Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings. The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table. Project Team: Ben Awes AIA, Principal-In-Charge

A rustic-modern house designed to grow organically from its site, overlooking a cornfield, river and mountains in the distance. Indigenous stone and wood materials were taken from the site and incorporated into the structure, which was articulated to honestly express the means of construction. Notable features include an open living/dining/kitchen space with window walls taking in the surrounding views, and an internally-focused circular library celebrating the home owner’s love of literature. Phillip Spears Photographer

Phillip and Marianne wanted an outdoor space extended from their inside living area. They had a great view onto the veld from their property. We decided to extend that view with Flagstones between ornamental gravel and created a rustic gumpole pergola structure with a fire pit in the centre and benches constructed with Wooden railway sleepers. The rest of the garden we opened up to the veld planting up a forest of Indigenous trees and allowing the veld grass to grow into their existing lawn. the result was a natural space extending the boundary of their inside space to the outside and giving them the feeling of living out into the veld.

He wanted a lake house, she wanted a pool. Tucked away on a small cul-de-sac in North Reading is a backyard oasis like no other. “During our initial meeting with the homeowners, it became apparent that they wanted a unique pool, so we suggested a free-form gunite pool surrounded by an indigenous Goshen Stone patio, custom cut to create ultra-tight joints. The stone arrived in huge slabs — most over 5’ x 5’ in size — and varied significantly in thickness. Countless hours were spent cutting, chiseling, and even sandblasting this life-sized jigsaw puzzle. The final look was exactly what we were shooting for.” Russell The pool itself has a dark, pebble finish with a long, custom bench and a simple, spillway stone creating a perfect respite with a calming sound. Surrounding the pool and patio is a lush lawn with large swatches of summertime perennials. The homeowner is an active gardener, so providing him with areas to hone his skills was paramount to our success as a design firm. Large, architectural boulders were carefully arranged throughout the rear yard as both design elements and as functional furniture. A custom-built, wood, wire, and split granite fence meets pool-enclosure requirements and adds that farmhouse-feel to the overall look. Carefully arranged Goshen step stone set flush in the lawn orchestrates movement throughout the garden while connecting the house and pool in a thoughtful, artistic way. No need to travel north to the lake when you’ve got this to enjoy daily — right in your own backyard!

This 2,500 square foot “studio” is located in a neighborhood bisected by alleys and containing charming remnants of indigenous outbuildings common to the region. The desire was to create a clean, open, contemporary interior in a building that outwardly referenced its context. The primary form of the house took shape from the long, narrow lot. On the north end, which faces an alley, a patinated clad steel structure forms a canopy for the entry. This carefully scaled “cabin”, raised above the upper level to access a glimpse of the mountains, pays homage to the many sheds lining the alley. The south end features a terrace above the garage that is an extension of the primary interior space. The masonry west wall of the building provides privacy from the adjacent lot. This functional “spine” contains program elements on both levels and is visible internally and externally. A gently curved wall provides continuity between the floors and shields a bathroom and dressing area. This wall stops short of the ceiling, allowing the uninterrupted plane of maple veneer plywood to form a canopy unifying the spaces. A.I.A. Wyoming Chapter Design Award of Honor 2004

Nestled in Dallas, Texas, our remote design team based out of Washington, D.C. has transformed a backyard into a serene haven—all without stepping foot in the Lone Star State! With a newly constructed ADU, our client sought a seamless blend of Texan beauty and modern convenience. Through our remote design process, we curated a landscape featuring native Texan plants, a timeless flagstone patio, meandering walkways, and a personalized garden area. Our selection of indigenous plants ensures year-round vibrancy with minimal upkeep. The rustic flagstone patio beckons relaxation under the Texan sun, while the custom garden area offers the joy of cultivating favorite herbs and blooms at home. Despite the miles between us, our design ethos resonates with Texan tranquility. And while we may hail from D.C., we're all for fostering camaraderie—even with Dallas Cowboys fans!

