The homeowner wanted something different, out of the ordinary, as an entertainment center and bar combination that would add an unusual dimension to watching TV. It had to be in character with the rest of the residence, tastefully designed and executed to deliver the maximum effect. A two-piece combination bar and seating, coupled with a fireplace and large screen TV was designed. A system was designed and custom built cabinet consisting of a radius front entertainment center houses a large flat screen TV and enclosed stereo speakers on the top level, and a gas log fireplace below. A custom built see-through bar sports a matching radius front, plenty of storage, and room for three to eat, drink, and enjoy the warmth of the fireplace without missing any of the action on the TV. For even greater functionality, the TV is also viewable through the large opening in the bar while meals or snacks are prepared from the kitchen. Traffic flow is unique: access and egress between the bar front and TV can happen with ease around both sides of the bar, and the opening in the back of the bar provides for service both from and to the kitchen area. Because of the free and easy movement about the space, adequate lighting, and lack of combustibles at or on the fireplace, safety, as well as an ample use of space, are both achieved. Both pieces are custom fabricated from start to finish, and match each other identically in all respects. Both are constructed of clear cherry finish with a clear satin lacquer. Both enjoy chrome accents strips and custom crafted, glass cabinet doors with matching radii, and both are tastefully lit with accenting puck lights. The design and fabrication for both units shared issues in common as well as individually. The entertainment center was fabricated in the shop in three units and then assembled onsite. The opening for the flat screen TV had to be carefully considered as it too had a radius and therefore had to be designed so that the TV would fit. The entire bar system, except the countertop, had to be fabricated onsite due to the structural columns on either side between which the curved lower cabinets would rest. Then the countertop template was prepared, fabricated elsewhere, returned and installed. After the countertop was in place, the cabinetmaker had to wrap the two columns on either side as well as the overhead beam while making sure the joints at the columns and header maintained alignment. A complement of matching radii cabinet doors had to be constructed for both units. Radius glass inserts had to be ordered with precise dimensions to assure a perfect fit to openings with tight tolerances. Any mistake would have been expensive to correct. Because of the abundance of natural light into the space, the finishes had to be dead-on, otherwise every flaw would show. The custom walnut inlays were fabricated out of square stock, which protruded above the radius in each door. A jig matching the radius had to be designed and fabricated, then a router used to trim excess material and then sanded and finished. Solving the multitude of challenges associated with the project was one of the parts that made the project fun and interesting. The homeowners now can entertain every night.

The homeowner wanted something different, out of the ordinary, as an entertainment center and bar combination that would add an unusual dimension to watching TV. It had to be in character with the rest of the residence, tastefully designed and executed to deliver the maximum effect. A two-piece combination bar and seating, coupled with a fireplace and large screen TV was designed. A system was designed and custom built cabinet consisting of a radius front entertainment center houses a large flat screen TV and enclosed stereo speakers on the top level, and a gas log fireplace below. A custom built see-through bar sports a matching radius front, plenty of storage, and room for three to eat, drink, and enjoy the warmth of the fireplace without missing any of the action on the TV. For even greater functionality, the TV is also viewable through the large opening in the bar while meals or snacks are prepared from the kitchen. Traffic flow is unique: access and egress between the bar front and TV can happen with ease around both sides of the bar, and the opening in the back of the bar provides for service both from and to the kitchen area. Because of the free and easy movement about the space, adequate lighting, and lack of combustibles at or on the fireplace, safety, as well as an ample use of space, are both achieved. Both pieces are custom fabricated from start to finish, and match each other identically in all respects. Both are constructed of clear cherry finish with a clear satin lacquer. Both enjoy chrome accents strips and custom crafted, glass cabinet doors with matching radii, and both are tastefully lit with accenting puck lights. The design and fabrication for both units shared issues in common as well as individually. The entertainment center was fabricated in the shop in three units and then assembled onsite. The opening for the flat screen TV had to be carefully considered as it too had a radius and therefore had to be designed so that the TV would fit. The entire bar system, except the countertop, had to be fabricated onsite due to the structural columns on either side between which the curved lower cabinets would rest. Then the countertop template was prepared, fabricated elsewhere, returned and installed. After the countertop was in place, the cabinetmaker had to wrap the two columns on either side as well as the overhead beam while making sure the joints at the columns and header maintained alignment. A complement of matching radii cabinet doors had to be constructed for both units. Radius glass inserts had to be ordered with precise dimensions to assure a perfect fit to openings with tight tolerances. Any mistake would have been expensive to correct. Because of the abundance of natural light into the space, the finishes had to be dead-on, otherwise every flaw would show. The custom walnut inlays were fabricated out of square stock, which protruded above the radius in each door. A jig matching the radius had to be designed and fabricated, then a router used to trim excess material and then sanded and finished. Solving the multitude of challenges associated with the project was one of the parts that made the project fun and interesting. The homeowners now can entertain every night.

