We were referred by one of our best clients to help these clients re-imagine the main level public space of their new-to-them home. They felt the home was nicely done, just not their style. They chose the house for the location, pool in the backyard and amazing basement space with theater and bar. At the very first walk through we started throwing out big ideas, like removing all the walls, new kitchen layout, metal staircase, grand, but modern fireplace. They loved it all and said that this is the forever home... so not that money doesn't matter, but they want to do it once and love it. Tschida Construction was our partner-in-crime and we brought the house from formal to modern with some really cool features. Our favorites were the faux concrete two story fireplace, the mirrored french doors at the front entry that allows you to see out but not in, and the statement quartzite island counter stone.

Main Line Kitchen Design’s unique business model allows our customers to work with the most experienced designers and get the most competitive kitchen cabinet pricing.. . How can Main Line Kitchen Design offer both the best kitchen designs along with the most competitive kitchen cabinet pricing? Our expert kitchen designers meet customers by appointment only in our offices, instead of a large showroom open to the general public. We display the cabinet lines we sell under glass countertops so customers can see how our cabinetry is constructed. Customers can view hundreds of sample doors and and sample finishes and see 3d renderings of their future kitchen on flat screen TV’s. But we do not waste our time or our customers money on showroom extras that are not essential. Nor are we available to assist people who want to stop in and browse. We pass our savings onto our customers and concentrate on what matters most. Designing great kitchens! Main Line Kitchen Design designers are some of the most experienced and award winning kitchen designers in the Delaware Valley. We design with and sell 8 nationally distributed cabinet lines. Cabinet pricing is slightly less than at major home centers for semi-custom cabinet lines, and significantly less than traditional showrooms for custom cabinet lines. After discussing your kitchen on the phone, first appointments always take place in your home, where we discuss and measure your kitchen. Subsequent appointments usually take place in one of our offices and selection centers where our customers consider and modify 3D kitchen designs on flat screen TV’s. We can also bring sample cabinet doors and finishes to your home and make design changes on our laptops in 20-20 CAD with you, in your own kitchen. Call today! We can estimate your kitchen renovation from soup to nuts in a 15 minute phone call and you can find out why we get the best reviews on the internet. We look forward to working with you. As our company tag line says: “The world of kitchen design is changing…”

Main Line Kitchen Design’s unique business model allows our customers to work with the most experienced designers and get the most competitive kitchen cabinet pricing.. . How can Main Line Kitchen Design offer both the best kitchen designs along with the most competitive kitchen cabinet pricing? Our expert kitchen designers meet customers by appointment only in our offices, instead of a large showroom open to the general public. We display the cabinet lines we sell under glass countertops so customers can see how our cabinetry is constructed. Customers can view hundreds of sample doors and and sample finishes and see 3d renderings of their future kitchen on flat screen TV’s. But we do not waste our time or our customers money on showroom extras that are not essential. Nor are we available to assist people who want to stop in and browse. We pass our savings onto our customers and concentrate on what matters most. Designing great kitchens!

Main Line Kitchen Design’s unique business model allows our customers to work with the most experienced designers and get the most competitive kitchen cabinet pricing.. . How can Main Line Kitchen Design offer both the best kitchen designs along with the most competitive kitchen cabinet pricing? Our expert kitchen designers meet customers by appointment only in our offices, instead of a large showroom open to the general public. We display the cabinet lines we sell under glass countertops so customers can see how our cabinetry is constructed. Customers can view hundreds of sample doors and and sample finishes and see 3d renderings of their future kitchen on flat screen TV’s. But we do not waste our time or our customers money on showroom extras that are not essential. Nor are we available to assist people who want to stop in and browse. We pass our savings onto our customers and concentrate on what matters most. Designing great kitchens! . Main Line Kitchen Design designers are some of the most experienced and award winning kitchen designers in the Delaware Valley. We design with and sell 8 nationally distributed cabinet lines. Cabinet pricing is slightly less than at major home centers for semi-custom cabinet lines, and significantly less than traditional showrooms for custom cabinet lines. . After discussing your kitchen on the phone, first appointments always take place in your home, where we discuss and measure your kitchen. Subsequent appointments usually take place in one of our offices and selection centers where our customers consider and modify 3D kitchen designs on flat screen TV’s. We can also bring sample cabinet doors and finishes to your home and make design changes on our laptops in 20-20 CAD with you, in your own kitchen. . Call today! We can estimate your kitchen renovation from soup to nuts in a 15 minute phone call and you can find out why we get the best reviews on the internet. We look forward to working with you. As our company tag line says: “The world of kitchen design is changing…”