Outdoor stone bar with a grand view. This home used all natural stone.
Inspiration for a contemporary home bar remodel in Hawaii

Set amongst a splendid display of forty-one oaks, the design for this family residence demanded an intimate knowledge and respectful acceptance of the trees as the indigenous inhabitants of the space. Crafted from this symbiotic relationship, the architecture found natural placement in the beautiful spaces between the forty-one, acknowledging their presence and pedagogy. Conceived as a series of interconnected pavilions, the home hovers slightly above the native grasslands as it settles down amongst the oaks. Broad overhanging flat plate roofs cantilever out, connecting indoor living space to the nature beyond. Large windows are strategically placed to capture views of particularly well-sculptured trees, and enhance the connection of the grove and the home to the valley surround.

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Ellijay, Ga. area .Ellijay, Georgia, known as the “Apple Capital” of Georgia, is located between the Ellijay and Cartecay Rivers where they join to make the Coosawattee River and is the county seat of Gilmer County, Georgia. The origin of the city’s name is not certain but thought to be the English derivative of an Indian word(s) meaning “many waters”, “place of green things” or “new ground”. Some histories say it may have been named for an Indian chief. Inhabited for countless years by the Cherokee people indigenous to the North Georgia, the area was first mentioned as a village and trade center before the onslaught of white settlers inhabited the region. During the 1830’s both white settlers and Indians occupied Ellijay. During the original land lottery in 1832, Martin Scalf acquired the 160 acre lot where the town now stands. In 1833, Clemonds Quinland bought 10 acres from Scalf, retained one acre for himself and donated the rest of the purchase to the County. A plan for twenty town lots, streets and a public square was created and the streets were oriented to allow maximum sunlight exposure to the buildings. Proceeds from lot sales were used to build a jail and courthouse and pay other city expenses. During this same year, Gilmer County was appropriated $800.00 from the State to build a school, and a three-acre lot was donated for the city cemetery. On December 29, l834, Ellijay was incorporated and designated as the County seat of Gilmer County. By 1837, the town had twenty dwellings, three stores and one attorney. Most of these early buildings were of log construction. Many roads led to Ellijay by 1849. The population had grown to 150 by 1850 and the town at five stores. Some wood-frame buildings were being constructed at this time and in 1854, a new courthouse was built in the center of the square, replacing the earlier building. The County’s first newspaper was the Ellijay Courier, started in 1875, and during this time period, Ellijay was a stop on the stagecoach line. The railroad bridge over the Cartecay River was completed in 1884 and the town now had rail service. With the arrival of the railroad and subsequent tracks to White Path, Ellijay began to grow much faster. Many hotels were constructed and land was donated for a depot east of town. More industries, such as a cheese factory and the Shippen Brothers Lumber Mill, located in Ellijay. By 1898, the city had expanded its limits in every direction and now included the depot. By 1900, all the buildings on the town square were brick. This included the recently completed Hyatt Hotel. Most of the other buildings in town were still of log construction, but new wood-frame buildings were being built. The Shippen Brothers Lumber Company production was expanding and exporting their lumber to Europe. Within the next few decades, this company grew to be one of the largest employers in Ellijay, often with five to six million feet of lumber in the yard at one time. The population of Ellijay grew to 659 by 1910, and began to acquire many new modern conveniences such as electric lights and power, a telephone company and many new businesses. Then in 1912, a fire ravaged the city, destroying 23 buildings. As a result, many new buildings were constructed under new and stricter fire and safety guidelines. The population, however, decreased slightly at this time to 632 in 1920. During the 1920’s the town’s population began to grow again and, by this time, apples were being shipped out of the county and new storage facilities were built. Chickens were also shipped to markets outside of Ellijay and Gilmer County. From the mid 1930’s to 1950, Ellijay received much assistance from the Federal WPA Programs. The old courthouse was removed from the center of town square and the Hyatt Hotel was remodeled to be the new courthouse. A park was created on the site of the old courthouse and the streets around the square were paved. A new street was built at this time entering town from the northeast. Other new roads, bridges, sidewalks and gutters were constructed to improve the city. A school and gymnasium were also built and other structures improved. This growth began to impact the city’s infrastructure and in the l950’s and l960’s, a period of upgrading water systems, roads, and power supplies began. New low-rent housing appeared in l960 and a new hospital was built in l957. Georgia Highway 5 was widened in l962, new buildings around the square replaced old ones and some were remodeled. In 1974, the hospital was enlarged. Currently, Ellijay attracts tourists who love the small-town feel and friendly atmosphere. Hotels and restaurants, unique shops, antiques and art galleries lend their charms to those who visit. A new courthouse constructed to resemble the old one, new streetscaping, family-oriented downtown events and the beautification of the square have stepped up the social and economic activity and have made Ellijay a popular destination.

