Living room - large transitional open concept dark wood floor and brown floor living room idea in St Louis with white walls, a standard fireplace and a stone fireplace

The "Illusionist" kitchen is a 2nd place winner in the prestigious Subzero and Wolf kitchen design contest in the state of Ohio. This tremendous house, which is situated on the lake, boasts a main kitchen and a prep kitchen. Its name was generated from the complete invisibility of the main kitchen's working components, whereas all of the appliances were completely concealed to provide a seamless look allowing for an unconventional look that is streamlined yet completely functional. The goal of the homeowners in the design stages were to simplify a more conventional house layout. A more predictable formal dining room was eliminated creating a merge of the main kitchen with a central eating area. The combining of these two spaces helped to develop the concept that the kitchen was an 'illusion'; accessible when necessary but unnoticed in every other way so there was less of a feel of being in a kitchen and more of a sense of being in a gathering area for family and friends to enjoy. The main kitchen boasts three ovens, a 36" Subzero refrigerator and a 36" Subzero freezer, all of which are paneled with white glass, providing a perfect reflective surface for the lake in the backdrop. The island is dual purposed, housing a sink and a 36" induction Wolf cooktop on one side and providing seating for 10 in a custom built banquette. The light fixture above the custom glass and stainless steel table is the "Etoile" from Terzanni while the massive light fixture over the island is the "Sospesa" from Fabbian and boasts a 2" sheet of glass with inset halogen lighting that is nearly invisible suspended from the 10' ceiling that features a drop ceiling with cove lighting. The prep kitchen, which was the 'workhorse' for everyday use is also a fully functional space, featuring additional 36" Subzero refrigerator and freezer, a 36" oven, microwave, two prep sinks (one in the island and one to the left of the freezer) and a concealed barstool which pulls out from the island and 'disappears' when not in use. A built-in dog feeding station allows for conveniences for all family members of this modern household.

Jay Greene Photography
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"The homeowners wanted a modern kitchen design with a striking marble back splash, clean, white countertops, and light colored cabinets with a wood island. Our goal was to satisfy our client's wishes by creating a kitchen that is highly functional, polished, and visually striking." Fernando Geurra Spogue Kitchens & Bath

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A screened porch with a wood paneled ceiling and outdoor kitchen area. Courtesy of Lake Nona Realty.
Mid-sized minimalist tile back porch idea in Orlando with a roof extension

The "Illusionist" kitchen is a 2nd place winner in the prestigious Subzero and Wolf kitchen design contest in the state of Ohio. This tremendous house, which is situated on the lake, boasts a main kitchen and a prep kitchen. Its name was generated from the complete invisibility of the main kitchen's working components, whereas all of the appliances were completely concealed to provide a seamless look allowing for an unconventional look that is streamlined yet completely functional. The goal of the homeowners in the design stages were to simplify a more conventional house layout. A more predictable formal dining room was eliminated creating a merge of the main kitchen with a central eating area. The combining of these two spaces helped to develop the concept that the kitchen was an 'illusion'; accessible when necessary but unnoticed in every other way so there was less of a feel of being in a kitchen and more of a sense of being in a gathering area for family and friends to enjoy. The main kitchen boasts three ovens, a 36" Subzero refrigerator and a 36" Subzero freezer, all of which are paneled with white glass, providing a perfect reflective surface for the lake in the backdrop. The island is dual purposed, housing a sink and a 36" induction Wolf cooktop on one side and providing seating for 10 in a custom built banquette. The light fixture above the custom glass and stainless steel table is the "Etoile" from Terzanni while the massive light fixture over the island is the "Sospesa" from Fabbian and boasts a 2" sheet of glass with inset halogen lighting that is nearly invisible suspended from the 10' ceiling that features a drop ceiling with cove lighting. The prep kitchen, which was the 'workhorse' for everyday use is also a fully functional space, featuring additional 36" Subzero refrigerator and freezer, a 36" oven, microwave, two prep sinks (one in the island and one to the left of the freezer) and a concealed barstool which pulls out from the island and 'disappears' when not in use. A built-in dog feeding station allows for conveniences for all family members of this modern household.

