Located near the foot of the Teton Mountains, the site and a modest program led to placing the main house and guest quarters in separate buildings configured to form outdoor spaces. With mountains rising to the northwest and a stream cutting through the southeast corner of the lot, this placement of the main house and guest cabin distinctly responds to the two scales of the site. The public and private wings of the main house define a courtyard, which is visually enclosed by the prominence of the mountains beyond. At a more intimate scale, the garden walls of the main house and guest cabin create a private entry court. A concrete wall, which extends into the landscape marks the entrance and defines the circulation of the main house. Public spaces open off this axis toward the views to the mountains. Secondary spaces branch off to the north and south forming the private wing of the main house and the guest cabin. With regulation restricting the roof forms, the structural trusses are shaped to lift the ceiling planes toward light and the views of the landscape. A.I.A Wyoming Chapter Design Award of Citation 2017 Project Year: 2008

Refined Continuity: Bridging Classical Architecture and Modern Living This comprehensive remodel of a grand Cow Hollow residence reimagines a historically expressive envelope through a lens of contemporary livability, precision detailing, and material restraint. The design approach carefully balances the home’s classical proportions and ornamental heritage with a refined, modern sensibility—evident in the disciplined palette of warm neutrals, soft plasters, pale oak flooring, and tailored millwork. Circulation has been clarified and subtly expanded to enhance spatial flow, while openings are leveraged to capture light, garden outlooks, and distant water views. Throughout, architectural interventions are executed with a high level of craft, ensuring that new insertions—whether cabinetry, railings, or apertures—read as seamless continuations of the original structure rather than applied elements. The kitchen serves as the operational and visual anchor of the home, conceived as a sculptural yet highly functional environment. Custom rift-cut cabinetry, softened through a desaturated finish, is paired with honed stone surfaces and integrated brass hardware to create a quiet, tactile richness. A monolithic island establishes a central gathering point, while perimeter work zones are carefully layered with concealed storage, integrated appliances, and open, backlit shelving that elevates everyday objects into curated displays. The adjacent bar and entertaining areas extend this language, reinforcing a cohesive hospitality-driven program. In parallel, the primary bathroom is designed as a serene, spa-like retreat, where bookmatched stone, frameless glass enclosures, and finely detailed metalwork converge. The composition prioritizes symmetry, clarity, and light—balancing generous volumes with intimate moments through integrated lighting, custom vanities, and a restrained material hierarchy. The library and ancillary living spaces introduce a more intimate scale, anchored by bespoke built-ins that combine closed storage with illuminated display niches, creating depth and rhythm along the walls. Here, material transitions and furniture integration are handled with particular nuance, allowing the architecture to support both quiet retreat and social gathering. A continuous language of custom railings—executed in refined metal profiles—threads through the interior and extends outward, where the exterior gate and garden elements have been reinterpreted to align with the home’s renewed identity. The entry sequence is now defined by a calibrated interplay of solidity and transparency, with sculptural metalwork and landscape integration establishing a sense of arrival that is both secure and elegant. Collectively, the project reflects a holistic transformation—one that elevates performance, livability, and aesthetic clarity while preserving the inherent dignity of the original architecture.

Elite Landscaping removed an old vinyl liner pool from this home in a premier Omaha neighborhood. The goal was to install a new, concrete infinity-edge pool and spa with accessible pool deck. And we accomplished so much more! During the backyard remodel, the yard was elevated by 7.5 feet to improve access from the house to the pool deck with just three steps and a wheelchair-accessible ramp. More than 3,000 sq. feet of natural Travertine were installed for the pool deck, with stone veneer accents around the seating areas and firepit. An outdoor kitchen was installed, featuring polished granite countertops, a Fire Magic grill, Black Diamond appliances, and ample storage drawers. The pool structure boasts a 16-foot wide infinity edge, which is adorned with Black Galaxy iridescent glass tile. The pool wall is topped with fire/water bowls that cascade into the pool. A raised, double spa with 11-foot black granite ‘sheerfall’ edge also cascades into the pool. The custom concrete pool and raised spa each have their own variable speed pumps and heating systems for separate water flow and temperature control. Both can be fully automated through a smartphone or other smart device with the Pentair IntelliTouch system. An app allows homeowners to program LED lights, adjust temperature and water flow speeds, and test pool chemistry.

