Kitchen Cube 1 Upper East- Residence Work: Full Gut renovation- 2 apartments- in the same ‘S’ line Size: 650 Sq Ft of space in both apartments, 5S and 4S Using the Frankfurt Kitchen of 1926 for inspiration, Ms.Cianfaglione began asking herself how the typology of the NYC kitchenette for her building, in the ‘S’ line, needed to be upgraded to fit today’s physical and aesthetic needs. The Frankfurt Kitchen was the forerunner of modern fitted kitchens and had an unified concept to enable efficient work, consolidating a woman’s efforts and allowing her more time to spend else ware. But unlike the Frankfurt kitchen, Ms. Cianfaglione wanted to take this a step further and open it up rather than concealing it, and its user, inside a room. This would showcase the designer’s evolved notion of “cooking”,that would now become an orchestrated dance to be put on display. Ms. Cianfaglione had a typical NYC kitchenette, a small room with an air grille for ventilation, and in this case, there was a small window that was currently blocked by a refrigerator. There was also the problem of the foyer space, which was just a waste in an apartment this small, and the structural wall that could not be removed. Ms. Cianfaglione responded to these conditions by designing the kitchen to become a wrap around condition, in an ‘L’ shape, that would use the foyer more effectively and at the same time, face the living area, and all the while concealing the structural wall that separates them. The interesting thing about the ‘L’ shape was that it allows for a beautifully orchestrated flow that makes cooking look like a beautiful dance that moves back and forth along the’ L.’ The appliances are designed within the cabinetry to give a tailored look that does not allow for distraction, and you instead focus on the user. This renovation made the otherwise small, unused foyer and ineffective kitchen, now a focal point that dictates movement throughout. The kitchen has unified and designed an otherwise standard one bedroom apartment and seeks to become a new standard in this building’s typology.

Kitchen Cube 1 Upper East- Residence Work: Full Gut renovation- 2 apartments- in the same ‘S’ line Size: 650 Sq Ft of space in both apartments, 5S and 4S Using the Frankfurt Kitchen of 1926 for inspiration, Ms.Cianfaglione began asking herself how the typology of the NYC kitchenette for her building, in the ‘S’ line, needed to be upgraded to fit today’s physical and aesthetic needs. The Frankfurt Kitchen was the forerunner of modern fitted kitchens and had an unified concept to enable efficient work, consolidating a woman’s efforts and allowing her more time to spend else ware. But unlike the Frankfurt kitchen, Ms. Cianfaglione wanted to take this a step further and open it up rather than concealing it, and its user, inside a room. This would showcase the designer’s evolved notion of “cooking”,that would now become an orchestrated dance to be put on display. Ms. Cianfaglione had a typical NYC kitchenette, a small room with an air grille for ventilation, and in this case, there was a small window that was currently blocked by a refrigerator. There was also the problem of the foyer space, which was just a waste in an apartment this small, and the structural wall that could not be removed. Ms. Cianfaglione responded to these conditions by designing the kitchen to become a wrap around condition, in an ‘L’ shape, that would use the foyer more effectively and at the same time, face the living area, and all the while concealing the structural wall that separates them. The interesting thing about the ‘L’ shape was that it allows for a beautifully orchestrated flow that makes cooking look like a beautiful dance that moves back and forth along the’ L.’ The appliances are designed within the cabinetry to give a tailored look that does not allow for distraction, and you instead focus on the user. This renovation made the otherwise small, unused foyer and ineffective kitchen, now a focal point that dictates movement throughout. The kitchen has unified and designed an otherwise standard one bedroom apartment and seeks to become a new standard in this building’s typology.

Located above the coast of Malibu, this two-story concrete and glass home is organized into a series of bands that hug the hillside and a central circulation spine. Living spaces are compressed between the retaining walls that hold back the earth and a series of glass facades facing the ocean and Santa Monica Bay. The name of the project stems from the physical and psychological protection provided by wearing reflective sunglasses. On the house the “glasses” allow for panoramic views of the ocean while also reflecting the landscape back onto the exterior face of the building. PROJECT TEAM: Peter Tolkin, Jeremy Schacht, Maria Iwanicki, Brian Proffitt, Tinka Rogic, Leilani Trujillo ENGINEERS: Gilsanz Murray Steficek (Structural), Innovative Engineering Group (MEP), RJR Engineering (Geotechnical), Project Engineering Group (Civil) LANDSCAPE: Mark Tessier Landscape Architecture INTERIOR DESIGN: Deborah Goldstein Design Inc. CONSULTANTS: Lighting DesignAlliance (Lighting), Audio Visual Systems Los Angeles (Audio/ Visual), Rothermel & Associates (Rothermel & Associates (Acoustic), GoldbrechtUSA (Curtain Wall) CONTRACTOR: Winters-Schram Associates PHOTOGRAPHER: Benny Chan AWARDS: 2007 American Institute of Architects Merit Award, 2010 Excellence Award, Residential Concrete Building Category Southern California Concrete Producers