Main Line Kitchen Design’s unique business model allows our customers to work with the most experienced designers and get the most competitive kitchen cabinet pricing.. . How can Main Line Kitchen Design offer both the best kitchen designs along with the most competitive kitchen cabinet pricing? Our expert kitchen designers meet customers by appointment only in our offices, instead of a large showroom open to the general public. We display the cabinet lines we sell under glass countertops so customers can see how our cabinetry is constructed. Customers can view hundreds of sample doors and and sample finishes and see 3d renderings of their future kitchen on flat screen TV’s. But we do not waste our time or our customers money on showroom extras that are not essential. Nor are we available to assist people who want to stop in and browse. We pass our savings onto our customers and concentrate on what matters most. Designing great kitchens!

Family room library - mid-sized 1960s open concept brown floor family room library idea in New York with green walls, a standard fireplace and a brick fireplace

Main Line Kitchen Design’s unique business model allows our customers to work with the most experienced designers and get the most competitive kitchen cabinet pricing.. . How can Main Line Kitchen Design offer both the best kitchen designs along with the most competitive kitchen cabinet pricing? Our expert kitchen designers meet customers by appointment only in our offices, instead of a large showroom open to the general public. We display the cabinet lines we sell under glass countertops so customers can see how our cabinetry is constructed. Customers can view hundreds of sample doors and and sample finishes and see 3d renderings of their future kitchen on flat screen TV’s. But we do not waste our time or our customers money on showroom extras that are not essential. Nor are we available to assist people who want to stop in and browse. We pass our savings onto our customers and concentrate on what matters most. Designing great kitchens!

Sunroom - transitional sunroom idea in Boston with a standard ceiling

This Cobble Hill Brownstone for a family of five is a fun and captivating design, the perfect blend of the wife’s love of English country style and the husband’s preference for modern. The young power couple, her the co-founder of Maisonette and him an investor, have three children and a dog, requiring that all the surfaces, finishes and, materials used throughout the home are both beautiful and durable to make every room a carefree space the whole family can enjoy. The primary design challenge for this project was creating both distinct places for the family to live their day to day lives and also a whole floor dedicated to formal entertainment. The clients entertain large dinners on a monthly basis as part of their profession. We solved this by adding an extension on the Garden and Parlor levels. This allowed the Garden level to function as the daily family operations center and the Parlor level to be party central. The kitchen on the garden level is large enough to dine in and accommodate a large catering crew. On the parlor level, we created a large double parlor in the front of the house; this space is dedicated to cocktail hour and after-dinner drinks. The rear of the parlor is a spacious formal dining room that can seat up to 14 guests. The middle "library" space contains a bar and facilitates access to both the front and rear rooms; in this way, it can double as a staging area for the parties. The remaining three floors are sleeping quarters for the family and frequent out of town guests. Designing a row house for private and public functions programmatically returns the building to a configuration in line with its original design. This project was published in Architectural Digest. Photography by Sam Frost

Hollywood regency meets beach bungalow in this living room. Natural wood and greenery comes together with gold accents and light neutral tones.
Example of a beach style open concept light wood floor and beige floor living room design in Sacramento with white walls, a standard fireplace and a wood fireplace surround

Every inch of the inside and outside living areas are reconceived in this full house and guest-house renovation in Berkeley. In the main house the entire floor plan is flipped to re-orient public and private areas, with the formerly small, chopped up spaces opened and integrated with their surroundings. The studio, previously a deteriorating garage, is transformed into a clean and cozy space with an outdoor area of its own. A palette of screen walls, corten steel, stucco and concrete connect the materials and forms of the two spaces. What was a drab, dysfunctional bungalow is now an inspiring and livable home for a young family. Photo by David Duncan Livingston

