Search results for "Long awaited" in Home Design Ideas

Royal's Factory and its review:
The business that Royal now runs in Shanghai was originally established by his father in Hong Kong. The legacy of this workmanship lies with Royal's father. At age 20, he was apprenticed to a traditional Chinese carpenter in Shanghai and learnt the long-established customs of furniture manufacture and furniture upholstery.
After moving to Hong Kong, he was fortunate to study and work with a master craftsman from France, who specialized in furnitures. This experience allowed him to integrate his knowledge of both Eastern and Western practices, catering to both local and international clients.
When Royal and his family moved to Shanghai seven years ago, the family business came full circle, opening Little Dragon in the city where Royal's father had first learnt the craft of furniture making. Royal has a special affinity for furniture making, having studied classic and modern techniques under father's direction from the age of 16 years. He is genuinely passionate about furniture making (especially furnitures).
Over the last 8 years, our business has grown significantly, due mainly to the glowing referrals we receive from our loyal customers, who enjoy our personalized service and attention to detail. "You can't get a better marketing strategy than word-of-mouth," says owner Royal Wong, who believes the success of our family business is based on the quality of the craftsmanship and service our staff provide. We also believe that detailed hand-finished work provides its own quality assurance and our confidence in this craftsmanship is reflected in our lifetime service guarantee.
All tastes and styles are catered to, as the store offers more than 5,000 quality samples and fabric swatches. An enormous array of options await - smooth leather, luxurious velvet, magnificent satin tapestry designs and comfortable modern fabrics such as cotton-linen blends and ultra-suede.
As upholstery support and padding is dictated by individual taste, customers can choose from a diverse range of filling materials, which are assembled by hand. Specialized workshop processes ensure the quality and quantity of these materials, as they are individually weighed then encased in a special lining fabric.
Customers that choose a made-to-order furniture know just what they want, and that's usually a furniture that will retain its original size, shape and support over the years. Changes in style and taste are easily accommodated with interchangeable and replaceable furniture covers.
Our custom-made furnitures and chairs, of unique design and style, are vivid reflections of the personality and taste of their owners. Like tailor-made clothing, the quality of the design and materials are specifically suited to the end user. Over the last seven years, we've collected an interesting range of anecdotes from our customers, some of whom will go to great lengths to get a Little Dragon furniture into their home.
One client, whose custom-made furniture was too large to fit through his front door, hoisted it through a third floor window via a pulley. Another, having relocated his Little Dragon furniture from Shanghai, to the United States, to Singapore, visited China especially to pick up some soft furnishings from our store. Amongst our high profile customers over the years are some of Hong Kong's premier five-star hotel presidents, business titans, film stars and Shanghai's consul-generals. Perhaps one of our most faithful customers is the legendary Hong Kong actor, Andy Lau, who asked his interior decorator to work directly with us to complete the design of his entire mansion in Hong Kong.
The repair and restoration of antique furniture is a unique skill that we offer our customers. Our European clients, in particular, have strong recollections of furniture handed down through the ages and appreciate the opportunity to put some life back into family heirlooms which hold such fond memories of those now departed. One French customer, referred by a friend, entrusted us with a armoire that had been in the family for three generations.
Our company's objective is the same as its clients - to retain the integrity of the original craftsmanship and refresh the unique traits of an individual furniture piece. For this reason, Royal's customers can be considered a rather special community as they are willing to come from far and wide to benefit from his unique skill set. The company's integrity and heritage are much like that of the pieces they work on – handed down from father to son and continued throughout the generations. It is no wonder that the business has an international reputation which draws clients from all corners of the globe to Shanghai.