Kitchen Cube 1 Upper East- Residence Work: Full Gut renovation- 2 apartments- in the same ‘S’ line Size: 650 Sq Ft of space in both apartments, 5S and 4S Using the Frankfurt Kitchen of 1926 for inspiration, Ms.Cianfaglione began asking herself how the typology of the NYC kitchenette for her building, in the ‘S’ line, needed to be upgraded to fit today’s physical and aesthetic needs. The Frankfurt Kitchen was the forerunner of modern fitted kitchens and had an unified concept to enable efficient work, consolidating a woman’s efforts and allowing her more time to spend else ware. But unlike the Frankfurt kitchen, Ms. Cianfaglione wanted to take this a step further and open it up rather than concealing it, and its user, inside a room. This would showcase the designer’s evolved notion of “cooking”,that would now become an orchestrated dance to be put on display. Ms. Cianfaglione had a typical NYC kitchenette, a small room with an air grille for ventilation, and in this case, there was a small window that was currently blocked by a refrigerator. There was also the problem of the foyer space, which was just a waste in an apartment this small, and the structural wall that could not be removed. Ms. Cianfaglione responded to these conditions by designing the kitchen to become a wrap around condition, in an ‘L’ shape, that would use the foyer more effectively and at the same time, face the living area, and all the while concealing the structural wall that separates them. The interesting thing about the ‘L’ shape was that it allows for a beautifully orchestrated flow that makes cooking look like a beautiful dance that moves back and forth along the’ L.’ The appliances are designed within the cabinetry to give a tailored look that does not allow for distraction, and you instead focus on the user. This renovation made the otherwise small, unused foyer and ineffective kitchen, now a focal point that dictates movement throughout. The kitchen has unified and designed an otherwise standard one bedroom apartment and seeks to become a new standard in this building’s typology.

Located above the coast of Malibu, this two-story concrete and glass home is organized into a series of bands that hug the hillside and a central circulation spine. Living spaces are compressed between the retaining walls that hold back the earth and a series of glass facades facing the ocean and Santa Monica Bay. The name of the project stems from the physical and psychological protection provided by wearing reflective sunglasses. On the house the “glasses” allow for panoramic views of the ocean while also reflecting the landscape back onto the exterior face of the building. PROJECT TEAM: Peter Tolkin, Jeremy Schacht, Maria Iwanicki, Brian Proffitt, Tinka Rogic, Leilani Trujillo ENGINEERS: Gilsanz Murray Steficek (Structural), Innovative Engineering Group (MEP), RJR Engineering (Geotechnical), Project Engineering Group (Civil) LANDSCAPE: Mark Tessier Landscape Architecture INTERIOR DESIGN: Deborah Goldstein Design Inc. CONSULTANTS: Lighting DesignAlliance (Lighting), Audio Visual Systems Los Angeles (Audio/ Visual), Rothermel & Associates (Rothermel & Associates (Acoustic), GoldbrechtUSA (Curtain Wall) CONTRACTOR: Winters-Schram Associates PHOTOGRAPHER: Benny Chan AWARDS: 2007 American Institute of Architects Merit Award, 2010 Excellence Award, Residential Concrete Building Category Southern California Concrete Producers

