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Advance Design Studio, Ltd.Jennifer and Dan have lived in their Deer Park Illinois home for 15 years, slowly making minor fixes like painting and decorating; but they had a new plan for their kitchen the entire time. An awkwardly placed garage door, and an island cooktop with a terrible downdraft made a full-scale kitchen remodel an absolute must. Jennifer had many ideas in mind and wanted to work with a company that could provide high-end work, while partnering with a designer that would tailor the kitchen to her ideas.
She was intrigued by the phrase “Common Sense Remodeling” in Advance Design’s feature she discovered while perusing an issue of the community’s Quintessential Barrington Magazine. Doing further research on the company’s website, as she looked through project profiles and read about Advance Design’s “Common Sense Remodeling” philosophy, she promptly scheduled an appointment to see if the people and ideas she read about were truly who they said they were. The more she read, the more she knew that the “Common Sense” approach to remodeling they described was exactly the type of company she was looking for.
The partnership was sealed after an initial consultation with Owner Todd Jurs and Project Designer Michelle Lecinski. They displayed a combination of friendliness, professionalism and respect that was unmatched by any of the other companies Jennifer talked to. She knew that with Advance Design, she would be able to retain the vision that she had in mind with high-quality craftsmanship.
“I reached out to Advance Design because of the ‘Common Sense Remodeling’ tagline,” Jennifer said. “That’s what lingered for me”. “Advance Design was the most respectful- of the house and of my design ideas, and the most professional of the handful of companies that looked at my project”.
Soon after the meeting Jennifer began working with Michelle on the project design. They quickly developed chemistry. Jennifer loved how Michelle researched and located every detail that Jennifer wanted for the kitchen. Between the two of them, every concept and idea was worked through and perfected. “Jennifer had definite ideas about what she wanted the new kitchen to look like, she just didn’t know how to bring it all together. We worked together really well to make her ideas into the practical reality necessary for a well-functioning kitchen, with the look and feel that she had envisioned”, says Michelle.
“Michelle was wonderful in using the CAD system she would show me new drawings every time we changed the layout while working through the design,” Jennifer said. “She was a really wonderful partner in execution, she made sure everything happened quickly and easily.”
The finished design drew out elements of Jennifer’s style and personality. The pair call the look “sophisticated farmhouse” to describe the kitchen renovation to family and friends. The result was a beautifully crafted, authentic-feeling space that satisfied Jennifer’s dreams 15 years in the making. The whole project consisted of a kitchen remodel, mudroom upgrade with powder room, and garage entry relocation. “The projects I personally like the best, are the ones that put the client’s dreams on display,” Project Designer Michelle said. “And this is one of those projects.”
The main focal point of the kitchen is custom zinc and brass ventilation hood with a vintage sheen, which was hand made to order by a small company in Indiana named Vogler Metalworking. “It’s like sculpture, a true work of art”, says Jennifer. Your eye is immediately drawn towards this elegant yet practical hood that eliminated the home’s downdraft problem and added a striking conversation piece at the same time. The carpenters had to use special gloves when transporting and installing it, so they didn’t smudge it with fingerprints. The beautiful hood centers proudly over the stunning black enamel and brass LaCornue Range. “I had a friend who had a LaCornue range and after learning how easy it was to cook perfect meals, I was convinced I wanted to have one”, says Jennifer. This unique, breathtaking combination anchors the entire kitchen and is apparent immediately as you walk into the great room the surrounds the space.
DuraSupreme Crestwood cabinets with a Kendall Panel add function and sophistication. A custom gray paint color paired with a storm blue was developed so that the new kitchen looked like it belonged to the existing space. Unlacquered brass faucets and hardware were important to Jennifer because she wanted the living finishes to age over time. Remarkable brass diamond mesh cabinet door inserts imported from the UK continue to add this one-of-a-kind kitchen renovation; giving it a “you won’t see this everywhere” quality. The use of old railcar flooring for the coffee bar countertop and reclaimed oak for the open shelving gives an authenticity to the space uncommon in kitchens today.
