Example of a mid-sized mid-century modern master white tile and mosaic tile marble floor freestanding bathtub design in San Francisco with flat-panel cabinets, dark wood cabinets, a one-piece toilet, white walls, an undermount sink and quartz countertops

David Delfs
Staircase - 1950s staircase idea in Seattle

Example of a mid-sized transitional wooden curved metal railing staircase design in Austin with tile risers

Eclectic powder room photo in Charlotte

Front doors with high-gloss Fine Paints of Europe

Large Experimental Abstract Art Piece Titled: "Out of Line" In a chic contemporary loft space with dark grey concrete walls is a large unique, abstract artwork titled, "Out of Line". The artwork is alive with fluid yet chaotic black lines that seem to be in motion. Blends and blurs of deep turquoise, vibrant orange, and seductive purple are mixed thought the piece. You might imagine this feeling as a 'clean messiness', or a ' luxe grunge style'. It's a eye-catching creative atmosphere for the multicultural urbanite. Art is mounted to an elegant, matte acrylic glass. Art arrives ready to hang. Similar styles are available at www.ryanovsienko.com Sizes available: 48x32, 60x40, 72x48 Quantity Available: Only one total International Shipping

18" x 48" holds 4 bottles - $1099.00 24" x 48" holds 8 bottles - $1369.00 48" x 48" holds up to 16 bottles - $2,255.00 Custom wine racks available up to 48" x 96" Translucent and Non-Translucent stones available. Stones are thin cut DesignerStone Panels.

Custom Surface Solutions (www.css-tile.com) - Owner Craig Thompson (512) 430-1215. This project shows the remodel of a small 1950's vintage home master bathroom. 8"" x 18" Calcutta gold marble tile was used on the shower walls and floor wall base and ceramic gray penny tile on the floor. Shower includes curbless pan / floor, dual shower boxes, frameless glass slider, trough duel fixture sink and chrome fixtures.

Cottage basement photo in Philadelphia

Home office - modern home office idea in Miami

Anything Wet Pools and Spas
This is an example of a mid-sized modern front yard stone water fountain landscape in Miami.