Royal's Factory and its review:
The business that Royal now runs in Shanghai was originally established by his father in Hong Kong. The legacy of this workmanship lies with Royal's father. At age 20, he was apprenticed to a traditional Chinese carpenter in Shanghai and learnt the long-established customs of furniture manufacture and furniture upholstery.
After moving to Hong Kong, he was fortunate to study and work with a master craftsman from France, who specialized in furnitures. This experience allowed him to integrate his knowledge of both Eastern and Western practices, catering to both local and international clients.
When Royal and his family moved to Shanghai seven years ago, the family business came full circle, opening Little Dragon in the city where Royal's father had first learnt the craft of furniture making. Royal has a special affinity for furniture making, having studied classic and modern techniques under father's direction from the age of 16 years. He is genuinely passionate about furniture making (especially furnitures).
Over the last 8 years, our business has grown significantly, due mainly to the glowing referrals we receive from our loyal customers, who enjoy our personalized service and attention to detail. "You can't get a better marketing strategy than word-of-mouth," says owner Royal Wong, who believes the success of our family business is based on the quality of the craftsmanship and service our staff provide. We also believe that detailed hand-finished work provides its own quality assurance and our confidence in this craftsmanship is reflected in our lifetime service guarantee.
All tastes and styles are catered to, as the store offers more than 5,000 quality samples and fabric swatches. An enormous array of options await - smooth leather, luxurious velvet, magnificent satin tapestry designs and comfortable modern fabrics such as cotton-linen blends and ultra-suede.
As upholstery support and padding is dictated by individual taste, customers can choose from a diverse range of filling materials, which are assembled by hand. Specialized workshop processes ensure the quality and quantity of these materials, as they are individually weighed then encased in a special lining fabric.
Customers that choose a made-to-order furniture know just what they want, and that's usually a furniture that will retain its original size, shape and support over the years. Changes in style and taste are easily accommodated with interchangeable and replaceable furniture covers.
Our custom-made furnitures and chairs, of unique design and style, are vivid reflections of the personality and taste of their owners. Like tailor-made clothing, the quality of the design and materials are specifically suited to the end user. Over the last seven years, we've collected an interesting range of anecdotes from our customers, some of whom will go to great lengths to get a Little Dragon furniture into their home.
One client, whose custom-made furniture was too large to fit through his front door, hoisted it through a third floor window via a pulley. Another, having relocated his Little Dragon furniture from Shanghai, to the United States, to Singapore, visited China especially to pick up some soft furnishings from our store. Amongst our high profile customers over the years are some of Hong Kong's premier five-star hotel presidents, business titans, film stars and Shanghai's consul-generals. Perhaps one of our most faithful customers is the legendary Hong Kong actor, Andy Lau, who asked his interior decorator to work directly with us to complete the design of his entire mansion in Hong Kong.
The repair and restoration of antique furniture is a unique skill that we offer our customers. Our European clients, in particular, have strong recollections of furniture handed down through the ages and appreciate the opportunity to put some life back into family heirlooms which hold such fond memories of those now departed. One French customer, referred by a friend, entrusted us with a armoire that had been in the family for three generations.
Our company's objective is the same as its clients - to retain the integrity of the original craftsmanship and refresh the unique traits of an individual furniture piece. For this reason, Royal's customers can be considered a rather special community as they are willing to come from far and wide to benefit from his unique skill set. The company's integrity and heritage are much like that of the pieces they work on – handed down from father to son and continued throughout the generations. It is no wonder that the business has an international reputation which draws clients from all corners of the globe to Shanghai.

