Experience Timeless Elegance in Your Kitchen: Blue and White Cabinets with Carrara Marble Tile Backsplash Step into the enchanting after picture of a kitchen transformation that combines classic elements with modern sophistication. This captivating kitchen showcases a harmonious blend of blue and white cabinets, accentuated by a stunning Carrara marble tile backsplash. The combination of blue and white cabinets creates a refreshing and serene ambiance, infusing the space with a sense of tranquility. The cool blue tones bring a touch of personality and uniqueness, while the white cabinets provide a clean and timeless backdrop. As your gaze travels to the Carrara marble tile backsplash, you'll be mesmerized by the intricate patterns and natural beauty it brings to the kitchen. The distinctive gray veining against the pristine white marble creates a captivating visual contrast, instantly becoming the focal point of the space. The Carrara marble adds a touch of luxury and refinement, elevating the overall aesthetic of the kitchen. Beyond its aesthetic appeal, Carrara marble is renowned for its durability and practicality. The smooth surface is easy to clean, making it an ideal choice for a backsplash that encounters spills and splatters. Its timeless elegance ensures that your kitchen will remain stylish for years to come. Whether you're hosting family gatherings or preparing meals for loved ones, this kitchen transformation provides the perfect backdrop for culinary delights and cherished memories. The combination of blue and white cabinets with the Carrara marble tile backsplash is a testament to our commitment to delivering exceptional craftsmanship and creating spaces that inspire. At Monarch Bay Renovations, we understand the importance of creating a kitchen that reflects your unique taste and lifestyle. Let us bring your vision to life with our expertise and attention to detail. Contact us today to embark on a journey towards a truly extraordinary kitchen renovation.

Tiered of the looking out at a shabby brown lawn in their front yard and unwilling to use the water to keep it green these homeowners decided to go for something different. The wife in this household worked from home and was motivated to have a better view from her home office. As an enthusiastic bird watcher, I wanted to give her a view that included happy birds fluttering about. The husband was annoyed by the fact that some of the neighbors allowed their dogs to use this corner lot a toilet without having the curtesy of cleaning up after them. My job was to create a low water landscape (also known as xeriscape) that attracted birds, bees and butterflies but kept the dogs off. We started with directing down spouts in to catch basins called infiltration swales. These swales capture water storing it in the soil where it can be accessed by plants months after the rains have stopped. Then we integrated primarily California native plants and succulents into the design. Special attention was payed to the water needs of the plants and the ideal growing conditions for each species so that the combination of earthworks and plant choice and placement this landscape can get by with zero supplemental irrigation after the period of establishment this landscape. By incorporating flowering California native plants, native birds and insects flocked to the site in a neighborhood otherwise dominated by lifeless landscapes. By surrounding the garden with decomposed granite and succulents we created a space that was unpleasant and unappealing for dogs to relive themselves while remaining appealing to more human sensibilities. Today this property sits on the corner in a suburban neighborhood of Goleta, California. Hopefully serving as inspiration to take out lawns and build beautiful gardens that work to integrate the man made landscape with the natural ecosystem in which it is built.

