Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Discerning, intelligent, European. A staff favorite, Noret captures the depth of color and texture that is expected with premium European Oak. A slight tan with a whitewash brush, Noret provides a luxurious template for any refined space. The most important specification for determining the durability of vinyl flooring is the thickness of the wear-layer. The best wear-layers are made of thick, clear virgin PVC, which covers the paper print-film that gives the floor its unique appearance. Once the wear-layer wears through, the paper is damaged and the floor will need replacement. Most vinyl floors come with a 8-12 mil wear-layer (0.2-3 mm). The top commercial specs in the industry are higher, at 20-22 mil (0.5 mm). A select few manufacturers offer a “super” commercial spec of 28 mil (0.7 mm). For Modin, we decided to set a new standard: 40 mil (1.0 mm) of premium virgin PVC. This allows us to offer an industry-leading 20 year Commercial Warranty (Lifetime Residential), compared to nearly all other commercial vinyl floors’ 10 year Commercial Warranty. Beyond our superior wear-layer, we also use a patented click mechanism for superior hold, and a ceramic-bead coating. SIZE MATTERS Wider and longer planks create a sense of space and luxury. Most vinyl floors come in 6” or 7” widths, and 36” or 48” lengths. For Modin, we designed our planks to be 9” wide, and 60” long. This extra large size allows our gorgeous designs to be fully expressed. DETAILS THAT COUNT We made sure to get all the details right. Real texture, to create the feel of wire-brushed wood. Low sheen level, to ensure a natural look that wears well over time. 4-sided bevels, to more accurately emulate the look of real planks. When added together they help create the unique look that is Modin. DESIGNS THAT INSPIRE We spent nearly a year just focusing on our designs, to ensure they provide the right mix of color and depth. Focusing on timeless wire-brush and European Oak styles, as well as more contemporary modern washes, our collection offers truly beautiful design that is both functional and inspiring.

Miller + Miller Real Estate A must see luxury house less than 3 miles from Downtown Naperville. Private and secluded home on a spectacular wooded lot that borders a 14-acre forest preserve. The front patio features perennials, a mahogany stream bridge, 2 mahogany pond decks overlooking koi ponds, waterfalls and 40′ English Arbor. 40′ English Arbor with Wisteria, Clematis, & Akebia. More than 75 trees on the property, along driveway & several ornamentals. Woodland garden with abundant daffodils, scylla, redbuds, columbine, bleeding hearts & lily of the valley. Kitchen garden.

This Coastal Inspired Farmhouse with bay views puts a casual and sophisticated twist on beach living. Interior Design by Blackband Design and Home Build by Arbor Real Estate.

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Douglas VanderHorn Architects From grand estates, to exquisite country homes, to whole house renovations, the quality and attention to detail of a "Significant Homes" custom home is immediately apparent. Full time on-site supervision, a dedicated office staff and hand picked professional craftsmen are the team that take you from groundbreaking to occupancy. Every "Significant Homes" project represents 45 years of luxury homebuilding experience, and a commitment to quality widely recognized by architects, the press and, most of all....thoroughly satisfied homeowners. Our projects have been published in Architectural Digest 6 times along with many other publications and books. Though the lion share of our work has been in Fairfield and Westchester counties, we have built homes in Palm Beach, Aspen, Maine, Nantucket and Long Island.

Part of the Modin Vinyl Plank Collection, Available Exclusively From www.Flooret.com $3.49 / sq ft, 22.08 sq ft per box 50% WIDER. 25% LONGER. TWICE AS DURABLE Luxury Vinyl Plank, 5 mm x 9" x 60" (1.0 mm / 40 mil wear-layer) Lifetime Residential Warranty, 20 year Commercial Warranty Beach house luxury. Stavern evokes the soft hues of Mediterranean living, with soft hints of peach and sand. REDEFINING DURABILITY The most important specification for determining the durability of vinyl flooring is the thickness of the wear-layer. The best wear-layers are made of thick, clear virgin PVC, which covers the paper print-film that gives the floor its unique appearance. Once the wear-layer wears through, the paper is damaged and the floor will need replacement. Most vinyl floors come with a 8-12 mil wear-layer (0.2-3 mm). The top commercial specs in the industry are higher, at 20-22 mil (0.5 mm). A select few manufacturers offer a "super" commercial spec of 28 mil (0.7 mm). For Modin, we decided to set a new standard: 40 mil (1.0 mm) of premium virgin PVC. This allows us to offer an industry-leading 20 year Commercial Warranty (Lifetime Residential), compared to nearly all other commercial vinyl floors' 10 year Commercial Warranty. Beyond our superior wear-layer, we also use a patented click mechanism for superior hold, and a ceramic-bead coating. SIZE MATTERS Wider and longer planks create a sense of space and luxury. Most vinyl floors come in 6" or 7" widths, and 36" or 48" lengths. For Modin, we designed our planks to be 9" wide, and 60" long. This extra large size allows our gorgeous designs to be fully expressed. DETAILS THAT COUNT We made sure to get all the details right. Real texture, to create the feel of wire-brushed wood. Low sheen level, to ensure a natural look that wears well over time. 4-sided bevels, to more accurately emulate the look of real planks. When added together they help create the unique look that is Modin. DESIGNS THAT INSPIRE We spent nearly a year just focusing on our designs, to ensure they provide the right mix of color and depth. Focusing on timeless wire-brush and European Oak styles, as well as more contemporary modern washes, our collection offers truly beautiful design that is both functional and inspiring.

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Front façade after. The only changes to the front façade of this home ( other than color) are two additional square windows and the linear fir grates under windows and the fir pergola built on the existing stone porch. I am proud to share that this home was featured in the Real Estate section of the New York Times in January 2017.