Jennifer and Michelle fell in love with the Limestone Grey Stone while they were investigating unique island countertop ideas. They liked the fact that the limestone as a living finish will age and change over time. Calcutta Miel Quartz countertops made for an excellent pairing around the perimeter, as it’s durable and perfect for cooking preparations. A textured white subway tile backsplash that runs to the ceiling keeps your eye moving towards the open shelving, and to the main focal point of the stunning range hood combination.
“The kitchen functions beautifully, and it’s gorgeous,” beams Jennifer as she gestures with both hands while smiling ear to ear. “The most important thing was I wanted a kitchen that had a wonderful flow, cooked beautiful meals and was a great gathering place for family and friends, and this space does that perfectly! Beauty wise, it turned out exactly how I had envisioned. I felt the function part was the hardest part, and that was nailed”!
Relocating the garage entry to the new mudroom was a huge priority and has finally separated the family’s arriving home functions from their kitchen. Now coats and shoes and bags have their own area for dropping once members arrive home. Matching gray DuraSupreme cabinetry helped create gorgeous, purposeful lockers for the family. A reclaimed vintage sink and custom wall paper were added to the tiny powder room to beautify the once previously only functional space. Advance Design was even able to create a custom space for their dog to sleep while the family is away.
“It was unbelievable that a project of this size was completed in such a short time, and I think that’s because of the large amount of planning and preparation that went into it,” Jennifer marveled, “When we started, we were ready, and everything was prepared”.
When it came to execution, Project Manager Justin Davis and his crew were quick, accessible, and organized. Projects like this kitchen are typically completed in as little as 8-10 weeks. Jennifer’s kitchen however despite the relocation of some challenging HVAC in a soffit and moving of an exterior door was completed remarkably fast in part because the team was working with an existing tile floor that ran throughout the first floor that the client really loved.
“You get to know these people really well because they’re living in your house while you’re living in your house. They were so fast and really good, it didn’t take as long as even planned” reported Jennifer. “I would text Justin and he always responded almost immediately. I got to know all the guys who were working in our house and they were all wonderful people”.
Details in a customized kitchen like this one require skill and care from the people who install it. “All the guys on the job were skilled at what the did. I wanted small details like little feet to look like furniture, that is where their carpentry skill came in to make these all perfect”, said Jennifer. “The tile guys were wonderful. They even let me determine how I wanted the texture with the grout to appear for a salt and pepper look; now that is a very skilled trade person making it custom”.
In Jennifer’s interview, she continued to reference Advance Design’s “Common Sense Remodeling”, so I took a minute to ask her exactly what that phrase meant to her and how it played out in her experience with her project and the Advance Design team. Here is what she said: “I was intrigued about Common Sense Remodeling and in my head that there would be clear costs and prices, great communication between the design team, the execution team and me”, said Jennifer. They did deliver on that, it was so clear about the cost breakdown, what I could expect from everyone who came to my house, and everything that we had ordered. That to me is the Common Sense”!
It’s great to see a client take literally our assertion that a well-planned remodeling project is simply “Common Sense”! She anticipated each step of the way would be clear, concise, and predictable, all the while protecting the outcome due to the careful upfront planning. “Advance Design delivered on their ‘Common Sense Remodeling’ promise,” Jennifer said. “From the design team, to the execution team - everything was straight forward like I imagined. The project turned out exactly how I envisioned, I enjoyed this process and absolutely would recommend Advance Design Studio to anyone.”
MESA Contracting, LLCThe Challenge: Create a rugged yet warm farmhouse feel in a high rise tower. Start with an entire 9600 gross square foot penthouse floor of raw concrete floor, walls and ceiling. Devise inventive ways to address intractable existing conditions including a plumbing layout inconsistent with our Client program, a relatively low ceiling and a massive elevator core and yet take of advantage of panoramic views of the city from all sides.
