Inspiration for a transitional light wood floor kitchen remodel in Houston with an undermount sink, recessed-panel cabinets, gray cabinets, white backsplash, subway tile backsplash, stainless steel appliances, an island and white countertops

Example of a classic entryway design in Salt Lake City with a medium wood front door

This Houston outdoor kitchen and entertaining area offers a modern take on Mediterranean style. Designed and built by Outdoor Homescapes of Houston, this fully loaded family and entertaining space echoes the stucco, travertine tile patio and Mediterranean style of the existing home while exuding a more modern, transitional style. “This was a high-profile client – both VPs of different oil and gas companies who entertain affluent guests on a regular basis – so they wanted to make sure they had high-end appliances and all the latest amenities they could order,” says Lisha Maxey, senior designer for Outdoor Homescapes and owner of LGH Design Services in Houston. “They also have two kids, ages 7 and 10, and wanted a family gathering space that better accompanied their new, luxurious pool.” What really sets apart this outside kitchen design idea, however, is the way the elements are used throughout the space. “Usually, outdoor kitchen designs for a backyard are grouped into one island or cabinet,” explains Outdoor Homescapes of Houston owner Wayne Franks. “But here, the patio, roof and fireplace were all in place, separated by stucco columns, and the outdoor kitchen elements had to work around them.” A 14-foot-long cooking island houses a built-in Fire Magic grill with a Magic View Window (allows the chef to check on food without lifting the lid and losing valuable heat). The island, the countertop of which is "Carnaval" granite from Lackstone, also features a Fire Magic power burner, warming drawer and trash drawer. On one side of the fireplace, forming an “L” with the cooking island, sits a built-in Primo ceramic grill. On the other side of the fireplace is a 3-foot-long cabinet housing a bar with a wine cooler, ice maker and upper cabinet. And finally, just outside the patio door is a 7-foot-long cabinet with a modern Kohler sink with a high-arc Moen faucet (sink and faucet from Faucets Direct), a trash drawer and another upper cabinet. Outdoor Homescapes of Houston, by the way, outfitted both cabinets with glass inserts, custom pulls and three-way sensor lighting. “At the beginning, this was basically a blank space with a fireplace in the middle,” says Maxey. So Outdoor Homescapes upgraded the fireplace with Austin Stack Stone in white (No. 401) from Colorstonescreenshot vickers mosaic tile rectangle. "The stone added that pop,” notes Maxey. The fireplace’s espresso-colored, distressed wood mantel (from Mantels.com) and upper wood cabinets were both stained with the Minwax color Jacobean. The ceiling fans were also updated with ones featuring similarly espresso-colored, wooden fan blades, to match. The table in the middle - a cast-iron, Mediterranean style gem with hand-forged scrollwork designs from Patio 1 in Houston – seats 10. “We wanted this kind of Mediterranean feel,” says Maxey. “We wanted rustic, but the appliance package was so new, with all its stainless steel, so we kept a the cabinets and the columns stucco instead of stone for a more clean, modern look and then did the custom tile backsplash and mosaic in more of a rustic, Mediterranean look." The backsplash is a 1-inch travertine tile background with 4-inch square metallic insets, both from Floor & Decor. The tile for the 18-by-24-inch rectangle mosaic came from Great Britain Tile Co. and included a Dianno Reale tumbled border and background. The bronze, diamond-shaped insets are tumbled Dark Emperdor tile and the scrolls are tumbled Noce tile. The client, who admits they have high standards, was more than pleased with the project – especially browsing through Outdoor Homescapes’ vast library of patio kitchen design ideas, the 3D virtual video tour that let them preview the project from every angle before construction. They also liked the personalized design consultation. "OH provides a very neat service where one of their designers will either shop/buy for you or shop with you for the more detailed pieces that will finish your home," reads the client's review on Houzz. "This was a very positive, personalized feature ... Lisha helped narrow down an enormous marketplace of materials and finishes to a few we could choose from."

View of the the design combines delicate curves that evoke Spanish colonial architecture with soft hues of pink sand and natural woods. Neutral finishes and subtle textures create a cozy and sophisticated atmosphere.

