Contractor: David Clough Photographer: Dan Gair/Blind Dog Photo, Inc. This period home straddles two centuries and dual roles. As the home for the headmaster of an independent high school, it is also considered a school asset as a facility for visitors. Formal details define the public rooms that accommodate school functions. A ground-floor guest suite hosts campus visitors. The catering-quality kitchen, like a hinge, connects the intimate living quarters to formal spaces. The heart of their family sanctuary is the great room just beyond the kitchen. The headmaster holds occasional student classes in his living room, connecting students to this campus legacy. He and his wife can see the front door of the main building from his upstairs window. Boundaries between public and private life are sensitively articulated throughout.

School settings require students to maintain concentration and sit still for long periods of time throughout the day. Needless to say, that can be tough not only for teenagers but adults as well. Harnessing sheer roller shades to cover classroom windows helps ensure sunlight doesn’t become a hindrance in the path of education, but a facilitator of better learning. By diffusing sunlight that enters the classrooms, students don’t suffer the negative cognitive impact of harsh glare that’s strainful on the eyes. Instead, they enjoy the benefits sunlight plays in maintaining alertness and attentiveness. Classroom window shades that provide better privacy also help to keep outside distractions from interfering with the lessons, keeping students focused on the subject at hand. The right use of colorful roller shades can also complement sensory cues for focus created by the classroom environment. Talk to Master Blinds’ design team to see what roller shades can offer your classroom spaces. Get in touch with us at 877-708-5883 to schedule a free in-person consultation with no obligation for more details!

Contractor: David Clough Photographer: Dan Gair/Blind Dog Photo, Inc. This period home straddles two centuries and dual roles. As the home for the headmaster of an independent high school, it is also considered a school asset as a facility for visitors. Formal details define the public rooms that accommodate school functions. A ground-floor guest suite hosts campus visitors. The catering-quality kitchen, like a hinge, connects the intimate living quarters to formal spaces. The heart of their family sanctuary is the great room just beyond the kitchen. The headmaster holds occasional student classes in his living room, connecting students to this campus legacy. He and his wife can see the front door of the main building from his upstairs window. Boundaries between public and private life are sensitively articulated throughout.

Contractor: David Clough Photographer: Dan Gair/Blind Dog Photo, Inc. This period home straddles two centuries and dual roles. As the home for the headmaster of an independent high school, it is also considered a school asset as a facility for visitors. Formal details define the public rooms that accommodate school functions. A ground-floor guest suite hosts campus visitors. The catering-quality kitchen, like a hinge, connects the intimate living quarters to formal spaces. The heart of their family sanctuary is the great room just beyond the kitchen. The headmaster holds occasional student classes in his living room, connecting students to this campus legacy. He and his wife can see the front door of the main building from his upstairs window. Boundaries between public and private life are sensitively articulated throughout.

Inspiration for a rustic brown one-story wood gable roof remodel in Seattle

The work of the Greene and Greene brothers represents the pinnacle in American Bungalow Style architecture of the Arts and Crafts period. This home was designed by a student of Frank Loyd Wright in the 4x8 materials concept. The space moves through the home and an open plan was best suited for this interpretation. From stylized posts and brackets to custom lighting details craftsmanship and attention to detail abound. Project# 6130.7 photographer Phillip Beaurline

Photo: Ten Ten Creative
Wet bar - transitional single-wall dark wood floor and brown floor wet bar idea in Dallas with shaker cabinets, black cabinets, black backsplash, subway tile backsplash and gray countertops

This is an organic Lime Wash done with a true lime wash product as opposed to a brick mortar or concrete that is often seen on new houses. This product can be applied as a solid coating making the surface completely white, or can be applied and "washed off" in many artistic ways, as seen here. If you hate your brick or just want something unique this is a great option! Photo credit: Jeff Murrey

This backsplash tile from Pratt & Larson was custom made for this kitchen. The client wanted something unique and traditional, but with a contemporary twist. The countertops are made of engineered quartz. Photo Credit: Jeff Freeman Photography (See his full gallery on Houzz.com)

Tommy Hurt
Doorless shower - small coastal gray tile mosaic tile floor doorless shower idea in Jacksonville with shaker cabinets, white cabinets, a one-piece toilet, blue walls, an undermount sink and granite countertops

Great room - tropical great room idea in Miami with white walls

CAPITAL DESIGN: Ionic Order (Roman) - Scamozzi Capital CAPITAL MATERIAL: PolyStone® Fiberglass Composite CAPITAL SIZE: 10" x 4-7/8" x 16-3/8" PROJECT LOCATION: New Haven, Connecticut PROJECT COMMENTS: Consulting with Chadsworth, the architects chose a Scamozzi column capital, which was nearly an exact replica of the severely damaged originals at the main entrance. The house was originally built in 1895. Like much of the house, which had been neglected for many decades, the original capitals ultimately proved to be held together by 150 years of paint. The capitals are a key feature of a strongly symmetrical facade, and the architects were grateful to remain true to the original design intent. This house is a late and rare example of very strict Georgian revival done in the East Rock neighborhood. The original house owner, Moritz Spier, was a warm-hearted coal merchant known to have carried the accounts of hundreds of families through the many economic downturns of that period. The house had few owners, and its highly detailed interior woodwork has thankfully remained unpainted. Because of its large foyer and wide open central staircase, the geometry of the house helped it survive a trend of partitioning large houses into Yale graduate student apartments. The Scamozzi capitals utilized for the renovation of this historic home were (8) of Chadsworth's PolyStone® fiberglass composite capitals. PHOTOGRAPHY COURTESY OF: ROBERT NARRACCI, EXTERIOR, RESIDENTIAL, RENOVATION