For example, rather than make a bulky drywall enclosure for existing pipes that poke thru the kitchen counter, they are wrapped with antique painted galvanized sheet metal to keep sight lines around the corner as open as possible. Or, transform an unattractive and inconveniently located 24” diameter vertical duct in the middle of Samantha’s and Hannah’s (grandchildren’s) guest bedroom into part of a lovely arched top bed nook. Or, disguise a chase for above floor plumbing runs as the base for an open buffet counter. The oppressive elevator lobby was shortened; terminating in handmade glass and steel garden doors at both ends. Custom details include a groined vaulted ceiling and arched openings with stone pilasters (for future trompe-l’oeil images of a Tuscany countryside). To maximize a feeling of height, the ceilings start low and get higher as they progress to the outside walls.
The Program: Create a five bedroom condo for an elderly couple with specific and different needs. Mr. likes his privacy and to stay up late into the night on the internet. He likes order. Mrs. has some physical limits that have been addressed in various ways such as shorter travel distances, a step down shower, raised dishwasher and custom cast (to ensure that they won’t rust) iron grab bars. She prefers more disorder.
Spaces should be visually arresting, full of detail and easy to maintain. Private spaces include separate master bathrooms, his and her offices and a multi screened Media Room. The balance of the floor must link spaces into one continuous open room along the south and east elevations using large elements yet keeping an intimate scale, sound control and privacy. For example, a substantial fireplace made of old barn timber framing, country stone and a hammered iron grill is strategically located at the critical Southeast corner. Above, black iron offset pintel hardware allow custom double doors to hide a large flat screen TV.
High technology is in place for inconspicuous yet easy use. Icon driven key pads operate lighting, window treatments, audio visual systems with multiple sources and access to movie and music databases and five HVAC zones with independent humidity controls.
Outstanding Features: Exterior masonry walls have stone culled from five quarries. Sprinkled throughout are surprises - bricks with words as messages from the past, wood trimmed niches and colored glass. Glass pieces set in window corners offer bursts of color when backlit by the sun. These materials are assembled in a rough irregular fashion to look like the work of a mason from the Italian countryside. Interior ceilings and walls have overlapping layers of two plaster colors. Perimeter ceilings are made of smooth random width cedar. Rough planed cedar beams hide ductwork and allow the maximum ceiling height between them.
Custom details are everywhere-consider the ten foot barn doors on overhead track at the service elevator, cedar benches/storage areas that run below window banks, antique air registers, acid washed piano hinges and transom window operators and existing concrete piers that are featured instead of hidden. The floors are made of random width wide plank old oak with hand planed faces and edges. Overall, the elements were carefully selected or painted/stained to form a soft muted gray palate
The Country kitchen features an old fashioned style ice box appearance for the refrigerator/freezer, a tin ceiling, a distressed assortment of cabinets in multiple heights, colors and woods such as the cherry wood buffet cabinet with sliding glass doors on both sides. A backlit breakfast counter, a hammered copper hood and chicken wire inserts are part of the effort to make a comfortable, eclectic old fashioned looking Kitchen while containing the latest appliances and storage systems.
Awards:
This project has won several kitchen and bath awards:
Felman Kitchen Awards
2009 St. Louis Homes and Lifestyles Kitchen of the Year – Gold Award
2008-2009 SubZero Wolf Kitchen Design Contest – Regional Winner, Regional Designer’s Choice
2010 NKBA Art of the Industry – Pinnacle of Design Award
2010 NKBA Art of the Industry – First Place Medium Kitchen
2010 NKBA Art of the Industry – Consumer’s Choice Award
2010 K&BB Kitchen of the Year Award
Felman Bath Awards
2010 Ladue News Award—Master Bathroom
Keeping InteriorsA modern guest suite comes alive with colorful accents in the form of a multi-tone rug, punchy pillows, and whimsical modern art against a background of serene white
Jim Bartsch
Find the right local pro for your project
MESA Contracting, LLCThe Challenge: Create a rugged yet warm farmhouse feel in a high rise tower. Start with an entire 9600 gross square foot penthouse floor of raw concrete floor, walls and ceiling. Devise inventive ways to address intractable existing conditions including a plumbing layout inconsistent with our Client program, a relatively low ceiling and a massive elevator core and yet take of advantage of panoramic views of the city from all sides.