This gem of a house was built in the 1950s, when its neighborhood undoubtedly felt remote. The university footprint has expanded in the 70 years since, however, and today this home sits on prime real estate—easy biking and reasonable walking distance to campus. When it went up for sale in 2017, it was largely unaltered. Our clients purchased it to renovate and resell, and while we all knew we'd need to add square footage to make it profitable, we also wanted to respect the neighborhood and the house’s own history. Swedes have a word that means “just the right amount”: lagom. It is a guiding philosophy for us at SYH, and especially applied in this renovation. Part of the soul of this house was about living in just the right amount of space. Super sizing wasn’t a thing in 1950s America. So, the solution emerged: keep the original rectangle, but add an L off the back. With no owner to design with and for, SYH created a layout to appeal to the masses. All public spaces are the back of the home--the new addition that extends into the property’s expansive backyard. A den and four smallish bedrooms are atypically located in the front of the house, in the original 1500 square feet. Lagom is behind that choice: conserve space in the rooms where you spend most of your time with your eyes shut. Put money and square footage toward the spaces in which you mostly have your eyes open. In the studio, we started calling this project the Mullet Ranch—business up front, party in the back. The front has a sleek but quiet effect, mimicking its original low-profile architecture street-side. It’s very Hoosier of us to keep appearances modest, we think. But get around to the back, and surprise! lofted ceilings and walls of windows. Gorgeous.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

This gem of a house was built in the 1950s, when its neighborhood undoubtedly felt remote. The university footprint has expanded in the 70 years since, however, and today this home sits on prime real estate—easy biking and reasonable walking distance to campus. When it went up for sale in 2017, it was largely unaltered. Our clients purchased it to renovate and resell, and while we all knew we'd need to add square footage to make it profitable, we also wanted to respect the neighborhood and the house’s own history. Swedes have a word that means “just the right amount”: lagom. It is a guiding philosophy for us at SYH, and especially applied in this renovation. Part of the soul of this house was about living in just the right amount of space. Super sizing wasn’t a thing in 1950s America. So, the solution emerged: keep the original rectangle, but add an L off the back. With no owner to design with and for, SYH created a layout to appeal to the masses. All public spaces are the back of the home--the new addition that extends into the property’s expansive backyard. A den and four smallish bedrooms are atypically located in the front of the house, in the original 1500 square feet. Lagom is behind that choice: conserve space in the rooms where you spend most of your time with your eyes shut. Put money and square footage toward the spaces in which you mostly have your eyes open. In the studio, we started calling this project the Mullet Ranch—business up front, party in the back. The front has a sleek but quiet effect, mimicking its original low-profile architecture street-side. It’s very Hoosier of us to keep appearances modest, we think. But get around to the back, and surprise! lofted ceilings and walls of windows. Gorgeous.

John Evans
Inspiration for a huge timeless u-shaped dark wood floor kitchen remodel in Columbus with beaded inset cabinets, white cabinets, white backsplash, paneled appliances, an island, granite countertops and stone tile backsplash

This gem of a house was built in the 1950s, when its neighborhood undoubtedly felt remote. The university footprint has expanded in the 70 years since, however, and today this home sits on prime real estate—easy biking and reasonable walking distance to campus. When it went up for sale in 2017, it was largely unaltered. Our clients purchased it to renovate and resell, and while we all knew we'd need to add square footage to make it profitable, we also wanted to respect the neighborhood and the house’s own history. Swedes have a word that means “just the right amount”: lagom. It is a guiding philosophy for us at SYH, and especially applied in this renovation. Part of the soul of this house was about living in just the right amount of space. Super sizing wasn’t a thing in 1950s America. So, the solution emerged: keep the original rectangle, but add an L off the back. With no owner to design with and for, SYH created a layout to appeal to the masses. All public spaces are the back of the home--the new addition that extends into the property’s expansive backyard. A den and four smallish bedrooms are atypically located in the front of the house, in the original 1500 square feet. Lagom is behind that choice: conserve space in the rooms where you spend most of your time with your eyes shut. Put money and square footage toward the spaces in which you mostly have your eyes open. In the studio, we started calling this project the Mullet Ranch—business up front, party in the back. The front has a sleek but quiet effect, mimicking its original low-profile architecture street-side. It’s very Hoosier of us to keep appearances modest, we think. But get around to the back, and surprise! lofted ceilings and walls of windows. Gorgeous.

