Interior Design: Blackband Design Build: Patterson Custom Homes Architecture: Andrade Architects Photography: Ryan Garvin
Example of a large island style open concept medium tone wood floor and brown floor living room design in Orange County with white walls, a standard fireplace, a tile fireplace and a wall-mounted tv

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

Photo: A Darling Felicity Photography © 2015 Houzz
Sunroom - small rustic sunroom idea in Seattle

When you open the back doors of the home of Nancy and Jeremy Campbell in Granville, you don’t just step out onto a patio. You enter an extension of a modern living space that just happens to be outdoors. Their patio’s unique design and setting provides the comfort and style of indoors while enjoying the natural beauty and fresh air of outdoors. It all started with a rather desolate back yard. “It was completely blank, there was nothing back there,” Nancy remembers of the patio space of this 1972 split-level house they bought five years ago. With a blank slate to work with, the Campbells knew the key elements of what they wanted for their new outdoor space when they sat down with Travis Ketron of Ketron Custom Builders to design it. “We knew we wanted something covered so we could use it in the rain, and in the winter, and we knew we wanted a stone fireplace,” Nancy recalls. Travis translated the Campbells’ vision into a design to satisfy outdoor entertaining and relaxing desires in all seasons. The new outdoor space is reminiscent of a vast, rustic great room complete with a stone fireplace, a vaulted ceiling, skylights, and ceiling fans, yet no walls. The space is completely open to the elements without any glass or doors on any of the sides, except from the house. Furnished like a great room, with a built-in music system as well, it’s truly an extension of indoor living and entertaining space, and one that is unaffected by rain. Jeremy comments, “We haven’t had to cover the furniture yet. It would have to be a pretty strong wind to get wet.” Just outside the covered patio is a quartet of outdoor chairs adorned with plush cushions and colorful pillows, positioned perfectly for users to bask in the sun. In the design process, the fireplace emerged as the anchor of the space and set the stage for the outdoor space both aesthetically and functionally. “We didn’t want it to block the view. Then designing the space with Travis, the fireplace became the center,” remembers Jeremy. Placed directly across from the two sets of French doors leading out from the house, a Rumford fireplace and extended hearth of stone in neutral earth tones is the focal point of this outdoor living room. Seating for entertaining and lounging falls easily into place around it providing optimal viewing of the private, wooded back yard. When temperatures cool off, the fireplace provides ample warmth and a cozy setting to experience the change of seasons. “It’s a great fireplace for the space,” Jeremy says of the unique design of a Rumford style fireplace. “The way you stack the wood in the fireplace is different so as to get more heat. It has a shallower box, burns hotter and puts off more heat. Wood is placed in it vertically, not stacked.” Just in case the fireplace doesn’t provide enough light for late-night soirees, there is additional outdoor lighting mounted from the ceiling to make sure the party always goes on. Travis brought the idea of the Rumford outdoor fireplace to the Campbells. “I learned about it a few years back from some masons, and I was intrigued by the idea then,” he says. “We like to do stuff that’s out of the norm, and this fireplace fits the space and function very well.” Travis adds, “People want unique things that are designed for them. That’s our style to do that for them.” The patio also extends out to an uncovered area set up with patio tables for grilling and dining. Gray pavers flow throughout from the covered space to the open-air area. Their continuous flow mimics the feel of flooring that extends from a living room into a dining room inside a home. Also, the earth tone colors throughout the space on the pavers, fireplace and furnishings help the entire space mesh nicely with its natural surroundings. A little ways off from both the covered and uncovered patio area is a stone fire pit ring. Removed by just the right distance, it provides a separate place for young adults to gather and enjoy the night. Adirondack chairs and matching tables surround the outdoor fire pit, offering seating for anyone who doesn’t wish to stand and a place to set down ingredients for yummy fireside treats like s’mores. Padded chairs outside the reach of the pavilion and the nearby umbrella the perfect place to kick back and relax in the sun. The colorful throw pillows and outdoor furniture cushions add some needed color and a touch of personality. Enjoying the comforts of indoors while being outdoors is exactly what the Campbells are doing now, particularly when lounging on the comfortable wicker furniture that dominate most of the area. “My favorite part of the whole thing is the fireplace,” Nancy says. Jeremy concludes, “There is no television, it would destroy the ambiance out there. We just enjoy listening to music and watching the fire.”

This project was a part of the 2017 Decorators' Showhouse in Columbus, Ohio. Twelve designers each created a room within the Columbus Museum of Art, making this the first showhouse to take place within a museum. Each designer was allowed to use a piece of artwork from the museum's collection in their space. The intent of this design was to create a contemporary, gender-neutral nursery with touches of mid-century modern style. Mid-century modern design is sleek, simple, functional and bright. Here, the combination of vintage and contemporary furnishings and accessories all come together to create a space that is calm, yet inspires creative play. The artwork, California Landscape by Stanton Macdonald-Wright, sets this tone. His modern abstract, devoid of illustration uses blocks of color to create space and form. This idea of geometric abstracts is repeated throughout the design of the room. Interesting shapes that can be manipulated with eye or hand are very fitting for a nursery. This is a space where a child can dream and play, grow and learn, and also rest. It is a room that could evolve over time while continuing to inspire a child for many years. “I strive to divest my work of all anecdote and illustration and to purify it to the point where the emotions of the spectator will be wholly aesthetic, as when listening to good music…” - Stanton Macdonald-Wright, circa 1915 Photo Credit: Marshall Evan Photography Construction: Jameson Building Co.

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

Design ideas for a farmhouse landscaping in Bridgeport.

This project was a part of the 2017 Decorators' Showhouse in Columbus, Ohio. Twelve designers each created a room within the Columbus Museum of Art, making this the first showhouse to take place within a museum. Each designer was allowed to use a piece of artwork from the museum's collection in their space. The intent of this design was to create a contemporary, gender-neutral nursery with touches of mid-century modern style. Mid-century modern design is sleek, simple, functional and bright. Here, the combination of vintage and contemporary furnishings and accessories all come together to create a space that is calm, yet inspires creative play. The artwork, California Landscape by Stanton Macdonald-Wright, sets this tone. His modern abstract, devoid of illustration uses blocks of color to create space and form. This idea of geometric abstracts is repeated throughout the design of the room. Interesting shapes that can be manipulated with eye or hand are very fitting for a nursery. This is a space where a child can dream and play, grow and learn, and also rest. It is a room that could evolve over time while continuing to inspire a child for many years. “I strive to divest my work of all anecdote and illustration and to purify it to the point where the emotions of the spectator will be wholly aesthetic, as when listening to good music…” - Stanton Macdonald-Wright, circa 1915 Photo Credit: Marshall Evan Photography Construction: Jameson Building Co.

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

Gary Canner (Photographer): Asian inspired spa portion of this "bathroom spa" creates a very peaceful and relaxing ambiance. The room consists of a steam/shower with chroma light, an infrared sauna with music system, and porcelian bubble massage air bath. The undermount air tub is topped by a virtually seamless man-made stone. The same material is used for the window sill. The automated widow shades offer privacy and light control at the switch of a button, as do the LED candles. The wall sconce is mounted on porcelain wall tile that is reminiscent of a Japanese raked garden. This tile continues onto the tub deck giving reference to the stream that is located just below the windows.

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

A narrow formal parlor space is divided into two zones flanking the original marble fireplace - a sitting area on one side and an audio zone on the other.