TREE REMOVAL SERVICES IN VIRGINIA BEACH Your trees need maintenance, and sometimes removal. While we prefer to nurture your trees back to health, we recognize that tree removal is necessary for certain situations. We may determine that tree removal is a property owner’s best option when a tree is dead, diseased, or poses a risk to electrical lines and public safety. Whether you’re a seasoned tree-owner or a first-timer, our high trained tree professionals are here to provide transparency and all the information you need for your tree removal in Virginia Beach. We believe in the power of local businesses and with that, the trust factor you get when working with a company that has Virginia Beach roots. Our friendly and knowledgeable sales professional, Theo, is here to answer any questions you may have from consultation all the way through to cleanup.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

The front elevation of this house consists of the original 1910 farmhouse. The rest of the house had been augmented incrementally over time and the roofline beyond the original structure had become convoluted and the flanking elevations nonsensical. The current owners preserved the original 1910 farmhouse portion of the home and took the rest of the structure down to the foundation. A simple modern black barn was designed to run perpendicular with the old farmhouse structure and painted black in stark contrast to its old, white counterpart. Siding runs vertically on the new section as opposed to the horizontal shiplapped siding on the old. The new structure houses the kitchen with 12’ cathedral ceilings, a pantry / mudroom and a study. The kitchen boasts a 1930’s island reclaimed from a commercial bakery and pendant lights from an old schoolhouse in Ohio as its nucleus, against a quiet backdrop of black stained oak cabinetry. Gently veined quartzite slabs serve as countertop, backsplash and wrap the stove hood to accentuate the ceiling height. The interior design of this home is a carefully balanced alchemy of antiquity and modernity. It has an overriding monochromatic theme with layers of pattern and texture for depth. The color interest is derived from the lush outside landscape, with the exception of their daughter’s bedroom which is a tasteful symphony of pink, landed by a hand painted mural. The theme of the home is framed around comfortable family living against curated backdrops of beloved collected items. The living room boasts no less than nineteen vintage crystal

Large arts and crafts backyard deck photo in Seattle with a roof extension

Atlantic Archives, Richard Leo Johnson
Eclectic girl playroom photo in Jacksonville

New entry
Inspiration for a contemporary entryway remodel in Seattle

The owners of a charming home in the hills west of Paso Robles recently decided to remodel their not-so-charming kitchen. Referred to San Luis Kitchen by several of their friends, the homeowners visited our showroom and soon decided we were the best people to design a kitchen fitting the style of their home. We were delighted to get to work on the project right away. When we arrived at the house, we found a small, cramped and out-dated kitchen. The ceiling was low, the cabinets old fashioned and painted a stark dead white, and the best view in the house was neglected in a seldom-used breakfast nook (sequestered behind the kitchen peninsula). This kitchen was also handicapped by white tile counters with dark grout, odd-sized and cluttered cabinets, and small ‘desk’ tacked on to the side of the oven cabinet. Due to a marked lack of counter space & inadequate storage the homeowner had resorted to keeping her small appliances on a little cart parked in the corner and the garbage was just sitting by the wall in full view of everything! On the plus side, the kitchen opened into a nice dining room and had beautiful saltillo tile floors. Mrs. Homeowner loves to entertain and often hosts dinner parties for her friends. She enjoys visiting with her guests in the kitchen while putting the finishing touches on the evening’s meal. Sadly, her small kitchen really limited her interactions with her guests – she often felt left out of the mix at her own parties! This savvy homeowner dreamed big – a new kitchen that would accommodate multiple workstations, have space for guests to gather but not be in the way, and maybe a prettier transition from the kitchen to the dining (wine service area or hutch?) – while managing the remodel budget by reusing some of her major appliances and keeping (patching as needed) her existing floors. Responding to the homeowner’s stated wish list and the opportunities presented by the home's setting and existing architecture, the designers at San Luis Kitchen decided to expand the kitchen into the breakfast nook. This change allowed the work area to be reoriented to take advantage of the great view – we replaced the existing window and added another while moving the door to gain space. A second sink and set of refrigerator drawers (housing fresh fruits & veggies) were included for the convenience of this mainly vegetarian cook – her prep station. The clean-up area now boasts a farmhouse style single bowl sink – adding to the ‘cottage’ charm. We located a new gas cook-top between the two workstations for easy access from each. Also tucked in here is a pullout trash/recycle cabinet for convenience and additional drawers for storage. Running parallel to the work counter we added a long butcher-block island with easy-to-access open shelves for the avid cook and seating for friendly guests placed just right to take in the view. A counter-top garage is used to hide excess small appliances. Glass door cabinets and open shelves are now available to display the owners beautiful dishware. The microwave was placed inconspicuously on the end of the island facing the refrigerator – easy access for guests (and extraneous family members) to help themselves to drinks and snacks while staying out of the cook’s way. We also moved the pantry storage away from the dining room (putting it on the far wall and closer to the work triangle) and added a furniture-like hutch in its place allowing the more formal dining area to flow seamlessly into the up-beat work area of the kitchen. This space is now also home (opposite wall) to an under counter wine refrigerator, a liquor cabinet and pretty glass door wall cabinet for stemware storage – meeting Mr. Homeowner’s desire for a bar service area. And then the aesthetic: an old-world style country cottage theme. The homeowners wanted the kitchen to have a warm feel while still loving the look of white cabinetry. San Luis Kitchen melded country-casual knotty pine base cabinets with vintage hand-brushed creamy white wall cabinets to create the desired cottage look. We also added bead board and mullioned glass doors for charm, used an inset doorstyle on the cabinets for authenticity, and mixed stone and wood counters to create an eclectic nuance in the space. All in all, the happy homeowners now boast a charming county cottage kitchen with plenty of space for entertaining their guests while creating gourmet meals to feed them. Credits: Custom cabinetry by Wood-Mode Fine Custom Cabinetry Contracting by Michael Pezzato of Lost Coast Construction Stone counters by Pyramid M.T.M.

