2011 NARI CAPITAL COTY FINALIST AWARD WINNER This Cape Cod home located in Great Falls, VA, was in need of a major face lift. The front elevation had no defining character. Because the homeowners have three young active boys, their outdoor living space is important. They wanted to be able to have a porch to relax on while watching over the kids, have them hold a camp fire outdoors, and be able to entertain on the new side patio. Also the home’s entrance needed to be much more appealing. The new design included a new front covered porch made out of solid concrete walls with crawl space underneath for shed storage. Entire walls, floor, steps and walkway were done in flagstone. The half columns and patio with its retaining walls were also done in the same flagstone. The entire front face of old home was demolished. Then a 10’x30’ covered porch was framed-up to match the existing front elevation. Matching siding and roofing tied this look together. The front entrance was widened and includes a new mahogany door with leaded glass. A new bow window was added to bring more daylight into living room. Inside, a new kitchen with blond cabinetry, dark granite counters and rich wood floors has become a central gathering place. New stainless steel appliances, including a range hood, form a highly efficient work triangle. A tile backsplash and recessed lighting complete the redesign. The Arts & Crafts front porch with wide columns and railing, beaded ceiling panel, embedded lighting and ceiling fan made the front appearance a delightful place for the family to hang out. Implementing this front porch into the existing flat front Cape Cod had a major impact on the total appearance of this home. Now it looks like a brand new home has been added to the neighborhood.

Overview: Wing-like roofline houses a dramatic white villa in Costa Rica jungle. Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world. Concept Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling. Design Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space. This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces. Construction Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams. Sustainability At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.

Overview: Wing-like roofline houses a dramatic white villa in Costa Rica jungle. Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world. Concept Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling. Design Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space. This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces. Construction Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams. Sustainability At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.

Overview: Wing-like roofline houses a dramatic white villa in Costa Rica jungle. Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world. Concept Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling. Design Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space. This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces. Construction Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams. Sustainability At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.

Overview: Wing-like roofline houses a dramatic white villa in Costa Rica jungle. Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world. Concept Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling. Design Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space. This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces. Construction Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams. Sustainability At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.

2011 NARI CAPITAL COTY FINALIST AWARD WINNER This Cape Cod home located in Great Falls, VA, was in need of a major face lift. The front elevation had no defining character. Because the homeowners have three young active boys, their outdoor living space is important. They wanted to be able to have a porch to relax on while watching over the kids, have them hold a camp fire outdoors, and be able to entertain on the new side patio. Also the home’s entrance needed to be much more appealing. The new design included a new front covered porch made out of solid concrete walls with crawl space underneath for shed storage. Entire walls, floor, steps and walkway were done in flagstone. The half columns and patio with its retaining walls were also done in the same flagstone. The entire front face of old home was demolished. Then a 10’x30’ covered porch was framed-up to match the existing front elevation. Matching siding and roofing tied this look together. The front entrance was widened and includes a new mahogany door with leaded glass. A new bow window was added to bring more daylight into living room. Inside, a new kitchen with blond cabinetry, dark granite counters and rich wood floors has become a central gathering place. New stainless steel appliances, including a range hood, form a highly efficient work triangle. A tile backsplash and recessed lighting complete the redesign. The Arts & Crafts front porch with wide columns and railing, beaded ceiling panel, embedded lighting and ceiling fan made the front appearance a delightful place for the family to hang out. Implementing this front porch into the existing flat front Cape Cod had a major impact on the total appearance of this home. Now it looks like a brand new home has been added to the neighborhood.

Overview: Wing-like roofline houses a dramatic white villa in Costa Rica jungle. Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world. Concept Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling. Design Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space. This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces. Construction Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams. Sustainability At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.

Overview: Wing-like roofline houses a dramatic white villa in Costa Rica jungle. Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world. Concept Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling. Design Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space. This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces. Construction Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams. Sustainability At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.

Overview: Wing-like roofline houses a dramatic white villa in Costa Rica jungle. Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world. Concept Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling. Design Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space. This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces. Construction Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams. Sustainability At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.

Overview: Wing-like roofline houses a dramatic white villa in Costa Rica jungle. Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world. Concept Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling. Design Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space. This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces. Construction Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams. Sustainability At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.