A Mexico vacation home featuring an open floor plan and indigenous materials blurs the distinction between indoors and out to fully maximize its stunning setting. Photos by Rigoberto Moreno

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Ellijay, Ga. area .Ellijay, Georgia, known as the “Apple Capital” of Georgia, is located between the Ellijay and Cartecay Rivers where they join to make the Coosawattee River and is the county seat of Gilmer County, Georgia. The origin of the city’s name is not certain but thought to be the English derivative of an Indian word(s) meaning “many waters”, “place of green things” or “new ground”. Some histories say it may have been named for an Indian chief. Inhabited for countless years by the Cherokee people indigenous to the North Georgia, the area was first mentioned as a village and trade center before the onslaught of white settlers inhabited the region. During the 1830’s both white settlers and Indians occupied Ellijay. During the original land lottery in 1832, Martin Scalf acquired the 160 acre lot where the town now stands. In 1833, Clemonds Quinland bought 10 acres from Scalf, retained one acre for himself and donated the rest of the purchase to the County. A plan for twenty town lots, streets and a public square was created and the streets were oriented to allow maximum sunlight exposure to the buildings. Proceeds from lot sales were used to build a jail and courthouse and pay other city expenses. During this same year, Gilmer County was appropriated $800.00 from the State to build a school, and a three-acre lot was donated for the city cemetery. On December 29, l834, Ellijay was incorporated and designated as the County seat of Gilmer County. By 1837, the town had twenty dwellings, three stores and one attorney. Most of these early buildings were of log construction. Many roads led to Ellijay by 1849. The population had grown to 150 by 1850 and the town at five stores. Some wood-frame buildings were being constructed at this time and in 1854, a new courthouse was built in the center of the square, replacing the earlier building. The County’s first newspaper was the Ellijay Courier, started in 1875, and during this time period, Ellijay was a stop on the stagecoach line. The railroad bridge over the Cartecay River was completed in 1884 and the town now had rail service. With the arrival of the railroad and subsequent tracks to White Path, Ellijay began to grow much faster. Many hotels were constructed and land was donated for a depot east of town. More industries, such as a cheese factory and the Shippen Brothers Lumber Mill, located in Ellijay. By 1898, the city had expanded its limits in every direction and now included the depot. By 1900, all the buildings on the town square were brick. This included the recently completed Hyatt Hotel. Most of the other buildings in town were still of log construction, but new wood-frame buildings were being built. The Shippen Brothers Lumber Company production was expanding and exporting their lumber to Europe. Within the next few decades, this company grew to be one of the largest employers in Ellijay, often with five to six million feet of lumber in the yard at one time. The population of Ellijay grew to 659 by 1910, and began to acquire many new modern conveniences such as electric lights and power, a telephone company and many new businesses. Then in 1912, a fire ravaged the city, destroying 23 buildings. As a result, many new buildings were constructed under new and stricter fire and safety guidelines. The population, however, decreased slightly at this time to 632 in 1920. During the 1920’s the town’s population began to grow again and, by this time, apples were being shipped out of the county and new storage facilities were built. Chickens were also shipped to markets outside of Ellijay and Gilmer County. From the mid 1930’s to 1950, Ellijay received much assistance from the Federal WPA Programs. The old courthouse was removed from the center of town square and the Hyatt Hotel was remodeled to be the new courthouse. A park was created on the site of the old courthouse and the streets around the square were paved. A new street was built at this time entering town from the northeast. Other new roads, bridges, sidewalks and gutters were constructed to improve the city. A school and gymnasium were also built and other structures improved. This growth began to impact the city’s infrastructure and in the l950’s and l960’s, a period of upgrading water systems, roads, and power supplies began. New low-rent housing appeared in l960 and a new hospital was built in l957. Georgia Highway 5 was widened in l962, new buildings around the square replaced old ones and some were remodeled. In 1974, the hospital was enlarged. Currently, Ellijay attracts tourists who love the small-town feel and friendly atmosphere. Hotels and restaurants, unique shops, antiques and art galleries lend their charms to those who visit. A new courthouse constructed to resemble the old one, new streetscaping, family-oriented downtown events and the beautification of the square have stepped up the social and economic activity and have made Ellijay a popular destination.