The owner of this historic and landmarked town-home renovation in Hudson Square, originally built in 1826, hired Gallery Kitchen and Bath to fully gut-renovate this 3-unit row-home. The scope of work included a full-scale renovation of the owners unit, including the renovation of the kitchen, one 4-piece master ensuite bathroom, one 3-piece bathroom with a walk-in steam shower, and a beautiful powder room. Additional work in the owners unit also included flooring, electrical upgrade, major plumbing work, new HVAC system, restoration of a fireplace, installation of a fully integrated smart home system and landmarked approved windows. CELLAR RENOVATION IN NYC LANDMARKED TOWN-HOME Rounding out the owners unit we renovated the cellar, which was converted into an entertainment space and featured a custom glass curtain wall, along with a custom staircase with an exposed brick wall. During the demolition phase of the cellar, our team discovered 56 wine jugs filled with wine from the prohibition era, leading us to name this project the prohibition house. For the two tenant units, Gallery Kitchen and Bath undertook the renovation of 2 kitchens, 4 bathrooms, new hardwood flooring throughout, along with detailed carpentry work in the entire home. WHY GALLERY KITCHEN AND BATH After interviewing multiple contractors, our client decided on Gallery Kitchen and Bath primarily because of our turnkey design, selection, and build process. In a renovation of this magnitude it is crucial to have a centralized full service contractor under one roof to handle all of the aspects and simultaneous moving parts of the project. Decentralizing the entire process by having multiple unaffiliated vendors handle various parts of the process can easily become chaotic, time consuming, and costly. Because Gallery Kitchen and Bath undertook the entire process, from the design of the entire space to the selection and procurement of all finishes and fixtures, down to the procurement of all permits and LPC filings, it made a seemingly chaotic project a’lot more manageable. PHASE 1: DESIGN, SELECTION, PROCUREMENT Our client wanted the renovation to incorporate a fully modern design into his Hudson Square town-house. Being that this is a landmarked property, the exterior facade had to be restored and kept with the original aesthetic, the interior of the home however was a whole different story. In keeping up with the modern aesthetic, our designers went to work to design a custom kitchen that included fully custom flat panel base cabinets in a white high gloss finish and an absolute matte black appliance/pantry wall. The kitchen design also included a white quartz countertop and backsplash with a waterfall edge island. To bring warmth to the modern kitchen, our designers incorporated a rifted and quartered select oak wood floor in a herringbone pattern, and custom blended stain with matte polyurethane finish. For continuity, the wood floor was also extended throughout the entire owners unit. In the ensuite bathroom we created a “wet area” which houses a standalone soaking tub as well as a beautiful rainfall shower, completely leveled with the rest of the floor in the bathroom. Some highlights within this space include a tiled square drain, large niche cutouts with a carrera marble accents. Once again, to bring warmth to this modern bathroom, our designers incorporated a floating rustic oak vanity and carrera marble mosaic floor tile. Last on the list on the owners unit floor was the cellar, which our client wanted to utilize as an entertainment space for his friends and family. During the design phase, we incorporated an open concept layout, wedding the indoor and outdoor space with a custom glass curtain wall. The design also included custom walnut built-ins that serve as a custom wet bar and storage piece. With the design approved and selections made our office liaisons moved to procure all of the material selections and finishes. PHASE 2: DEMO Because this home is almost two centuries old, we had to take extra precaution during the interior demolition phase of the project. One specific area that we had to pay special attention to was the existing brick. Over time the mortar in old brick homes deteriorates and turns into dust – for this reason it was extremely important that a thorough and ongoing inspection of the exteriors and interior walls took place during the demolition of the space. After 14 30-yard debris containers and 56 wine filled jugs from the prohibition era later , the demolition of this historic Hudson Square town-home came to an end. If you are wondering whether we tried the wine? After notifying the owner we agreed to open one of the jugs and try them together – nothing but vinegar. PHASE 3: BUILD One of the challenges in a renovation project of this scope is nailing down the logistics and delivery of fixtures and finish material. Adding to this challenge was a narrow entry door that required us to use a boom truck in order to deliver some of the larger materials on site. To ensure a succinct time schedule, we boomed all of the materials through the 3rd floor for the entire project and worked our renovation work from top floor to cellar. This technique also insured that any unexpected water issues during the renovation process would not damage a finished floor. With all roughing and framing complete, the Gallery KBNY team proceeded to execute on the design plan. THE REVEAL From what was once a dilapidated town-home with nothing but potential, to a glamorous and luxurious modern interior space – the prohibition house was complete. Ready to speak with us about your renovation project? Contact us to schedule your free consultation and let Gallery KBNY show you why our all-inclusive approach to your renovation is the smartest way to renovating in NYC.

