Conceived by architect Rafael Viñoly—432 Park Avenue is the tallest residential skyscraper in the Western Hemisphere. This apartment designed by John Beckmann and his design firm Axis Mundi has some of the most breathtaking views in Manhattan. Known for their glamorous low-slung aesthetic, Axis Mundi took the challenge to design the residence for an American client living in China with a family of four, and an important art collection (including the likes of Cy Twombly, Gerhard Richter, Susan Frecon, Vik Muniz and Lisette Schumacher, among others). In the dining room, a Bocci “28 Chandelier” hangs above an intricate marble and brass table by Henge, with ceramics by John Born. Entering the main living area, a monumental “Let it Be” sectional from Poltrona Frau sits on a silver custom-designed Joseph Carini wool and silk rug. A ‘Surface” coffee table designed by Vincent Van Duysen and “Fulgens” armchairs in saddle leather by Antonio Citterio for B&B Italia create the penultimate space for entertaining. The sensuous red library features custom-designed bookshelves in burnished brass and walnut, as a “Wing Sofa” in red velvet from Flexform floats atop a “Ponti” area rug from the Rug Company. “JJ Chairs” in Mongolian lamb fur from B&B Italia add a rock and roll swagger to the space. The kitchen accentuates the grey marble flooring and all-white color palette, with the exception of a few light wood and marble details. A dramatic pendant in hand-burnished brass, designed by Henge, hovers above the kitchen island, while a floating marble counter spans the window opening. It is a serene spot to enjoy a morning cappuccino while pondering the ever-changing skyline of the Metropolis. In a counterintuitive move, Beckmann decided to make the gallery dark by finishing the walls in a smoked lacquered plaster with hints of mica, which add sparkle and glitter. John Beckmann made sure to include extravagant fabrics from Christopher Hyland and a deft mix of textures and colors to the design. In the master bedroom is a wall-length headboard system in leather and velvet panels from Poliform, with luxurious bedding from Frette. Dupre Lafon lounge chairs in a buttery leather rest on a custom golden silk carpet by Joseph Carini, while a pair of parchment bedside lamps by Jean Michel Frank complete the design. The facade is treated with an LED lighting system which changes colors and can be controlled by the client with their iPhone from the street. Design: John Beckmann, with Hannah LaSota Photography: Durston Saylor Contractor: Cardinal Construction Size: 4000 sf © Axis Mundi Design LLC

Conceived by architect Rafael Viñoly—432 Park Avenue is the tallest residential skyscraper in the Western Hemisphere. This apartment designed by John Beckmann and his design firm Axis Mundi has some of the most breathtaking views in Manhattan. Known for their glamorous low-slung aesthetic, Axis Mundi took the challenge to design the residence for an American client living in China with a family of four, and an important art collection (including the likes of Cy Twombly, Gerhard Richter, Susan Frecon, Vik Muniz and Lisette Schumacher, among others). In the dining room, a Bocci “28 Chandelier” hangs above an intricate marble and brass table by Henge, with ceramics by John Born. Entering the main living area, a monumental “Let it Be” sectional from Poltrona Frau sits on a silver custom-designed Joseph Carini wool and silk rug. A ‘Surface” coffee table designed by Vincent Van Duysen and “Fulgens” armchairs in saddle leather by Antonio Citterio for B&B Italia create the penultimate space for entertaining. The sensuous red library features custom-designed bookshelves in burnished brass and walnut, as a “Wing Sofa” in red velvet from Flexform floats atop a “Ponti” area rug from the Rug Company. “JJ Chairs” in Mongolian lamb fur from B&B Italia add a rock and roll swagger to the space. The kitchen accentuates the grey marble flooring and all-white color palette, with the exception of a few light wood and marble details. A dramatic pendant in hand-burnished brass, designed by Henge, hovers above the kitchen island, while a floating marble counter spans the window opening. It is a serene spot to enjoy a morning cappuccino while pondering the ever-changing skyline of the Metropolis. In a counterintuitive move, Beckmann decided to make the gallery dark by finishing the walls in a smoked lacquered plaster with hints of mica, which add sparkle and glitter. John Beckmann made sure to include extravagant fabrics from Christopher Hyland and a deft mix of textures and colors to the design. In the master bedroom is a wall-length headboard system in leather and velvet panels from Poliform, with luxurious bedding from Frette. Dupre Lafon lounge chairs in a buttery leather rest on a custom golden silk carpet by Joseph Carini, while a pair of parchment bedside lamps by Jean Michel Frank complete the design. The facade is treated with an LED lighting system which changes colors and can be controlled by the client with their iPhone from the street. Design: John Beckmann, with Hannah LaSota Photography: Durston Saylor Renderings: 3DS Contractor: Cardinal Construction Size: 4000 sf © Axis Mundi Design LLC