An original 1930’s English Tudor with only 2 bedrooms and 1 bath spanning about 1730 sq.ft. was purchased by a family with 2 amazing young kids, we saw the potential of this property to become a wonderful nest for the family to grow. The plan was to reach a 2550 sq. ft. home with 4 bedroom and 4 baths spanning over 2 stories. With continuation of the exiting architectural style of the existing home. A large 1000sq. ft. addition was constructed at the back portion of the house to include the expended master bedroom and a second-floor guest suite with a large observation balcony overlooking the mountains of Angeles Forest. An L shape staircase leading to the upstairs creates a moment of modern art with an all white walls and ceilings of this vaulted space act as a picture frame for a tall window facing the northern mountains almost as a live landscape painting that changes throughout the different times of day. Tall high sloped roof created an amazing, vaulted space in the guest suite with 4 uniquely designed windows extruding out with separate gable roof above. The downstairs bedroom boasts 9’ ceilings, extremely tall windows to enjoy the greenery of the backyard, vertical wood paneling on the walls add a warmth that is not seen very often in today’s new build. The master bathroom has a showcase 42sq. walk-in shower with its own private south facing window to illuminate the space with natural morning light. A larger format wood siding was using for the vanity backsplash wall and a private water closet for privacy. In the interior reconfiguration and remodel portion of the project the area serving as a family room was transformed to an additional bedroom with a private bath, a laundry room and hallway. The old bathroom was divided with a wall and a pocket door into a powder room the leads to a tub room. The biggest change was the kitchen area, as befitting to the 1930’s the dining room, kitchen, utility room and laundry room were all compartmentalized and enclosed. We eliminated all these partitions and walls to create a large open kitchen area that is completely open to the vaulted dining room. This way the natural light the washes the kitchen in the morning and the rays of sun that hit the dining room in the afternoon can be shared by the two areas. The opening to the living room remained only at 8’ to keep a division of space.

An original 1930’s English Tudor with only 2 bedrooms and 1 bath spanning about 1730 sq.ft. was purchased by a family with 2 amazing young kids, we saw the potential of this property to become a wonderful nest for the family to grow. The plan was to reach a 2550 sq. ft. home with 4 bedroom and 4 baths spanning over 2 stories. With continuation of the exiting architectural style of the existing home. A large 1000sq. ft. addition was constructed at the back portion of the house to include the expended master bedroom and a second-floor guest suite with a large observation balcony overlooking the mountains of Angeles Forest. An L shape staircase leading to the upstairs creates a moment of modern art with an all white walls and ceilings of this vaulted space act as a picture frame for a tall window facing the northern mountains almost as a live landscape painting that changes throughout the different times of day. Tall high sloped roof created an amazing, vaulted space in the guest suite with 4 uniquely designed windows extruding out with separate gable roof above. The downstairs bedroom boasts 9’ ceilings, extremely tall windows to enjoy the greenery of the backyard, vertical wood paneling on the walls add a warmth that is not seen very often in today’s new build. The master bathroom has a showcase 42sq. walk-in shower with its own private south facing window to illuminate the space with natural morning light. A larger format wood siding was using for the vanity backsplash wall and a private water closet for privacy. In the interior reconfiguration and remodel portion of the project the area serving as a family room was transformed to an additional bedroom with a private bath, a laundry room and hallway. The old bathroom was divided with a wall and a pocket door into a powder room the leads to a tub room. The biggest change was the kitchen area, as befitting to the 1930’s the dining room, kitchen, utility room and laundry room were all compartmentalized and enclosed. We eliminated all these partitions and walls to create a large open kitchen area that is completely open to the vaulted dining room. This way the natural light the washes the kitchen in the morning and the rays of sun that hit the dining room in the afternoon can be shared by the two areas. The opening to the living room remained only at 8’ to keep a division of space.