ErIc Rorer
Example of a trendy backyard deck design in San Francisco with a fire pit and a pergola

Designed by Andrea Lucatello, Morgan Modern Wooden Bed is full of slender proportions and rustic-inspired design. Manufactured in Italy by Cattelan Italia, Morgan Modern Bed offers innovative geometry subtly highlighted by richness of materials and minimalistic style. Morgan Platform Bed is available in queen or California king sizes and can be finished in Canaletto walnut or burned oak wood.

Located in Menlo Park, California, this 3,000 sf. remodel was carefully crafted to generate excitement and make maximum use of the owner’s strict budget and comply with the city’s stringent planning code. It was understood that not everything was to be redone from a prior owner’s quirky remodel which included odd inward angled walls, circular windows and cedar shingles. Remedial work to remove and prevent dry rot ate into the budget as well. Studied alterations to the exterior include a new trellis over the garage door, pushing the entry out to create a new soaring stair hall and stripping the exterior down to simplify its appearance. The new steel entry stair leads to a floating bookcase that pivots to the family room. For budget reasons, it was decided to keep the existing cedar shingles. Upstairs, a large oak multi-level staircase was replaced with the new simple run of stairs. The impact of angled bedroom walls and circular window in the bathroom were calmed with new clean white walls and tile. Photo Credit: John Sutton Photography.