Originally, the exterior of the Napa ranch residence was a standard knocked down stucco finish. We covered over the entire exterior of the house with a natural plaster product that has been made in Italy for centuries, known as Rialto or Vero. This product is a combination of slaked lime mixed with 60% reconstituted crushed marble dust. Quarried from the legendary Carrara marble mines. The finish itself is a vertically combed striated texture embedded into the plaster. While it cures, a transparent group of patinas are applied to the stone-like plaster substance to create a look of an aged villa.

Driftwood look porcelain tile from Arena Marble and Granite, Thousand Oaks, CA
Corner shower - mid-sized coastal master white tile and subway tile porcelain tile corner shower idea in Los Angeles with shaker cabinets, white cabinets, blue walls, an undermount sink and marble countertops

The homeowner wanted something different, out of the ordinary, as an entertainment center and bar combination that would add an unusual dimension to watching TV. It had to be in character with the rest of the residence, tastefully designed and executed to deliver the maximum effect. A two-piece combination bar and seating, coupled with a fireplace and large screen TV was designed. A system was designed and custom built cabinet consisting of a radius front entertainment center houses a large flat screen TV and enclosed stereo speakers on the top level, and a gas log fireplace below. A custom built see-through bar sports a matching radius front, plenty of storage, and room for three to eat, drink, and enjoy the warmth of the fireplace without missing any of the action on the TV. For even greater functionality, the TV is also viewable through the large opening in the bar while meals or snacks are prepared from the kitchen. Traffic flow is unique: access and egress between the bar front and TV can happen with ease around both sides of the bar, and the opening in the back of the bar provides for service both from and to the kitchen area. Because of the free and easy movement about the space, adequate lighting, and lack of combustibles at or on the fireplace, safety, as well as an ample use of space, are both achieved. Both pieces are custom fabricated from start to finish, and match each other identically in all respects. Both are constructed of clear cherry finish with a clear satin lacquer. Both enjoy chrome accents strips and custom crafted, glass cabinet doors with matching radii, and both are tastefully lit with accenting puck lights. The design and fabrication for both units shared issues in common as well as individually. The entertainment center was fabricated in the shop in three units and then assembled onsite. The opening for the flat screen TV had to be carefully considered as it too had a radius and therefore had to be designed so that the TV would fit. The entire bar system, except the countertop, had to be fabricated onsite due to the structural columns on either side between which the curved lower cabinets would rest. Then the countertop template was prepared, fabricated elsewhere, returned and installed. After the countertop was in place, the cabinetmaker had to wrap the two columns on either side as well as the overhead beam while making sure the joints at the columns and header maintained alignment. A complement of matching radii cabinet doors had to be constructed for both units. Radius glass inserts had to be ordered with precise dimensions to assure a perfect fit to openings with tight tolerances. Any mistake would have been expensive to correct. Because of the abundance of natural light into the space, the finishes had to be dead-on, otherwise every flaw would show. The custom walnut inlays were fabricated out of square stock, which protruded above the radius in each door. A jig matching the radius had to be designed and fabricated, then a router used to trim excess material and then sanded and finished. Solving the multitude of challenges associated with the project was one of the parts that made the project fun and interesting. The homeowners now can entertain every night.