Meandering paths of pebble and oyster shell link the main house, pool and spa area, and the guest house on this Kiawah Island property. Regionally sourced granite steps set into the slope are repeated throughout the site. Wes Fredsell Photography

This Northwood’s retreat was designed and built in a sustainable process to minimize site disturbance. The primary structural beams of the main cabin are hemlock that were logged on site and cut in Henry Ford’s original mill. Most of the house is paneled in indigenous northern white cedar with hemlock ceilings and cabinets of red and white pine. The sub-floors are also made of hemlock. The home is timber framed, doweled, and jointed. There is a high-efficiency propane generator and battery storage system that provides ample electric power. The home has been designed to take advantage of passive solar radiation and can be heated by the radiant bio fuel heating system. Walls and roof are super insulated and well vented to protect against moisture buildup. Natural ventilation is aided by the thermal chimney design that keeps the home cool and fresh throughout the summer. The property has been recorded a conservation easement written to forever preserve the singular beauty of the steep slopes, ponds, and ridge lines. It provides that the land may not be divided or the timber harvested in a commercial cut.

Denis Massie, AAPQ, OALA
Inspiration for a mid-sized contemporary drought-tolerant and partial sun side yard pond in Other for summer.

Reference: TB202W-US Model: KALOO WHITE Color: White (available in black) Shape: Rectangular + Faucet (middle) Finish: Polish inside and outside US Dimensions: 15-3/4" x 9" US Draine size: standard hole size (1.5") Material: Human white marble grade A Shipping: CA=$28 - NY=$79 - FL=$73 - IL=$51... Weight: 44 lbs - 20 Kgs KALOO WHITE 15-3/4" x 9" is the smallest Natural stone wash-hands sink made in a genuine Human White marble with a simple and useful style, carved from a block of stone. Its shape, matte finish, without forgetting its very convenient slope give KALOO WHITE harmony and serenity. Doubly waterproofed by our care this model is ready to use. You will definitely not let anyone feel indifferent with this 100% natural stone unique in the US and exclusively available on Living'ROC.net. Feel free to click on our facebook portfolio page to inspire yourself with our clients' projects...Simply our living'ROC style. This natural stone Wash-hand sink will delight lovers of beautiful work, looking for rare, products. Add value to your home by transforming your bathroom into an oasis of elegance, calm, and tranquillity. Discover the well-being and the restful feeling our stone creation can offer you. KALOO WHITE is one of the most fashionable in our bathrooms range. This vessel sink is not only beautiful to look at it is also functional with its height and its edges allowing a large amount of water. Human white marble is dominant in strength of great value and authentic in look and feel. Our creation is delivered without an overflow drain and faucet (not included) - every US drains and faucets models you can find on the market will fit perfectly on LivingROC's sinks. The photos you see online have been taken with extreme care by our Founder CEO - Florent LEPVREAU to give our visitors an idea on how it might looks like. However product may vary from block to block as only mother nature decides what you may receive because each sink is unique. Therefore, we invite you to browse on our product portfolio to see the differences in each piece. We also draw your attention to the fact that veining, crystallization, that may appear to be cracks, but are actually indigenous to the stone, and other variations of colors up to 30% and more sometime (often on marble and onyx) and various stone features make all the charm of the stone and distinguish it from non-natural materials! Torrence White , Bali White, Toji White, Pegasus white, tahiti White, Rondo White are all made and carved from the same Guangxi White Marble and it can't be considered as a pure white as you can see. Our Quality Control photos shown on our portfolio are not available to choose by numbers.

