provides durable surface protection from within while also enhancing all of the natural mineral shades. My client was very pleased with the results, particularly as they hadn’t realised they had such a great looking floor in their house when they had first purchased it! Barry Woodward Oxfordshire Tile Doctor

This St Johns Wood mansion block flat was one of our recent projects with a luxurious property developer in the area. We opened up spaces between the hallway, living area and kitchen to create a much more open feel throughout. A bespoke bench wrapped around the living space providing extra seating as well as storage whilst, keeping as much of the floor space free. Hidden cabling, Samsung Frame TV and biofires helped to add the luxuries without drawing away from the tranquillity. Another view of the St Johns Wood mansion block flat, the modern kitchen layout with it's central island and induction hob and ceiling mounted extraction pendant above. The brushed bronze finish on the island's facade contrasts with the sleek minimal gloss white cabinetry for the rest of the kitchen.⁠

Yolseuiloyan: Nahuatl word that means "the place where the heart rests and strengthens." The project is a sustainable eco-tourism complex of 43 cabins, located in the Sierra Norte de Puebla, Surrounded by a misty forest ecosystem, in an area adjacent to Cuetzalan del Progreso’s downtown, a magical place with indigenous roots. The cabins integrate bio-constructive local elements in order to favor the local economy, and at the same time to reduce the negative environmental impact of new construction; for this purpose, the chosen materials were bamboo panels and structure, adobe walls made from local soil, and limestone extracted from the site. The selection of materials are also suitable for the humid climate of Cuetzalan, and help to maintain a mild temperature in the interior, thanks to the material properties and the implementation of bioclimatic design strategies. For the architectural design, a traditional house typology, with a contemporary feel was chosen to integrate with the local natural context, and at the same time to promote a unique warm natural atmosphere in connection with its surroundings, with the aim to transport the user into a calm relaxed atmosphere, full of local tradition that respects the community and the environment. The interior design process integrated accessories made by local artisans who incorporate the use of textiles and ceramics, bamboo and wooden furniture, and local clay, thus expressing a part of their culture through the use of local materials.

This St Johns Wood mansion block flat was one of our recent projects with a luxurious property developer in the area. We opened up spaces between the hallway, living area and kitchen to create a much more open feel throughout. A bespoke bench wrapped around the living space providing extra seating as well as storage whilst, keeping as much of the floor space free. Hidden cabling, Samsung Frame TV and biofires helped to add the luxuries without drawing away from the tranquillity. Another view of the St Johns Wood mansion block flat, the modern kitchen layout with it's central island and induction hob and ceiling mounted extraction pendant above. The brushed bronze finish on the island's facade contrasts with the sleek minimal gloss white cabinetry for the rest of the kitchen.⁠

Our client in Inverallochy, Fraserburgh wanted a modern and functional kitchen with multiple cooking options, an island with an eating area, and a coffee station. In order to meet these requirements, we had to determine how to block up a window without sacrificing their 180-degree sea view. We opted for Nolte's SoftLack range with Silver MatrixArt handleless trims, paired with integrated lighting. The Sahara beige-coloured furniture mixed with Soft Lack Deep Blue provides a modern yet warm atmosphere. Dekton Trilium worktops with mitred waterfall ends were chosen for durability and style. A comprehensive range of NEFF appliances was installed, including two ovens, a microwave, and a coffee centre. We also added a large induction hob with ceiling extraction and Liebherr fridge and freezer with built-in ice-making. Among the additional features are a Blanco undermounted sink and a Quooker Flex stainless steel instant boiling water tap. Karndean flooring was used for its aesthetic appeal and durability. Tall units were built into the ceiling, and a section of the stone wall was left exposed, adding character to the space. Interested in a kitchen that meets all your needs? Get in touch for a tailored solution.