To keep the walkway open we added a large piece of art. This provides color and a place for the eye to concentrate.
Inspiration for a mid-sized transitional open concept dark wood floor hallway remodel in Grand Rapids with beige walls, a corner fireplace, a stone fireplace and a wall-mounted tv

Conceived by architect Rafael Viñoly—432 Park Avenue is the tallest residential skyscraper in the Western Hemisphere. This apartment designed by John Beckmann and his design firm Axis Mundi has some of the most breathtaking views in Manhattan. Known for their glamorous low-slung aesthetic, Axis Mundi took the challenge to design the residence for an American client living in China with a family of four, and an important art collection (including the likes of Cy Twombly, Gerhard Richter, Susan Frecon, Vik Muniz and Lisette Schumacher, among others). In the dining room, a Bocci “28 Chandelier” hangs above an intricate marble and brass table by Henge, with ceramics by John Born. Entering the main living area, a monumental “Let it Be” sectional from Poltrona Frau sits on a silver custom-designed Joseph Carini wool and silk rug. A ‘Surface” coffee table designed by Vincent Van Duysen and “Fulgens” armchairs in saddle leather by Antonio Citterio for B&B Italia create the penultimate space for entertaining. The sensuous red library features custom-designed bookshelves in burnished brass and walnut, as a “Wing Sofa” in red velvet from Flexform floats atop a “Ponti” area rug from the Rug Company. “JJ Chairs” in Mongolian lamb fur from B&B Italia add a rock and roll swagger to the space. The kitchen accentuates the grey marble flooring and all-white color palette, with the exception of a few light wood and marble details. A dramatic pendant in hand-burnished brass, designed by Henge, hovers above the kitchen island, while a floating marble counter spans the window opening. It is a serene spot to enjoy a morning cappuccino while pondering the ever-changing skyline of the Metropolis. In a counterintuitive move, Beckmann decided to make the gallery dark by finishing the walls in a smoked lacquered plaster with hints of mica, which add sparkle and glitter. John Beckmann made sure to include extravagant fabrics from Christopher Hyland and a deft mix of textures and colors to the design. In the master bedroom is a wall-length headboard system in leather and velvet panels from Poliform, with luxurious bedding from Frette. Dupre Lafon lounge chairs in a buttery leather rest on a custom golden silk carpet by Joseph Carini, while a pair of parchment bedside lamps by Jean Michel Frank complete the design. The facade is treated with an LED lighting system which changes colors and can be controlled by the client with their iPhone from the street. Design: John Beckmann, with Hannah LaSota Photography: Durston Saylor Contractor: Cardinal Construction Size: 4000 sf © Axis Mundi Design LLC

This master bathroom was in desperate need of a remodel. The compact master bathroom was cramped and out dated. Johnny Rhino stepped in to create a more open, bright, and comfortable space without knocking out walls. The installation of floor-to-ceiling cabinetry, a medicine cabinet inset into the wall, recessed lighting as well as wall-mounted lighting, and a pocket door helped to really open up this space! Tabitha Stephens

Located in the beautiful historic district on a quaint New England island, the existing home was a 1940s house with a 1970s addition. The home was meaningful to the fabric of the community and extensive approvals were sought and granted from the local Historic District Commission. The result is a beautiful four-story home, neatly tucked into the rock of the surrounding landscape. The jewel of the home is an extraordinary central staircase, fashioned with low-rise, long-run stairs, and multiple landings to serve as resting spots. With over 200 linear feet of bookshelves, there is plenty of space to house distinguished artifacts and a book collection gathered from travels around the world. Amenities of the home include a garden room, a deck off the spacious living room, a high-end kitchen, a library, four bedrooms (including a bunk room for the grandchildren), a home office, an elevator, and a perch overlooking the Piscataqua River. Photos:John Benford