This home is built by Robert Thomas Homes located in Minnesota. Our showcase models are professionally staged. FOR STAGING PRODUCT QUESTIONS please contact Ambiance at Home for information on furniture - 952.440.6757

This kitchen with full height backsplash in Gaston came together in Calacatta Lilly, an engineered quartz from AG Stones that gives you that bright white background with soft gray and gold veining moving through it. We used the same stone into the bathroom vanities too, so the whole house reads consistent without repeating the same room twice. Quartz like this is manufactured under controlled conditions, so the veining pattern is engineered to look natural while staying more predictable slab to slab than a lot of natural stone. That consistency matters most in a kitchen, where the counters are doing the real work every day. Calacatta Lilly holds up to knives, hot pans, and the general chaos of cooking without needing much babying. It's non-porous, so there's no sealing schedule to keep track of, no worrying about a glass of wine sitting too long or lemon juice etching a ring into the surface. You wipe it down and move on with your life. Getting the look right across a kitchen this size takes some care at the template stage. We're matching veining direction across the island, the perimeter, and working out where the seams fall so they land somewhere quiet, not right in your line of sight. With a manufactured stone like this, the pattern repeats in a way that actually helps us keep that continuity, but it still takes a careful eye to lay it out so the kitchen looks like one continuous piece rather than a handful of slabs pieced together. In the bathroom, that same white and gray palette does something different. Vanities don't take the abuse a kitchen counter does, so the quartz there is more about keeping a clean, bright look day after day with almost zero maintenance. We finished both spaces with an eased edge, simple and clean, letting the stone itself carry the room instead of the edge detail. Gaston sits right in that stretch of the Midlands where we do a lot of our work, and it's always good to get out there and put a stone like this into a house. Calacatta Lilly gives this kitchen and bath a bright, cohesive look that's going to hold up fine to daily life for a long time to come.

This kitchen with full height backsplash in Gaston came together in Calacatta Lilly, an engineered quartz from AG Stones that gives you that bright white background with soft gray and gold veining moving through it. We used the same stone into the bathroom vanities too, so the whole house reads consistent without repeating the same room twice. Quartz like this is manufactured under controlled conditions, so the veining pattern is engineered to look natural while staying more predictable slab to slab than a lot of natural stone. That consistency matters most in a kitchen, where the counters are doing the real work every day. Calacatta Lilly holds up to knives, hot pans, and the general chaos of cooking without needing much babying. It's non-porous, so there's no sealing schedule to keep track of, no worrying about a glass of wine sitting too long or lemon juice etching a ring into the surface. You wipe it down and move on with your life. Getting the look right across a kitchen this size takes some care at the template stage. We're matching veining direction across the island, the perimeter, and working out where the seams fall so they land somewhere quiet, not right in your line of sight. With a manufactured stone like this, the pattern repeats in a way that actually helps us keep that continuity, but it still takes a careful eye to lay it out so the kitchen looks like one continuous piece rather than a handful of slabs pieced together. In the bathroom, that same white and gray palette does something different. Vanities don't take the abuse a kitchen counter does, so the quartz there is more about keeping a clean, bright look day after day with almost zero maintenance. We finished both spaces with an eased edge, simple and clean, letting the stone itself carry the room instead of the edge detail. Gaston sits right in that stretch of the Midlands where we do a lot of our work, and it's always good to get out there and put a stone like this into a house. Calacatta Lilly gives this kitchen and bath a bright, cohesive look that's going to hold up fine to daily life for a long time to come.