A couple wanted a weekend retreat without spending a majority of their getaway in an automobile. Therefore, a lot was purchased along the Rocky River with the vision of creating a nearby escape less than five miles away from their home. This 1,300 sf 24’ x 24’ dwelling is divided into a four square quadrant with the goal to create a variety of interior and exterior experiences while maintaining a rather small footprint. Typically, when going on a weekend retreat one has the drive time to decompress. However, without this, the goal was to create a procession from the car to the house to signify such change of context. This concept was achieved through the use of a wood slatted screen wall which must be passed through. After winding around a collection of poured concrete steps and walls one comes to a wood plank bridge and crosses over a Japanese garden leaving all the stresses of the daily world behind. The house is structured around a nine column steel frame grid, which reinforces the impression one gets of the four quadrants. The two rear quadrants intentionally house enclosed program space but once passed through, the floor plan completely opens to long views down to the mouth of the river into Lake Erie. On the second floor the four square grid is stacked with one quadrant removed for the two story living area on the first floor to capture heightened views down the river. In a move to create complete separation there is a one quadrant roof top office with surrounding roof top garden space. The rooftop office is accessed through a unique approach by exiting onto a steel grated staircase which wraps up the exterior facade of the house. This experience provides an additional retreat within their weekend getaway, and serves as the apex of the house where one can completely enjoy the views of Lake Erie disappearing over the horizon. Visually the house extends into the riverside site, but the four quadrant axis also physically extends creating a series of experiences out on the property. The Northeast kitchen quadrant extends out to become an exterior kitchen & dining space. The two-story Northwest living room quadrant extends out to a series of wrap around steps and lounge seating. A fire pit sits in this quadrant as well farther out in the lawn. A fruit and vegetable garden sits out in the Southwest quadrant in near proximity to the shed, and the entry sequence is contained within the Southeast quadrant extension. Internally and externally the whole house is organized in a simple and concise way and achieves the ultimate goal of creating many different experiences within a rationally sized footprint. Photo: Sergiu Stoian

A couple wanted a weekend retreat without spending a majority of their getaway in an automobile. Therefore, a lot was purchased along the Rocky River with the vision of creating a nearby escape less than five miles away from their home. This 1,300 sf 24’ x 24’ dwelling is divided into a four square quadrant with the goal to create a variety of interior and exterior experiences while maintaining a rather small footprint. Typically, when going on a weekend retreat one has the drive time to decompress. However, without this, the goal was to create a procession from the car to the house to signify such change of context. This concept was achieved through the use of a wood slatted screen wall which must be passed through. After winding around a collection of poured concrete steps and walls one comes to a wood plank bridge and crosses over a Japanese garden leaving all the stresses of the daily world behind. The house is structured around a nine column steel frame grid, which reinforces the impression one gets of the four quadrants. The two rear quadrants intentionally house enclosed program space but once passed through, the floor plan completely opens to long views down to the mouth of the river into Lake Erie. On the second floor the four square grid is stacked with one quadrant removed for the two story living area on the first floor to capture heightened views down the river. In a move to create complete separation there is a one quadrant roof top office with surrounding roof top garden space. The rooftop office is accessed through a unique approach by exiting onto a steel grated staircase which wraps up the exterior facade of the house. This experience provides an additional retreat within their weekend getaway, and serves as the apex of the house where one can completely enjoy the views of Lake Erie disappearing over the horizon. Visually the house extends into the riverside site, but the four quadrant axis also physically extends creating a series of experiences out on the property. The Northeast kitchen quadrant extends out to become an exterior kitchen & dining space. The two-story Northwest living room quadrant extends out to a series of wrap around steps and lounge seating. A fire pit sits in this quadrant as well farther out in the lawn. A fruit and vegetable garden sits out in the Southwest quadrant in near proximity to the shed, and the entry sequence is contained within the Southeast quadrant extension. Internally and externally the whole house is organized in a simple and concise way and achieves the ultimate goal of creating many different experiences within a rationally sized footprint. Photo: Sergiu Stoian