Located at a prominent corner on one of the few undeveloped residential sites left in Solana Beach, this project is important not only for the homeowner, but for the community as well. A rigorous site analysis laid the groundwork for a design response which took into account the homeowner’s program, input from the neighbors, and the scale of the project and the character of the neighborhood. The end result is a design that is well set into the existing grade, a move which preserves adjacent views and reduces the visual impact of the structure from the street; all while graciously meeting the desires of the owner. The plan is broken into six unique floor plates. The bottom four of which tie together along the gradually sloping site. An intentionally long southern exposure implements the basics of passive solar design: large amounts of glass bring in abundant light and warmth in the winter, while deep overhangs protect from unwanted summer heat gain. Ocean views to the west are selectively framed throughout the house without compromising privacy from the busy street corner. Public functions within the house flow seamlessly between indoor and outdoor living spaces. JLC Architecture was responsible for a full architecture and interior package as well as exterior hardscape design.

In this multi-phase renovation of an existing French Country Manor home along the lake, a total reconfiguration of the spatial organization occurred in order to support a growing family. The manor was completely transformed when the exterior materials were upgraded to include a variety of siding and wooden detailing, and beautiful indoor-outdoor living and entertaining spaces were created. Developing a unified program layout for the home not only made the spaces work well together, but it created a complete sense of integrated family living. With the primary living spaces flowing seamlessly together, a stronger connection to the lake and the outdoors was possible. Light colors were chosen for the interior color palette, which complement the light wood accents that were pulled throughout the home, and react with the large natural stone fireplace and chimney located at the heart of the structure. Photographer: MTA

The Main Stay House exists as a straightforward proposal on an urban infill lot, paring down the components of a house to a minimal amount of planes and openings. The scheme is anchored by a modern entry sequence and a staircase volume, both clad in iron spot masonry externally and internally, creating thresholds between the respective realms of public, common and private, by minimal means. The masonry contrasts with an otherwise muted interior atmosphere of smooth, desaturated surfaces. The entry sequence is a twist upon the conventional domestic front door, front facade, and fence. The front masonry wall replaces the typical residential fence and frames an indirect access to the front door, functioning as a privacy barrier while revealing slices of the interior to the public street. The staircase bifurcates the layout to provide a clear division between the common and private zones of the house, while clearly reading as a mass from all outside view. Brick and glass become portals between common and private zones. The design consolidates the service core along the west façade, allowing the structure to fully open the living zone to the pool court and existing trees. This directly connects interior and exterior, as well as human and nature. Freedom to vary the program or functional use of the area is enabled and strongly encouraged. Photography: Charles Davis Smith

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Cohuatichan is a 715 m2 weekend residence located in the Mexican mountains of Puebla. Attached to the edge of a cliff overlooking a 100ha site, the house has stunning views of a waterfall and the surrounding tropical cloud mountain forest. The exuberant context guided the design of this holiday residence extension. The integration of both interior and exterior programs was achieved through the use of a large sliding curtain wall on both levels intended to remain open while the house is in use. This allows the house to open up to the unique landscape, while also connecting the adjacent infinity swimming pool with the public living area on the lower level, and the master bedroom with an open hot tub, bathroom and terrace on the upper level. The house’s aesthetics and materials were kept light and clean in contrast to the breathtaking surroundings in order to foster a unique experience of outdoor living while being under the comfort of a contemporary structure.

Elmhurst, a premier retirement facility, gained a five-story, 19,600 sq.ft. addition to its historic Queen Anne style building. The building program included administrative offices, multi-purpose and support areas, an elevator and stairwell, as well as 8 one-bedroom suites and 4 two-bedroom suites. In addition, the existing dining room received a 520 sq.ft. addition to accommodate the additional visitors to the facility and an existing efficiency apartment was renovated to provide a billiard room for the residents. The addition was designed to marry the existing structure to create a seamless transition between the old and new, both inside and out; a new porte-cochere allows drive-up access to the new grand entrance to the facility; a new terrace on the south end of the facility leads to formal gardens, a walking path and gazebo for the residents to enjoy.