For example, rather than make a bulky drywall enclosure for existing pipes that poke thru the kitchen counter, they are wrapped with antique painted galvanized sheet metal to keep sight lines around the corner as open as possible. Or, transform an unattractive and inconveniently located 24” diameter vertical duct in the middle of Samantha’s and Hannah’s (grandchildren’s) guest bedroom into part of a lovely arched top bed nook. Or, disguise a chase for above floor plumbing runs as the base for an open buffet counter. The oppressive elevator lobby was shortened; terminating in handmade glass and steel garden doors at both ends. Custom details include a groined vaulted ceiling and arched openings with stone pilasters (for future trompe-l’oeil images of a Tuscany countryside). To maximize a feeling of height, the ceilings start low and get higher as they progress to the outside walls.
The Program: Create a five bedroom condo for an elderly couple with specific and different needs. Mr. likes his privacy and to stay up late into the night on the internet. He likes order. Mrs. has some physical limits that have been addressed in various ways such as shorter travel distances, a step down shower, raised dishwasher and custom cast (to ensure that they won’t rust) iron grab bars. She prefers more disorder.
Spaces should be visually arresting, full of detail and easy to maintain. Private spaces include separate master bathrooms, his and her offices and a multi screened Media Room. The balance of the floor must link spaces into one continuous open room along the south and east elevations using large elements yet keeping an intimate scale, sound control and privacy. For example, a substantial fireplace made of old barn timber framing, country stone and a hammered iron grill is strategically located at the critical Southeast corner. Above, black iron offset pintel hardware allow custom double doors to hide a large flat screen TV.
High technology is in place for inconspicuous yet easy use. Icon driven key pads operate lighting, window treatments, audio visual systems with multiple sources and access to movie and music databases and five HVAC zones with independent humidity controls.
Outstanding Features: Exterior masonry walls have stone culled from five quarries. Sprinkled throughout are surprises - bricks with words as messages from the past, wood trimmed niches and colored glass. Glass pieces set in window corners offer bursts of color when backlit by the sun. These materials are assembled in a rough irregular fashion to look like the work of a mason from the Italian countryside. Interior ceilings and walls have overlapping layers of two plaster colors. Perimeter ceilings are made of smooth random width cedar. Rough planed cedar beams hide ductwork and allow the maximum ceiling height between them.
Custom details are everywhere-consider the ten foot barn doors on overhead track at the service elevator, cedar benches/storage areas that run below window banks, antique air registers, acid washed piano hinges and transom window operators and existing concrete piers that are featured instead of hidden. The floors are made of random width wide plank old oak with hand planed faces and edges. Overall, the elements were carefully selected or painted/stained to form a soft muted gray palate
The Country kitchen features an old fashioned style ice box appearance for the refrigerator/freezer, a tin ceiling, a distressed assortment of cabinets in multiple heights, colors and woods such as the cherry wood buffet cabinet with sliding glass doors on both sides. A backlit breakfast counter, a hammered copper hood and chicken wire inserts are part of the effort to make a comfortable, eclectic old fashioned looking Kitchen while containing the latest appliances and storage systems.
