The Rockview Interior floor project was where Tom Ralston Concrete developed a special technique to fashion concrete to look like ocean shelves and craggy ocean cliffs. Because of its fanfare the Rockview House has been used again and again for Architectural Tours as well as being used to host special events. The Rockview concrete won a National Award for best specialty finish in Las Vegas at the World of Concrete in 2011. The floors are a unique blend of aquarium sand, beach glass, sea shells, and multiple acid stains. The National recognition from the Rockview project served to bring international work to Tom Ralston Concrete. Similar floors were constructed in Boca Del Toro, a small island off the coast of Panama on the Caribbean Sea. Tom Ralston

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home. The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home. The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet. Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge

Horizontal and vertical wood grid work wood boards is overlaid on an existing 1970s home and act architectural layers to the interior of the home providing privacy and shade. A pallet of three colors help to distinguish the layers. The project is the recipient of a National Award from the American Institute of Architects: Recognition for Small Projects. !t also was one of three houses designed by Donald Lococo Architects that received the first place International HUE award for architectural color by Benjamin Moore

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home. The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home. The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet. Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge

Phantom Screens, the leading manufacturer of retractable screens in North America, selects Bob Michels Construction of North Oaks, Minnesota as their 2016 Impact Winner. The Phantom Screens Impact Award recognizes residential design and building professionals for using innovative products to deliver cutting edge designs that set them above the rest. Impact Award winners have proven that they are committed to enhancing lifestyles and living spaces by integrating Phantom’s retractable screen products into designs that deliver added value and comfort to today’s homeowner. Bob Michels Construction’s submission is a unique space featuring a car carousel which operates both as a space to highlight the owner’s car collection and the functional purpose to turn cars around and drive out of the showroom. Phantom’s retractable screens turned the open-air ramada into a large entertaining and gathering screened porch area with one touch of a button. “Phantom’s retractable screens were used to achieve a desired mix of modern and traditional finishes,” said Andrew Michels, Vice President of Bob Michels Construction. “Phantom Screens is the only company that allowed the customization of this unique space with a long-lasting and sustainable product.” The winner was selected by a panel of Phantom Screen judges and evaluated primarily on design and creativity, market appeal and livability, and product integration. The winning project received recognition on booth signage at the NAHB International Builders Show, a one-page advertorial feature in Builder magazine, an in depth case study and more! Photography: LandMark Photography

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home. The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home. The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet. Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home. The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home. The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet. Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge

Phantom Screens, the leading manufacturer of retractable screens in North America, selects Bob Michels Construction of North Oaks, Minnesota as their 2016 Impact Winner. The Phantom Screens Impact Award recognizes residential design and building professionals for using innovative products to deliver cutting edge designs that set them above the rest. Impact Award winners have proven that they are committed to enhancing lifestyles and living spaces by integrating Phantom’s retractable screen products into designs that deliver added value and comfort to today’s homeowner. Bob Michels Construction’s submission is a unique space featuring a car carousel which operates both as a space to highlight the owner’s car collection and the functional purpose to turn cars around and drive out of the showroom. Phantom’s retractable screens turned the open-air ramada into a large entertaining and gathering screened porch area with one touch of a button. “Phantom’s retractable screens were used to achieve a desired mix of modern and traditional finishes,” said Andrew Michels, Vice President of Bob Michels Construction. “Phantom Screens is the only company that allowed the customization of this unique space with a long-lasting and sustainable product.” The winner was selected by a panel of Phantom Screen judges and evaluated primarily on design and creativity, market appeal and livability, and product integration. The winning project received recognition on booth signage at the NAHB International Builders Show, a one-page advertorial feature in Builder magazine, an in depth case study and more! Photography: LandMark Photography

Horizontal and vertical wood grid work wood boards is overlaid on an existing 1970s home and act architectural layers to the interior of the home providing privacy and shade. A pallet of three colors help to distinguish the layers. The project is the recipient of a National Award from the American Institute of Architects: Recognition for Small Projects. !t also was one of three houses designed by Donald Lococo Architects that received the first place International HUE award for architectural color by Benjamin Moore

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home. The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home. The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet. Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home. The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home. The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet. Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge

Phantom Screens, the leading manufacturer of retractable screens in North America, selects Bob Michels Construction of North Oaks, Minnesota as their 2016 Impact Winner. The Phantom Screens Impact Award recognizes residential design and building professionals for using innovative products to deliver cutting edge designs that set them above the rest. Impact Award winners have proven that they are committed to enhancing lifestyles and living spaces by integrating Phantom’s retractable screen products into designs that deliver added value and comfort to today’s homeowner. Bob Michels Construction’s submission is a unique space featuring a car carousel which operates both as a space to highlight the owner’s car collection and the functional purpose to turn cars around and drive out of the showroom. Phantom’s retractable screens turned the open-air ramada into a large entertaining and gathering screened porch area with one touch of a button. “Phantom’s retractable screens were used to achieve a desired mix of modern and traditional finishes,” said Andrew Michels, Vice President of Bob Michels Construction. “Phantom Screens is the only company that allowed the customization of this unique space with a long-lasting and sustainable product.” The winner was selected by a panel of Phantom Screen judges and evaluated primarily on design and creativity, market appeal and livability, and product integration. The winning project received recognition on booth signage at the NAHB International Builders Show, a one-page advertorial feature in Builder magazine, an in depth case study and more! Photography: LandMark Photography

Horizontal and vertical wood grid work wood boards is overlaid on an existing 1970s home and act architectural layers to the interior of the home providing privacy and shade. A pallet of three colors help to distinguish the layers. The project is the recipient of a National Award from the American Institute of Architects: Recognition for Small Projects. !t also was one of three houses designed by Donald Lococo Architects that received the first place International HUE award for architectural color by Benjamin Moore

Think of the Noon Starter Kit as mission control center, but for your house. Play music, and even control your lighting with your voice using Amazon Alexa or Google Assistant.

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home. The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home. The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet. Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge

One of the USA’s most sustainable family homes, constructed with the extensive use of Accoya wood, has been awarded platinum level LEED certification – the highest recognition available from the US Green Building Council. The 4,211 sq. ft. custom built single family residence in California’s desirable Newport Beach has become a benchmark in Energy and Environmental Design for Homes and will serve as an educational tool for the local and international community to showcase stewardship of the environment. Accoya was used for the fascia of the house, as well as for additional features including the balcony railing, rain screen siding, garage doors, jamb and decorative beams.

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home. The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home. The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet. Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home. The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home. The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet. Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge

Horizontal and vertical wood grid work wood boards is overlaid on an existing 1970s home and act architectural layers to the interior of the home providing privacy and shade. A pallet of three colors help to distinguish the layers. The project is the recipient of a National Award from the American Institute of Architects: Recognition for Small Projects. !t also was one of three houses designed by Donald Lococo Architects that received the first place International HUE award for architectural color by Benjamin Moore