Here's what our client had to say about this project which is taken from our review page: All Square has completed Phase 1 of an expected 3 phase whole house renovation of our lake home, and we are beyond thrilled with the results. We were demanding clients – my husband is an engineer by education and a program manager by profession, so he is very detailed, exacting and demanding. We solicited bids from 3 other general contractors before engaging All Square, but Micah Purvis won our confidence that he and his team could make our dream a reality. Micah is a master communicator, clear, detailed and pro-active in his approach to problems. We were very happy with all the All Square employees who worked on our job – Daniel and Austin were great and a pleasure to have around – but most especially Justin Solomon, truly a jack of all trades. If there is something Justin can’t do or a skill he doesn’t possess, we aren’t aware of it. Justin was as reliable as the sun, here first thing every morning, troubleshooting problems, dealing with all the sub-contractors and making invaluable structural and design suggestions that made the finished product all the better. I honestly miss having Justin around and our dogs miss him too! It is obvious that All Square has worked hard to identify and nurture relationships with quality tradesmen and a few of them really stand out for their superior work – Mike (stonemason), Jeremiah Cook (painter) and Michael Stewart (electrician). When we are ready to begin Phase 2 of the renovation, there is no doubt that we will call Micah and All Square to do the work. We are so happy with our renovation and grateful that we made the right decision to entrust our forever home to All Square.

design: Carrie Preston (Studio TOOP) and Jasper Helmantel (Cruydt Hoeck), 2011 location: Appeltern, NL status: built in 2012 by Appeltern Model Garden Complex photos: Olga van Saane, October 2013 Designed as assignment from both the Dutch gardening magazine Groei & Bloei and the television and radio nature program Vara's Vroege Vogels, this garden serves as a model of how homeowners can incorporate lots of plant life and wildlife into the design but without sacrificing practicality or aesthetics. The garden is deliberately contemporary in its style to emphasize that nature-rich gardens need not look a certain way - insects and birds don't care if the lines are straight or curved. At the same time the garden makes use of affordable, simple, no-nonsense materials. The 40x60 cm paving stones are one of the most common and affordable paving options in the Netherlands, available en masse for free on the Internet. Conceptually we imagined a garden completely paved with the tiles (as to many gardens are) and what would happen if took out some of these stones, used them to build benches and structure and added plants where the tiles had been. In the construction of the benches we include other materials such as bamboo sticks and insulation bricks that create habitat for insects such as solitary bees. The plant palette is based on a selection of native and host plants in combination with the 26 plants plan set up by Groei & Boei -- a list of plants aimed at making the use of more plants in gardens accessible and less intimidating. The choice for the number 26 corresponds with the number of letters in the alphabet in line with the famous Dutch garden designer Mien Ruy's comment that if we only need 26 letters to create a whole language, we should be able to combine and mix 26 plants to express far more than we think.

From Fuller / Overby: “The site for the Nebo House is a long, narrow plot in the Appalachian foothills that slopes downward to Lake James. The main floor is embedded into the hillside, like a hunter’s blind, with a central courtyard splitting the primary program into two wings. To the east of the courtyard are social areas and to the west is a private sleeping and bathing suite—day and night. A hall which acts as a mechanical and structural spine along the rear retaining wall connects the private and public spaces. The larger, public zones of the interior radiate outward from the courtyard and gradually break up into more intimate niches around the periphery that provide semi-private moments within the open living areas. Views are focused outward to the lake, while southern light filters in from clerestory windows above. A sculpted cantilever staircase slices upward to the entry and guest rooms, forming a continuous three dimensional void capped by a skylight at its peak. Above grade, the house appears as a cluster of small pavilions along the hillside, framing the lake and mountains beyond.”