In 1963, Alessandro and Giancarlo Bontempi began to lay the foundation for what would become Bontempi Casa, one of the finest Italian design firms in the world today. The two were already recognized as talented Italian designers, known specifically for their innovative, award-winning interpretations of tables and chairs. Since the 1980s, Bontempi Casa has offered a wide range of modern furniture, but chairs remain the stars of the company’s collection. The room service 360° collection of Bontempi Casa chairs includes the best of the best. Welcome to room service 360°, the premier destination for the world’s finest modern furniture. As an authorized dealer of the most respected furniture manufacturers in Europe, room service 360° is uniquely positioned to offer the most complete, most comprehensive and most exclusive collections of custom contemporary and modern furniture available on the market today. From world renowned designers at Bonaldo, Cattelan Italia, Fiam Italia, Foscarini, Gamma Arredamenti, Pianca, Presotto Italia, Tonelli and Tonin Casa, only the finest Italian furniture collections are represented at room service 360°. On our website you will find the latest collections from top European contemporary/modern furniture designers, leading Italian furniture manufacturers and many exclusive products. We are also proud and excited to offer our interior design blog as an ongoing resource for design fanatics, curious souls and anyone who is looking to be inspired. In our Philadelphia showroom we carefully select our products and change them frequently to provide our customers with the best possible mix through which they can envision their room’s décor and their life. This is the reason why many of our customers (thank you all!!!) travel for hours, and some fly to our store. This is the reason why we have earned the privilege to be the starting point for modern living for many of you.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Functionality of layout Unique design elements Choice of materials Environmental considerations (energy, comfort, health) Construction details/techniques to achieve industry best practices Open-concept and filled with sunshine, a culinary hub that’s designed to be the social heart of this home and a subtle reference to the engaged, family-first lifestyle that would have been found in the original, heritage farmhouse located on this property. 8x5-foot* island (with seating for 4-5 people) includes storage on each side plus convenient USB outlets to keep everyone’s electronics powered up and ready to go. Easy flow when entertaining is appreciated by family/guests alike who want to engage with chefs-at-work without intruding into their workspace. Pendant lighting above island is purposefully absent. View-lines to adjacent great-room remains unobstructed, thus fulfilling clients desire to provide the entire family (from teen to grandparents) with welcoming space to simply hang out together. Gas cooktop (with elegantly-curved, chimney hood-fan) and two, full-sized wall-ovens (regular and microwave/convection) conveniently located adjacent to each other on the back wall where it’s easy to transfer steaming dishes directly onto the island ready for your guests/family to help themselves. Subway-tile (3x6-inch) quartz backsplash creates visual continuity with the solid-slab island surface and perimeter countertops. Custom millwork (in contemporary white with brushed chrome handles) designed with full-height cabinets with upper shelves back-lit for warm night-time visual. Extra bonus storage and reduced dusting: always a winning combo. Easy-access spice kitchen includes all the features today’s savvy buyers expect from their cooking space: full-sized range with induction* cooktop, fridge, dishwasher, and 36-inch* sink that’s deep enough to effortlessly handle the biggest spaghetti/corn pots. A caterer’s dream too. Large format (3x3-foot) marble-inspired porcelain floor-tiling is extension of material used throughout main floor. Elegant, contemporary, dramatic. Warm on the feet, thanks to energy-efficient, in-floor radiant heating.

In 1963, Alessandro and Giancarlo Bontempi began to lay the foundation for what would become Bontempi Casa, one of the finest Italian design firms in the world today. The two were already recognized as talented Italian designers, known specifically for their innovative, award-winning interpretations of tables and chairs. Since the 1980s, Bontempi Casa has offered a wide range of modern furniture, but chairs remain the stars of the company’s collection. The room service 360° collection of Bontempi Casa chairs includes the best of the best. Welcome to room service 360°, the premier destination for the world’s finest modern furniture. As an authorized dealer of the most respected furniture manufacturers in Europe, room service 360° is uniquely positioned to offer the most complete, most comprehensive and most exclusive collections of custom contemporary and modern furniture available on the market today. From world renowned designers at Bonaldo, Cattelan Italia, Fiam Italia, Foscarini, Gamma Arredamenti, Pianca, Presotto Italia, Tonelli and Tonin Casa, only the finest Italian furniture collections are represented at room service 360°. On our website you will find the latest collections from top European contemporary/modern furniture designers, leading Italian furniture manufacturers and many exclusive products. We are also proud and excited to offer our interior design blog as an ongoing resource for design fanatics, curious souls and anyone who is looking to be inspired. In our Philadelphia showroom we carefully select our products and change them frequently to provide our customers with the best possible mix through which they can envision their room’s décor and their life. This is the reason why many of our customers (thank you all!!!) travel for hours, and some fly to our store. This is the reason why we have earned the privilege to be the starting point for modern living for many of you.

