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A unique 1929 cottage on Newfound Lake was to be renovated. The building was located entirely within the 50’ setback and a corner of the building was on the neighboring lot. The seasonal building had significant rot and structural issues. Working with the Town and the State, it was agreed that the footprint of the building was grandfathered in the setback. The building footprint was moved to meet the sideline setback and allowed a fully compliant addition to the building. Despite its dilapidated condition, there were many endearing qualities that the family loved. It was decided to design a new year round, high performance three bedroom cottage with a detached garage using the original camp for inspiration but introducing many new 21st century conveniences. The original living room and dining room were replicated along with the two steps down from the original dining area and kitchen. The addition involved a new master bedroom suite, an entry and pantry on the main level and a new upper level with a bedroom/office. Many features of the original building were recycled including interior doors, windows, shutters and antique sinks. Reclaimed 200 year old mill timbers were used for the exposed joists and roof rafters throughout.

Photograph by Alan Abramowitz
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Living room + sitting room. Cathy Schwabe Architecture. Photograph by David Wakely
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The challenge for this project was that, while the homeowner desired all of the luxury amenities of a deluxe master bath, space was extremely limited. Therefore efficient space planning was critical in achieving the final design. Use of custom painted cabinetry and carrara marble countertops were the basis for this compact yet luxurious bathroom design. Careful attention was given to the tone of the finishes in order to keep this eastern-exposure bathroom light and bright. White trim and crown moulding was used in contrast to the putty colored walls. In keeping with the era of the home, a hand-glazed white ceramic subway tile was used in the soaking tub alcove. Nickel plated bath, lavatory, tub and shower fixtures in the vintage style were used alongside modern amenities such as recessed halogen lighting, electric towel warmers and radiant-heated tile flooring.

Photographer: Jay Goodrich This 2800 sf single-family home was completed in 2009. The clients desired an intimate, yet dynamic family residence that reflected the beauty of the site and the lifestyle of the San Juan Islands. The house was built to be both a place to gather for large dinners with friends and family as well as a cozy home for the couple when they are there alone. The project is located on a stunning, but cripplingly-restricted site overlooking Griffin Bay on San Juan Island. The most practical area to build was exactly where three beautiful old growth trees had already chosen to live. A prior architect, in a prior design, had proposed chopping them down and building right in the middle of the site. From our perspective, the trees were an important essence of the site and respectfully had to be preserved. As a result we squeezed the programmatic requirements, kept the clients on a square foot restriction and pressed tight against property setbacks. The delineate concept is a stone wall that sweeps from the parking to the entry, through the house and out the other side, terminating in a hook that nestles the master shower. This is the symbolic and functional shield between the public road and the private living spaces of the home owners. All the primary living spaces and the master suite are on the water side, the remaining rooms are tucked into the hill on the road side of the wall. Off-setting the solid massing of the stone walls is a pavilion which grabs the views and the light to the south, east and west. Built in a position to be hammered by the winter storms the pavilion, while light and airy in appearance and feeling, is constructed of glass, steel, stout wood timbers and doors with a stone roof and a slate floor. The glass pavilion is anchored by two concrete panel chimneys; the windows are steel framed and the exterior skin is of powder coated steel sheathing.

Photographer: Jay Goodrich This 2800 sf single-family home was completed in 2009. The clients desired an intimate, yet dynamic family residence that reflected the beauty of the site and the lifestyle of the San Juan Islands. The house was built to be both a place to gather for large dinners with friends and family as well as a cozy home for the couple when they are there alone. The project is located on a stunning, but cripplingly-restricted site overlooking Griffin Bay on San Juan Island. The most practical area to build was exactly where three beautiful old growth trees had already chosen to live. A prior architect, in a prior design, had proposed chopping them down and building right in the middle of the site. From our perspective, the trees were an important essence of the site and respectfully had to be preserved. As a result we squeezed the programmatic requirements, kept the clients on a square foot restriction and pressed tight against property setbacks. The delineate concept is a stone wall that sweeps from the parking to the entry, through the house and out the other side, terminating in a hook that nestles the master shower. This is the symbolic and functional shield between the public road and the private living spaces of the home owners. All the primary living spaces and the master suite are on the water side, the remaining rooms are tucked into the hill on the road side of the wall. Off-setting the solid massing of the stone walls is a pavilion which grabs the views and the light to the south, east and west. Built in a position to be hammered by the winter storms the pavilion, while light and airy in appearance and feeling, is constructed of glass, steel, stout wood timbers and doors with a stone roof and a slate floor. The glass pavilion is anchored by two concrete panel chimneys; the windows are steel framed and the exterior skin is of powder coated steel sheathing.

Casey Dunn
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For this home we were hired as the Architect only. Siena Custom Builders, Inc. was the Builder. +/- 5,200 sq. ft. home (Approx. 42' x 110' Footprint) Cedar Siding - Cabot Solid Stain - Pewter Grey

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Originally built as a modest two-bedroom post-World War II brick and block rambler in 1951, this house has assumed an entirely new identity, assimilating the turn-of-the-century farmhouse and early century Craftsman bungalow aesthetic. The program for this project was tightly linked to aesthetics, function and budget. The owner had lived in this plain brick box for eight years, making modest changes, which included new windows, a new kitchen addition on the rear, and a new coat of paint. While this helped to lessen the stark contrast between his house and the wonderful Craftsman style houses in the neighborhood, the changes weren’t enough to satisfy the owner’s love of the great American bungalow. The architect was called back to create a house that truly fit the neighborhood. The renovated house had to: 1) fit the bungalow style both outside and inside; 2) double the square footage of the existing house, creating new bedrooms on the second floor, and reorganizing the first floor spaces; and 3) fit a budget that forced the total reuse of the existing structure, including the new replacement windows and new kitchen wing from the previous project. The existing front wall of the house was pulled forward three feet to maximize the existing front yard building setback. A six-foot deep porch that stretched across most of the new front elevation was added, pulling the house closer to the street to match the front yard setbacks of other local early twentieth century houses. This cozier relationship to the street and the public made for a more comfortable and less imposing siting. The front rooms of the house became new public spaces, with the old living room becoming the Inglenook and entry foyer, while the old front bedroom became the new living room. A new stairway was positioned on axis with the new front door, but set deep into the house adjacent to the reconfigured dining room. The kitchen at the rear that had been opened up during the 1996 modifications was closed down again, creating clearly defined spaces, but spaces that are connected visually from room to room. At the top of the new stair to the second floor is a short efficient hall with a twin window view to the rear yard. From this hall are entrances to the master bedroom, second bedroom and master bathroom. The new master bedroom located on the centerline of the front of the house, fills the entire front dormer with three exposures of windows facing predominately east to catch the morning light. Off of this private space is a study and walk-in closet tucked under the roof eaves of the new second floor. The new master bathroom, adjacent to the master bedroom with an exit to the hall, has matching pedestal sinks with custom wood medicine cabinets, a soaking tub, a large shower with a round-river-stone floor with a high window facing into the rear yard, and wood paneling similar to the new wood paneling on the first floor spaces. Hoachlander Davis Photography

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