Elite Landscaping removed an old vinyl liner pool from this home in a premier Omaha neighborhood. The goal was to install a new, concrete infinity-edge pool and spa with accessible pool deck. And we accomplished so much more! During the backyard remodel, the yard was elevated by 7.5 feet to improve access from the house to the pool deck with just three steps and a wheelchair-accessible ramp. More than 3,000 sq. feet of natural Travertine were installed for the pool deck, with stone veneer accents around the seating areas and firepit. An outdoor kitchen was installed, featuring polished granite countertops, a Fire Magic grill, Black Diamond appliances, and ample storage drawers. The pool structure boasts a 16-foot wide infinity edge, which is adorned with Black Galaxy iridescent glass tile. The pool wall is topped with fire/water bowls that cascade into the pool. A raised, double spa with 11-foot black granite ‘sheerfall’ edge also cascades into the pool. The custom concrete pool and raised spa each have their own variable speed pumps and heating systems for separate water flow and temperature control. Both can be fully automated through a smartphone or other smart device with the Pentair IntelliTouch system. An app allows homeowners to program LED lights, adjust temperature and water flow speeds, and test pool chemistry.

Featured on the Discovery Channel's Renovation Nation, this green solar home built on a narrow infill lot is passively heated, naturally cooled and solar powered. Unlike conventional homes built with wood or masonry, this home is built from the soil from the excavation on site. A machine uses very high pressure to compress the soil into a brick. The compressed earth bricks, wrapped with a continuous layer of foam insulation to retain heat, form a structurally sound massive exterior wall that is an integral part of the home’s passive heating and cooling system. In the winter, the sun coming through the south facing windows heats the house and warms the walls. At night, the massive walls radiate heat back into the home. Features of this house include 3000 gallons of rainwater collection, LED lighting, energy recovery ventilation, and non-toxic materials. The home is certified by EarthCraft Virginia green building program.

Here's what our client had to say about this project which is taken from our review page: All Square has completed Phase 1 of an expected 3 phase whole house renovation of our lake home, and we are beyond thrilled with the results. We were demanding clients – my husband is an engineer by education and a program manager by profession, so he is very detailed, exacting and demanding. We solicited bids from 3 other general contractors before engaging All Square, but Micah Purvis won our confidence that he and his team could make our dream a reality. Micah is a master communicator, clear, detailed and pro-active in his approach to problems. We were very happy with all the All Square employees who worked on our job – Daniel and Austin were great and a pleasure to have around – but most especially Justin Solomon, truly a jack of all trades. If there is something Justin can’t do or a skill he doesn’t possess, we aren’t aware of it. Justin was as reliable as the sun, here first thing every morning, troubleshooting problems, dealing with all the sub-contractors and making invaluable structural and design suggestions that made the finished product all the better. I honestly miss having Justin around and our dogs miss him too! It is obvious that All Square has worked hard to identify and nurture relationships with quality tradesmen and a few of them really stand out for their superior work – Mike (stonemason), Jeremiah Cook (painter) and Michael Stewart (electrician). When we are ready to begin Phase 2 of the renovation, there is no doubt that we will call Micah and All Square to do the work. We are so happy with our renovation and grateful that we made the right decision to entrust our forever home to All Square.