Awards:
This project has won several kitchen and bath awards:
Felman Kitchen Awards
2009 St. Louis Homes and Lifestyles Kitchen of the Year – Gold Award
2008-2009 SubZero Wolf Kitchen Design Contest – Regional Winner, Regional Designer’s Choice
2010 NKBA Art of the Industry – Pinnacle of Design Award
2010 NKBA Art of the Industry – First Place Medium Kitchen
2010 NKBA Art of the Industry – Consumer’s Choice Award
2010 K&BB Kitchen of the Year Award
Felman Bath Awards
2010 Ladue News Award—Master Bathroom
MESA Contracting, LLCThe Challenge: Create a rugged yet warm farmhouse feel in a high rise tower. Start with an entire 9600 gross square foot penthouse floor of raw concrete floor, walls and ceiling. Devise inventive ways to address intractable existing conditions including a plumbing layout inconsistent with our Client program, a relatively low ceiling and a massive elevator core and yet take of advantage of panoramic views of the city from all sides.
For example, rather than make a bulky drywall enclosure for existing pipes that poke thru the kitchen counter, they are wrapped with antique painted galvanized sheet metal to keep sight lines around the corner as open as possible. Or, transform an unattractive and inconveniently located 24” diameter vertical duct in the middle of Samantha’s and Hannah’s (grandchildren’s) guest bedroom into part of a lovely arched top bed nook. Or, disguise a chase for above floor plumbing runs as the base for an open buffet counter. The oppressive elevator lobby was shortened; terminating in handmade glass and steel garden doors at both ends. Custom details include a groined vaulted ceiling and arched openings with stone pilasters (for future trompe-l’oeil images of a Tuscany countryside). To maximize a feeling of height, the ceilings start low and get higher as they progress to the outside walls.
The Program: Create a five bedroom condo for an elderly couple with specific and different needs. Mr. likes his privacy and to stay up late into the night on the internet. He likes order. Mrs. has some physical limits that have been addressed in various ways such as shorter travel distances, a step down shower, raised dishwasher and custom cast (to ensure that they won’t rust) iron grab bars. She prefers more disorder.
Spaces should be visually arresting, full of detail and easy to maintain. Private spaces include separate master bathrooms, his and her offices and a multi screened Media Room. The balance of the floor must link spaces into one continuous open room along the south and east elevations using large elements yet keeping an intimate scale, sound control and privacy. For example, a substantial fireplace made of old barn timber framing, country stone and a hammered iron grill is strategically located at the critical Southeast corner. Above, black iron offset pintel hardware allow custom double doors to hide a large flat screen TV.
High technology is in place for inconspicuous yet easy use. Icon driven key pads operate lighting, window treatments, audio visual systems with multiple sources and access to movie and music databases and five HVAC zones with independent humidity controls.
Outstanding Features: Exterior masonry walls have stone culled from five quarries. Sprinkled throughout are surprises - bricks with words as messages from the past, wood trimmed niches and colored glass. Glass pieces set in window corners offer bursts of color when backlit by the sun. These materials are assembled in a rough irregular fashion to look like the work of a mason from the Italian countryside. Interior ceilings and walls have overlapping layers of two plaster colors. Perimeter ceilings are made of smooth random width cedar. Rough planed cedar beams hide ductwork and allow the maximum ceiling height between them.
Custom details are everywhere-consider the ten foot barn doors on overhead track at the service elevator, cedar benches/storage areas that run below window banks, antique air registers, acid washed piano hinges and transom window operators and existing concrete piers that are featured instead of hidden. The floors are made of random width wide plank old oak with hand planed faces and edges. Overall, the elements were carefully selected or painted/stained to form a soft muted gray palate
The Country kitchen features an old fashioned style ice box appearance for the refrigerator/freezer, a tin ceiling, a distressed assortment of cabinets in multiple heights, colors and woods such as the cherry wood buffet cabinet with sliding glass doors on both sides. A backlit breakfast counter, a hammered copper hood and chicken wire inserts are part of the effort to make a comfortable, eclectic old fashioned looking Kitchen while containing the latest appliances and storage systems.