Malibu Glass Box House by Klopf Architecture
Following the devastating Woolsey Fire of 2018, the site in Malibu offered a unique opportunity to rebuild not just a home, but a new architectural composition that highlighted the property’s potential while navigating strict fire-rebuild codes in the area. Designed by Klopf Architecture, this project embraced a set of limitations and translated them into an architectural asset.
The city’s fire-rebuild process required the new structure to remain close to the original footprint, size and bulk, a constraint that ultimately clarified the architectural direction. Perched near the front of a long, narrow lot, the new home frames and overlooks a private, park-like rear expanse, an uncommon luxury especially in this part of Malibu .
Without a fixed program, the design process allowed for a different kind of creative focus allowing Klopf Architecture the opportunity to explore how a modernist home could best respond to this site. The team approached the project not with a list of requirements, but with a question: How might a modernist live here? What spatial qualities would inspire calm, connection, and a sense of wonder in this setting? The process became less about problem-solving and more about architectural storytelling—letting the site, the light, and the principles of modern design guide the form and flow of the home.
The response emerged in the form of a glass-box pavilion, an open, Mid-Century Modern inspired living, dining, and kitchen space that floats at the edge of the property’s natural descent. Connected to the more enclosed, private areas of the home by a glass-walled hallway, the living pavilion becomes a distinct centerpiece of the design. It opens on all four sides to the landscape with decks and patios on the flanks, an internal garden and water feature to the north, and a dramatic unguarded view of the expansive backyard and ocean horizon to the south.
Because of the mandated footprint, careful planning was required to ensure every space could still engage with light, landscape, or both. Strategic voids in the form of atriums and courtyards allow daylight to filter deep into the home’s core, while offering moments of surprise and retreat. These design gestures allow natural light to filter deep into the interior, creating a sense of brightness and openness throughout the day. At the same time, they expand the perceptual boundaries between inside and out, making the home feel more expansive while anchoring its connection to the surrounding landscape.
The siting of the house is what gives it its unique character. Rather than receding into the backyard like the neighboring homes, the house holds a slight prominence. From the central living pavilion, stepping down into the landscape feels more like entering a secluded park where a separate existing accessory structure, trail, and recreational areas await. The home’s modest street presence gives way to this unfolding drama of space, view, and nature.
Fire-resilient materials and assemblies are integrated seamlessly throughout including triple-pane glazing, under-slab and roof insulation, and locally sourced fire-rated cladding ensure the house not only meets Calfornia’s rigorous wildland-urban interface (WUI) standards, but feels effortlessly aligned with them. While technical decisions like fire-hardening and mechanical systems presented some construction challenges, particularly around the cantilevered glass box, the team found a functional compromise that preserved the integrity of the design.
Inside, a restrained palette and exposed post and beam design celebrate the ethos of mid-century modernism. A central circulation spine extends from the entry to the rear glass wall, offering a continuous visual link from street to ocean. Spaces such as the library and office, though more intimate in scale, are never cut off from nature as each opens to its own unique courtyard or garden view.
Though born out of a strict regulatory framework and developed without a specific client, the rebuild design unfolded with remarkable clarity. Grounded in site logic, refined by limitations and an emphasis on timeless spatial relationships – light, proportion, and a strong connection to nature, the resulting design feels both effortless and uplifting. The home lives lightly on the land, opens generously to its surroundings, and strikes a careful balance between privacy, openness, and calm. For Klopf Architecture, it stands as a compelling case study in how site, code, and circumstantial constraints can inspire enduring, modernist architecture. With years of experience reimagining mid-century modern design for how people live today, the firm took the project’s limitations as an opportunity. The result is a home shaped by open, flowing spaces, strong indoor-outdoor connections, and a calm, clear sense of structure. It’s a good reminder that even with strict constraints, there’s still room for architecture to breathe—and for modernism to keep moving forward.
Klopf Architecture project team: Geoff Campen, John Klopf, AIA, and Sherry Tan
Structural Engineer: ZFA
Contractor: Maison D’Artiste
Photography: ©2025 Mariko Reed
Year Completed: 2023
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Malibu Glass Box House by Klopf Architecture
Following the devastating Woolsey Fire of 2018, the site in Malibu offered a unique opportunity to rebuild not just a home, but a new architectural composition that highlighted the property’s potential while navigating strict fire-rebuild codes in the area. Designed by Klopf Architecture, this project embraced a set of limitations and translated them into an architectural asset.
The city’s fire-rebuild process required the new structure to remain close to the original footprint, size and bulk, a constraint that ultimately clarified the architectural direction. Perched near the front of a long, narrow lot, the new home frames and overlooks a private, park-like rear expanse, an uncommon luxury especially in this part of Malibu .
Without a fixed program, the design process allowed for a different kind of creative focus allowing Klopf Architecture the opportunity to explore how a modernist home could best respond to this site. The team approached the project not with a list of requirements, but with a question: How might a modernist live here? What spatial qualities would inspire calm, connection, and a sense of wonder in this setting? The process became less about problem-solving and more about architectural storytelling—letting the site, the light, and the principles of modern design guide the form and flow of the home.
The response emerged in the form of a glass-box pavilion, an open, Mid-Century Modern inspired living, dining, and kitchen space that floats at the edge of the property’s natural descent. Connected to the more enclosed, private areas of the home by a glass-walled hallway, the living pavilion becomes a distinct centerpiece of the design. It opens on all four sides to the landscape with decks and patios on the flanks, an internal garden and water feature to the north, and a dramatic unguarded view of the expansive backyard and ocean horizon to the south.
Because of the mandated footprint, careful planning was required to ensure every space could still engage with light, landscape, or both. Strategic voids in the form of atriums and courtyards allow daylight to filter deep into the home’s core, while offering moments of surprise and retreat. These design gestures allow natural light to filter deep into the interior, creating a sense of brightness and openness throughout the day. At the same time, they expand the perceptual boundaries between inside and out, making the home feel more expansive while anchoring its connection to the surrounding landscape.
The siting of the house is what gives it its unique character. Rather than receding into the backyard like the neighboring homes, the house holds a slight prominence. From the central living pavilion, stepping down into the landscape feels more like entering a secluded park where a separate existing accessory structure, trail, and recreational areas await. The home’s modest street presence gives way to this unfolding drama of space, view, and nature.
Fire-resilient materials and assemblies are integrated seamlessly throughout including triple-pane glazing, under-slab and roof insulation, and locally sourced fire-rated cladding ensure the house not only meets Calfornia’s rigorous wildland-urban interface (WUI) standards, but feels effortlessly aligned with them. While technical decisions like fire-hardening and mechanical systems presented some construction challenges, particularly around the cantilevered glass box, the team found a functional compromise that preserved the integrity of the design.
Inside, a restrained palette and exposed post and beam design celebrate the ethos of mid-century modernism. A central circulation spine extends from the entry to the rear glass wall, offering a continuous visual link from street to ocean. Spaces such as the library and office, though more intimate in scale, are never cut off from nature as each opens to its own unique courtyard or garden view.
Though born out of a strict regulatory framework and developed without a specific client, the rebuild design unfolded with remarkable clarity. Grounded in site logic, refined by limitations and an emphasis on timeless spatial relationships – light, proportion, and a strong connection to nature, the resulting design feels both effortless and uplifting. The home lives lightly on the land, opens generously to its surroundings, and strikes a careful balance between privacy, openness, and calm. For Klopf Architecture, it stands as a compelling case study in how site, code, and circumstantial constraints can inspire enduring, modernist architecture. With years of experience reimagining mid-century modern design for how people live today, the firm took the project’s limitations as an opportunity. The result is a home shaped by open, flowing spaces, strong indoor-outdoor connections, and a calm, clear sense of structure. It’s a good reminder that even with strict constraints, there’s still room for architecture to breathe—and for modernism to keep moving forward.
Klopf Architecture project team: Geoff Campen, John Klopf, AIA, and Sherry Tan
Structural Engineer: ZFA
Contractor: Maison D’Artiste
Photography: ©2025 Mariko Reed
Year Completed: 2023