Discover how premium light-filtering materials and smart-home automation can secure street-level entryway glass without losing natural daylight. Choosing the right window treatments for a home's front entrance is one of the most challenging design decisions a homeowner can face. The front door is the focal point of a home's curb appeal, often featuring expansive glass panels or side-by-side double doors designed to make a grand architectural statement. During the day, these large glass features are an asset, flooding entryways and foyers with beautiful natural daylight. However, for homes situated on busy local roads or highly trafficked street-level lots, the dynamic completely changes once the sun goes down. The moment interior lights are switched on in the evening, a stark contrast is created with the dark outdoors. This creates a severe privacy issue, leaving the entire foyer completely exposed to passing traffic and pedestrians. Finding a solution that delivers absolute evening privacy without permanently plunging the front entrance into darkness during the day requires understanding how modern window treatment materials and operating systems interact. Light-Filtering vs. Blackout Fabrics The first step in solving street-level privacy is selecting the correct fabric type. Many homeowners mistakenly assume they need heavy, opaque blackout shades to secure their home from outside eyes at night. While blackout fabrics certainly block 100% of the view, they also block 100% of the natural daylight during the day, forcing you to constantly raise and lower the shades just to see inside your own foyer. A more effective approach for entryways utilizes premium light-filtering materials. These specialized fabrics are engineered with a precise, tight weave that operates on the principles of directional light and optical density. Daytime Functionality: When the sun is shining outside, the exterior light levels are significantly higher than the interior light levels. The light-filtering fabric diffuses the intense, direct sunlight into a soft, ambient glow throughout the entryway. This keeps the home bright, eliminates harsh glares, and protects interior hardwood flooring, paint, and trim from damaging UV rays. Night-Time Functionality: At night, the lighting dynamic reverses. The interior foyer lights make the inside bright, while the outside is dark. Because of the specialized tight weave, the fabric blocks the transmission of clear shapes and details. To a person standing out on the street or driving by on a busy road, the view inside is completely obstructed, delivering total privacy when the family is home for the evening. Challenges of Front Door Installations Securing privacy for a double wide front entrance introduces unique structural hurdles that standard windows do not face. Traditional blinds with hanging cords or manual pull chains are poorly suited for front doors. They disrupt the clean architectural lines of a grand foyer, create a safety hazard, and can easily get tangled or damaged when the doors are opened and closed. The window treatments must be mounted high and wide enough above the door trim to ensure that the front doors can swing open and close freely without ever catching on the fabric or the lower hem bar. How We Applied These Principles in Sherrills Ford, NC Applying these exact educational principles to real-world homes is what Cole and I do every day at Bloomin' Blinds of North Charlotte. We recently worked with a homeowner in Sherrills Ford whose beautiful new construction property sat on a highly trafficked road. They loved their double wide front door entrance but felt entirely too exposed to the street at night. We brought our mobile showroom directly to their driveway. This allowed us to hold up premium light-filtering fabric samples directly against their entryway glass, matching the materials perfectly to their home's natural lighting, interior paint, and trim before making a single cut. To solve their street-level privacy issue, we custom-built and installed two matching light-filtering roller shades, mounting them flawlessly side-by-side above the front door frame. To keep the home’s interior design completely cohesive, we carried the exact same style to the back of the house, installing a matching single roller shade on the rear door. Smart Home Window Automation at Your Fingertips Because entryway windows can be tall and awkward to reach manually, our family team integrated advanced smart-home motorization into this Sherrills Ford project. Beyond the convenience of a handheld remote control, these automated roller shades feature seamless Wi-Fi integration. The homeowners can control their privacy through a dedicated smartphone app or link the system directly to their existing voice-activated smart home networks, including Amazon Alexa, Google Assistant, and Apple HomeKit. This allows for complete hands-free window automation. The clients can program custom daily routines—such as setting the front entry shades to automatically lower exactly at sunset—or simply use a voice command to secure the foyer instantly from the comfort of the couch.