A couple wanted a weekend retreat without spending a majority of their getaway in an automobile. Therefore, a lot was purchased along the Rocky River with the vision of creating a nearby escape less than five miles away from their home. This 1,300 sf 24’ x 24’ dwelling is divided into a four square quadrant with the goal to create a variety of interior and exterior experiences while maintaining a rather small footprint. Typically, when going on a weekend retreat one has the drive time to decompress. However, without this, the goal was to create a procession from the car to the house to signify such change of context. This concept was achieved through the use of a wood slatted screen wall which must be passed through. After winding around a collection of poured concrete steps and walls one comes to a wood plank bridge and crosses over a Japanese garden leaving all the stresses of the daily world behind. The house is structured around a nine column steel frame grid, which reinforces the impression one gets of the four quadrants. The two rear quadrants intentionally house enclosed program space but once passed through, the floor plan completely opens to long views down to the mouth of the river into Lake Erie. On the second floor the four square grid is stacked with one quadrant removed for the two story living area on the first floor to capture heightened views down the river. In a move to create complete separation there is a one quadrant roof top office with surrounding roof top garden space. The rooftop office is accessed through a unique approach by exiting onto a steel grated staircase which wraps up the exterior facade of the house. This experience provides an additional retreat within their weekend getaway, and serves as the apex of the house where one can completely enjoy the views of Lake Erie disappearing over the horizon. Visually the house extends into the riverside site, but the four quadrant axis also physically extends creating a series of experiences out on the property. The Northeast kitchen quadrant extends out to become an exterior kitchen & dining space. The two-story Northwest living room quadrant extends out to a series of wrap around steps and lounge seating. A fire pit sits in this quadrant as well farther out in the lawn. A fruit and vegetable garden sits out in the Southwest quadrant in near proximity to the shed, and the entry sequence is contained within the Southeast quadrant extension. Internally and externally the whole house is organized in a simple and concise way and achieves the ultimate goal of creating many different experiences within a rationally sized footprint.

Introducing a Fence Installation Masterpiece on Houzz: Elevating Your Outdoor Space to New Heights. Welcome to a world where beauty, functionality, and craftsmanship converge seamlessly. We invite you to discover our latest fence installation project on Houzz, a testament to our unwavering commitment to creating outdoor spaces that truly inspire. Imagine stepping into your backyard, greeted by a fence that not only serves as a protective barrier but also elevates the aesthetic appeal of your property. Our team of skilled professionals has meticulously crafted a fence installation that blends artistry and precision, transforming your outdoor space into a sanctuary of style and security. Every aspect of this project has been carefully considered, from the selection of premium materials to the seamless integration with your landscape. Whether you envision a classic wooden fence exuding warmth and timeless charm, a modern masterpiece crafted from sleek metal, or an elegant blend of materials, we have the expertise to bring your vision to life. But our dedication doesn't stop at the physical installation. We understand that a truly exceptional experience encompasses every step of the journey. From the initial consultation to the final touches, our team is committed to providing personalized attention and ensuring your complete satisfaction. We listen attentively to your needs, offer expert guidance, and work collaboratively to turn your dreams into reality. Our fence installation job on Houzz showcases not only the impeccable craftsmanship but also the transformative power it holds. Take a moment to explore the captivating imagery, where you'll witness the artistry and attention to detail that define our work. Each photograph tells a story of the possibilities that await, inspiring you to reimagine your own outdoor space. When you choose us for your fence installation project on Houzz, you're not just investing in a physical structure; you're investing in the creation of an outdoor haven that reflects your unique style and enhances your lifestyle. Let us be your partner in this journey, guiding you with our expertise and passion every step of the way. Contact us today and let's embark on a collaborative adventure to craft a fence installation that exceeds your expectations. Together, we'll redefine the boundaries of beauty and functionality, creating an outdoor space that brings joy, tranquility, and a touch of enchantment to your everyday life.

A couple wanted a weekend retreat without spending a majority of their getaway in an automobile. Therefore, a lot was purchased along the Rocky River with the vision of creating a nearby escape less than five miles away from their home. This 1,300 sf 24’ x 24’ dwelling is divided into a four square quadrant with the goal to create a variety of interior and exterior experiences while maintaining a rather small footprint. Typically, when going on a weekend retreat one has the drive time to decompress. However, without this, the goal was to create a procession from the car to the house to signify such change of context. This concept was achieved through the use of a wood slatted screen wall which must be passed through. After winding around a collection of poured concrete steps and walls one comes to a wood plank bridge and crosses over a Japanese garden leaving all the stresses of the daily world behind. The house is structured around a nine column steel frame grid, which reinforces the impression one gets of the four quadrants. The two rear quadrants intentionally house enclosed program space but once passed through, the floor plan completely opens to long views down to the mouth of the river into Lake Erie. On the second floor the four square grid is stacked with one quadrant removed for the two story living area on the first floor to capture heightened views down the river. In a move to create complete separation there is a one quadrant roof top office with surrounding roof top garden space. The rooftop office is accessed through a unique approach by exiting onto a steel grated staircase which wraps up the exterior facade of the house. This experience provides an additional retreat within their weekend getaway, and serves as the apex of the house where one can completely enjoy the views of Lake Erie disappearing over the horizon. Visually the house extends into the riverside site, but the four quadrant axis also physically extends creating a series of experiences out on the property. The Northeast kitchen quadrant extends out to become an exterior kitchen & dining space. The two-story Northwest living room quadrant extends out to a series of wrap around steps and lounge seating. A fire pit sits in this quadrant as well farther out in the lawn. A fruit and vegetable garden sits out in the Southwest quadrant in near proximity to the shed, and the entry sequence is contained within the Southeast quadrant extension. Internally and externally the whole house is organized in a simple and concise way and achieves the ultimate goal of creating many different experiences within a rationally sized footprint. Photo: Sergiu Stoian