Overview: Wing-like roofline houses a dramatic white villa in Costa Rica jungle. Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world. Concept Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling. Design Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space. This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces. Construction Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams. Sustainability At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.

The Stainless Steel Box Rail Kit was used to create privacy in the entrance to this master bathroom.
Zen bedroom photo in Seattle

Overview: Wing-like roofline houses a dramatic white villa in Costa Rica jungle. Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world. Concept Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling. Design Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space. This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces. Construction Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams. Sustainability At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.

Since moving into her Dublin home two and a half years ago, Nancy Sanford has been peeling off the decades—quite literally. Built in the 1980s, the home was “very well-maintained, but very little had been done to it” in terms of updating the finishes or style, Sanford says. Plush white carpet ran from wall-to-wall-to-wall, almond-colored laminate coated the kitchen cabinets and wallpaper ran rampant—even covering some ceilings. Despite her efforts, Sanford knew it was going to take more than cosmetic editing to shake the ‘80s and make the home her own. Although she lives in the traditional-leaning Muirfield community, Sanford adores a minimalist, contemporary style—and admits to devouring design magazines “ad nauseam.” To implement her thoroughly modern vision, Sanford turned to Brigid Norton, an interior designer and family friend, and Kristi Youles, a kitchen designer with The JAE Company. Working together, the trio created a carefully considered contemporary design that’s easy on the eyes, and the body. In addition to improving the flow of the kitchen—by removing a V-shaped peninsula that angled out into the room—and adding appliances like a stainless steel refrigerator, Sanford’s short list of must-haves included clean, uncluttered lines and no wall cabinets over the countertops. “I’ve found as I’ve aged, I’ve gotten shorter and just don’t use the upper cabinets,” Sanford explains. Easy-access, smooth-slide drawers with clean slab fronts were the answer—resulting in strong visual lines, an open, airy feel and enhanced ergonomics. Starting with a “needs assessment,” Youles and Norton designed the space quite literally around Nancy. By looking at factors such as her height and which items she uses most frequently, they were able to determine the optimum placement for everything from canned goods in the pantry to cutlery, pans and plates in the customized drawers, all of which helped to achieve the ultimate kitchen organization. But there’s more to the kitchen cabinets smooth façade than clean-lined storage. Walnut drawer fronts—found on the oven and the base of the island—are book-matched, allowing the grain to continue from drawer to drawer. And even in spaces where drawers weren’t feasible, beneath the sink and in a desk area, the designers continued the look with cabinet doors crafted to resemble drawers. The visual continuity of these lines might not be as impactful if it weren’t for the careful selection of contrasting finishes. The designers filled the space with pure, glossy white—using a specific type of quartz, White Cliff by Cambria, to accent the bold rectangular design of the island. Then, to break up the expanse of accompanying white painted drawers, walnut was selected to bring the contrasting warmth and grain of wood without red undertones. It is commonly found in modern furniture design, as well as current productions of mid-century designs like the iconic Eames Lounge Chair from Herman Miller, Youles says.

Powder room with glam geometric wallpaper complimented with a vessel sink rustic vanity with riveted hardware. Counter top is quartz Viatera - Truffle. Mirror framed wall mirror. Ryan Hainey

Shou sugi ban, weathered mesquite wood and white walls around found throughout this modern home, including in the stairway.
Staircase - modern wooden straight metal railing staircase idea in Austin