Malibu Glass Box House by Klopf Architecture
Following the devastating Woolsey Fire of 2018, the site in Malibu offered a unique opportunity to rebuild not just a home, but a new architectural composition that highlighted the property’s potential while navigating strict fire-rebuild codes in the area. Designed by Klopf Architecture, this project embraced a set of limitations and translated them into an architectural asset.
The city’s fire-rebuild process required the new structure to remain close to the original footprint, size and bulk, a constraint that ultimately clarified the architectural direction. Perched near the front of a long, narrow lot, the new home frames and overlooks a private, park-like rear expanse, an uncommon luxury especially in this part of Malibu .
Without a fixed program, the design process allowed for a different kind of creative focus allowing Klopf Architecture the opportunity to explore how a modernist home could best respond to this site. The team approached the project not with a list of requirements, but with a question: How might a modernist live here? What spatial qualities would inspire calm, connection, and a sense of wonder in this setting? The process became less about problem-solving and more about architectural storytelling—letting the site, the light, and the principles of modern design guide the form and flow of the home.
The response emerged in the form of a glass-box pavilion, an open, Mid-Century Modern inspired living, dining, and kitchen space that floats at the edge of the property’s natural descent. Connected to the more enclosed, private areas of the home by a glass-walled hallway, the living pavilion becomes a distinct centerpiece of the design. It opens on all four sides to the landscape with decks and patios on the flanks, an internal garden and water feature to the north, and a dramatic unguarded view of the expansive backyard and ocean horizon to the south.
Because of the mandated footprint, careful planning was required to ensure every space could still engage with light, landscape, or both. Strategic voids in the form of atriums and courtyards allow daylight to filter deep into the home’s core, while offering moments of surprise and retreat. These design gestures allow natural light to filter deep into the interior, creating a sense of brightness and openness throughout the day. At the same time, they expand the perceptual boundaries between inside and out, making the home feel more expansive while anchoring its connection to the surrounding landscape.
The siting of the house is what gives it its unique character. Rather than receding into the backyard like the neighboring homes, the house holds a slight prominence. From the central living pavilion, stepping down into the landscape feels more like entering a secluded park where a separate existing accessory structure, trail, and recreational areas await. The home’s modest street presence gives way to this unfolding drama of space, view, and nature.
Fire-resilient materials and assemblies are integrated seamlessly throughout including triple-pane glazing, under-slab and roof insulation, and locally sourced fire-rated cladding ensure the house not only meets Calfornia’s rigorous wildland-urban interface (WUI) standards, but feels effortlessly aligned with them. While technical decisions like fire-hardening and mechanical systems presented some construction challenges, particularly around the cantilevered glass box, the team found a functional compromise that preserved the integrity of the design.
Inside, a restrained palette and exposed post and beam design celebrate the ethos of mid-century modernism. A central circulation spine extends from the entry to the rear glass wall, offering a continuous visual link from street to ocean. Spaces such as the library and office, though more intimate in scale, are never cut off from nature as each opens to its own unique courtyard or garden view.
Though born out of a strict regulatory framework and developed without a specific client, the rebuild design unfolded with remarkable clarity. Grounded in site logic, refined by limitations and an emphasis on timeless spatial relationships – light, proportion, and a strong connection to nature, the resulting design feels both effortless and uplifting. The home lives lightly on the land, opens generously to its surroundings, and strikes a careful balance between privacy, openness, and calm. For Klopf Architecture, it stands as a compelling case study in how site, code, and circumstantial constraints can inspire enduring, modernist architecture. With years of experience reimagining mid-century modern design for how people live today, the firm took the project’s limitations as an opportunity. The result is a home shaped by open, flowing spaces, strong indoor-outdoor connections, and a calm, clear sense of structure. It’s a good reminder that even with strict constraints, there’s still room for architecture to breathe—and for modernism to keep moving forward.
Klopf Architecture project team: Geoff Campen, John Klopf, AIA, and Sherry Tan
Structural Engineer: ZFA
Contractor: Maison D’Artiste
Photography: ©2025 Mariko Reed
Year Completed: 2023