## Spatial Composition & Architectural Volume This is a kitchen conceived less as a service zone than as a precisely calibrated architectural volume, resolved through an L-configuration of full-height cabinetry that terminates against a monolithic island set on an intentional diagonal to the orthogonal grid of the herringbone flooring. The island's waterfall treatment — a slab returning to the floor in a single unbroken plane — functions as both a peninsular counter and a piece of quasi-sculptural infrastructure, its overhang generating a shallow banquette-adjacent seating zone without resorting to a conventional breakfast bar. Above, a coffered soffit executed in flush drywall with a continuous cove-lit reveal establishes a datum line that both compresses and defines the working core, while the adjacent tray ceiling reads as a distinct volume, spatially decoupling the kitchen from the living room beyond. That threshold is the composition's most disciplined gesture: a wide cased opening framed in mitered rift-cut oak paneling, its architrave articulated as a shadow-gapped reveal rather than applied trim, drawing a deep enfilade sightline through to the window wall, its Roman shades, and the mid-rise cityscape beyond. Millwork here performs structurally as well as visually — the oak-clad pilasters and the fluted, hand-carved textural panel at right operate as pseudo-columnar elements, organizing the plan into legible bays. ## Materiality, Color & Texture The palette is constructed on a deliberate dialectic between two wood registers. The envelope employs a pale, quarter-sawn white oak with a honeyed, faintly amber undertone, its figure suppressed and its finish matte, functioning as a luminous neutral ground. Against this, the cabinetry deploys a deeply fumed or ebonized ash — likely a heavily lacquered, open-grain veneer — where the cathedral figuring is exaggerated into near-graphic striation and the high-gloss sheen produces a lacquered, almost Art Deco lustre. This contrast of value (blonde against bitter chocolate) and of sheen (matte against specular) is the project's principal tension. Mediating between them is the stone: a white quartzite or dolomitic marble with soft grey-taupe veining and a distinctly warm, cream-adjacent field, book-matched across the full-height backsplash and repeated on the island slab, its subtly honed surface refusing the glare of a polished finish. Metallic accents are restrained and consistently warm — satin brass on the pendant canopies and stool footrails, blackened bronze on the hardware, glazing frames, and the stools' slender tubular frames. Textiles introduce a low-frequency counterpoint: nubby bouclé upholstery on the sectional, a striated woven sheer at left, ikat-patterned cushions, and a tonal blue-grey geometric rug that supplies the only chromatic departure from the room's ochre-to-espresso spectrum. ## Lighting, Atmosphere & Style Profile The lighting scheme is layered with unusual rigor. Daylight is admitted obliquely, filtered through the plaid-toned Roman shades of the adjacent living room, so the kitchen receives it secondhand — soft, directional, and already warmed. Artificial light works in three tiers: the recessed cove uplighting that grazes the soffit and dissolves the ceiling's edges; concealed under-cabinet illumination that renders the stone backsplash as a glowing plane; and the pair of spun-brass disc pendants suspended on slender blackened stems, whose downward-facing diffusers deliver a controlled pool of task light while their polished undersides register as small suns in the composition. The absence of visible downlight clutter is notable and disciplined. The resulting atmosphere is enveloping and low-glare — cosseting rather than clinical — with a distinctly residential, almost salon-like decorum reinforced by the framed genre painting hung casually on the oak paneling, a curatorial gesture that domesticates the kitchen decisively. Stylistically, the project reads as **Warm Modernist Luxe**, drawing on the vocabulary of high-craft European cabinetry and mid-century Milanese interiors: the grain-forward veneers, brass discs, and slender bronze seating carry a whisper of 1970s Italian sophistication, while the flush detailing, shadow-gap reveals, and rigorous suppression of ornament situate it firmly in contemporary practice. It is tailored rather than austere — a demonstration that minimalist discipline and material sensuality need not be adversaries.

Matthew Cunningham Landscape Design LLC
This is an example of a contemporary landscaping in Boston.

Interior Design & Styling by Erin Roberts | Photography by Margaret Austin
Bedroom - mid-sized modern master carpeted and beige floor bedroom idea in San Francisco with white walls and no fireplace

This feature stairwell wall is tricked out with individual lights in each custom oak strip. Lights change color.
Huge minimalist carpeted u-shaped metal railing and wall paneling staircase photo in Salt Lake City with carpeted risers

Curtain Call two layered draperies - sheer and blackout lined in the bending track rails. None of draperies has any vertical seam in the middle, which give simple and elegant look.

JAC 140 - Twilight in Space by Jon Allen The Jon Allen Collection is an exclusive, hand-selected group of my most personal work to date. Each piece is hand-painted on aluminum. My art itself and my chosen medium, aluminum, are blissfully married. You may not think of the word organic when you hear the word metal, but this is some of my most organic art and that’s simply because metal allows my work to achieve true sentience. Aluminum’s naturally reflective nature enables each color, shape, and stroke to reach its full potential. A new aspect of the painting will reveal itself to you as it basks in the light that surrounds, evades, or envelops it in that moment. When you see the piece from different angles, you will appreciate how vibrant, dynamic, and environmentally influenced these pieces are. What you may see and feel by morning is not what you’ll see or feel by dusk and in many ways, and as such I feel these pieces capture the ever-ebbing and complex nature of human emotion and perception. Some of these pieces are truly abstract while others are modern takes on traditional landscapes, marine life, and portraits. I hope you enjoy them a fraction of how much I enjoyed creating them. If you have any questions, please don’t hesitate to reach out. Number of Pieces: 1 Dimensions: 46" x 13" x 2" off the wall Care & Cleaning: Clean with a soft cloth and plain soap & water Other Features: Hardware is pre-installed for simple hanging and art will “float” 2” off the wall