Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Every home improvement project can feel like going into battle, but the sweet taste of victory is enough to make it worthwhile. If you ever feel intimidated by homes and gardens in magazines, don’t fret – you can turn your home into a beautiful beacon with easy curb appeal updates! Kevin and Annette Klingel are some of our favorite weekend warriors, and their latest project proves that anything is possible when it comes to dressing up your front garden. The Klingels recently gave their home and front garden a major renovation and entered their photos in the Window Box Contest. When we saw the gorgeous before and after pictures, we knew we had to get the inside scoop on their process and uncover their best curb appeal ideas. Curb Appeal – Before and After Before the renovation, the Klingels had a charming South Bend, Indiana rambler that was tidy and traditional, if a little unassuming. Deciding it was time for a much-needed update, the Klingels replaced their old green roof with a black barrel roof to match the style of their home. They also made a needed replacement and changed out the sidewalk and front stoop to a new version in classic black. After those dramatic changes, the Klingels just couldn’t stop! Loving the contrast between the new black roof and stoop and their cream house, they painted their shutters black. And here’s where we come in – Annette wanted to incorporate her love of flowers into the new home design and found the perfect planters and window boxes to match the shutters. They purchased ten black window boxes in a classic and chic design to put around their outside windows. The Klingels also used tall black planters around the entrance to the house. The window boxes and planters each received the same plant treatment – red, yellow, and orange impatiens with flowing ferns for a bright punch of color. Paired with hanging baskets and a few other accents, the Klingels house is now a masterpiece. From Drab to Fab The Klingels love their warm and inviting new front entrance, and the neighbors do too. Instead of getting overlooked, their house now stands out and is the star of their busy street, where it is seen by lots of people everyday. They have received tons of compliments about their new look – a crisp and clean front garden that stays true to the style of the home and neighborhood. The Klingels’ curb appeal update wasn’t without its challenges, but the end product is amazing, and as Annette says, definitely worth the time. The Klingels recommend starting with the necessary replacements and finding beautiful matching pieces to add curb appeal. With a little patience, elbow grease, and the help of a great garden supply store like Hooks & Lattice, you too can have the home of your dreams. Photos: Kevin & Annette Klingel

