This Northwood’s retreat was designed and built in a sustainable process to minimize site disturbance. The primary structural beams of the main cabin are hemlock that were logged on site and cut in Henry Ford’s original mill. Most of the house is paneled in indigenous northern white cedar with hemlock ceilings and cabinets of red and white pine. The sub-floors are also made of hemlock. The home is timber framed, doweled, and jointed. There is a high-efficiency propane generator and battery storage system that provides ample electric power. The home has been designed to take advantage of passive solar radiation and can be heated by the radiant bio fuel heating system. Walls and roof are super insulated and well vented to protect against moisture buildup. Natural ventilation is aided by the thermal chimney design that keeps the home cool and fresh throughout the summer. The property has been recorded a conservation easement written to forever preserve the singular beauty of the steep slopes, ponds, and ridge lines. It provides that the land may not be divided or the timber harvested in a commercial cut.

He wanted a lake house, she wanted a pool. Tucked away on a small cul-de-sac in North Reading is a backyard oasis like no other. “During our initial meeting with the homeowners, it became apparent that they wanted a unique pool, so we suggested a free-form gunite pool surrounded by an indigenous Goshen Stone patio, custom cut to create ultra-tight joints. The stone arrived in huge slabs — most over 5’ x 5’ in size — and varied significantly in thickness. Countless hours were spent cutting, chiseling, and even sandblasting this life-sized jigsaw puzzle. The final look was exactly what we were shooting for.” Russell The pool itself has a dark, pebble finish with a long, custom bench and a simple, spillway stone creating a perfect respite with a calming sound. Surrounding the pool and patio is a lush lawn with large swatches of summertime perennials. The homeowner is an active gardener, so providing him with areas to hone his skills was paramount to our success as a design firm. Large, architectural boulders were carefully arranged throughout the rear yard as both design elements and as functional furniture. A custom-built, wood, wire, and split granite fence meets pool-enclosure requirements and adds that farmhouse-feel to the overall look. Carefully arranged Goshen step stone set flush in the lawn orchestrates movement throughout the garden while connecting the house and pool in a thoughtful, artistic way. No need to travel north to the lake when you’ve got this to enjoy daily — right in your own backyard!