Eichler X-100 Bathroom: A Study in Efficiency, Light, and Modern Living The bathrooms in the Eichler X-100 are a fascinating blend of innovation and restraint—spaces where efficiency, light, and thoughtful design come together in a way that feels both practical and ahead of its time. Designed by A. Quincy Jones and Frederick Emmons for Joseph Eichler, these rooms reflect a highly intentional approach to everyday living. A Unique Shared-Core Concept At the heart of the design is the X-100’s central utility core, where the bathrooms are arranged in a paired configuration. This innovative layout allows for: Efficient use of space Shared plumbing systems Simultaneous use by multiple occupants The result is a plan that minimizes wasted space while maximizing functionality—a hallmark of mid-century modern thinking. Light from Above Rather than relying on traditional windows, the bathrooms are illuminated by overhead skylights, bringing in soft, diffused natural light while maintaining complete privacy. This creates an atmosphere that feels: Bright, yet secluded Open, yet intimate Calm, yet visually engaging Light becomes the defining feature—transforming a functional space into something experiential. Clean Lines, Minimal Distraction The material palette is simple and intentional, emphasizing: Smooth, easy-to-maintain surfaces Clean geometric forms A lack of unnecessary ornamentation This minimalism allows the architecture—and the experience of the space—to take center stage. Thoughtful, Human-Centered Design Even the details reflect a deeper level of consideration. Features such as varied control placements and efficient layouts demonstrate a focus on usability and comfort, anticipating the needs of daily routines. Everything is designed to make life easier. Private, Yet Connected Though located within the central core, the bathrooms remain visually and experientially connected to the rest of the home through light and spatial flow. They feel integrated, not isolated. This continuity reinforces the X-100’s overarching philosophy: every space is part of a larger system. A Modern Approach—Decades Ahead What makes the X-100 bathrooms so compelling is how forward-thinking they remain. Concepts like efficient layouts, shared functionality, and natural-light-driven design are widely embraced today—but were radical in 1956. The bathrooms of the Eichler X-100 prove that even the most utilitarian spaces can be elevated through thoughtful design—where simplicity, innovation, and light create an experience that is both functional and refined.

Tiered of the looking out at a shabby brown lawn in their front yard and unwilling to use the water to keep it green these homeowners decided to go for something different. The wife in this household worked from home and was motivated to have a better view from her home office. As an enthusiastic bird watcher, I wanted to give her a view that included happy birds fluttering about. The husband was annoyed by the fact that some of the neighbors allowed their dogs to use this corner lot a toilet without having the curtesy of cleaning up after them. My job was to create a low water landscape (also known as xeriscape) that attracted birds, bees and butterflies but kept the dogs off. We started with directing down spouts in to catch basins called infiltration swales. These swales capture water storing it in the soil where it can be accessed by plants months after the rains have stopped. Then we integrated primarily California native plants and succulents into the design. Special attention was payed to the water needs of the plants and the ideal growing conditions for each species so that the combination of earthworks and plant choice and placement this landscape can get by with zero supplemental irrigation after the period of establishment this landscape. By incorporating flowering California native plants, native birds and insects flocked to the site in a neighborhood otherwise dominated by lifeless landscapes. By surrounding the garden with decomposed granite and succulents we created a space that was unpleasant and unappealing for dogs to relive themselves while remaining appealing to more human sensibilities. Today this property sits on the corner in a suburban neighborhood of Goleta, California. Hopefully serving as inspiration to take out lawns and build beautiful gardens that work to integrate the man made landscape with the natural ecosystem in which it is built.