The Kiguchi family moved into their Austin, Texas home in 1994. Built in the 1980’s as part of a neighborhood development, they happily raised their family here but longed for something more contemporary. Once they became empty nesters, they decided it was time for a major remodel. After spending many years visiting Austin AIA Home Tours that highlight contemporary residential architecture, they had a lot of ideas and in 2013 were ready to interview architects and get their renovation underway. The project turned into a major remodel due to an unstable foundation. Architects Ben Arbib and Ed Hughey, of Arbib Hughey Design were hired to solve the structural issue and look for inspiration in the bones of the house, which sat on top of a hillside and was surrounded by great views. Unfortunately, with the old floor plan, the beautiful views were hidden by small windows that were poorly placed. In order to bring more natural light into the house the window sizes and configurations had to be addressed, all while keeping in mind the homeowners desire for a modern look and feel. To achieve a more contemporary and sophisticated front of house, a new entry was designed that included removing a two-story bay window and porch. The entrance of the home also became more integrated with the landscape creating a template for new foliage to be planted. Older exterior materials were updated to incorporate a more muted palette of colors with a metal roof, dark grey siding in the back and white stucco in the front. Deep eaves were added over many of the new large windows for clean lines and sun protection. “Inside it was about opening up the floor plan, expanding the views throughout the house, and updating the material palette to get a modern look that was also warm and inviting,” said Ben from Arbib Hughey Design. “Prior to the remodel, the house had the typical separation of rooms. We removed the walls between them and changed all of the windows to Milgard Thermally Improved Aluminum to connect the inside with the outside. No matter where you are you get nice views and natural light.” The architects wanted to create some drama, which they accomplished with the window placement and opening up the interior floor plan to an open concept approach. Cabinetry was used to help delineate intimate spaces. To add warmth to an all-white living room, white-washed oak wood floors were installed and pine planks were used around the fireplace. The large windows served as artwork bringing the color of nature into the space. An octagon shaped, elevated dining room, (named “the turret”), had a big impact on the design of the house. They architects rounded the corners and added larger window openings overlooking a new sunken garden. The great room was also softened by rounding out the corners and that circular theme continued throughout the house, being picked up in skylight wells and kitchen cabinetry. A staircase leading to a catwalk was added and the result was a two-story window wall that flooded the home with natural light. When asked why Milgard® Thermally Improved Aluminum windows were selected, the architectural team listed many reasons: 1) Aesthetics: “We liked the slim profiles and narrow sightlines. The window frames never get in the way of the view and that was important to us. They also have a very contemporary look that went well with our design.” 2) Options: “We liked that we could get large sliding doors that matched the windows, giving us a very cohesive look and feel throughout the project.” 3) Cost Effective: “Milgard windows are affordable. You get a good product at a good price.” 4) Custom Sizes: “Milgard windows are customizable, which allowed us to get the right window for each location.” Ready to take on your own traditional to modern home remodeling project? Arbib Hughey Design advises, “Work with a good architect. That means picking a team that is creative, communicative, listens well and is responsive. We think it’s important for an architect to listen to their clients and give them something they want, not something the architect thinks they should have. At the same time you want an architect who is willing and able to think outside the box and offer up design options that you may not have considered. Design is about a lot of back and forth, trying out ideas, getting feedback and trying again.” The home was completely transformed into a unique, contemporary house perfectly integrated with its site. Internally the home has a natural flow for the occupants and externally it is integrated with the surroundings taking advantage of great natural light. As a side note, it was highly praised as part of the Austin AIA homes tour.

Inquire About Our Design Services When we first started talking in the spring of 2015, I was impressed. She was witty, realistic, and understood that as much as she loves my shows on HGTV, design does not does not happen in 43 minutes! She told me about her space, and how she felt that her bedroom seemed “blah” to her. She had no retreat. Molly desperately longed for a place that she could spend time in, read in, play in and above all, relax in. What we did: Many people are terrified of hiring a designer. Rightfully so, they are investing a pretty penny in their homes. They want to make sure that everything, down to the last floral arrangement, is to their liking, because they will have to live it (and pay for it). Unfortunately, a client can unintentionally stifle a designer’s creativity through micro-management. This can produce lackluster results and ultimately cause more time (and money) to be spent on a project than is really necessary. With Molly, that was never an issue. Before she even showed me the room in question, she said that I could have full creative license to do what I needed to do to her bedroom. SAY WHAAH!? With Molly giving me complete creative freedom, I planned everything out and got down to business. The result: Bite-your-bottom-lip sexy. I don’t get jealous of too many of my clients’ spaces, but this one still takes my breath away every time I look at the pics! The craziest part was that by adding more furniture, it actually made the space feel larger. Molly and her husband Patrick loved the finished space, and promised me I will be back to finish the rest of the house! Here’s the highlights of the rest of the project: I came up with a space plan with three options. Next, we reviewed mood boards and fabric schemes that would work for both Molly and her hubby Patrick. We started with the bed. My goal was to add edge to its otherwise traditional style. We decided to spice things up by painting the trim work in the room black. We built in layers of lighting with dimmers. In a bedroom everything should be on dimmers, right? Right. We designed and customized bedding, chairs and window treatments. Together with Molly, we selected the most perfect wallpaper. This geometric “grasscloth” adds so much depth and dimension that was just missing before. What I love: That light fixture. I mean it is really, really amazing in person. The porcupine mirror. This thing came packaged like it was the hope diamond, and everyone was terrified to handle it. But it really became a highlight of the room.