The owner of this 1960s, low-slung house challenged Board & Vellum to give it a major overhaul. Located across from Puget Sound, the house already had a lot to offer but the dated style, low ceilings, tight spaces and interior walls that blocked Sound views kept it from fulfilling its full potential. Board & Vellum gutted and reimagined the whole house, giving it a more traditional style. The interior—previously quite dark, thanks to brick- and wood panel-clad walls—was transformed with white trim, bright detailing (such as the hand-glazed tile in the kitchen), and plenty of built-in casework for the homeowner to display the travel mementos she collected throughout her career in the airline industry. Removing a fireplace in the center of the house and opening up the floorplan through to the staircase and entryway lets light flood in and allows for water views from across the main living area and kitchen. The exterior of the house received a dose of character with brick, corbels, and a curved eyebrow roof above the front entry, which also gave the home office area its distinctive barrel ceiling. Photo by John Wilbanks.

Good design must reflect the personality of the client. So when siblings purchased studios in Downtown by Philippe Starck, one of the first buildings to herald the revitalization of Manhattan’s Financial District, the aim was to create environments that were truly bespoke. The brother’s tastes jibed synchronously with the insouciant idea of France’s most popular prankster converting a building that once housed the buttoned-up offices of JP Morgan Chase. His collection of Takashi Murakami works, the gallery-like centerpiece of the main area, announces his boldness and flair up front, as do furnishings by Droog, Moooi and, of course Starck, as well as hide rugs and upholstery, and a predominantly red palette. His sister was after something soothing and discreet. So Axis Mundi responded with a neutrals and used glass to carve out a bedroom surrounded by drapes that transform it into a golden cocoon. Hide (albeit less flamboyantly applied) evokes a familial commonality, and built-in furniture and cabinetry optimize space restrictions inherent in studio apartments. Design Team: John Beckmann, with Richard Rosenbloom Photography: Mikiko Kikuyama © Axis Mundi Design LLC

The owners came to Klopf Architecture with a clear vision: Create a brighter home with clean lines and visual surprises – but that enhances the Eichler vernacular – that blurs the boundaries between inside and outside and supports “modern living”. Renovating a 1962 Eichler home into a contemporary, higher-quality home required more than a few changes. However, love of the Eichler style and respect for the house's history required keeping many elements. Klopf Architecture partnered with the owners of this Eichler home in San Francisco's Diamond Heights to balance these two competing desires while significantly updating their 2-story courtyard home on a hill. Appropriate to the style of the house, the owners have a clean, minimal aesthetic – free of clutter but filled with carefully placed art and whimsical collectibles. With white walls, warm mahogany and rich grays throughout, the home is bathed in light and feels both elegant and welcoming. Klopf Architecture Project Team: John Klopf, AIA, Jackie Detamore, AIA, Klara Kevane, and Yegvenia Torres-Zavala Landscape Architect: Outer Space Landscape Architects Contractor: San Francisco Design and Construction Cabinetry: Benchmarc Woodworking Zinc Panels: Product and Design Metalwork Photography ©2015 Mariko Reed

Good design must reflect the personality of the client. So when siblings purchased studios in Downtown by Philippe Starck, one of the first buildings to herald the revitalization of Manhattan’s Financial District, the aim was to create environments that were truly bespoke. The brother’s tastes jibed synchronously with the insouciant idea of France’s most popular prankster converting a building that once housed the buttoned-up offices of JP Morgan Chase. His collection of Takashi Murakami works, the gallery-like centerpiece of the main area, announces his boldness and flair up front, as do furnishings by Droog, Moooi and, of course Starck, as well as hide rugs and upholstery, and a predominantly red palette. His sister was after something soothing and discreet. So Axis Mundi responded with a neutrals and used glass to carve out a bedroom surrounded by drapes that transform it into a golden cocoon. Hide (albeit less flamboyantly applied) evokes a familial commonality, and built-in furniture and cabinetry optimize space restrictions inherent in studio apartments. Design Team: John Beckmann, with Richard Rosenbloom Photography: Mikiko Kikuyama © Axis Mundi Design LLC

This 3,300 square foot, LEED Platinum, Zero Energy Home sits on a hill with a beautiful view of rural Frederick County. The walls are Aerated Autoclaved Concrete (AAC). Deep overhangs and careful siting maximize passive solar heating and natural cooling; all south facing glazing has a very low U value and high solar heat gain coefficient to maximize solar heat in the winter. The East, North and West windows also have a very low U values and low solar heat gain coefficient to reduce cooling load. Systems include 4.3 kW solar, 1.8 kW wind turbine, batteries for backup power, geothermal heating and cooling, Energy recovery ventilation and 3000 gallons of rainwater collection.