CAPITAL DESIGN: Ionic Order (Roman) - Scamozzi Capital CAPITAL MATERIAL: PolyStone® Fiberglass Composite CAPITAL SIZE: 10" x 4-7/8" x 16-3/8" PROJECT LOCATION: New Haven, Connecticut PROJECT COMMENTS: Consulting with Chadsworth, the architects chose a Scamozzi column capital, which was nearly an exact replica of the severely damaged originals at the main entrance. The house was originally built in 1895. Like much of the house, which had been neglected for many decades, the original capitals ultimately proved to be held together by 150 years of paint. The capitals are a key feature of a strongly symmetrical facade, and the architects were grateful to remain true to the original design intent. This house is a late and rare example of very strict Georgian revival done in the East Rock neighborhood. The original house owner, Moritz Spier, was a warm-hearted coal merchant known to have carried the accounts of hundreds of families through the many economic downturns of that period. The house had few owners, and its highly detailed interior woodwork has thankfully remained unpainted. Because of its large foyer and wide open central staircase, the geometry of the house helped it survive a trend of partitioning large houses into Yale graduate student apartments. The Scamozzi capitals utilized for the renovation of this historic home were (8) of Chadsworth's PolyStone® fiberglass composite capitals. PHOTOGRAPHY COURTESY OF: ROBERT NARRACCI, EXTERIOR, RESIDENTIAL, RENOVATION

CAPITAL DESIGN: Ionic Order (Roman) - Scamozzi Capital CAPITAL MATERIAL: PolyStone® Fiberglass Composite CAPITAL SIZE: 10" x 4-7/8" x 16-3/8" PROJECT LOCATION: New Haven, Connecticut PROJECT COMMENTS: Consulting with Chadsworth, the architects chose a Scamozzi column capital, which was nearly an exact replica of the severely damaged originals at the main entrance. The house was originally built in 1895. Like much of the house, which had been neglected for many decades, the original capitals ultimately proved to be held together by 150 years of paint. The capitals are a key feature of a strongly symmetrical facade, and the architects were grateful to remain true to the original design intent. This house is a late and rare example of very strict Georgian revival done in the East Rock neighborhood. The original house owner, Moritz Spier, was a warm-hearted coal merchant known to have carried the accounts of hundreds of families through the many economic downturns of that period. The house had few owners, and its highly detailed interior woodwork has thankfully remained unpainted. Because of its large foyer and wide open central staircase, the geometry of the house helped it survive a trend of partitioning large houses into Yale graduate student apartments. The Scamozzi capitals utilized for the renovation of this historic home were (8) of Chadsworth's PolyStone® fiberglass composite capitals. PHOTOGRAPHY COURTESY OF: ROBERT NARRACCI, EXTERIOR, RESIDENTIAL, RENOVATION

CAPITAL DESIGN: Ionic Order (Roman) - Scamozzi Capital CAPITAL MATERIAL: PolyStone® Fiberglass Composite CAPITAL SIZE: 10" x 4-7/8" x 16-3/8" PROJECT LOCATION: New Haven, Connecticut PROJECT COMMENTS: Consulting with Chadsworth, the architects chose a Scamozzi column capital, which was nearly an exact replica of the severely damaged originals at the main entrance. The house was originally built in 1895. Like much of the house, which had been neglected for many decades, the original capitals ultimately proved to be held together by 150 years of paint. The capitals are a key feature of a strongly symmetrical facade, and the architects were grateful to remain true to the original design intent. This house is a late and rare example of very strict Georgian revival done in the East Rock neighborhood. The original house owner, Moritz Spier, was a warm-hearted coal merchant known to have carried the accounts of hundreds of families through the many economic downturns of that period. The house had few owners, and its highly detailed interior woodwork has thankfully remained unpainted. Because of its large foyer and wide open central staircase, the geometry of the house helped it survive a trend of partitioning large houses into Yale graduate student apartments. The Scamozzi capitals utilized for the renovation of this historic home were (8) of Chadsworth's PolyStone® fiberglass composite capitals. PHOTOGRAPHY COURTESY OF: ROBERT NARRACCI, EXTERIOR, RESIDENTIAL, RENOVATION

Door #10 FP3190 Flat 3 Panel Interior Door with Farmhouse Sticking Solid Poplar stiles and rails MDF panels Painted White 1 x 4 door casing 1 x 6 baseboard Bravura 336B door knob Call us for a quote on your door project 419-684-9582 Visit https://www.door.cc

Large entry foyer with lots of windows and closet space. Dark iron hardware
Example of a large cottage slate floor and gray floor foyer design in Boston with white walls and a medium wood front door

Example of a small classic 3/4 white tile and stone tile mosaic tile floor alcove shower design in Chicago with an undermount sink, recessed-panel cabinets, black cabinets, quartzite countertops, a two-piece toilet and gray walls

Basement Bath Shower Neri White 4 x 8 subway tiles by Builders Floor Covering & Tile. Jet Mist honed granite shower seat and niche shelf by Atlanta Kitchen.