Interior photo of our living room. We love the openness of this space and how it interconnects with the other levels. Old Fourth Ward, Atlanta, Ga. Architecture by bldgs.org Photos by maibri.com

BISTRO BOTANICA Vintage kitchen charm, with a tropical twist. DESIGN DESCRIPTION This space pairs the nostalgic charm of an Old World kitchen with a breath of tropical whimsy. Soft aqua Shaker cabinetry, detailed with crossbuck uppers and open shelving, wraps the room in calm, cheerful colour. A dramatic watercolour mural of lush leaves and golden cockatoos turns one wall into a garden, while a marble-topped bistro table and bentwood stools create an inviting spot for morning coffee. Black-and-white hexagon tile, a stainless farmhouse sink and dark matte countertops ground the palette. Swing-arm sconces, vintage-inspired glass ceiling lights and diamond-paned windows add a final layer of character. The result is joyful, timeless and full of personality.

The Kiguchi family moved into their Austin, Texas home in 1994. Built in the 1980’s as part of a neighborhood development, they happily raised their family here but longed for something more contemporary. Once they became empty nesters, they decided it was time for a major remodel. After spending many years visiting Austin AIA Home Tours that highlight contemporary residential architecture, they had a lot of ideas and in 2013 were ready to interview architects and get their renovation underway. The project turned into a major remodel due to an unstable foundation. Architects Ben Arbib and Ed Hughey, of Arbib Hughey Design were hired to solve the structural issue and look for inspiration in the bones of the house, which sat on top of a hillside and was surrounded by great views. Unfortunately, with the old floor plan, the beautiful views were hidden by small windows that were poorly placed. In order to bring more natural light into the house the window sizes and configurations had to be addressed, all while keeping in mind the homeowners desire for a modern look and feel. To achieve a more contemporary and sophisticated front of house, a new entry was designed that included removing a two-story bay window and porch. The entrance of the home also became more integrated with the landscape creating a template for new foliage to be planted. Older exterior materials were updated to incorporate a more muted palette of colors with a metal roof, dark grey siding in the back and white stucco in the front. Deep eaves were added over many of the new large windows for clean lines and sun protection. “Inside it was about opening up the floor plan, expanding the views throughout the house, and updating the material palette to get a modern look that was also warm and inviting,” said Ben from Arbib Hughey Design. “Prior to the remodel, the house had the typical separation of rooms. We removed the walls between them and changed all of the windows to Milgard Thermally Improved Aluminum to connect the inside with the outside. No matter where you are you get nice views and natural light.” The architects wanted to create some drama, which they accomplished with the window placement and opening up the interior floor plan to an open concept approach. Cabinetry was used to help delineate intimate spaces. To add warmth to an all-white living room, white-washed oak wood floors were installed and pine planks were used around the fireplace. The large windows served as artwork bringing the color of nature into the space. An octagon shaped, elevated dining room, (named “the turret”), had a big impact on the design of the house. They architects rounded the corners and added larger window openings overlooking a new sunken garden. The great room was also softened by rounding out the corners and that circular theme continued throughout the house, being picked up in skylight wells and kitchen cabinetry. A staircase leading to a catwalk was added and the result was a two-story window wall that flooded the home with natural light. When asked why Milgard® Thermally Improved Aluminum windows were selected, the architectural team listed many reasons: 1) Aesthetics: “We liked the slim profiles and narrow sightlines. The window frames never get in the way of the view and that was important to us. They also have a very contemporary look that went well with our design.” 2) Options: “We liked that we could get large sliding doors that matched the windows, giving us a very cohesive look and feel throughout the project.” 3) Cost Effective: “Milgard windows are affordable. You get a good product at a good price.” 4) Custom Sizes: “Milgard windows are customizable, which allowed us to get the right window for each location.” Ready to take on your own traditional to modern home remodeling project? Arbib Hughey Design advises, “Work with a good architect. That means picking a team that is creative, communicative, listens well and is responsive. We think it’s important for an architect to listen to their clients and give them something they want, not something the architect thinks they should have. At the same time you want an architect who is willing and able to think outside the box and offer up design options that you may not have considered. Design is about a lot of back and forth, trying out ideas, getting feedback and trying again.” The home was completely transformed into a unique, contemporary house perfectly integrated with its site. Internally the home has a natural flow for the occupants and externally it is integrated with the surroundings taking advantage of great natural light. As a side note, it was highly praised as part of the Austin AIA homes tour.

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Bathrooms are designed classically using a combination of modular sized white wall tile set horizontally and capped with a ceramic chair rail around the room perimeter. All flooring for bathrooms and laundry room is a square module hard wearing, easy maintenance porcelain tile replicating a beautiful Calcutta marble. This provides continuity of our classical look without the maintenance issues of a natural marble.

In 1949, one of mid-century modern’s most famous NW architects, Paul Hayden Kirk, built this early “glass house” in Hawthorne Hills. Rather than flattening the rolling hills of the Northwest to accommodate his structures, Kirk sought to make the least impact possible on the building site by making use of it natural landscape. When we started this project, our goal was to pay attention to the original architecture--as well as designing the home around the client’s eclectic art collection and African artifacts. The home was completely gutted, since most of the home is glass, hardly any exterior walls remained. We kept the basic footprint of the home the same—opening the space between the kitchen and living room. The horizontal grain matched walnut cabinets creates a natural continuous movement. The sleek lines of the Fleetwood windows surrounding the home allow for the landscape and interior to seamlessly intertwine. In our effort to preserve as much of the design as possible, the original fireplace remains in the home and we made sure to work with the natural lines originally designed by Kirk.

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We had the pleasure of being featured in the Spring 2017 Home issue of Southbay Magazine. Showcased is an addition in south Redondo Beach where the goal was to bring the outdoors in. See the full spread for details on the project and our firm: http://www.oursouthbay.com/custom-design-construction-4/

Unlimited Style Photography
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Custom made wall hung two drawer vanity, porcelain top, tall cabinet and mirrored cabinet. Photo Credit: Edward Howie Photography
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Nothing evokes the spirit of the ocean more than unobstructed cliff side views of the Pacific and nautical décor. This custom home was built to entertain guests who can’t help but enjoy the pleasures of sunny days and the warmth and light of the unique fire wall into the night.