Exterior, brick, lime, limewash, painted brick, architectural finish

Located above the coast of Malibu, this two-story concrete and glass home is organized into a series of bands that hug the hillside and a central circulation spine. Living spaces are compressed between the retaining walls that hold back the earth and a series of glass facades facing the ocean and Santa Monica Bay. The name of the project stems from the physical and psychological protection provided by wearing reflective sunglasses. On the house the “glasses” allow for panoramic views of the ocean while also reflecting the landscape back onto the exterior face of the building. PROJECT TEAM: Peter Tolkin, Jeremy Schacht, Maria Iwanicki, Brian Proffitt, Tinka Rogic, Leilani Trujillo ENGINEERS: Gilsanz Murray Steficek (Structural), Innovative Engineering Group (MEP), RJR Engineering (Geotechnical), Project Engineering Group (Civil) LANDSCAPE: Mark Tessier Landscape Architecture INTERIOR DESIGN: Deborah Goldstein Design Inc. CONSULTANTS: Lighting DesignAlliance (Lighting), Audio Visual Systems Los Angeles (Audio/ Visual), Rothermel & Associates (Rothermel & Associates (Acoustic), GoldbrechtUSA (Curtain Wall) CONTRACTOR: Winters-Schram Associates PHOTOGRAPHER: Benny Chan AWARDS: 2007 American Institute of Architects Merit Award, 2010 Excellence Award, Residential Concrete Building Category Southern California Concrete Producers

Located above the coast of Malibu, this two-story concrete and glass home is organized into a series of bands that hug the hillside and a central circulation spine. Living spaces are compressed between the retaining walls that hold back the earth and a series of glass facades facing the ocean and Santa Monica Bay. The name of the project stems from the physical and psychological protection provided by wearing reflective sunglasses. On the house the “glasses” allow for panoramic views of the ocean while also reflecting the landscape back onto the exterior face of the building. PROJECT TEAM: Peter Tolkin, Jeremy Schacht, Maria Iwanicki, Brian Proffitt, Tinka Rogic, Leilani Trujillo ENGINEERS: Gilsanz Murray Steficek (Structural), Innovative Engineering Group (MEP), RJR Engineering (Geotechnical), Project Engineering Group (Civil) LANDSCAPE: Mark Tessier Landscape Architecture INTERIOR DESIGN: Deborah Goldstein Design Inc. CONSULTANTS: Lighting DesignAlliance (Lighting), Audio Visual Systems Los Angeles (Audio/ Visual), Rothermel & Associates (Rothermel & Associates (Acoustic), GoldbrechtUSA (Curtain Wall) CONTRACTOR: Winters-Schram Associates PHOTOGRAPHER: Benny Chan AWARDS: 2007 American Institute of Architects Merit Award, 2010 Excellence Award, Residential Concrete Building Category Southern California Concrete Producers