Sugee Sukrut Dadar, Mumbai Introducing Premium & Luxurious Homes with breathtaking views of the Arabian Sea. With a selection of homes located just steps away from the beach, Sugee Sukrut offers crafted premium bespoke 2 BHK residences that provide a chance to embrace the beachside lifestyle like never before. Embrace an extraordinary lifestyle and indulge in an unparalleled beachside experience every day. Located in the heart of Mumbai, these 2 BHK apartments in Dadar West are designed with intelligent planning and high-quality construction. Located near Chhatrapati Shivaji Maharaj Park, Sugee Sukrut is created to provide an ideal blend of luxury and convenience in one of Mumbai's most sought-after neighbourhoods. With its stunning architectural elevation, these luxurious and spacious 2 BHK flats in Dadar, located on Swatantryaveer Savarkar Marg, offer breathtaking panoramic sea views that you can enjoy for a lifetime. With its convenient proximity to the prominent Dadar Beach, these 2 BHK residences in Dadar West at Sugee Sukrut offers an unparalleled opportunity to indulge in the beachside lifestyle like never before. Whether you want to build sandcastles with your kids or enjoy a leisurely evening walk with your loved ones, the beach is just a stone's throw away. The bustling neighbourhood of Dadar is renowned for its excellent shopping options, diverse entertainment venues, fine dining establishments, and esteemed educational institutions for your to enjoy.

Adrienne DeRosa © 2014 Houzz Inc. Offsetting the clean lines of their white sofas, Jennifer has chosen pillows and throws that combine graphic elements and pronounced texture. "The price of things are a big playing card for me," she says, "if the price is not right I will leave it." She often scours retailers such as Anthropologie and West Elm for their sale items, even if it is not something that she is particularly looking for. "If I see something, and its cool and I have never seen one, I buy it," she confesses. "I will store things in closets and down in the basement. Raymond always says the basement is like a antique store! I also get made fun of from my friends about my pillow fetish, I have closets and racks of pillows that I use for those just-in-case moments." Striped Pillow: Anthropologie Photo: Adrienne DeRosa © 2014 Houzz

The Sunbrella blend outdoor TV lift cabinet island is here! Practical, functional, adaptable and built to last, The Blend is the epitome of functional luxury for everyone who wants their creature comforts with a five-star, design-led aesthetic and never-seen-before style. High-end Cumaru wood paired with two colors of Sunbrella US made TV lift system comes with 10 year warranty Send in your own Sunbrella® color for a custom match Add optional 360 swivel or casters to watch TV anywhere in Backyard Sunbrella® panels are removable for future material change out The next level in luxury for those who demand more of their backyard, deck or poolside. Find more reasons to be outside and savor your outdoor space with our ultimate marriage of couture and convenience with The Blend –designed for 49, 55 and 65 inch TVs (or larger). The Blend is incredibly convenient and with a choice of Sunbrella®, or go custom with your own color, can be wholly tailored to your space.

We can safely say that there are kitchens that boast style,....however, they boast just the one style. ASTRA’s OLD LINE takes a never-seen before approach, taking inspiration from the past and applying it to a modern kitchen, elegantly breaking the norms. Elegance, resulting from the merger of contemporary design and hints of the past; the framed door is given a modern edge thanks to the new shapes and novel materials governing designs, such as the colored varnish that stains without masking the grain of the ash wood, making it even more precious and dynamic.

Our task was to revive a classic Bucks County stone farmhouse as a charming yet sophisticated weekend retreat, seamlessly blending original features such as hand-hewn beams with a new kitchen and baths, elevating all the house’s rooms to a level of refinement it has never seen before. The kitchen has been extended with additional cabinetry that wraps into the living and dining rooms. In the living room, the walls of millwork in the living room are all new but feel like they have always been in place. Upstairs, we reconfigured the floor plan to create a primary suite with a spa-like bath. Textiles, wallpapers, and rugs were all chosen with a nod to the traditional but always bold modern takes on the classics that enliven and add freshness to each room’s colors and patterns.