An original 1930’s English Tudor with only 2 bedrooms and 1 bath spanning about 1730 sq.ft. was purchased by a family with 2 amazing young kids, we saw the potential of this property to become a wonderful nest for the family to grow. The plan was to reach a 2550 sq. ft. home with 4 bedroom and 4 baths spanning over 2 stories. With continuation of the exiting architectural style of the existing home. A large 1000sq. ft. addition was constructed at the back portion of the house to include the expended master bedroom and a second-floor guest suite with a large observation balcony overlooking the mountains of Angeles Forest. An L shape staircase leading to the upstairs creates a moment of modern art with an all white walls and ceilings of this vaulted space act as a picture frame for a tall window facing the northern mountains almost as a live landscape painting that changes throughout the different times of day. Tall high sloped roof created an amazing, vaulted space in the guest suite with 4 uniquely designed windows extruding out with separate gable roof above. The downstairs bedroom boasts 9’ ceilings, extremely tall windows to enjoy the greenery of the backyard, vertical wood paneling on the walls add a warmth that is not seen very often in today’s new build. The master bathroom has a showcase 42sq. walk-in shower with its own private south facing window to illuminate the space with natural morning light. A larger format wood siding was using for the vanity backsplash wall and a private water closet for privacy. In the interior reconfiguration and remodel portion of the project the area serving as a family room was transformed to an additional bedroom with a private bath, a laundry room and hallway. The old bathroom was divided with a wall and a pocket door into a powder room the leads to a tub room. The biggest change was the kitchen area, as befitting to the 1930’s the dining room, kitchen, utility room and laundry room were all compartmentalized and enclosed. We eliminated all these partitions and walls to create a large open kitchen area that is completely open to the vaulted dining room. This way the natural light the washes the kitchen in the morning and the rays of sun that hit the dining room in the afternoon can be shared by the two areas. The opening to the living room remained only at 8’ to keep a division of space.

Tiered of the looking out at a shabby brown lawn in their front yard and unwilling to use the water to keep it green these homeowners decided to go for something different. The wife in this household worked from home and was motivated to have a better view from her home office. As an enthusiastic bird watcher, I wanted to give her a view that included happy birds fluttering about. The husband was annoyed by the fact that some of the neighbors allowed their dogs to use this corner lot a toilet without having the curtesy of cleaning up after them. My job was to create a low water landscape (also known as xeriscape) that attracted birds, bees and butterflies but kept the dogs off. We started with directing down spouts in to catch basins called infiltration swales. These swales capture water storing it in the soil where it can be accessed by plants months after the rains have stopped. Then we integrated primarily California native plants and succulents into the design. Special attention was payed to the water needs of the plants and the ideal growing conditions for each species so that the combination of earthworks and plant choice and placement this landscape can get by with zero supplemental irrigation after the period of establishment this landscape. By incorporating flowering California native plants, native birds and insects flocked to the site in a neighborhood otherwise dominated by lifeless landscapes. By surrounding the garden with decomposed granite and succulents we created a space that was unpleasant and unappealing for dogs to relive themselves while remaining appealing to more human sensibilities. Today this property sits on the corner in a suburban neighborhood of Goleta, California. Hopefully serving as inspiration to take out lawns and build beautiful gardens that work to integrate the man made landscape with the natural ecosystem in which it is built.

Functionality of layout Unique design elements Choice of materials Environmental considerations (energy, comfort, health) Construction details/techniques to achieve industry best practices Open-concept and filled with sunshine, a culinary hub that’s designed to be the social heart of this home and a subtle reference to the engaged, family-first lifestyle that would have been found in the original, heritage farmhouse located on this property. 8x5-foot* island (with seating for 4-5 people) includes storage on each side plus convenient USB outlets to keep everyone’s electronics powered up and ready to go. Easy flow when entertaining is appreciated by family/guests alike who want to engage with chefs-at-work without intruding into their workspace. Pendant lighting above island is purposefully absent. View-lines to adjacent great-room remains unobstructed, thus fulfilling clients desire to provide the entire family (from teen to grandparents) with welcoming space to simply hang out together. Gas cooktop (with elegantly-curved, chimney hood-fan) and two, full-sized wall-ovens (regular and microwave/convection) conveniently located adjacent to each other on the back wall where it’s easy to transfer steaming dishes directly onto the island ready for your guests/family to help themselves. Subway-tile (3x6-inch) quartz backsplash creates visual continuity with the solid-slab island surface and perimeter countertops. Custom millwork (in contemporary white with brushed chrome handles) designed with full-height cabinets with upper shelves back-lit for warm night-time visual. Extra bonus storage and reduced dusting: always a winning combo. Easy-access spice kitchen includes all the features today’s savvy buyers expect from their cooking space: full-sized range with induction* cooktop, fridge, dishwasher, and 36-inch* sink that’s deep enough to effortlessly handle the biggest spaghetti/corn pots. A caterer’s dream too. Large format (3x3-foot) marble-inspired porcelain floor-tiling is extension of material used throughout main floor. Elegant, contemporary, dramatic. Warm on the feet, thanks to energy-efficient, in-floor radiant heating.