Large mountain style l-shaped brown floor and dark wood floor eat-in kitchen photo in Charleston with shaker cabinets, stainless steel appliances, an island, dark wood cabinets, a farmhouse sink, quartzite countertops, gray backsplash and stone tile backsplash

CHAD CHENIER PHOTOGRAPHY
Inspiration for a small contemporary mirror tile powder room remodel in New Orleans with a wall-mount sink and white walls

Our custom blown glass chandeliers are made totally custom to fit perfectly in your unique space. We work with you to capture the inner essence you wish to express. Our client wished to add color to their sun room. This Deep Cobalt chandelier looks absolutely brilliant, as the outside sun and internal light of the chandelier converge in a kaleidoscope of blue. The glass dining room table and casual wooden chairs combined with the outside forestry make for a phenomenal combination. This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. It looks stunning over this wooden kitchen island. Our custom-made glass lighting fixtures are perfect for your foyer, entryway, stairwell, living room, dining room, kitchen, or any room in your home. All of our chandeliers and custom blown glass lighting is fully customizable and tailored to fit your unique space. No two works are the same, each piece is custom made exactly for you. This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle. This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle. We are a three generation family business, with over 50 years of experience. We have installations all over the world, for governments, civic memorials, public works, interior designers, decorators, architects, engineers, museums, art galleries, hotels, restaurants, corporations, corporate clients, businesses, ranches, oceanfront properties, apartment buildings, condominiums, and numerous private clients. This floral custom dining room chandelier chandelier looks like an upside down flower pot miraculously suspended in mid-air. The reds in the chandelier match the red painted walls, while the yellows bring out the bamboo floors and light wood dining room table and dining room chairs. There is also plenty of natural sunlight from big sky windows. This home is traditional with a touch of contemporary in the furniture. For this particular client living in Malibu, we procured for them a chandelier to fit the ultra-contemporary decor of their interior, enhance their home's natural light, and compliment the sun-abundant environment in which they live. 48" high x 72" long x 48" wide Colors shown: Orange, Fire Red, Yellow This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing effect. 48" high x 72" long x 48" wide Colors shown: Aqua Blue, Lime, Emerald Green, Violet This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing. 48" high x 48" wide x 24" deep These Opal White sconces seem to work in any space, as their internal lights cast a soft, agreeable glow. This particular pair adds a subtle touch to a forest view, and softens the juxtaposition between inside and out. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. 50" high x 46" wide x 26" deep This is a honey, wood, and grey sconce we produced for a client to accentuate a warm, wooden, yet contemporary feel. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. 72" high x 60" wide x 24" deep This wall sconce is simply fun. Vibrant colors play with each other, yet match because they fall in the same color spectrum, as the client's sitting room is transformed into a display of modern art. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. We serve the entire United States and Canada. We service all 50 states, including Alabama, Alaska, Arizona, Arkansas, California, Colorado, Connecticut, Delaware, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Florida, Miami, Coral Gables, South Carolina, South Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin, Wyoming. In California, we specifically service Orange County, Los Angeles, LA County, and Malibu. Zip code 90210. In the Washington D.C. area, we specifically serve Alexandria, Arlington, Loudon, Bethesda, Upper Marlboro, Kalorama, and the Palisades. In Connecticut, we specifically serve Greenwich. Zip codes 22314 and 2203. Our custom made, blown glass chandeliers are functional glass art and can be customized for apartments, condos, a client’s foyer, living room, dining room, great room, family room, kitchen, kitchen island, even bathroom and bedroom. Our fully custom glass art chandeliers are all blown here in the United States of America. We customize them to go with all furnishings, including one’s mahogany dining room table, wood dining room table, contemporary dining room table, traditional dining room table, and modern dining room table. They also match one’s marble kitchen island, skylight, coffee table, custom wallpaper, other lighting fixtures, custom wall sconces, dining room chairs, marble countertops. They look phenomenal in large or small homes, and seaside villas. Ocean front properties are a speciality of ours as well. A closeup photo of the outdoor patio chandelier, displaying the incredible detail and craftsmanship in each individual piece. This picture is art unto itself. We provide full personalized service, including Lighting Design, Lighting Manufacturer, Custom Lighting, Custom Chandeliers, Multi-story Chandeliers, Multi-level Chandeliers, Glass Lighting, Pendant