Awards:
This project has won several kitchen and bath awards:
Felman Kitchen Awards
2009 St. Louis Homes and Lifestyles Kitchen of the Year – Gold Award
2008-2009 SubZero Wolf Kitchen Design Contest – Regional Winner, Regional Designer’s Choice
2010 NKBA Art of the Industry – Pinnacle of Design Award
2010 NKBA Art of the Industry – First Place Medium Kitchen
2010 NKBA Art of the Industry – Consumer’s Choice Award
2010 K&BB Kitchen of the Year Award
Felman Bath Awards
2010 Ladue News Award—Master Bathroom
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Christiano Homes, Inc.Dan Arnold Photo
Inspiration for a contemporary l-shaped medium tone wood floor eat-in kitchen remodel in Orange County with a farmhouse sink, shaker cabinets, white cabinets, solid surface countertops, gray backsplash, mosaic tile backsplash, stainless steel appliances and an island
Inspiration for a contemporary l-shaped medium tone wood floor eat-in kitchen remodel in Orange County with a farmhouse sink, shaker cabinets, white cabinets, solid surface countertops, gray backsplash, mosaic tile backsplash, stainless steel appliances and an island
Studio TOOPdesign: Carrie Preston (Studio TOOP) and Jasper Helmantel (Cruydt Hoeck), 2011
location: Appeltern, NL
status: built in 2012 by Appeltern Model Garden Complex
photos: Jolanthe Lalkens, June 2013
Designed as assignment from both the Dutch gardening magazine Groei & Bloei and the television and radio nature program Vara's Vroege Vogels, this garden serves as a model of how homeowners can incorporate lots of plant life and wildlife into the design but without sacrificing practicality or aesthetics. The garden is deliberately contemporary in its style to emphasize that nature-rich gardens need not look a certain way - insects and birds don't care if the lines are straight or curved.
At the same time the garden makes use of affordable, simple, no-nonsense materials. The 40x60 cm paving stones are one of the most common and affordable paving options in the Netherlands, available en masse for free on the Internet. Conceptually we imagined a garden completely paved with the tiles (as to many gardens are) and what would happen if took out some of these stones, used them to build benches and structure and added plants where the tiles had been. In the construction of the benches we include other materials such as bamboo sticks and insulation bricks that create habitat for insects such as solitary bees.
The plant palette is based on a selection of native and host plants in combination with the 26 plants plan set up by Groei & Boei -- a list of plants aimed at making the use of more plants in gardens accessible and less intimidating. The choice for the number 26 corresponds with the number of letters in the alphabet in line with the famous Dutch garden designer Mien Ruy's comment that if we only need 26 letters to create a whole language, we should be able to combine and mix 26 plants to express far more than we think.
Studio TOOPdesign: Carrie Preston (Studio TOOP) and Jasper Helmantel (Cruydt Hoeck), 2011
location: Appeltern, NL
status: built in 2012 by Appeltern Model Garden Complex
photos: Olga van Saane, October 2013
Designed as assignment from both the Dutch gardening magazine Groei & Bloei and the television and radio nature program Vara's Vroege Vogels, this garden serves as a model of how homeowners can incorporate lots of plant life and wildlife into the design but without sacrificing practicality or aesthetics. The garden is deliberately contemporary in its style to emphasize that nature-rich gardens need not look a certain way - insects and birds don't care if the lines are straight or curved.
At the same time the garden makes use of affordable, simple, no-nonsense materials. The 40x60 cm paving stones are one of the most common and affordable paving options in the Netherlands, available en masse for free on the Internet. Conceptually we imagined a garden completely paved with the tiles (as to many gardens are) and what would happen if took out some of these stones, used them to build benches and structure and added plants where the tiles had been. In the construction of the benches we include other materials such as bamboo sticks and insulation bricks that create habitat for insects such as solitary bees.
The plant palette is based on a selection of native and host plants in combination with the 26 plants plan set up by Groei & Boei -- a list of plants aimed at making the use of more plants in gardens accessible and less intimidating. The choice for the number 26 corresponds with the number of letters in the alphabet in line with the famous Dutch garden designer Mien Ruy's comment that if we only need 26 letters to create a whole language, we should be able to combine and mix 26 plants to express far more than we think.