This 3,300 square foot, LEED Platinum, Zero Energy Home sits on a hill with a beautiful view of rural Frederick County. The walls are Aerated Autoclaved Concrete (AAC). Deep overhangs and careful siting maximize passive solar heating and natural cooling; all south facing glazing has a very low U value and high solar heat gain coefficient to maximize solar heat in the winter. The East, North and West windows also have a very low U values and low solar heat gain coefficient to reduce cooling load. Systems include 4.3 kW solar, 1.8 kW wind turbine, batteries for backup power, geothermal heating and cooling, Energy recovery ventilation and 3000 gallons of rainwater collection.

This 3,300 square foot, LEED Platinum, Zero Energy Home sits on a hill with a beautiful view of rural Frederick County. The walls are Aerated Autoclaved Concrete (AAC). Deep overhangs and careful siting maximize passive solar heating and natural cooling; all south facing glazing has a very low U value and high solar heat gain coefficient to maximize solar heat in the winter. The East, North and West windows also have a very low U values and low solar heat gain coefficient to reduce cooling load. Systems include 4.3 kW solar, 1.8 kW wind turbine, batteries for backup power, geothermal heating and cooling, Energy recovery ventilation and 3000 gallons of rainwater collection.

This was a major remodel where the kitchen was completely gutted, flooring and soffits were removed and all the electrical in the kitchen had to be reworked and brought up to code. We used Waypoint Living Spaces for the perimeter cabinets and used a riser and crown molding to connect the cabinets to the ceiling. We chose Medallion Cabinetry for the island because the customer had her heart set on a green painted island. The hardware we used is from the Mulholland collection by Amerock. The customers have large family gathers and it was very important for them to have an island that was moveable. We used casters from Richelieu to create and island that could move easily, as well as having brakes to keep the island in place when they wanted. Giallo Traversella granite was used on the perimeter countertops to tie together the greens and beige tones of the cabinetry and we used John Boos, walnut butcher block countertop for the island to compliment wood tones from the existing millwork in the home. The customer provided me with an inspiration picture for a backsplash, she knew she wanted a glass patterned backsplash. Ceramic Tiles International had released their Debut Petal mosaic tile and the customer loved it. Prior to the remodel, the kitchen was very dark and very crowded, it did not function in a way that worked for my customer. We added under cabinet LED lights, one general ceiling fixture and LED Brio Disc lights with dimming capabilities so the customers could adjust the lighting to their specific needs. Light fixtures were updated in the hallways as well as the kitchen. My customer didn’t know exactly what they wanted as far as plumbing was concerned. They wanted products that were durable and easy to maintain. I chose the Blanco Performa undermount sink in the Truffle color due to is durability and the color complimented the other materials. We used Moen’s Arbor single handle pull down spray faucet and transitional soap dispenser due to its simplistic design, functionality and warranty. We used a ¾ horsepower Insinkerator disposal and a deluxe Steamball strainer basket. The customer originally had Parquet flooring and they liked the look of real hardwood. Madeira 5” planks in Dark Gunstock oak was chosen for its color and durability. The flooring brought in warm neutral tones to compliment other materials. My customer wanted a larger window, but they had some safety concerns. We addressed their concerns by providing a larger Awning style window, using tempered glass and double locks.