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Ellijay, Ga. area .Ellijay, Georgia, known as the “Apple Capital” of Georgia, is located between the Ellijay and Cartecay Rivers where they join to make the Coosawattee River and is the county seat of Gilmer County, Georgia. The origin of the city’s name is not certain but thought to be the English derivative of an Indian word(s) meaning “many waters”, “place of green things” or “new ground”. Some histories say it may have been named for an Indian chief. Inhabited for countless years by the Cherokee people indigenous to the North Georgia, the area was first mentioned as a village and trade center before the onslaught of white settlers inhabited the region. During the 1830’s both white settlers and Indians occupied Ellijay. During the original land lottery in 1832, Martin Scalf acquired the 160 acre lot where the town now stands. In 1833, Clemonds Quinland bought 10 acres from Scalf, retained one acre for himself and donated the rest of the purchase to the County. A plan for twenty town lots, streets and a public square was created and the streets were oriented to allow maximum sunlight exposure to the buildings. Proceeds from lot sales were used to build a jail and courthouse and pay other city expenses. During this same year, Gilmer County was appropriated $800.00 from the State to build a school, and a three-acre lot was donated for the city cemetery. On December 29, l834, Ellijay was incorporated and designated as the County seat of Gilmer County. By 1837, the town had twenty dwellings, three stores and one attorney. Most of these early buildings were of log construction. Many roads led to Ellijay by 1849. The population had grown to 150 by 1850 and the town at five stores. Some wood-frame buildings were being constructed at this time and in 1854, a new courthouse was built in the center of the square, replacing the earlier building. The County’s first newspaper was the Ellijay Courier, started in 1875, and during this time period, Ellijay was a stop on the stagecoach line. The railroad bridge over the Cartecay River was completed in 1884 and the town now had rail service. With the arrival of the railroad and subsequent tracks to White Path, Ellijay began to grow much faster. Many hotels were constructed and land was donated for a depot east of town. More industries, such as a cheese factory and the Shippen Brothers Lumber Mill, located in Ellijay. By 1898, the city had expanded its limits in every direction and now included the depot. By 1900, all the buildings on the town square were brick. This included the recently completed Hyatt Hotel. Most of the other buildings in town were still of log construction, but new wood-frame buildings were being built. The Shippen Brothers Lumber Company production was expanding and exporting their lumber to Europe. Within the next few decades, this company grew to be one of the largest employers in Ellijay, often with five to six million feet of lumber in the yard at one time. The population of Ellijay grew to 659 by 1910, and began to acquire many new modern conveniences such as electric lights and power, a telephone company and many new businesses. Then in 1912, a fire ravaged the city, destroying 23 buildings. As a result, many new buildings were constructed under new and stricter fire and safety guidelines. The population, however, decreased slightly at this time to 632 in 1920. During the 1920’s the town’s population began to grow again and, by this time, apples were being shipped out of the county and new storage facilities were built. Chickens were also shipped to markets outside of Ellijay and Gilmer County. From the mid 1930’s to 1950, Ellijay received much assistance from the Federal WPA Programs. The old courthouse was removed from the center of town square and the Hyatt Hotel was remodeled to be the new courthouse. A park was created on the site of the old courthouse and the streets around the square were paved. A new street was built at this time entering town from the northeast. Other new roads, bridges, sidewalks and gutters were constructed to improve the city. A school and gymnasium were also built and other structures improved. This growth began to impact the city’s infrastructure and in the l950’s and l960’s, a period of upgrading water systems, roads, and power supplies began. New low-rent housing appeared in l960 and a new hospital was built in l957. Georgia Highway 5 was widened in l962, new buildings around the square replaced old ones and some were remodeled. In 1974, the hospital was enlarged. Currently, Ellijay attracts tourists who love the small-town feel and friendly atmosphere. Hotels and restaurants, unique shops, antiques and art galleries lend their charms to those who visit. A new courthouse constructed to resemble the old one, new streetscaping, family-oriented downtown events and the beautification of the square have stepped up the social and economic activity and have made Ellijay a popular destination.

Ethnic patterns and modern furniture make for a perfect ‘fusion’ decor
Inspiration for a timeless wallpaper bedroom remodel in Delhi with beige walls

Photo of a traditional landscaping in San Francisco.

PROGRAM: RESIDENTIAL LOCATION: DUNKIRK ESTATE, SALT ROCK, SOUTH AFRICA SIZE: 350m² Located within Dunkirk Estate, this design maximises the potential of the small site. It minimises impact on the surrounding environment by reducing cut and fill. The building opens up to the north and south to maximise natural light and reduce solar heat gain. All windows on the upper ground floor slide away to promote cross ventilation and promote indoor/outdoor living. The large expanse of Low-E glass captures views into the forest from both levels, whilst maintaining a good thermal performance The rainwater collected from the 15000 litre harvesting system will be used to flush toilets and irrigate the landscaping. The indigenous green roof not only reduces heat gain in summer and heat loss in winter, it also serves to visually integrate the built environment with the natural surrounding vegetation. The interiors were designed by Moos Interior Architects.