Lighting, Commercial Lighting, Residential Lighting, Blown Glass, Fused Glass, Bubble Glass Lighting, Bubble Chandeliers, Dining Room Lighting, Kitchen Pendants, Lighting Design Consultation. All chandeliers are hand crafted by our talented artists here in the USA. That’s right, all of our artists and craftsmen are here in the U.S. Each piece is a truly functional work of art. We like to think of it as art primarily, it just happens to be functional! It is true artistic creativity combined with engineering and architectural practicality. At Ethel A. Furman & Associates, the online gallery of GlassArt.net, you are the creator. We like to push the limits of light, color and texture, with our dramatic custom lighting and decor made from our exotic, fused & blown glass. As a lighting and glass manufacturer, Ethel A. Furman & Associates, the online gallery of GlassArt.net is as unique as the products we offer. We're small enough to provide an unparalleled level of service and craftsmanship. That said, we are large enough to handle residential and commercial jobs of any size. Not found everywhere, you can see our exotic materials displayed around the globe. Whether you have a vision or you're looking for one, or several, our artists can create something way beyond the expected. Let us create something exceptional for you. This is the chandelier in full of the previous closeup photo. We produced this vibrantly colored outdoor chandelier for a client's roofed patio area. Do not be deceived by the thin wires; we use taut, aircraft-strength cables that keep the chandelier stable in virtually any weather condition. Please again note the closeup photo of this chandelier, as it is exemplary of the world class quality we are so proud of in our glasswork. This totally fun sculpture was created for a client's wine cellar. Your vision is our direction. You are only restricted by the contents of your imagination. This client wished to have a tropical chandelier while also employing her favorite color: lavender. We played the opaque lavender horns with the transparent ruby and yellow, and green gourds for a wonderfully fun, tropical chandelier that also serve functions as the main dining room light. This is a closeup of an individual platter sconce. These can be used in a large group, like the previous picture, yet are equally elegant hanging alone. These are backlit, just like our chandeliers and other sconces, with ultra long-lasting, dimmable LEDs. Our custom glass art comes in any color and/or color combination imaginable, including purple, grey, clear, gold, silver, white, black, green, yellow, purple, taupe, turquoise, blue, baby blue, lavender, violet, red, and orange. Organic, perforated glass spheres with a lace-like texture. Made from our unique blown glass. Available as individual pendants or multi-pendant chandeliers. Multiple sizes and colors are available. Our modern Custom Glass Lighting perfect for your entryway, foyer, stairwell, living room, dining room, kitchen, and any room in your home. Our dramatic lighting that is fully customizable and tailored to fit your space perfectly. No two pieces are the same 72" high x 48" wide This eclectic and highly complex chandelier was designed to be reminiscent of a coral reef 96" high x 60" wide x 60" deep Absolutely humongous and stunning chandelier we produced for an javascript:;exceptionally large foyer. Appropriately dubbed "Autumn" because it reminds one of the leaves turning from green to red and slowly falling. We produced our spectacular "Summer Fire" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C. This is one of 2 chandeliers we designed and produced for them. Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to the exact brightness to fit any mood. We produced our spectacular "Summer Fire" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C. This is one of 2 chandeliers we designed and produced for them. Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to your exact specifications. We produced our spectacular "Miami Sunrise" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C. This is one of 2 chandeliers we designed and produced for them. Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to the exact brightness to fit any mood. We produced our spectacular "Summer Fire" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C. This is one of 2 chandeliers we designed and produced for them. Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to the exact brightness to fit any mood. Our blown glass chandeliers are made totally custom for your unique tastes and home. We work with you to not only capture the colors and style that fit your space perfectly, but also your unique desired “vibe.” Our client wished to add color to their sun room. This Deep Cobalt chandelier looks absolutely brilliant, as the outside sun and internal light of the chandelier converge in a kaleidoscope of blue. The glass dining room table and casual wooden chairs combined with the outside forestry make for a phenomenal combination. This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. It looks stunning over this wooden kitchen island. Our custom-made glass lighting fixtures are perfect for your foyer, entryway, stairwell, living room, dining room, kitchen, or any room in your home. All of our chandeliers and custom blown glass lighting is fully customizable and tailored to fit your unique space. No two works are