Reference: BB507EW-US Model: RONDO WHITE Color: White Shape: Round Finish: Polished inside and outside US Dimensions: 16 x 4-1/3" EU Dimensions: 40 x 11 cm US Drain size: standard hole size (1.5") Shipping: CA=$39 - NY=$79 - FL=$73 - IL=$51... Weight: 46 lbs - 21 Kgs Material: White marble grade A RONDO WHITE is a 15-3/4" x 4-1/3" round white marble bathroom vessel sink, genuine stone made for bath and shower Deco. Our products cannot be compared to standard quality plastic, often overpriced vessel sinks. RONDO WHITE pure and sleek lines will give a cool and chic look to your bathroom with its white and streaks gray tones reminder of the concrete color fashionable for the bathroom decor. All our Bathroom vessel sinks are the creation of a combined group of talented masons dedicated to the idea of creating bathware made from natural material, which is environmentally friendly. Waterproofed RONDO WHITE is ready to use, sitting on a vanity top. This living'ROC's creation will complement perfectly with our Black granite shower bases even if the material is slightly structurally different. This Bathroom vessel sink is delivered without its drain. Our creation RONDO WHITE is delivered without an overflow drain (not included) - every US drains models you can find on the market will fit perfectly on Living'ROC Bathroom vessel sink range. This model is ready to use over the countertop. The photos you see online have been taken with extreme care by our Founder CEO - Florent LEPVREAU to give our visitors an idea on how it might looks like. However product may vary from block to block as only mother nature decides what you may receive because each sink is unique. Therefore, we invite you to browse on our product portfolio to see the differences in each piece. We also draw your attention to the fact that veining, crystallization, that may appear to be cracks, but are actually indigenous to the stone, and other variations of colors up to 30% and more sometime (often on marble and onyx) and various stone features make all the charm of the stone and distinguish it from non-natural materials! Torrence White , Bali White, Toji White, Pegasus white, tahiti White, Rondo White are all made and carved from the same Guangxi White Marble and it can't be considered as a pure white as you can see. Our Quality Control photos shown on our portfolio are not available to choose by numbers.

The mHouse is the brainchild of a magazine publisher intent on changing the way houses are constructed and how their owners relate to them. Named after one of the company’s website, the mHouse serves as a built manifesto of innovative panel materials such as rice hull composites and thermally fused laminate – becoming a case study house for over 30 international material suppliers. The design challenge was quite clear – how to use a series of new materials unproven in the US building trades to create a beautiful house that meets the unique needs of today’s family. The result is a building that is highly rational in its construction systems, while encouraging social gathering. The mHouse serves as a direct counterpoint to the typical suburban builder home – creating unique outdoor spaces in place of the typical open lawn, a variety of different views in contrast to one major view, and expressing a confidence in the future over nostalgia for the past. Through a series of layers and nodes, the landscape grounds the house and heightens the views from inside, using indigenous plantings applied in non-traditional ways, the landscape mirrors the house in rethinking the suburban home. The mHouse strikes a balance between proven methods and innovative solutions, resulting in one version of what is possible with these materials and setting the stage for future iterations and new possibilities. Size Total Finished Area: 3,405 sf Completion Date September 2015 Services Architecture Interior Design Consultant: Amy Carman Design Landscape Consultant: Texten

The carefully arranged micro spaces in the bedrooms create vast volumes in a limited area
Bedroom - traditional wallpaper bedroom idea in Delhi with beige walls

Contemporary clean lines flowing from roadside to front door. Entrance walkway with floating steps and surrounding water feature and contemporary planters.