Studio TOOPdesign: Carrie Preston (Studio TOOP) and Jasper Helmantel (Cruydt Hoeck), 2011
location: Appeltern, NL
status: built in 2012 by Appeltern Model Garden Complex
photos: Jolanthe Lalkens, October 2012
Designed as assignment from both the Dutch gardening magazine Groei & Bloei and the television and radio nature program Vara's Vroege Vogels, this garden serves as a model of how homeowners can incorporate lots of plant life and wildlife into the design but without sacrificing practicality or aesthetics. The garden is deliberately contemporary in its style to emphasize that nature-rich gardens need not look a certain way - insects and birds don't care if the lines are straight or curved.
At the same time the garden makes use of affordable, simple, no-nonsense materials. The 40x60 cm paving stones are one of the most common and affordable paving options in the Netherlands, available en masse for free on the Internet. Conceptually we imagined a garden completely paved with the tiles (as to many gardens are) and what would happen if took out some of these stones, used them to build benches and structure and added plants where the tiles had been. In the construction of the benches we include other materials such as bamboo sticks and insulation bricks that create habitat for insects such as solitary bees.
The plant palette is based on a selection of native and host plants in combination with the 26 plants plan set up by Groei & Boei -- a list of plants aimed at making the use of more plants in gardens accessible and less intimidating. The choice for the number 26 corresponds with the number of letters in the alphabet in line with the famous Dutch garden designer Mien Ruy's comment that if we only need 26 letters to create a whole language, we should be able to combine and mix 26 plants to express far more than we think.
Studio TOOPdesign: Carrie Preston (Studio TOOP) and Jasper Helmantel (Cruydt Hoeck), 2011
location: Appeltern, NL
status: built in 2012 by Appeltern Model Garden Complex
photos: Jolanthe Lalkens, June 2013
Designed as assignment from both the Dutch gardening magazine Groei & Bloei and the television and radio nature program Vara's Vroege Vogels, this garden serves as a model of how homeowners can incorporate lots of plant life and wildlife into the design but without sacrificing practicality or aesthetics. The garden is deliberately contemporary in its style to emphasize that nature-rich gardens need not look a certain way - insects and birds don't care if the lines are straight or curved.
At the same time the garden makes use of affordable, simple, no-nonsense materials. The 40x60 cm paving stones are one of the most common and affordable paving options in the Netherlands, available en masse for free on the Internet. Conceptually we imagined a garden completely paved with the tiles (as to many gardens are) and what would happen if took out some of these stones, used them to build benches and structure and added plants where the tiles had been. In the construction of the benches we include other materials such as bamboo sticks and insulation bricks that create habitat for insects such as solitary bees.
The plant palette is based on a selection of native and host plants in combination with the 26 plants plan set up by Groei & Boei -- a list of plants aimed at making the use of more plants in gardens accessible and less intimidating. The choice for the number 26 corresponds with the number of letters in the alphabet in line with the famous Dutch garden designer Mien Ruy's comment that if we only need 26 letters to create a whole language, we should be able to combine and mix 26 plants to express far more than we think.
Studio TOOPdesign: Carrie Preston (Studio TOOP) and Jasper Helmantel (Cruydt Hoeck), 2011
location: Appeltern, NL
status: built in 2012 by Appeltern Model Garden Complex
photos: Jolanthe Lalkens, June 2013
Designed as assignment from both the Dutch gardening magazine Groei & Bloei and the television and radio nature program Vara's Vroege Vogels, this garden serves as a model of how homeowners can incorporate lots of plant life and wildlife into the design but without sacrificing practicality or aesthetics. The garden is deliberately contemporary in its style to emphasize that nature-rich gardens need not look a certain way - insects and birds don't care if the lines are straight or curved.