Yolseuiloyan: Nahuatl word that means "the place where the heart rests and strengthens." The project is a sustainable eco-tourism complex of 43 cabins, located in the Sierra Norte de Puebla, Surrounded by a misty forest ecosystem, in an area adjacent to Cuetzalan del Progreso’s downtown, a magical place with indigenous roots. The cabins integrate bio-constructive local elements in order to favor the local economy, and at the same time to reduce the negative environmental impact of new construction; for this purpose, the chosen materials were bamboo panels and structure, adobe walls made from local soil, and limestone extracted from the site. The selection of materials are also suitable for the humid climate of Cuetzalan, and help to maintain a mild temperature in the interior, thanks to the material properties and the implementation of bioclimatic design strategies. For the architectural design, a traditional house typology, with a contemporary feel was chosen to integrate with the local natural context, and at the same time to promote a unique warm natural atmosphere in connection with its surroundings, with the aim to transport the user into a calm relaxed atmosphere, full of local tradition that respects the community and the environment. The interior design process integrated accessories made by local artisans who incorporate the use of textiles and ceramics, bamboo and wooden furniture, and local clay, thus expressing a part of their culture through the use of local materials.

The owners of this Edwardian property in Finchley had purchased it a couple of years prior and since then had slowly been renovating it to restore its original character. The project was almost complete and now attention had turned to the tiled floor. The tiles were in quite a state and I was asked to work our Tile Doctor magic and bring it back to its original condition. When they moved in the hallway had been covered with carpet which gave the tiles underneath some protection. Unfortunately, however the carpet has been secured with carpet grippers that had been glued to the tiles around the edges. There were also paint splashes on the surface that would need dealing with. On top of that the floor had a few missing tiles that had been back filled by cement to provide a level base for the carpet, the client wanted like them replaced if possible. After surveying the floor, I explained what could be done and ever completed a small test clean to demonstrate how the tiles would look once deep cleaned. I was confident on being able to source very similar reclaimed tiles so replacing the missing should not be a problem. The client was very happy with the initial test result and my quotation so booked me in to restore the floor. On my return I started by applying Tile Doctor Remove and Go to soften up the glue which allowed it to be carefully peeled off the tiles with scrappers. Once all the carpet adhesive was gone, I worked a strong dilution of Tile Doctor Remove and Go into the tiles using a black pad to work the cleaning solution deeper into the tiles. A wet vacuum was used to remove the slurry created, and I followed this by giving the tiles an extra clean using a 200-grit diamond burnishing pad lubricated with water. The last step in the cleaning process was to give the floor an acid rinse using Tile Doctor Grout Clean-up, I did this for several reasons, first it removes old grout smears from the surface of the tile and second it neutralised any efflorescent salts lying dormant in the floor. This can be quite a problem for old floors which don’t have the benefit of a protective damp proof membrane under the floor. The floor was given a final rinse with water which was again extracted with a wet vacuum. I then set about lifting all the loose tiles (approximately ten) and carefully removing the concrete infills. I had previously managed to source replacements for these holes from original features. Unfortunately, they didn’t sell the correct sized octagon tiles, so I had bought 150mm square tiles and then needed to cut them on site to get the right size. After cutting and fixing the tiles I fixed them in place and regrouted the rest of the floor. I then left the floor to dry out overnight and returned in the morning. Before applying a sealer, I took several moisture readings with the damp meter to make sure the tiles were dry enough to take the sealer. I was able to confirm the floor was dry, so went ahead and applied three coats of Tile Doctor Colour Grow sealant. Colour Grow is an impregnating sealer that is fully breathable sealer which is important when it comes to old floors like these that don’t have a damp proof membrane installed. My client was very happy with the renovated floor and for aftercare I left them with a bottle of Tile Doctor Neutral Tile Cleaner and gave advice on how best to clean the floor going forward. Andrew Newstead North London Tile Doctor