Good design must reflect the personality of the client. So when siblings purchased studios in Downtown by Philippe Starck, one of the first buildings to herald the revitalization of Manhattan’s Financial District, the aim was to create environments that were truly bespoke. The brother’s tastes jibed synchronously with the insouciant idea of France’s most popular prankster converting a building that once housed the buttoned-up offices of JP Morgan Chase. His collection of Takashi Murakami works, the gallery-like centerpiece of the main area, announces his boldness and flair up front, as do furnishings by Droog, Moooi and, of course Starck, as well as hide rugs and upholstery, and a predominantly red palette. His sister was after something soothing and discreet. So Axis Mundi responded with a neutrals and used glass to carve out a bedroom surrounded by drapes that transform it into a golden cocoon. Hide (albeit less flamboyantly applied) evokes a familial commonality, and built-in furniture and cabinetry optimize space restrictions inherent in studio apartments. Design Team: John Beckmann, with Richard Rosenbloom Photography: Mikiko Kikuyama © Axis Mundi Design LLC

Good design must reflect the personality of the client. So when siblings purchased studios in Downtown by Philippe Starck, one of the first buildings to herald the revitalization of Manhattan’s Financial District, the aim was to create environments that were truly bespoke. The brother’s tastes jibed synchronously with the insouciant idea of France’s most popular prankster converting a building that once housed the buttoned-up offices of JP Morgan Chase. His collection of Takashi Murakami works, the gallery-like centerpiece of the main area, announces his boldness and flair up front, as do furnishings by Droog, Moooi and, of course Starck, as well as hide rugs and upholstery, and a predominantly red palette. His sister was after something soothing and discreet. So Axis Mundi responded with a neutrals and used glass to carve out a bedroom surrounded by drapes that transform it into a golden cocoon. Hide (albeit less flamboyantly applied) evokes a familial commonality, and built-in furniture and cabinetry optimize space restrictions inherent in studio apartments. Design Team: John Beckmann, with Richard Rosenbloom Photography: Mikiko Kikuyama © Axis Mundi Design LLC

The living room is indeed the heart of the home. In the center is a wood burning fireplace that warms the soul with custom linen sofa and chairs providing a perfect place to relax and enjoy the view or of course to entertain. The art collection was carefully curated by CULT Exhibitions SF. A Lindsey Adelman chandelier and antiques by COUP SF are exciting yet harmonious additions to this modern and marvelously comfortable home. An imported hand dyed and distressed Persian rug rests on wide plank floors that are original to the house, making them almost 100 years old with an amazing golden caramel color. Robert Cortlandt Photography

The owners came to Klopf Architecture with a clear vision: Create a brighter home with clean lines and visual surprises – but that enhances the Eichler vernacular – that blurs the boundaries between inside and outside and supports “modern living”. Renovating a 1962 Eichler home into a contemporary, higher-quality home required more than a few changes. However, love of the Eichler style and respect for the house's history required keeping many elements. Klopf Architecture partnered with the owners of this Eichler home in San Francisco's Diamond Heights to balance these two competing desires while significantly updating their 2-story courtyard home on a hill. Appropriate to the style of the house, the owners have a clean, minimal aesthetic – free of clutter but filled with carefully placed art and whimsical collectibles. With white walls, warm mahogany and rich grays throughout, the home is bathed in light and feels both elegant and welcoming. Klopf Architecture Project Team: John Klopf, AIA, Jackie Detamore, AIA, Klara Kevane, and Yegvenia Torres-Zavala Landscape Architect: Outer Space Landscape Architects Contractor: San Francisco Design and Construction Cabinetry: Benchmarc Woodworking Zinc Panels: Product and Design Metalwork Photography ©2015 Mariko Reed

The owners came to Klopf Architecture with a clear vision: Create a brighter home with clean lines and visual surprises – but that enhances the Eichler vernacular – that blurs the boundaries between inside and outside and supports “modern living”. Renovating a 1962 Eichler home into a contemporary, higher-quality home required more than a few changes. However, love of the Eichler style and respect for the house's history required keeping many elements. Klopf Architecture partnered with the owners of this Eichler home in San Francisco's Diamond Heights to balance these two competing desires while significantly updating their 2-story courtyard home on a hill. Appropriate to the style of the house, the owners have a clean, minimal aesthetic – free of clutter but filled with carefully placed art and whimsical collectibles. With white walls, warm mahogany and rich grays throughout, the home is bathed in light and feels both elegant and welcoming. Klopf Architecture Project Team: John Klopf, AIA, Jackie Detamore, AIA, Klara Kevane, and Yegvenia Torres-Zavala Landscape Architect: Outer Space Landscape Architects Contractor: San Francisco Design and Construction Cabinetry: Benchmarc Woodworking Zinc Panels: Product and Design Metalwork Photography ©2015 Mariko Reed