About: Abandoned two years ago by a previous contractor, and overwhelmed by the challenges associated with building an updated porch respectful to this Queen Anne style home, J. Francis Company, LLC was referred to the customer by Maynes & Associates, Architects. Perched at the highest point on the North Side with a panoramic view is where Deb Mortillaro and Mike Gonze make their residence. Owners of the famous Dreadnought Wines and Palate Partners in the Strip District of Pittsburgh, Deb & Mike wanted a porch to use for entertaining & wine tasting parties. Design features include reuse of original porch footers, mahogany tongue & groove flooring, a railing system that compliments the original design yet complies with the code and features a clear coated Cyprus top rail. The original porch columns were most likely stone bases with wood posts that have been replaced with columns to enhance the updated look. The curved corner has been reproduced including a custom-built curved handrail. The whole porch comes together, tying in the red mahogany floor, Cyprus handrail, and stained bead board ceiling. The finished result is a breathtakingly beautiful wrap-around porch with ample room for guests and entertaining. Testimonial: "Our beloved porch had been taken down to be rebuilt for two years before we met the great folks at J. Francis Company. We knew this porch had great potential and all it would take was the right people to make it happen - ones with vision and great craftsmanship. In conjunction with our architect, Greg Maynes, Dave Myers of J. Francis Company guided this project along with tremendous skill and patience. His creative suggestions and practical thought made the process painless and exciting. The head carpenter JK was a marvel and added touches that made a spectacular difference. We use our home and especially this porch to entertain both clients and friends throughout the year. They all have been anxiously waiting to hear that it is done. A pleasant surprise will be theirs when they arrive."

Scandinavian kilims and Swedish rugs have the unique ability to harmonize effortlessly with many different interior design styles: Hygge, Organic Modern, New Nordic, Contemporary, Danish Modern, Mid-Century Modern, Art Deco, Cubism, Folk Art, Nomadic, and Industrial. Incorporating warp strands and tightly interwoven wefts, Scandinavian kilim rugs use colorfully designed wool for weft strands, making them highly desired by collectors and interior designers. In addition to abundant symbolism, various pattern placements, floral designs and rich shades of yellow, white and gray. A leading figure in modern Scandinavian rug-making and Swedish textile art is Märta Måås-Fjetterström, whose flat-weave rugs you will find at Esmaili Rugs and Antiques. Unbelievably skilled in imagining composition, form and line, Måås-Fjetterströms weavers like Barbro Nilsson, Ida Rydelius, Ingrid Dessau, Ingegerd Silow, Anna Andersson, Marianne Richter rug creations are full of natural visions transformed into decorative works of art considered esteemed ornamental treasures by rug historians and enthusiasts.

THE DOOR NAME ORIGIN - "PALLADIO TRE SOLID" FINISH: WHITE This is a bit tricky. Isn’t White the default finish that would look great on any interior door? Well, not quite. W. is the color most often associated with perfection, honesty, cleanliness, newness, neutrality, and exactitude. The pigment has been known and used by humans since prehistoric times. In ancient Egypt, W. symbolized purity. Roman patricians paraded around in W. togas to distinguish themselves from the common folk. It was the color of choice of French monarchs. Architects of all epochs used W., with considerable enthusiasm, in various projects and for various reasons. In the United States, architects favored it when designing churches, capitols, and municipal buildings – which is, in fact, a tradition they inherited from classical and Renaissance architecture. According to some experts, most of the buildings in the celebrated Forum were either made of, or clad in, W. marble. In Taoism, it represents the yang or masculine energy, one of the two complementary natures of the universe. Many authors, both classical and contemporary, have referred to W. as a sign of purity, either physical (like William Shakespeare, whose treacherous usurper monarch wishes a heavenly rain would cleanse his blood-stained hand, washing it “white as snow”) or spiritual (like Tennessee Williams, who named his lead character Blanche (derived, incidentally, from the Germanic word blanc)) as a symbol of her innocent child-like spirit, perceptible from the moment she makes her first entrance (through the interior door stage-left). Back in the Seventeenth Century, Sir Isaac Newton discovered that sunlight is composed of light with wavelengths across the visible spectrum which the human eye perceives as W. It is the lightest of the spectrum, and achromatic (hue-less) to boot, because it fully reflects and scatters all visible wavelengths of light, absorbing none. W. objects stand out in the dark. Depending on the surroundings, an interior door with W. finish might come off as emphatic or tactful, dominant or complementary. It blends seamlessly into most types of decor and, once the owner’s needs and disposition are taken into account, can symbolize - oh, so many different things, while bringing back a myriad memories: from those glorious snowy Alpine slopes and peaks to the fluffy tops of the wayward herd of cumulus cloud heap over the horizon on a balmy afternoon in the Caribbean. Tropical sand beaches are W. due to the high quantity of calcium carbonate they get from tiny bits of seashells ground to powder by the waves. In a number of cultures W. can also symbolize festivity, and be used lavishly to brighten up weddings, birthdays, and anniversaries. It is beautiful. Make sure it goes well with your interior door model, though.