Functionality of layout Unique design elements Choice of materials Environmental considerations (energy, comfort, health) Construction details/techniques to achieve industry best practices Open-concept and filled with sunshine, a culinary hub that’s designed to be the social heart of this home and a subtle reference to the engaged, family-first lifestyle that would have been found in the original, heritage farmhouse located on this property. 8x5-foot* island (with seating for 4-5 people) includes storage on each side plus convenient USB outlets to keep everyone’s electronics powered up and ready to go. Easy flow when entertaining is appreciated by family/guests alike who want to engage with chefs-at-work without intruding into their workspace. Pendant lighting above island is purposefully absent. View-lines to adjacent great-room remains unobstructed, thus fulfilling clients desire to provide the entire family (from teen to grandparents) with welcoming space to simply hang out together. Gas cooktop (with elegantly-curved, chimney hood-fan) and two, full-sized wall-ovens (regular and microwave/convection) conveniently located adjacent to each other on the back wall where it’s easy to transfer steaming dishes directly onto the island ready for your guests/family to help themselves. Subway-tile (3x6-inch) quartz backsplash creates visual continuity with the solid-slab island surface and perimeter countertops. Custom millwork (in contemporary white with brushed chrome handles) designed with full-height cabinets with upper shelves back-lit for warm night-time visual. Extra bonus storage and reduced dusting: always a winning combo. Easy-access spice kitchen includes all the features today’s savvy buyers expect from their cooking space: full-sized range with induction* cooktop, fridge, dishwasher, and 36-inch* sink that’s deep enough to effortlessly handle the biggest spaghetti/corn pots. A caterer’s dream too. Large format (3x3-foot) marble-inspired porcelain floor-tiling is extension of material used throughout main floor. Elegant, contemporary, dramatic. Warm on the feet, thanks to energy-efficient, in-floor radiant heating.

An original 1930’s English Tudor with only 2 bedrooms and 1 bath spanning about 1730 sq.ft. was purchased by a family with 2 amazing young kids, we saw the potential of this property to become a wonderful nest for the family to grow. The plan was to reach a 2550 sq. ft. home with 4 bedroom and 4 baths spanning over 2 stories. With continuation of the exiting architectural style of the existing home. A large 1000sq. ft. addition was constructed at the back portion of the house to include the expended master bedroom and a second-floor guest suite with a large observation balcony overlooking the mountains of Angeles Forest. An L shape staircase leading to the upstairs creates a moment of modern art with an all white walls and ceilings of this vaulted space act as a picture frame for a tall window facing the northern mountains almost as a live landscape painting that changes throughout the different times of day. Tall high sloped roof created an amazing, vaulted space in the guest suite with 4 uniquely designed windows extruding out with separate gable roof above. The downstairs bedroom boasts 9’ ceilings, extremely tall windows to enjoy the greenery of the backyard, vertical wood paneling on the walls add a warmth that is not seen very often in today’s new build. The master bathroom has a showcase 42sq. walk-in shower with its own private south facing window to illuminate the space with natural morning light. A larger format wood siding was using for the vanity backsplash wall and a private water closet for privacy. In the interior reconfiguration and remodel portion of the project the area serving as a family room was transformed to an additional bedroom with a private bath, a laundry room and hallway. The old bathroom was divided with a wall and a pocket door into a powder room the leads to a tub room. The biggest change was the kitchen area, as befitting to the 1930’s the dining room, kitchen, utility room and laundry room were all compartmentalized and enclosed. We eliminated all these partitions and walls to create a large open kitchen area that is completely open to the vaulted dining room. This way the natural light the washes the kitchen in the morning and the rays of sun that hit the dining room in the afternoon can be shared by the two areas. The opening to the living room remained only at 8’ to keep a division of space.