Yolseuiloyan: Nahuatl word that means "the place where the heart rests and strengthens." The project is a sustainable eco-tourism complex of 43 cabins, located in the Sierra Norte de Puebla, Surrounded by a misty forest ecosystem, in an area adjacent to Cuetzalan del Progreso’s downtown, a magical place with indigenous roots. The cabins integrate bio-constructive local elements in order to favor the local economy, and at the same time to reduce the negative environmental impact of new construction; for this purpose, the chosen materials were bamboo panels and structure, adobe walls made from local soil, and limestone extracted from the site. The selection of materials are also suitable for the humid climate of Cuetzalan, and help to maintain a mild temperature in the interior, thanks to the material properties and the implementation of bioclimatic design strategies. For the architectural design, a traditional house typology, with a contemporary feel was chosen to integrate with the local natural context, and at the same time to promote a unique warm natural atmosphere in connection with its surroundings, with the aim to transport the user into a calm relaxed atmosphere, full of local tradition that respects the community and the environment. The interior design process integrated accessories made by local artisans who incorporate the use of textiles and ceramics, bamboo and wooden furniture, and local clay, thus expressing a part of their culture through the use of local materials.

A rustic-modern house designed to grow organically from its site, overlooking a cornfield, river and mountains in the distance. Indigenous stone and wood materials were taken from the site and incorporated into the structure, which was articulated to honestly express the means of construction. Notable features include an open living/dining/kitchen space with window walls taking in the surrounding views, and an internally-focused circular library celebrating the home owner’s love of literature. Phillip Spears Photographer

Yolseuiloyan: Nahuatl word that means "the place where the heart rests and strengthens." The project is a sustainable eco-tourism complex of 43 cabins, located in the Sierra Norte de Puebla, Surrounded by a misty forest ecosystem, in an area adjacent to Cuetzalan del Progreso’s downtown, a magical place with indigenous roots. The cabins integrate bio-constructive local elements in order to favor the local economy, and at the same time to reduce the negative environmental impact of new construction; for this purpose, the chosen materials were bamboo panels and structure, adobe walls made from local soil, and limestone extracted from the site. The selection of materials are also suitable for the humid climate of Cuetzalan, and help to maintain a mild temperature in the interior, thanks to the material properties and the implementation of bioclimatic design strategies. For the architectural design, a traditional house typology, with a contemporary feel was chosen to integrate with the local natural context, and at the same time to promote a unique warm natural atmosphere in connection with its surroundings, with the aim to transport the user into a calm relaxed atmosphere, full of local tradition that respects the community and the environment. The interior design process integrated accessories made by local artisans who incorporate the use of textiles and ceramics, bamboo and wooden furniture, and local clay, thus expressing a part of their culture through the use of local materials.

This 2,500 square foot “studio” is located in a neighborhood bisected by alleys and containing charming remnants of indigenous outbuildings common to the region. The desire was to create a clean, open, contemporary interior in a building that outwardly referenced its context. The primary form of the house took shape from the long, narrow lot. On the north end, which faces an alley, a patinated clad steel structure forms a canopy for the entry. This carefully scaled “cabin”, raised above the upper level to access a glimpse of the mountains, pays homage to the many sheds lining the alley. The south end features a terrace above the garage that is an extension of the primary interior space. The masonry west wall of the building provides privacy from the adjacent lot. This functional “spine” contains program elements on both levels and is visible internally and externally. A gently curved wall provides continuity between the floors and shields a bathroom and dressing area. This wall stops short of the ceiling, allowing the uninterrupted plane of maple veneer plywood to form a canopy unifying the spaces. A.I.A. Wyoming Chapter Design Award of Honor 2004

A dramatic "dwell" style home with wood-siding offering a front portico with heated stone floor entry matching interior entrance with real oak flooring throughout the home. The great room, comprising kitchen, living and dining space into one, features an impressive vaulted ceiling, modern electronic fireplace, and huge windows to bring the outdoors in. On the main level is the main suite with a glorious bathroom featuring a "slipper" soaking tub, double sink vanity and a large glass-edged shower. This is a terrific getaway space, with large windows, a huge foyer/common room, and a very comfy bedroom with windows overlooking the woods and with an en-suite bathroom.The floors on this level are radiant heated, polished concrete. Oak flooring, solid core custom oak doors, top notch hardware, polished concrete lower level floors, use of indigenous stone, and the "living with nature" look, all make this truly a very special home.