This kitchen with full height backsplash in Gaston came together in Calacatta Lilly, an engineered quartz from AG Stones that gives you that bright white background with soft gray and gold veining moving through it. We used the same stone into the bathroom vanities too, so the whole house reads consistent without repeating the same room twice. Quartz like this is manufactured under controlled conditions, so the veining pattern is engineered to look natural while staying more predictable slab to slab than a lot of natural stone. That consistency matters most in a kitchen, where the counters are doing the real work every day. Calacatta Lilly holds up to knives, hot pans, and the general chaos of cooking without needing much babying. It's non-porous, so there's no sealing schedule to keep track of, no worrying about a glass of wine sitting too long or lemon juice etching a ring into the surface. You wipe it down and move on with your life. Getting the look right across a kitchen this size takes some care at the template stage. We're matching veining direction across the island, the perimeter, and working out where the seams fall so they land somewhere quiet, not right in your line of sight. With a manufactured stone like this, the pattern repeats in a way that actually helps us keep that continuity, but it still takes a careful eye to lay it out so the kitchen looks like one continuous piece rather than a handful of slabs pieced together. In the bathroom, that same white and gray palette does something different. Vanities don't take the abuse a kitchen counter does, so the quartz there is more about keeping a clean, bright look day after day with almost zero maintenance. We finished both spaces with an eased edge, simple and clean, letting the stone itself carry the room instead of the edge detail. Gaston sits right in that stretch of the Midlands where we do a lot of our work, and it's always good to get out there and put a stone like this into a house. Calacatta Lilly gives this kitchen and bath a bright, cohesive look that's going to hold up fine to daily life for a long time to come.

This kitchen with full height backsplash in Gaston came together in Calacatta Lilly, an engineered quartz from AG Stones that gives you that bright white background with soft gray and gold veining moving through it. We used the same stone into the bathroom vanities too, so the whole house reads consistent without repeating the same room twice. Quartz like this is manufactured under controlled conditions, so the veining pattern is engineered to look natural while staying more predictable slab to slab than a lot of natural stone. That consistency matters most in a kitchen, where the counters are doing the real work every day. Calacatta Lilly holds up to knives, hot pans, and the general chaos of cooking without needing much babying. It's non-porous, so there's no sealing schedule to keep track of, no worrying about a glass of wine sitting too long or lemon juice etching a ring into the surface. You wipe it down and move on with your life. Getting the look right across a kitchen this size takes some care at the template stage. We're matching veining direction across the island, the perimeter, and working out where the seams fall so they land somewhere quiet, not right in your line of sight. With a manufactured stone like this, the pattern repeats in a way that actually helps us keep that continuity, but it still takes a careful eye to lay it out so the kitchen looks like one continuous piece rather than a handful of slabs pieced together. In the bathroom, that same white and gray palette does something different. Vanities don't take the abuse a kitchen counter does, so the quartz there is more about keeping a clean, bright look day after day with almost zero maintenance. We finished both spaces with an eased edge, simple and clean, letting the stone itself carry the room instead of the edge detail. Gaston sits right in that stretch of the Midlands where we do a lot of our work, and it's always good to get out there and put a stone like this into a house. Calacatta Lilly gives this kitchen and bath a bright, cohesive look that's going to hold up fine to daily life for a long time to come.

This kitchen with full height backsplash in Gaston came together in Calacatta Lilly, an engineered quartz from AG Stones that gives you that bright white background with soft gray and gold veining moving through it. We used the same stone into the bathroom vanities too, so the whole house reads consistent without repeating the same room twice. Quartz like this is manufactured under controlled conditions, so the veining pattern is engineered to look natural while staying more predictable slab to slab than a lot of natural stone. That consistency matters most in a kitchen, where the counters are doing the real work every day. Calacatta Lilly holds up to knives, hot pans, and the general chaos of cooking without needing much babying. It's non-porous, so there's no sealing schedule to keep track of, no worrying about a glass of wine sitting too long or lemon juice etching a ring into the surface. You wipe it down and move on with your life. Getting the look right across a kitchen this size takes some care at the template stage. We're matching veining direction across the island, the perimeter, and working out where the seams fall so they land somewhere quiet, not right in your line of sight. With a manufactured stone like this, the pattern repeats in a way that actually helps us keep that continuity, but it still takes a careful eye to lay it out so the kitchen looks like one continuous piece rather than a handful of slabs pieced together. In the bathroom, that same white and gray palette does something different. Vanities don't take the abuse a kitchen counter does, so the quartz there is more about keeping a clean, bright look day after day with almost zero maintenance. We finished both spaces with an eased edge, simple and clean, letting the stone itself carry the room instead of the edge detail. Gaston sits right in that stretch of the Midlands where we do a lot of our work, and it's always good to get out there and put a stone like this into a house. Calacatta Lilly gives this kitchen and bath a bright, cohesive look that's going to hold up fine to daily life for a long time to come.