An original 1930’s English Tudor with only 2 bedrooms and 1 bath spanning about 1730 sq.ft. was purchased by a family with 2 amazing young kids, we saw the potential of this property to become a wonderful nest for the family to grow. The plan was to reach a 2550 sq. ft. home with 4 bedroom and 4 baths spanning over 2 stories. With continuation of the exiting architectural style of the existing home. A large 1000sq. ft. addition was constructed at the back portion of the house to include the expended master bedroom and a second-floor guest suite with a large observation balcony overlooking the mountains of Angeles Forest. An L shape staircase leading to the upstairs creates a moment of modern art with an all white walls and ceilings of this vaulted space act as a picture frame for a tall window facing the northern mountains almost as a live landscape painting that changes throughout the different times of day. Tall high sloped roof created an amazing, vaulted space in the guest suite with 4 uniquely designed windows extruding out with separate gable roof above. The downstairs bedroom boasts 9’ ceilings, extremely tall windows to enjoy the greenery of the backyard, vertical wood paneling on the walls add a warmth that is not seen very often in today’s new build. The master bathroom has a showcase 42sq. walk-in shower with its own private south facing window to illuminate the space with natural morning light. A larger format wood siding was using for the vanity backsplash wall and a private water closet for privacy. In the interior reconfiguration and remodel portion of the project the area serving as a family room was transformed to an additional bedroom with a private bath, a laundry room and hallway. The old bathroom was divided with a wall and a pocket door into a powder room the leads to a tub room. The biggest change was the kitchen area, as befitting to the 1930’s the dining room, kitchen, utility room and laundry room were all compartmentalized and enclosed. We eliminated all these partitions and walls to create a large open kitchen area that is completely open to the vaulted dining room. This way the natural light the washes the kitchen in the morning and the rays of sun that hit the dining room in the afternoon can be shared by the two areas. The opening to the living room remained only at 8’ to keep a division of space.

An original 1930’s English Tudor with only 2 bedrooms and 1 bath spanning about 1730 sq.ft. was purchased by a family with 2 amazing young kids, we saw the potential of this property to become a wonderful nest for the family to grow. The plan was to reach a 2550 sq. ft. home with 4 bedroom and 4 baths spanning over 2 stories. With continuation of the exiting architectural style of the existing home. A large 1000sq. ft. addition was constructed at the back portion of the house to include the expended master bedroom and a second-floor guest suite with a large observation balcony overlooking the mountains of Angeles Forest. An L shape staircase leading to the upstairs creates a moment of modern art with an all white walls and ceilings of this vaulted space act as a picture frame for a tall window facing the northern mountains almost as a live landscape painting that changes throughout the different times of day. Tall high sloped roof created an amazing, vaulted space in the guest suite with 4 uniquely designed windows extruding out with separate gable roof above. The downstairs bedroom boasts 9’ ceilings, extremely tall windows to enjoy the greenery of the backyard, vertical wood paneling on the walls add a warmth that is not seen very often in today’s new build. The master bathroom has a showcase 42sq. walk-in shower with its own private south facing window to illuminate the space with natural morning light. A larger format wood siding was using for the vanity backsplash wall and a private water closet for privacy. In the interior reconfiguration and remodel portion of the project the area serving as a family room was transformed to an additional bedroom with a private bath, a laundry room and hallway. The old bathroom was divided with a wall and a pocket door into a powder room the leads to a tub room. The biggest change was the kitchen area, as befitting to the 1930’s the dining room, kitchen, utility room and laundry room were all compartmentalized and enclosed. We eliminated all these partitions and walls to create a large open kitchen area that is completely open to the vaulted dining room. This way the natural light the washes the kitchen in the morning and the rays of sun that hit the dining room in the afternoon can be shared by the two areas. The opening to the living room remained only at 8’ to keep a division of space.