the same, each piece is custom made exactly for you. This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle. This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle. This floral custom dining room chandelier chandelier looks like an upside down flower pot miraculously suspended in mid-air. The reds in the chandelier match the red painted walls, while the yellows bring out the bamboo floors and light wood dining room table and dining room chairs. There is also plenty of natural sunlight from big sky windows. This home is traditional with a touch of contemporary in the furniture. For this particular client living in Malibu, we procured for them a chandelier to fit the ultra-contemporary decor of their interior, enhance their home's natural light, and compliment the sun-abundant environment in which they live. 48" high x 72" long x 48" wide Colors shown: Orange, Fire Red, Yellow This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing effect. 48" high x 72" long x 48" wide Colors shown: Aqua Blue, Lime, Emerald Green, Violet This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing. 48" high x 48" wide x 24" deep These Opal White sconces seem to work in any space, as their internal lights cast a soft, agreeable glow. This particular pair adds a subtle touch to a forest view, and softens the juxtaposition between inside and out. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. 50" high x 46" wide x 26" deep This is a honey, wood, and grey sconce we produced for a client to accentuate a warm, wooden, yet contemporary feel. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. 72" high x 60" wide x 24" deep This wall sconce is simply fun. Vibrant colors play with each other, yet match because they fall in the same color spectrum, as the client's sitting room is transformed into a display of modern art. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. We serve the entire United States and Canada. We service all 50 states, including Alabama, Alaska, Arizona, Arkansas, California, Colorado, Connecticut, Delaware, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Florida, Miami, Coral Gables, South Carolina, South Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin, Wyoming. In California, we specifically service Orange County, Los Angeles, LA County, and Malibu. Zip code 90210. In the Washington D.C. area, we specifically serve Alexandria, Arlington, Loudon, Bethesda, Upper Marlboro, Kalorama, and the Palisades. In Connecticut, we specifically serve Greenwich. Zip codes 22314 and 2203. Our custom made, blown glass chandeliers are functional glass art and can be customized for apartments, condos, a client’s foyer, living room, dining room, great room, family room, kitchen, kitchen island, even bathroom and bedroom. Our fully custom glass art chandeliers are all blown here in the United States of America. We customize them to go with all furnishings, including one’s mahogany dining room table, wood dining room table, contemporary dining room table, traditional dining room table, and modern dining room table. They also match one’s marble kitchen island, skylight, coffee table, custom wallpaper, other lighting fixtures, custom wall sconces, dining room chairs, marble countertops. They look phenomenal in large or small homes, and seaside villas. Ocean front properties are a speciality of ours as well. A closeup photo of the outdoor patio chandelier, displaying the incredible detail and craftsmanship in each individual piece. This picture is art unto itself. We provide full personalized service, including Lighting Design, Lighting Manufacturer, Custom Lighting, Custom Chandeliers, Multi-story Chandeliers, Multi-level Chandeliers, Glass Lighting, Pendant Lighting, Commercial Lighting, Residential Lighting, Blown Glass, Fused Glass, Bubble Glass Lighting, Bubble Chandeliers, Dining Room Lighting, Kitchen Pendants, Lighting Design Consultation. All chandeliers are hand crafted by our talented artists here in the USA. That’s right, all of our artists and craftsmen are here in the U.S. Each piece is a truly functional work of art. We like to think of it as art primarily, it just happens to be functional! It is true artistic creativity combined with engineering and architectural practicality. At Ethel A. Furman & Associates, the online gallery of GlassArt.net, you are the creator. We like to push the limits of light, color and texture, with our dramatic custom lighting and decor made from our exotic, fused & blown glass. As a lighting and glass manufacturer, Ethel A. Furman & Associates, the online gallery of GlassArt.net is as unique as the products we offer. We're small enough to provide an unparalleled level of service and craftsmanship. That said, we are large enough to handle residential and commercial jobs of any size. Not found everywhere, you can see our exotic materials displayed around the globe. Whether you have a vision or you're looking for one, or several, our artists can create something way beyond the expected. Let us create something exceptional for you. This is the chandelier in full of the previous closeup photo. We produced this vibrantly colored outdoor chandelier for a client's roofed patio area. Do not be deceived by the thin wires; we use taut, aircraft-strength cables that keep the chandelier stable, secure and safe.

Peter Vanderwarker
Mid-sized minimalist brown one-story wood exterior home photo in Boston