Main Line Kitchen Design’s unique business model allows our customers to work with the most experienced designers and get the most competitive kitchen cabinet pricing.. . How can Main Line Kitchen Design offer both the best kitchen designs along with the most competitive kitchen cabinet pricing? Our expert kitchen designers meet customers by appointment only in our offices, instead of a large showroom open to the general public. We display the cabinet lines we sell under glass countertops so customers can see how our cabinetry is constructed. Customers can view hundreds of sample doors and and sample finishes and see 3d renderings of their future kitchen on flat screen TV’s. But we do not waste our time or our customers money on showroom extras that are not essential. Nor are we available to assist people who want to stop in and browse. We pass our savings onto our customers and concentrate on what matters most. Designing great kitchens! . Main Line Kitchen Design designers are some of the most experienced and award winning kitchen designers in the Delaware Valley. We design with and sell 8 nationally distributed cabinet lines. Cabinet pricing is slightly less than at major home centers for semi-custom cabinet lines, and significantly less than traditional showrooms for custom cabinet lines. . After discussing your kitchen on the phone, first appointments always take place in your home, where we discuss and measure your kitchen. Subsequent appointments usually take place in one of our offices and selection centers where our customers consider and modify 3D kitchen designs on flat screen TV’s. We can also bring sample cabinet doors and finishes to your home and make design changes on our laptops in 20-20 CAD with you, in your own kitchen. . Call today! We can estimate your kitchen renovation from soup to nuts in a 15 minute phone call and you can find out why we get the best reviews on the internet. We look forward to working with you. As our company tag line says: “The world of kitchen design is changing…”

This gem of a house was built in the 1950s, when its neighborhood undoubtedly felt remote. The university footprint has expanded in the 70 years since, however, and today this home sits on prime real estate—easy biking and reasonable walking distance to campus. When it went up for sale in 2017, it was largely unaltered. Our clients purchased it to renovate and resell, and while we all knew we'd need to add square footage to make it profitable, we also wanted to respect the neighborhood and the house’s own history. Swedes have a word that means “just the right amount”: lagom. It is a guiding philosophy for us at SYH, and especially applied in this renovation. Part of the soul of this house was about living in just the right amount of space. Super sizing wasn’t a thing in 1950s America. So, the solution emerged: keep the original rectangle, but add an L off the back. With no owner to design with and for, SYH created a layout to appeal to the masses. All public spaces are the back of the home--the new addition that extends into the property’s expansive backyard. A den and four smallish bedrooms are atypically located in the front of the house, in the original 1500 square feet. Lagom is behind that choice: conserve space in the rooms where you spend most of your time with your eyes shut. Put money and square footage toward the spaces in which you mostly have your eyes open. In the studio, we started calling this project the Mullet Ranch—business up front, party in the back. The front has a sleek but quiet effect, mimicking its original low-profile architecture street-side. It’s very Hoosier of us to keep appearances modest, we think. But get around to the back, and surprise! lofted ceilings and walls of windows. Gorgeous.

This gem of a house was built in the 1950s, when its neighborhood undoubtedly felt remote. The university footprint has expanded in the 70 years since, however, and today this home sits on prime real estate—easy biking and reasonable walking distance to campus. When it went up for sale in 2017, it was largely unaltered. Our clients purchased it to renovate and resell, and while we all knew we'd need to add square footage to make it profitable, we also wanted to respect the neighborhood and the house’s own history. Swedes have a word that means “just the right amount”: lagom. It is a guiding philosophy for us at SYH, and especially applied in this renovation. Part of the soul of this house was about living in just the right amount of space. Super sizing wasn’t a thing in 1950s America. So, the solution emerged: keep the original rectangle, but add an L off the back. With no owner to design with and for, SYH created a layout to appeal to the masses. All public spaces are the back of the home--the new addition that extends into the property’s expansive backyard. A den and four smallish bedrooms are atypically located in the front of the house, in the original 1500 square feet. Lagom is behind that choice: conserve space in the rooms where you spend most of your time with your eyes shut. Put money and square footage toward the spaces in which you mostly have your eyes open. In the studio, we started calling this project the Mullet Ranch—business up front, party in the back. The front has a sleek but quiet effect, mimicking its original low-profile architecture street-side. It’s very Hoosier of us to keep appearances modest, we think. But get around to the back, and surprise! lofted ceilings and walls of windows. Gorgeous.