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Benefits of Plantation Shutters Plantation shutters offer advantages and benefits to homeowners over other window coverings including: • A permanent addition to a house: While they don't add much to the sale price and don't guarantee a return on investment, the curb appeal helps the house sell faster. The permanency of plantation shutters allows them to be included in appraisals. • Versatility: Many have the ability to open only halfway if desired. If you want to let in all the light, plantation shutters swing away from the window to grant an unobstructed view. • Insulation: When all louvers are closed, a good insulating barrier is created, trapping unwanted temperatures and saving you money on your energy bill. • Easy maintenance: With wide louvers, a simple wipe-down is often all that's needed. Vinyl shutters can be taken off their hinges and sprayed off for a major cleaning. • Elegance: The classic, yet modern look conveys a permanency like no other window dressing can. Whether painted or natural wood, they all have a look that says; welcome home. Wood vs. Faux Wood It's not hard to argue that natural wood is more appealing than vinyl or PVC. However, "faux wood," as it's sometimes called, has some advantages: • Price -- Faux wood shutters are often lower in price than real wood. • Weight -- Because some shutters are made "hollow core" (as opposed to vinyl-wrapped medium density fiberboard, MDF), they can be significantly lighter. • Moisture Resistance -- If you live in an area with high humidity, hollow faux wood or aluminum core will resist expanding and sagging. (MDF core louvers will tend to expand and crack as the material swells with moisture.) Natural wood is the choice for those who have a very healthy budget or for whom a specific appearance is a must. Among the advantages are: • Size -- Because wood plantation shutters are made of hardwood, they can be quite a bit larger than plastic or vinyl. Vinyl shutters larger than 29 inches may be prone to sag, so they need divider rails or other supports which can destroy the traditional look of a plantation shutter. • Natural -- While vinyl or plastic shutters can be painted to match any color scheme, the natural shades and finishes of the various species of wood have something for every look. • Classic -- While many plastic shutters can be made to look like real wood, the faux wood finishes can vary significantly depending on manufacturer and model. Up close, it can be easy to tell they're plastic. The warmth of natural wood is a classic feel that's impossible to beat. Popular Plantation Shutter Brands When you go to purchase your plantation shutters, brands names may offer a good representation of high-, mid-, and low-cost range of what's available. Which one you choose depends on your budget and your tastes. Hunter-Douglas and Norman Shutters produce three lines of plantation shutters in both real wood and faux wood styles. A higher-end product, Hunter-Douglas may be worth the cost for beauty and quality of workmanship. The Window Outfitters and Sunland produce a mid-cost line of shutters. The mid-range pricing may be for those who are balancing aesthetics with a budget. National franchise and or box stores may not offer an in-house expert or designer. Look to local companies that specialize in plantation shutters looking online may offer a low-cost brand for budget-minded DIYers. Available in both faux and real wood, the affordability combines with the visual appeal to make this a very popular choice for plantation shutters. Regardless of which line you go with, be sure to ask about frames. Generally all manufactures offer frame choices and may add to the cost, but they add an unsurpassed beauty and warmth to a room with plantation shutters. Plantation shutters look like similar to wooden blinds, but there are significant differences. Blinds are often narrow, made of aluminum or vinyl, and the slats tilt based on a gear and pulley mechanism and they hang in the window with cords. By contrast, plantation shutters have wide compound louvers that fit into a frame and are controlled by way of a wooden rod running up the middle. When not needed, they can be manufactured to swing back onto the wall. Options to are available to build a more contemporary look with a larger view with a “hidden tilt” feature. Cost of Plantation Shutters Nationally, the cost of plantation shutters, depending on their size and the material, whether or not they are custom arches and colors or stains, may vary. Most manufacturers want their shutters to be professionally installed to keep the warranty intact which is a benefit to the customer in the long run. They will usually have a limited lifetime warranty. Cost of Installation Costs for having plantation shutters installed by a contractor are a bit more predictable. Contractors who have installed plantation shutters before can quickly get accurate measurements and suggest which materials would work best in different rooms. For example, while natural wood may look beautiful in your living room, it might not be so practical in a bathroom where moisture will cause the wood to warp. The size, material, and quality of the shutter will have a significant effect on the cost. Contractors usually go through a shutter supplier and can get various sizes that are not normally available at home improvement stores. Hiring a professional team of knowledgeable suppliers and installers is a good choice. Here are some sample prices of the shutters most contractors use for standard-sized windows: In general, plantation shutters should cost approximately $20 to $26 per square foot. Labor costs depend on factors such as the contractor's workload, remoteness of the location, environment, and the contractor's overhead. Labor generally runs about $100 per hour and will be added to the shutter cost. • 16x20 -- Faux wood $120. Real wood $156 • 24x50 -- Faux wood $160. Real wood $208 • 36x54 -- Faux wood $270. Real wood $351 • 36x60 -- Faux wood $300 Real wood $390 • 42x72 -- Faux wood $420. Real wood $546 • 48x82 -- Faux wood $550. Real wood $715 DIY Plantation shutters can be purchased and installed by the homeowners. How much they cost will depend on size and material. Faux wood shutter’s cost depends on size and wooden shutter’s cost will depend on size and whether or not they are painted or stained. • Natural wood is $90-$600 depending on size. Many companies offer standard stained selection but custom color matching may be available from $175 -$250. • Faux wood will be from $120-$500. • Additional tools include: Hang Strips $4-$15 and about $4 for mounting hardware. Locks or closures can cost up to $15 for each shutter. Finally, if you order them online, you can expect to pay $30-$70 shipping per shutter or per set of shutters per window depending on the supplier. Keep in mind that even if you're handy with tools, installing shutters can be time-consuming if you've never done it before there is defiantly a learning curve.