At the same time the garden makes use of affordable, simple, no-nonsense materials. The 40x60 cm paving stones are one of the most common and affordable paving options in the Netherlands, available en masse for free on the Internet. Conceptually we imagined a garden completely paved with the tiles (as to many gardens are) and what would happen if took out some of these stones, used them to build benches and structure and added plants where the tiles had been. In the construction of the benches we include other materials such as bamboo sticks and insulation bricks that create habitat for insects such as solitary bees.
The plant palette is based on a selection of native and host plants in combination with the 26 plants plan set up by Groei & Boei -- a list of plants aimed at making the use of more plants in gardens accessible and less intimidating. The choice for the number 26 corresponds with the number of letters in the alphabet in line with the famous Dutch garden designer Mien Ruy's comment that if we only need 26 letters to create a whole language, we should be able to combine and mix 26 plants to express far more than we think.
Studio TOOPdesign: Carrie Preston (Studio TOOP) and Jasper Helmantel (Cruydt Hoeck), 2011
location: Appeltern, NL
status: built in 2012 by Appeltern Model Garden Complex
photos: Olga van Saane, October 2013
Designed as assignment from both the Dutch gardening magazine Groei & Bloei and the television and radio nature program Vara's Vroege Vogels, this garden serves as a model of how homeowners can incorporate lots of plant life and wildlife into the design but without sacrificing practicality or aesthetics. The garden is deliberately contemporary in its style to emphasize that nature-rich gardens need not look a certain way - insects and birds don't care if the lines are straight or curved.
At the same time the garden makes use of affordable, simple, no-nonsense materials. The 40x60 cm paving stones are one of the most common and affordable paving options in the Netherlands, available en masse for free on the Internet. Conceptually we imagined a garden completely paved with the tiles (as to many gardens are) and what would happen if took out some of these stones, used them to build benches and structure and added plants where the tiles had been. In the construction of the benches we include other materials such as bamboo sticks and insulation bricks that create habitat for insects such as solitary bees.
The plant palette is based on a selection of native and host plants in combination with the 26 plants plan set up by Groei & Boei -- a list of plants aimed at making the use of more plants in gardens accessible and less intimidating. The choice for the number 26 corresponds with the number of letters in the alphabet in line with the famous Dutch garden designer Mien Ruy's comment that if we only need 26 letters to create a whole language, we should be able to combine and mix 26 plants to express far more than we think.
Studio TOOPdesign: Carrie Preston (Studio TOOP) and Jasper Helmantel (Cruydt Hoeck), 2011
location: Appeltern, NL
status: built in 2012 by Appeltern Model Garden Complex
photos: Olga van Saane, October 2013
Designed as assignment from both the Dutch gardening magazine Groei & Bloei and the television and radio nature program Vara's Vroege Vogels, this garden serves as a model of how homeowners can incorporate lots of plant life and wildlife into the design but without sacrificing practicality or aesthetics. The garden is deliberately contemporary in its style to emphasize that nature-rich gardens need not look a certain way - insects and birds don't care if the lines are straight or curved.
At the same time the garden makes use of affordable, simple, no-nonsense materials. The 40x60 cm paving stones are one of the most common and affordable paving options in the Netherlands, available en masse for free on the Internet. Conceptually we imagined a garden completely paved with the tiles (as to many gardens are) and what would happen if took out some of these stones, used them to build benches and structure and added plants where the tiles had been. In the construction of the benches we include other materials such as bamboo sticks and insulation bricks that create habitat for insects such as solitary bees.
The plant palette is based on a selection of native and host plants in combination with the 26 plants plan set up by Groei & Boei -- a list of plants aimed at making the use of more plants in gardens accessible and less intimidating. The choice for the number 26 corresponds with the number of letters in the alphabet in line with the famous Dutch garden designer Mien Ruy's comment that if we only need 26 letters to create a whole language, we should be able to combine and mix 26 plants to express far more than we think.
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