Shadow

Bathroom - modern bathroom idea in Austin

Example of an urban home design design in Columbus

Mod Abode by Jamie Sangar
Example of a 1950s home design design in Indianapolis

Home design - transitional home design idea in Portland

We just finished the father in law suite in San Antonio. The new room addition has a kitchen, utility room, dining room, living room, bedroom, bathroom and two closets (for extra storage). We built the attached guest house using the same building material as the existing house so everything was seamless. Photos by Jesus Ramirez

Sunroom renovation turns an old concrete patio into a clients dream all year round living space.
Mid-sized trendy ceramic tile and blue floor sunroom photo in New York with no fireplace and a standard ceiling

Detail of the quarter sawn oak cabinets. It takes a very skilled craftsman to keep these margins! Photo Lisa Turner
Mid-sized trendy master black tile and stone tile slate floor corner shower photo in Atlanta with flat-panel cabinets, medium tone wood cabinets, beige walls, an undermount sink and granite countertops

Example of a classic exterior home design in Boston

Example of an arts and crafts home design design in Seattle

Smoke

THE SHADOW HOUSE IS A PRODUCT OF THE CONTEXT IT SITS WITHIN, YET IT SUBVERTS IT AT THE SAME TIME. IT’S IMPOSSIBLE TO IGNORE IT UP CLOSE, YET FROM AFAR IT DISAPPEARS INTO THE ETHER. A TINY LOT, A LARGE PROGRAM, RESTRICTIVE ZONING REGULATIONS AND AN INVOLVED NEIGHBORHOOD INTEREST GROUP WERE THE CONSTANT AND UNRELENTING PRESSURES THAT CREATED THIS HOUSE — AND THE RESULT IS BETTER OFF FOR IT. THE SCALLOPED SHINGLES ARE A COMMON ELEMENT ACROSS THE NEIGHBORHOOD, BUT ARE OFTEN RESERVED FOR DETAIL AREAS UNDER EAVES, AS THE MATERIAL WAS VERY EXPENSIVE ONE HUNDRED YEARS AGO. WE TOOK THAT HIGHLY-SPECIALIZED, VERY EXCLUSIVE MATERIAL AND APPLIED IT AS A BROAD, MASS-PRODUCED TEXTURE ACROSS THE ENTIRE RESIDENCE — TAKING SOMETHING FROM HIGHLIGHT TO BACKGROUND TEXTURE. THE SILHOUETTE DIRECTLY ECHOES THE ITALIANATE HOMES IN THE LARGER NEIGHBORHOOD — BUT WE STRIPPED THE TYPICAL ORNATE, DECORATED FAÇADE BACK TO UTTER MINIMALISM. WE ENLARGED THE TYPICAL WINDOW SIZE TO EXAGGERATE THE RIGID SYMMETRY OF THE STYLE, AND BROUGHT THEM TO THE FLOOR AND THE CEILING TO PROVIDE AS MUCH LIGHT AS POSSIBLE — AND THEN RECESSED THEM DEEP INTO THE FAÇADE TO MIMIC THE HEAVY BRICK AND STONE LINTELS OF THE PAST. THE HOUSE IS BLACK — THE ONLY COLOR IT COULD BE. IF WE’D PAINTED IT UP LIKE ITS VICTORIAN SISTERS, IT WOULD’VE COMPETED FOR ATTENTION. BLACK CAUSES THE HOUSE TO SIMULTANEOUSLY DISAPPEAR AND STAND OUT — IT IS IMPOSSIBLE TO IGNORE WHILE YOU’RE WALKING PAST, BUT A FEW BLOCKS AWAY IT BECOMES IMPOSSIBLE TO DISCERN AGAINST THE BACKGROUND. TWO BEDROOMS WITH EN-SUITE BATHS, FLOOR-TO-CEILING WINDOWS, AN AIRY AND OPEN STAIRCASE AND A MASSIVE GLASS ROOF DOOR MAKE THE SHADOW HOUSE IMPOSSIBLY LIGHT AND OPEN — YET IT’S ONLY 1,400 SQUARE FEET ON A 30’ X 50’ LOT.

J.P. Chen, Phoenix Media