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Ellijay, Ga. area .Ellijay, Georgia, known as the “Apple Capital” of Georgia, is located between the Ellijay and Cartecay Rivers where they join to make the Coosawattee River and is the county seat of Gilmer County, Georgia. The origin of the city’s name is not certain but thought to be the English derivative of an Indian word(s) meaning “many waters”, “place of green things” or “new ground”. Some histories say it may have been named for an Indian chief. Inhabited for countless years by the Cherokee people indigenous to the North Georgia, the area was first mentioned as a village and trade center before the onslaught of white settlers inhabited the region. During the 1830’s both white settlers and Indians occupied Ellijay. During the original land lottery in 1832, Martin Scalf acquired the 160 acre lot where the town now stands. In 1833, Clemonds Quinland bought 10 acres from Scalf, retained one acre for himself and donated the rest of the purchase to the County. A plan for twenty town lots, streets and a public square was created and the streets were oriented to allow maximum sunlight exposure to the buildings. Proceeds from lot sales were used to build a jail and courthouse and pay other city expenses. During this same year, Gilmer County was appropriated $800.00 from the State to build a school, and a three-acre lot was donated for the city cemetery. On December 29, l834, Ellijay was incorporated and designated as the County seat of Gilmer County. By 1837, the town had twenty dwellings, three stores and one attorney. Most of these early buildings were of log construction. Many roads led to Ellijay by 1849. The population had grown to 150 by 1850 and the town at five stores. Some wood-frame buildings were being constructed at this time and in 1854, a new courthouse was built in the center of the square, replacing the earlier building. The County’s first newspaper was the Ellijay Courier, started in 1875, and during this time period, Ellijay was a stop on the stagecoach line. The railroad bridge over the Cartecay River was completed in 1884 and the town now had rail service. With the arrival of the railroad and subsequent tracks to White Path, Ellijay began to grow much faster. Many hotels were constructed and land was donated for a depot east of town. More industries, such as a cheese factory and the Shippen Brothers Lumber Mill, located in Ellijay. By 1898, the city had expanded its limits in every direction and now included the depot. By 1900, all the buildings on the town square were brick. This included the recently completed Hyatt Hotel. Most of the other buildings in town were still of log construction, but new wood-frame buildings were being built. The Shippen Brothers Lumber Company production was expanding and exporting their lumber to Europe. Within the next few decades, this company grew to be one of the largest employers in Ellijay, often with five to six million feet of lumber in the yard at one time. The population of Ellijay grew to 659 by 1910, and began to acquire many new modern conveniences such as electric lights and power, a telephone company and many new businesses. Then in 1912, a fire ravaged the city, destroying 23 buildings. As a result, many new buildings were constructed under new and stricter fire and safety guidelines. The population, however, decreased slightly at this time to 632 in 1920. During the 1920’s the town’s population began to grow again and, by this time, apples were being shipped out of the county and new storage facilities were built. Chickens were also shipped to markets outside of Ellijay and Gilmer County. From the mid 1930’s to 1950, Ellijay received much assistance from the Federal WPA Programs. The old courthouse was removed from the center of town square and the Hyatt Hotel was remodeled to be the new courthouse. A park was created on the site of the old courthouse and the streets around the square were paved. A new street was built at this time entering town from the northeast. Other new roads, bridges, sidewalks and gutters were constructed to improve the city. A school and gymnasium were also built and other structures improved. This growth began to impact the city’s infrastructure and in the l950’s and l960’s, a period of upgrading water systems, roads, and power supplies began. New low-rent housing appeared in l960 and a new hospital was built in l957. Georgia Highway 5 was widened in l962, new buildings around the square replaced old ones and some were remodeled. In 1974, the hospital was enlarged. Currently, Ellijay attracts tourists who love the small-town feel and friendly atmosphere. Hotels and restaurants, unique shops, antiques and art galleries lend their charms to those who visit. A new courthouse constructed to resemble the old one, new streetscaping, family-oriented downtown events and the beautification of the square have stepped up the social and economic activity and have made Ellijay a popular destination.

Featured on the Discovery Channel's Renovation Nation, this green solar home built on a narrow infill lot is passively heated, naturally cooled and solar powered. Unlike conventional homes built with wood or masonry, this home is built from the soil from the excavation on site. A machine uses very high pressure to compress the soil into a brick. The compressed earth bricks, wrapped with a continuous layer of foam insulation to retain heat, form a structurally sound massive exterior wall that is an integral part of the home’s passive heating and cooling system. In the winter, the sun coming through the south facing windows heats the house and warms the walls. At night, the massive walls radiate heat back into the home. Features of this house include 3000 gallons of rainwater collection, LED lighting, energy recovery ventilation, and non-toxic materials. The home is certified by EarthCraft Virginia green building program.

This 2,500 square foot “studio” is located in a neighborhood bisected by alleys and containing charming remnants of indigenous outbuildings common to the region. The desire was to create a clean, open, contemporary interior in a building that outwardly referenced its context. The primary form of the house took shape from the long, narrow lot. On the north end, which faces an alley, a patinated clad steel structure forms a canopy for the entry. This carefully scaled “cabin”, raised above the upper level to access a glimpse of the mountains, pays homage to the many sheds lining the alley. The south end features a terrace above the garage that is an extension of the primary interior space. The masonry west wall of the building provides privacy from the adjacent lot. This functional “spine” contains program elements on both levels and is visible internally and externally. A gently curved wall provides continuity between the floors and shields a bathroom and dressing area. This wall stops short of the ceiling, allowing the uninterrupted plane of maple veneer plywood to form a canopy unifying the spaces. A.I.A. Wyoming Chapter Design Award of Honor 2004