Small elegant gray one-story mixed siding gable roof photo in Charleston

Since moving into her Dublin home two and a half years ago, Nancy Sanford has been peeling off the decades—quite literally. Built in the 1980s, the home was “very well-maintained, but very little had been done to it” in terms of updating the finishes or style, Sanford says. Plush white carpet ran from wall-to-wall-to-wall, almond-colored laminate coated the kitchen cabinets and wallpaper ran rampant—even covering some ceilings. Despite her efforts, Sanford knew it was going to take more than cosmetic editing to shake the ‘80s and make the home her own. Although she lives in the traditional-leaning Muirfield community, Sanford adores a minimalist, contemporary style—and admits to devouring design magazines “ad nauseam.” To implement her thoroughly modern vision, Sanford turned to Brigid Norton, an interior designer and family friend, and Kristi Youles, a kitchen designer with The JAE Company. Working together, the trio created a carefully considered contemporary design that’s easy on the eyes, and the body. In addition to improving the flow of the kitchen—by removing a V-shaped peninsula that angled out into the room—and adding appliances like a stainless steel refrigerator, Sanford’s short list of must-haves included clean, uncluttered lines and no wall cabinets over the countertops. “I’ve found as I’ve aged, I’ve gotten shorter and just don’t use the upper cabinets,” Sanford explains. Easy-access, smooth-slide drawers with clean slab fronts were the answer—resulting in strong visual lines, an open, airy feel and enhanced ergonomics. Starting with a “needs assessment,” Youles and Norton designed the space quite literally around Nancy. By looking at factors such as her height and which items she uses most frequently, they were able to determine the optimum placement for everything from canned goods in the pantry to cutlery, pans and plates in the customized drawers, all of which helped to achieve the ultimate kitchen organization. But there’s more to the kitchen cabinets smooth façade than clean-lined storage. Walnut drawer fronts—found on the oven and the base of the island—are book-matched, allowing the grain to continue from drawer to drawer. And even in spaces where drawers weren’t feasible, beneath the sink and in a desk area, the designers continued the look with cabinet doors crafted to resemble drawers. The visual continuity of these lines might not be as impactful if it weren’t for the careful selection of contrasting finishes. The designers filled the space with pure, glossy white—using a specific type of quartz, White Cliff by Cambria, to accent the bold rectangular design of the island. Then, to break up the expanse of accompanying white painted drawers, walnut was selected to bring the contrasting warmth and grain of wood without red undertones. It is commonly found in modern furniture design, as well as current productions of mid-century designs like the iconic Eames Lounge Chair from Herman Miller, Youles says.

Since moving into her Dublin home two and a half years ago, Nancy Sanford has been peeling off the decades—quite literally. Built in the 1980s, the home was “very well-maintained, but very little had been done to it” in terms of updating the finishes or style, Sanford says. Plush white carpet ran from wall-to-wall-to-wall, almond-colored laminate coated the kitchen cabinets and wallpaper ran rampant—even covering some ceilings. Despite her efforts, Sanford knew it was going to take more than cosmetic editing to shake the ‘80s and make the home her own. Although she lives in the traditional-leaning Muirfield community, Sanford adores a minimalist, contemporary style—and admits to devouring design magazines “ad nauseam.” To implement her thoroughly modern vision, Sanford turned to Brigid Norton, an interior designer and family friend, and Kristi Youles, a kitchen designer with The JAE Company. Working together, the trio created a carefully considered contemporary design that’s easy on the eyes, and the body. In addition to improving the flow of the kitchen—by removing a V-shaped peninsula that angled out into the room—and adding appliances like a stainless steel refrigerator, Sanford’s short list of must-haves included clean, uncluttered lines and no wall cabinets over the countertops. “I’ve found as I’ve aged, I’ve gotten shorter and just don’t use the upper cabinets,” Sanford explains. Easy-access, smooth-slide drawers with clean slab fronts were the answer—resulting in strong visual lines, an open, airy feel and enhanced ergonomics. Starting with a “needs assessment,” Youles and Norton designed the space quite literally around Nancy. By looking at factors such as her height and which items she uses most frequently, they were able to determine the optimum placement for everything from canned goods in the pantry to cutlery, pans and plates in the customized drawers, all of which helped to achieve the ultimate kitchen organization. But there’s more to the kitchen cabinets smooth façade than clean-lined storage. Walnut drawer fronts—found on the oven and the base of the island—are book-matched, allowing the grain to continue from drawer to drawer. And even in spaces where drawers weren’t feasible, beneath the sink and in a desk area, the designers continued the look with cabinet doors crafted to resemble drawers. The visual continuity of these lines might not be as impactful if it weren’t for the careful selection of contrasting finishes. The designers filled the space with pure, glossy white—using a specific type of quartz, White Cliff by Cambria, to accent the bold rectangular design of the island. Then, to break up the expanse of accompanying white painted drawers, walnut was selected to bring the contrasting warmth and grain of wood without red undertones. It is commonly found in modern furniture design, as well as current productions of mid-century designs like the iconic Eames Lounge Chair from Herman Miller, Youles says.