Named for the original homestead, the Aspen Leaf Ranch blends early ranch history with modern sensibility. The owner, an outdoorsman and native plant enthusiast, and former project manager of notable Seattle buildings (including the Olympic Sculpture Park and the Bullitt Center), tasked Best Practice Architecture with designing a modest yet comfortable home reflective of valley cabins and farmsteads. He desired a small home that was ‘light on the land’, yet flexible enough to accommodate visiting friends and family. Located in a quiet river valley 10 miles from the nearest town, the result is a humble compound firmly rooted in the rural vernacular. The Methow Valley was familiar to the owner from childhood ski and camping trips and he now has family who live in the area. The Valley is hot and dry in the summer and on average receives over 70 inches of snow each winter. Set in a narrow river valley below high mountain peaks, the owner wanted the new home to have a strong visual and physical connection to the surrounding landscape. For many years, the homestead was operated as a horse packing guide service, and an old agricultural barn remains that will eventually be repurposed into a ski waxing room, shop, and sauna. Two new structures make up the residential retreat: a one-bedroom main house and a carport with an adjoining guest suite, small office, and storage for outdoor equipment. Best Practice’s design prioritizes natural light and optimizes dramatic views of the surrounding meadow, forest, hills, and mountains “I wanted both the design and scale of the new buildings to reflect traditional ranch homes and cabins in the remote river valley with all the creature comforts of modern living,” said the homeowner. “Ensuring a strong connection to the outside throughout the seasons was a primary goal. Windows on all sides and three exterior doors allow me to track the many species of birds and wildlife that move through the property and access the ever-changing light and weather.” Best Practice carefully positioned the new structures to frame important vistas while minimizing disturbance to the native forest and meadow. The exterior finishes and details are consistent with historic cabins and barns in the area but stylized to acknowledge the new structure’s place in time. Metal roofing, siding, and a gravel skirt were chosen to reduce wildfire risk, and native plantings attract and support local birds and wildlife. Best Practice simplified the interior detailing with a nod towards a rural cabin aesthetic, incorporating painted beadboard, extensive built-in cabinetry, warm woods, a sizeable kitchen, and an open nook for daytime lounging and overnight guests. The design also took into account the owner’s collection of art, family heirlooms, and furniture gathered over many years. Best Practice designed this Methow Valley home to respect the history and beauty of the historic Aspen Leaf Ranch while embracing modern comforts. The design successfully meets a well-considered program for 4-season use and serves as a full-time rural retreat for the owner as well as a gathering place for friends and family.

Named for the original homestead, the Aspen Leaf Ranch blends early ranch history with modern sensibility. The owner, an outdoorsman and native plant enthusiast, and former project manager of notable Seattle buildings (including the Olympic Sculpture Park and the Bullitt Center), tasked Best Practice Architecture with designing a modest yet comfortable home reflective of valley cabins and farmsteads. He desired a small home that was ‘light on the land’, yet flexible enough to accommodate visiting friends and family. Located in a quiet river valley 10 miles from the nearest town, the result is a humble compound firmly rooted in the rural vernacular. The Methow Valley was familiar to the owner from childhood ski and camping trips and he now has family who live in the area. The Valley is hot and dry in the summer and on average receives over 70 inches of snow each winter. Set in a narrow river valley below high mountain peaks, the owner wanted the new home to have a strong visual and physical connection to the surrounding landscape. For many years, the homestead was operated as a horse packing guide service, and an old agricultural barn remains that will eventually be repurposed into a ski waxing room, shop, and sauna. Two new structures make up the residential retreat: a one-bedroom main house and a carport with an adjoining guest suite, small office, and storage for outdoor equipment. Best Practice’s design prioritizes natural light and optimizes dramatic views of the surrounding meadow, forest, hills, and mountains “I wanted both the design and scale of the new buildings to reflect traditional ranch homes and cabins in the remote river valley with all the creature comforts of modern living,” said the homeowner. “Ensuring a strong connection to the outside throughout the seasons was a primary goal. Windows on all sides and three exterior doors allow me to track the many species of birds and wildlife that move through the property and access the ever-changing light and weather.” Best Practice carefully positioned the new structures to frame important vistas while minimizing disturbance to the native forest and meadow. The exterior finishes and details are consistent with historic cabins and barns in the area but stylized to acknowledge the new structure’s place in time. Metal roofing, siding, and a gravel skirt were chosen to reduce wildfire risk, and native plantings attract and support local birds and wildlife. Best Practice simplified the interior detailing with a nod towards a rural cabin aesthetic, incorporating painted beadboard, extensive built-in cabinetry, warm woods, a sizeable kitchen, and an open nook for daytime lounging and overnight guests. The design also took into account the owner’s collection of art, family heirlooms, and furniture gathered over many years. Best Practice designed this Methow Valley home to respect the history and beauty of the historic Aspen Leaf Ranch while embracing modern comforts. The design successfully meets a well-considered program for 4-season use and serves as a full-time rural retreat for the owner as well as a gathering place for friends and family.