This kitchen with full height backsplash in Gaston came together in Calacatta Lilly, an engineered quartz from AG Stones that gives you that bright white background with soft gray and gold veining moving through it. We used the same stone into the bathroom vanities too, so the whole house reads consistent without repeating the same room twice. Quartz like this is manufactured under controlled conditions, so the veining pattern is engineered to look natural while staying more predictable slab to slab than a lot of natural stone. That consistency matters most in a kitchen, where the counters are doing the real work every day. Calacatta Lilly holds up to knives, hot pans, and the general chaos of cooking without needing much babying. It's non-porous, so there's no sealing schedule to keep track of, no worrying about a glass of wine sitting too long or lemon juice etching a ring into the surface. You wipe it down and move on with your life. Getting the look right across a kitchen this size takes some care at the template stage. We're matching veining direction across the island, the perimeter, and working out where the seams fall so they land somewhere quiet, not right in your line of sight. With a manufactured stone like this, the pattern repeats in a way that actually helps us keep that continuity, but it still takes a careful eye to lay it out so the kitchen looks like one continuous piece rather than a handful of slabs pieced together. In the bathroom, that same white and gray palette does something different. Vanities don't take the abuse a kitchen counter does, so the quartz there is more about keeping a clean, bright look day after day with almost zero maintenance. We finished both spaces with an eased edge, simple and clean, letting the stone itself carry the room instead of the edge detail. Gaston sits right in that stretch of the Midlands where we do a lot of our work, and it's always good to get out there and put a stone like this into a house. Calacatta Lilly gives this kitchen and bath a bright, cohesive look that's going to hold up fine to daily life for a long time to come.

This kitchen with full height backsplash in Gaston came together in Calacatta Lilly, an engineered quartz from AG Stones that gives you that bright white background with soft gray and gold veining moving through it. We used the same stone into the bathroom vanities too, so the whole house reads consistent without repeating the same room twice. Quartz like this is manufactured under controlled conditions, so the veining pattern is engineered to look natural while staying more predictable slab to slab than a lot of natural stone. That consistency matters most in a kitchen, where the counters are doing the real work every day. Calacatta Lilly holds up to knives, hot pans, and the general chaos of cooking without needing much babying. It's non-porous, so there's no sealing schedule to keep track of, no worrying about a glass of wine sitting too long or lemon juice etching a ring into the surface. You wipe it down and move on with your life. Getting the look right across a kitchen this size takes some care at the template stage. We're matching veining direction across the island, the perimeter, and working out where the seams fall so they land somewhere quiet, not right in your line of sight. With a manufactured stone like this, the pattern repeats in a way that actually helps us keep that continuity, but it still takes a careful eye to lay it out so the kitchen looks like one continuous piece rather than a handful of slabs pieced together. In the bathroom, that same white and gray palette does something different. Vanities don't take the abuse a kitchen counter does, so the quartz there is more about keeping a clean, bright look day after day with almost zero maintenance. We finished both spaces with an eased edge, simple and clean, letting the stone itself carry the room instead of the edge detail. Gaston sits right in that stretch of the Midlands where we do a lot of our work, and it's always good to get out there and put a stone like this into a house. Calacatta Lilly gives this kitchen and bath a bright, cohesive look that's going to hold up fine to daily life for a long time to come.