With its rounded shape, this awning perfectly suits any architectural context. Fitted to shade big surfaces, it can be equipped with LED lighting systems: all of this makes Feng the latest design object in the sun awning world. Something never seen before.

Contemporary abstract painting in shades of turquoise, lavender, and white. Amira Rahim is a former teacher turned full time artist who dabbles in color schemes like you’ve never seen before. Bursting with color and texture, each of Rahim’s abstract pieces is vibrant and adds a sunny touch to any space.

We can safely say that there are kitchens that boast style,....however, they boast just the one style. ASTRA’s OLD LINE takes a never-seen before approach, taking inspiration from the past and applying it to a modern kitchen, elegantly breaking the norms. Elegance, resulting from the merger of contemporary design and hints of the past; the framed door is given a modern edge thanks to the new shapes and novel materials governing designs, such as the colored varnish that stains without masking the grain of the ash wood, making it even more precious and dynamic.

We take any design or photograph and create stunning wall and floor tile out of it. All kinds of size tile and also floor tile too. Make your own tile design that matches perfectly what your kitchen or shower area or your business needs. Our print is permanent and will not fade or wear off. Fully UV proof and scratch proof good for indoor or outdoor. No Minimums Up to 1200 dpi in clarity. We also print on porcelain dishware and mugs/plates too. These tiles (back splash) here are just a colour pattern that the customer wanted making a look you've never seen before. We deliver the "WOW" factor!

Abstract mixed media painting in shades of lavender and teal. Amira Rahim is a former teacher turned full time artist who dabbles in color schemes like you’ve never seen before. Bursting with color and texture, each of Rahim’s abstract pieces is vibrant and adds a sunny touch to any space.

We can safely say that there are kitchens that boast style,....however, they boast just the one style. ASTRA’s OLD LINE takes a never-seen before approach, taking inspiration from the past and applying it to a modern kitchen, elegantly breaking the norms. Elegance, resulting from the merger of contemporary design and hints of the past; the framed door is given a modern edge thanks to the new shapes and novel materials governing designs, such as the colored varnish that stains without masking the grain of the ash wood, making it even more precious and dynamic.

Contemporary abstract artwork in shades of red and pink with blooming flowers. Amira Rahim is a former teacher turned full time artist who dabbles in color schemes like you’ve never seen before. Bursting with color and texture, each of Rahim’s abstract pieces is vibrant and adds a sunny touch to any space.

NYC designer Megan Pflug and her husband J. Penry purchased a 1962 mid-century lodge in Greenville, New York and revived the tired property to become the Woodhouse Lodge. They just wrapped a year long renovation, and this summer, unveiled a modern retreat filled with character, relaxed sophistication and a rustic-modernist vibe you’ve never seen before. (And wait until you see how she makes matte black a country thing…) Photo: Genevieve Garruppo

There are kitchens that boast style,....however, they boast just the one style. ASTRA’s OLD LINE takes a never-seen- before approach, taking inspiration from the past and applying it to a modern kitchen, elegantly breaking the norms. Within the OLD LINE range, wood takes centre stage alongside the “framed” door, characterized by a simple, linear cornice, reminiscent of times gone by. The inner cornice features no specific decorative elements and is made exclusively of varnished ash wood, ensuring that the model fits perfectly with the overall modern decorative look.

There are kitchens that boast style,....however, they boast just the one style. ASTRA’s OLD LINE takes a never-seen- before approach, taking inspiration from the past and applying it to a modern kitchen, elegantly breaking the norms. Within the OLD LINE range, wood takes centre stage alongside the “framed” door, characterized by a simple, linear cornice, reminiscent of times gone by. The inner cornice features no specific decorative elements and is made exclusively of varnished ash wood, ensuring that the model fits perfectly with the overall modern decorative look.