These photos are of a four-year-old Limestone kitchen floor at a property in Boughton that the customer was finding hard to keep clean and maintain a shine. Part of the problem was he owned two dogs and we often warn about the problems of dog urine on sealed tile and stone due to it being high in nitrogen. On my initial visit I was able to ascertain that the sealer had almost completely worn off, leaving the stone vulnerable to dirt becoming ingrained into the pores of the stone. I come across this problem a lot, in my experience when stone floors are installed by tilers, they generally apply a single coat of sealant which wears off over time, and as discussed earlier can be prematurely degraded by strong chemicals. My quote to renovate the Limestone floor was accepted and included a deep clean to the stone and grout, stone polish and then re-seal. I arrived on site on the arranged date and began by scrubbing all the grout lines with Tile Doctor grout brushes and a 3:1 dilution of Tile Doctor Pro-Clean. I then moved on to a small handheld polishing machine to clean around the tile edges using 800 and 1500 grit diamond encrusted burnishing pad to achieve a deep clean. The process was then repeated throughout the rest of the area using larger 17” burnishing pads fitted to a floor polishing machine. The burnishing pads I used come in a set of four starting with 400-grit and moving up to 800, 1500 and 3000 grit, after each pad is applied the floor is rinsed with water and the soil extracted with a wet vacuum. It took me much of the day to complete this stage of the renovation and the floor was still damp so once done I left for the day, allowing the floor to dry off overnight. I returned the following day to complete the final polish using the 3000-grit burnishing pad, this gave a high polished finish which the customer had requested. This last pad is applied dry with only a little water splashed onto the tile, a process we call a spray burnish. The floor was then sealed with three applications of Tile Doctor Ultra Seal Sealant to protect the newly restored and polished tiles. Ultra-Seal is a penetrating sealer that soaks into those recently cleaned pores in the stone, occupying the space and preventing any dirt from becoming ingrained there. It’s also a natural look sealer so it doesn’t change the colour of the stone in anyway and is almost indetectable once applied. “Hard work from Philip has left us with a kitchen floor brought back to life – cleaned and sealed in little over 24 hours – brilliant job – Thanks” Before leaving I gave the customer some tips on maintenance and a complimentary bottle of Tile Doctor Stone Soap to enable him to keep the floor looking its best, this product works well with the sealant we applied and is PH neutral so won’t degrade the new sealer. Phil Vissian Northamptonshire Tile Doctor

I received a call from this client in Old Marston around two miles north east of the centre of Oxford. They had lifted a lino floor in their kitchen and found an old Quarry Tiled floor underneath and decided to see if they could have it restored. I went over to survey the floor and could see that the tiles had been covered with a thin layer of levelling screed to ensure the lino didn’t sink into the recesses. I ran some tests to demonstrate how the screed could be removed which worked well and it was apparent that the tiles underneath were intact and could be renovated. I submitted a quotation for removing all the screed, deep cleaning the Quarry tiles and then sealing the tiles to protect them. The client was really pleased that we could restore the floor and the quote was accepted, with a date booked to do the work. To start the work, I applied undiluted Tile Doctor Grout Clean-up worked in with a small carbide brush attached to a hand-held rotary buffer. The combination of the acid in the Tile Doctor Grout Clean-up combined with the scrubbing action of the brush were effective at removing most of the screed. The small bits of remaining screed were carefully removed by hand, using a floor scraper. The floor was then rinsed with water and the soil removed with a wet vacuum. For the second phase of the cleaning process I applied Tile Doctor Oxy-Gel which was scrubbed into the floor with a stiff brush rinsing after with water and the soil extracted again using the wet vacuum. After cleaning the floor to remove the dirt I could still see some evidence of the screed on the tiles, so I decided to give the floor an Acid Wash using Tile Doctor Acid Gel which was scrubbed into the floor and rinsed off as before. Tile Doctor Acid Gel is of course an acidic product so once it was removed, I decided to rinse the floor with Tile Doctor Neutral Cleaner to neutralise the pH levels in the floor. The wet vacuum was used again to remove as much moisture from the Quarry tiles as possible before leaving the now clean floor to dry off fully overnight. I returned to seal this floor the next day. First, I checked the floor was fully dry with the damp meter, it was within the recommended range, so I was ready to complete the sealing process. The client was not too sure if they wanted a matt or sheen finish, so I first put a coat of Tile Doctor Colour Grow on the floor to show them the matt finish. Colour Grow is an impregnating sealer that enhances natural colour and protects from within by occupying the pores in the tile. After reviewing the floor, they decided it was not for them, so I followed up by applying several coats of Tile Doctor Seal & Go which adds a nice sheen finish and is compatible with Colour Grow. The combination of sealers worked very well together, and they were very satisfied with the final result and of course that we had been able to restore the Quarry tiles. Barry Woodward Oxfordshire Tile Doctor