Command attention and introduce an air of high-end luxury to your space with this magnificent, physical abstract gold white and black canvas wall art masterpiece. The composition features striking metallic highlights contrasting beautifully against bold black structures and clean white negative space, making it a perfect fit for a modern organic or contemporary home. Designed to deliver instant interior design inspiration, this premium stretched canvas printstands out as a true designer statement piece for your living room wall decor collection. Shop This Exact Piece Direct From Our Store Link / Source URL: https://alletscomfort.com/products/abstract-expressionistisch-rood-zwart-goud-canvas-schilderij-gang HOUZZ EXCLUSIVE: Use code WELCOME5 at checkout for 5% OFF your first order! Available Sizes & Specifications: * Available Dimensions (US Standard Sizes): * Small Accents: 8"x8" | 8"x12" | 12"x8" | 12"x12" * Medium Sizes: 12"x16" | 16"x12" | 16"x16" | 16"x20" | 16"x24" | 20"x16" | 24"x16" * Large Statement Sizes: 24"x24" | 24"x35" | 28"x39" | 35"x12" | 35"x24" * Extra Large (XL): 39"x28" Ready to hang straight out of the box with pre-installed hanging hardware. Ships safely and securely right to your door.

A couple wanted a weekend retreat without spending a majority of their getaway in an automobile. Therefore, a lot was purchased along the Rocky River with the vision of creating a nearby escape less than five miles away from their home. This 1,300 sf 24’ x 24’ dwelling is divided into a four square quadrant with the goal to create a variety of interior and exterior experiences while maintaining a rather small footprint. Typically, when going on a weekend retreat one has the drive time to decompress. However, without this, the goal was to create a procession from the car to the house to signify such change of context. This concept was achieved through the use of a wood slatted screen wall which must be passed through. After winding around a collection of poured concrete steps and walls one comes to a wood plank bridge and crosses over a Japanese garden leaving all the stresses of the daily world behind. The house is structured around a nine column steel frame grid, which reinforces the impression one gets of the four quadrants. The two rear quadrants intentionally house enclosed program space but once passed through, the floor plan completely opens to long views down to the mouth of the river into Lake Erie. On the second floor the four square grid is stacked with one quadrant removed for the two story living area on the first floor to capture heightened views down the river. In a move to create complete separation there is a one quadrant roof top office with surrounding roof top garden space. The rooftop office is accessed through a unique approach by exiting onto a steel grated staircase which wraps up the exterior facade of the house. This experience provides an additional retreat within their weekend getaway, and serves as the apex of the house where one can completely enjoy the views of Lake Erie disappearing over the horizon. Visually the house extends into the riverside site, but the four quadrant axis also physically extends creating a series of experiences out on the property. The Northeast kitchen quadrant extends out to become an exterior kitchen & dining space. The two-story Northwest living room quadrant extends out to a series of wrap around steps and lounge seating. A fire pit sits in this quadrant as well farther out in the lawn. A fruit and vegetable garden sits out in the Southwest quadrant in near proximity to the shed, and the entry sequence is contained within the Southeast quadrant extension. Internally and externally the whole house is organized in a simple and concise way and achieves the ultimate goal of creating many different experiences within a rationally sized footprint. Photo: Sergiu Stoian

Staircase - mid-sized traditional wooden straight wood railing staircase idea in New York with painted risers

- RIDDLED DESK. The originality and workmanship of its legs are the outstanding features of the Riddled table, which incorporates the notion of porosity found in multiple architecture works by Steven Holl. The thin sheets of wood, folded through laser engraving, make this project even more spectacular in its apparent defiance of the laws of physics. These two legs, akin to origami sculptures, allow the passage of the internal light to create a myriad of lights and shadows. 78''3/4W x 39''3/8D x 28''3/8H. 78''3/4W x 43''3/8D x 28''3/8H. 98''3/8W x 39''3/8D x 28''3/8H. 98''3/8W x 43''3/8D x 28''3/8H. http://ow.ly/3yzu7W - PLYWOOD CHANDELIER. Creativity and innovation come together in a luminous sculpture constructed with a 2-mm wooden material, laser etched, and folded in an origami-like fashion, thanks to a complex technological process patented by Horm. The LED light, passing through the structure holes, creates unique plays of shadows that allow Steven Holl to offer the same emotion his architecture conveys albeit at a different scale. 39''3/4W x 15''3/4D x 12''1/8H. http://ow.ly/3yzu9J