Patrick Coulie
Inspiration for a large rustic brown two-story wood exterior home remodel in Denver

Trendy home design photo in Other

Vienna Addition Skill Construction & Design, LLC, Design/Build a two-story addition to include remodeling the kitchen and connecting to the adjoining rooms, creating a great room for this family of four. After removing the side office and back patio, it was replaced with a great room connected to the newly renovated kitchen with an eating area that doubles as a homework area for the children. There was plenty of space left over for a walk-in pantry, powder room, and office/craft room. The second story design was for an Adult’s Only oasis; this was designed for the parents to have a permitted Staycation. This space includes a Grand Master bedroom with three walk-in closets, and a sitting area, with plenty of room for a king size bed. This room was not been completed until we brought the outdoors in; this was created with the three big picture windows allowing the parents to look out at their Zen Patio. The Master Bathroom includes a double size jet tub, his & her walk-in shower, and his & her double vanity with plenty of storage and two hideaway hampers. The exterior was created to bring a modern craftsman style feel, these rich architectural details are displayed around the windows with simple geometric lines and symmetry throughout. Craftsman style is an extension of its natural surroundings. This addition is a reflection of indigenous wood and stone sturdy, defined structure with clean yet prominent lines and exterior details, while utilizing low-maintenance, high-performance materials. We love the artisan style of intricate details and the use of natural materials of this Vienna, VA addition. We especially loved working with the family to Design & Build a space that meets their family’s needs as they grow.

• Living in place, no step entry design • Sited to maximize passive solar, view of The Chief and Howe Sound from wrap around deck • Cul-de-sac location, ultimate privacy • Low maintenance Hardie siding, cedar soffits • Xeriscape drought tolerant indigenous water wise plantings

The owners of Moonlight Basin Ranch are from the southeast, and they wanted to start a tradition of skiing, hiking, and enjoying everything that comes with the classic Montana mountain lifestyle as a family. The home that we created for them was built on a spectacular piece of property within Moonlight Basin (Resort), in Big Sky, Montana. The views of Lone Peak are breathtaking from this approximately 6500 square foot, 4 bedroom home, and elk, moose, and grizzly can be seen wandering on the sloping terrain just outside its expansive windows. To further embrace the Rocky Mountain mood that the owners envisioned—and because of a shared love for Yellowstone Park architecture—we utilized reclaimed hewn logs, bark-on cedar log posts, and indigenous stone. The rich, rustic details in the home are an intended continuation of the landscape that surrounds this magnificent home.

One of the most prestigious projects we have supplied is the Martin House in Buffalo NY. Designed by Frank Lloyd Wright in 1904 it was the largest residential complex of his career and one of the most expensive. Although the house had fallen in to disrepair and a number of the buildings demolished, the Darwin Martin House Corporation have over seen its re-birth and return to its former glory. Northern became involved in 1994 and supplied tiles for the main house in 1996 and the Barton house a year later. Once the Pergola and Garage had been re-created we again supplied tiles, finishing out a 14 year involvement with the project. This is a true masterpiece of American design and heritage and you owe yourself a visit.

Golden hour here at this 1940’s colonial that has been beautifully reimagined by its clever homeowners. Our design team sought to immerse this bold assertive structure in a native grasses heavy design featuring many coastal plain plants indigenous to this region. Animating, texturing and foregrounding with color and movement, this reactivated landscape looks like no other on this traditionally manicured, lawn-heavy street. Seedheads and silhouettes will continue to offer structure and interest through winter while rewarding non-migratory birds and wildlife with essential shelter and sustenance.

Plant design and installation and photography by Chris Kolb of Ark Gardens. The client showed me a photo of a Mediterranean style windswept coastal garden. He was also open to use of native, indigenous plants of coastal New England. This is the result of that conceptual foundation. It is a celebration of life with an abundance of summer bloom, yet winter structure enough for four season interest.