This kitchen with full height backsplash in Gaston came together in Calacatta Lilly, an engineered quartz from AG Stones that gives you that bright white background with soft gray and gold veining moving through it. We used the same stone into the bathroom vanities too, so the whole house reads consistent without repeating the same room twice. Quartz like this is manufactured under controlled conditions, so the veining pattern is engineered to look natural while staying more predictable slab to slab than a lot of natural stone. That consistency matters most in a kitchen, where the counters are doing the real work every day. Calacatta Lilly holds up to knives, hot pans, and the general chaos of cooking without needing much babying. It's non-porous, so there's no sealing schedule to keep track of, no worrying about a glass of wine sitting too long or lemon juice etching a ring into the surface. You wipe it down and move on with your life. Getting the look right across a kitchen this size takes some care at the template stage. We're matching veining direction across the island, the perimeter, and working out where the seams fall so they land somewhere quiet, not right in your line of sight. With a manufactured stone like this, the pattern repeats in a way that actually helps us keep that continuity, but it still takes a careful eye to lay it out so the kitchen looks like one continuous piece rather than a handful of slabs pieced together. In the bathroom, that same white and gray palette does something different. Vanities don't take the abuse a kitchen counter does, so the quartz there is more about keeping a clean, bright look day after day with almost zero maintenance. We finished both spaces with an eased edge, simple and clean, letting the stone itself carry the room instead of the edge detail. Gaston sits right in that stretch of the Midlands where we do a lot of our work, and it's always good to get out there and put a stone like this into a house. Calacatta Lilly gives this kitchen and bath a bright, cohesive look that's going to hold up fine to daily life for a long time to come.

Acton, MA 2008 sq ft varies Visioning, programming, concept design, schematic design, construction documentation and construction administration The HingeHouse project was the result of a unique partnership between an independent architect and a pre-fabricated home manufacturer – a partnership among the first of its kind in the country. Today, many pre-fab companies have adopted this collaborative approach recognizing that homeowners are looking for unique, custom homes while taking advantage of reliable and predictable construction methods and costs. In 2008, the partnership was created to rethink pre-engineered post-and-beam and panelized systems to connect clients to a more modern and integrated set of design values. By integrating systems, factory design approach, manufacturing methodologies and construction sequences with design criteria grounded in sustainable planning and rigorous implementation, HingeHouse was developed. HingeHouse is a fully-customizable pre-fab home which can be configured to meet the needs of any site, and any family. It is flexible and expandable using Deck House engineered building components. Starting with basic floor plans that are optimized spatially to Deck’s standard components, the living spaces are rotated around a "hinge” point. This design solution addresses the limitations and challenges of a particular site, while highlighting the best aspects of it. HingeHouse considers passive solar orientation depending on where the home is placed on the site and how it is “hinged”. It provides for maximum cross-ventilation from prevailing winds, preserves existing site formations and trees, and works on sloping grades. It addresses specific desired views while mitigating unwanted adjacencies, and provides great flexibility for entry sequences. HingeHouse uses Deck’s standard sloped roof post-and-beam component system to create a lyrical, light-filled home. The western red cedar exterior is sculptural and dynamic. Interior spaces are lofty, with great view potential using Deck’s own custom-made mahogany windows. The “hinge” of the home, where the two building forms come together, has the added benefit of creating a desirable outdoor living room, complete with an outdoor fireplace. The "hinge” provides both a tool for maximizing customization and spatial orientation and a center of activity at the heart of the home. Since this partnership in 2008, Maryann Thompson Architects and MATHISON | MATHISON ARCHITECTS have worked with Acorn Deck House Company on numerous full or partial pre-fab projects in the Boston Area, Western Massachusetts, Maryland and Michigan. We have become an advocate for their services and products because it offers advantages on a variety of levels including schedule, cost and quality. Services provided included visioning, programming, concept design, schematic design, construction documentation and construction administration. Evan’s Role: Project Designer & Project Manager