An original 1930’s English Tudor with only 2 bedrooms and 1 bath spanning about 1730 sq.ft. was purchased by a family with 2 amazing young kids, we saw the potential of this property to become a wonderful nest for the family to grow. The plan was to reach a 2550 sq. ft. home with 4 bedroom and 4 baths spanning over 2 stories. With continuation of the exiting architectural style of the existing home. A large 1000sq. ft. addition was constructed at the back portion of the house to include the expended master bedroom and a second-floor guest suite with a large observation balcony overlooking the mountains of Angeles Forest. An L shape staircase leading to the upstairs creates a moment of modern art with an all white walls and ceilings of this vaulted space act as a picture frame for a tall window facing the northern mountains almost as a live landscape painting that changes throughout the different times of day. Tall high sloped roof created an amazing, vaulted space in the guest suite with 4 uniquely designed windows extruding out with separate gable roof above. The downstairs bedroom boasts 9’ ceilings, extremely tall windows to enjoy the greenery of the backyard, vertical wood paneling on the walls add a warmth that is not seen very often in today’s new build. The master bathroom has a showcase 42sq. walk-in shower with its own private south facing window to illuminate the space with natural morning light. A larger format wood siding was using for the vanity backsplash wall and a private water closet for privacy. In the interior reconfiguration and remodel portion of the project the area serving as a family room was transformed to an additional bedroom with a private bath, a laundry room and hallway. The old bathroom was divided with a wall and a pocket door into a powder room the leads to a tub room. The biggest change was the kitchen area, as befitting to the 1930’s the dining room, kitchen, utility room and laundry room were all compartmentalized and enclosed. We eliminated all these partitions and walls to create a large open kitchen area that is completely open to the vaulted dining room. This way the natural light the washes the kitchen in the morning and the rays of sun that hit the dining room in the afternoon can be shared by the two areas. The opening to the living room remained only at 8’ to keep a division of space.

An original 1930’s English Tudor with only 2 bedrooms and 1 bath spanning about 1730 sq.ft. was purchased by a family with 2 amazing young kids, we saw the potential of this property to become a wonderful nest for the family to grow. The plan was to reach a 2550 sq. ft. home with 4 bedroom and 4 baths spanning over 2 stories. With continuation of the exiting architectural style of the existing home. A large 1000sq. ft. addition was constructed at the back portion of the house to include the expended master bedroom and a second-floor guest suite with a large observation balcony overlooking the mountains of Angeles Forest. An L shape staircase leading to the upstairs creates a moment of modern art with an all white walls and ceilings of this vaulted space act as a picture frame for a tall window facing the northern mountains almost as a live landscape painting that changes throughout the different times of day. Tall high sloped roof created an amazing, vaulted space in the guest suite with 4 uniquely designed windows extruding out with separate gable roof above. The downstairs bedroom boasts 9’ ceilings, extremely tall windows to enjoy the greenery of the backyard, vertical wood paneling on the walls add a warmth that is not seen very often in today’s new build. The master bathroom has a showcase 42sq. walk-in shower with its own private south facing window to illuminate the space with natural morning light. A larger format wood siding was using for the vanity backsplash wall and a private water closet for privacy. In the interior reconfiguration and remodel portion of the project the area serving as a family room was transformed to an additional bedroom with a private bath, a laundry room and hallway. The old bathroom was divided with a wall and a pocket door into a powder room the leads to a tub room. The biggest change was the kitchen area, as befitting to the 1930’s the dining room, kitchen, utility room and laundry room were all compartmentalized and enclosed. We eliminated all these partitions and walls to create a large open kitchen area that is completely open to the vaulted dining room. This way the natural light the washes the kitchen in the morning and the rays of sun that hit the dining room in the afternoon can be shared by the two areas. The opening to the living room remained only at 8’ to keep a division of space.