Inspiration for a mid-sized contemporary porcelain tile and multicolored floor hallway remodel in Vancouver with beige walls

Sponsored
Sunbury, OH
J.Holderby - Renovations
Franklin County's Leading General Contractors - 2X Best of Houzz!

Example of a mid-sized transitional dark wood floor and brown floor double front door design in Austin with gray walls and a black front door

This was a lovely bathroom renovation we did. The mirrors, shower glass, and cabinets are all custom made pieces. We did a split level Vanity to accommodate both clients heights and it came together perfectly.

Custom Surface Solutions (www.css-tile.com) - Owner Craig Thompson (512) 430-1215. This project shows a master bathroom remodel. It includes a Porcelanosa large panel tile shower walls, pebble tile shower floor, penny tile wainscot and backsplash, 24 x 12 porcelain tile floor, and IKEA and custom cabinets.

This tower style linen cabinet, was commissioned by a customer looking to finish off their bathroom renovation with a custom made-to-fit linen cabinet that would match with their vanity.
We designed and built this nearly 7 foot tall cabinet for the customer using traditional joinery methods, using rabbets and dados to hold the shelves in place for a very solid finished piece. Decorative molding and trim was added to the bottom of the cabinet and the legs provide a pleasing negative space under the tall cabinet.
Prefabricated molding, that matched the customer's vanity, was added to the top of the piece for added effect.
The piece was sealed and then finished with a white cabinet enamel. Decorative knobs were added to also match the vanity in the bathroom.

Sponsored
Columbus, OH
Hope Restoration & General Contracting
Columbus Design-Build, Kitchen & Bath Remodeling, Historic Renovations

Example of a large classic u-shaped dark wood floor eat-in kitchen design in Minneapolis with a double-bowl sink, recessed-panel cabinets, white cabinets, white backsplash, stainless steel appliances, an island and black countertops

Inspiration for a mid-sized transitional 3/4 white tile and porcelain tile porcelain tile and beige floor alcove shower remodel in Dallas with gray walls and a hinged shower door

Tile is 6" x 24" Running Bond Lay
Berkshire Hickory with Summer Wheat Grout Color
Inspiration for a mid-sized coastal bathroom remodel in Milwaukee
Inspiration for a mid-sized coastal bathroom remodel in Milwaukee

Alan Helvey
Staircase - large traditional wooden curved wood railing staircase idea in Houston with wooden risers
Staircase - large traditional wooden curved wood railing staircase idea in Houston with wooden risers

Minimal grout lines at well-aligned fixtures create a sense of continuity at 24x24 rectified wall tiles. The dimensional tiles add a playful design element to the modern geometry of the mid century home.
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