The Kiguchi family moved into their Austin, Texas home in 1994. Built in the 1980’s as part of a neighborhood development, they happily raised their family here but longed for something more contemporary. Once they became empty nesters, they decided it was time for a major remodel. After spending many years visiting Austin AIA Home Tours that highlight contemporary residential architecture, they had a lot of ideas and in 2013 were ready to interview architects and get their renovation underway. The project turned into a major remodel due to an unstable foundation. Architects Ben Arbib and Ed Hughey, of Arbib Hughey Design were hired to solve the structural issue and look for inspiration in the bones of the house, which sat on top of a hillside and was surrounded by great views. Unfortunately, with the old floor plan, the beautiful views were hidden by small windows that were poorly placed. In order to bring more natural light into the house the window sizes and configurations had to be addressed, all while keeping in mind the homeowners desire for a modern look and feel. To achieve a more contemporary and sophisticated front of house, a new entry was designed that included removing a two-story bay window and porch. The entrance of the home also became more integrated with the landscape creating a template for new foliage to be planted. Older exterior materials were updated to incorporate a more muted palette of colors with a metal roof, dark grey siding in the back and white stucco in the front. Deep eaves were added over many of the new large windows for clean lines and sun protection. “Inside it was about opening up the floor plan, expanding the views throughout the house, and updating the material palette to get a modern look that was also warm and inviting,” said Ben from Arbib Hughey Design. “Prior to the remodel, the house had the typical separation of rooms. We removed the walls between them and changed all of the windows to Milgard Thermally Improved Aluminum to connect the inside with the outside. No matter where you are you get nice views and natural light.” The architects wanted to create some drama, which they accomplished with the window placement and opening up the interior floor plan to an open concept approach. Cabinetry was used to help delineate intimate spaces. To add warmth to an all-white living room, white-washed oak wood floors were installed and pine planks were used around the fireplace. The large windows served as artwork bringing the color of nature into the space. An octagon shaped, elevated dining room, (named “the turret”), had a big impact on the design of the house. They architects rounded the corners and added larger window openings overlooking a new sunken garden. The great room was also softened by rounding out the corners and that circular theme continued throughout the house, being picked up in skylight wells and kitchen cabinetry. A staircase leading to a catwalk was added and the result was a two-story window wall that flooded the home with natural light. When asked why Milgard® Thermally Improved Aluminum windows were selected, the architectural team listed many reasons: 1) Aesthetics: “We liked the slim profiles and narrow sightlines. The window frames never get in the way of the view and that was important to us. They also have a very contemporary look that went well with our design.” 2) Options: “We liked that we could get large sliding doors that matched the windows, giving us a very cohesive look and feel throughout the project.” 3) Cost Effective: “Milgard windows are affordable. You get a good product at a good price.” 4) Custom Sizes: “Milgard windows are customizable, which allowed us to get the right window for each location.” Ready to take on your own traditional to modern home remodeling project? Arbib Hughey Design advises, “Work with a good architect. That means picking a team that is creative, communicative, listens well and is responsive. We think it’s important for an architect to listen to their clients and give them something they want, not something the architect thinks they should have. At the same time you want an architect who is willing and able to think outside the box and offer up design options that you may not have considered. Design is about a lot of back and forth, trying out ideas, getting feedback and trying again.” The home was completely transformed into a unique, contemporary house perfectly integrated with its site. Internally the home has a natural flow for the occupants and externally it is integrated with the surroundings taking advantage of great natural light. As a side note, it was highly praised as part of the Austin AIA homes tour.

The Kiguchi family moved into their Austin, Texas home in 1994. Built in the 1980’s as part of a neighborhood development, they happily raised their family here but longed for something more contemporary. Once they became empty nesters, they decided it was time for a major remodel. After spending many years visiting Austin AIA Home Tours that highlight contemporary residential architecture, they had a lot of ideas and in 2013 were ready to interview architects and get their renovation underway. The project turned into a major remodel due to an unstable foundation. Architects Ben Arbib and Ed Hughey, of Arbib Hughey Design were hired to solve the structural issue and look for inspiration in the bones of the house, which sat on top of a hillside and was surrounded by great views. Unfortunately, with the old floor plan, the beautiful views were hidden by small windows that were poorly placed. In order to bring more natural light into the house the window sizes and configurations had to be addressed, all while keeping in mind the homeowners desire for a modern look and feel. To achieve a more contemporary and sophisticated front of house, a new entry was designed that included removing a two-story bay window and porch. The entrance of the home also became more integrated with the landscape creating a template for new foliage to be planted. Older exterior materials were updated to incorporate a more muted palette of colors with a metal roof, dark grey siding in the back and white stucco in the front. Deep eaves were added over many of the new large windows for clean lines and sun protection. “Inside it was about opening up the floor plan, expanding the views throughout the house, and updating the material palette to get a modern look that was also warm and inviting,” said Ben from Arbib Hughey Design. “Prior to the remodel, the house had the typical separation of rooms. We removed the walls between them and changed all of the windows to Milgard Thermally Improved Aluminum to connect the inside with the outside. No matter where you are you get nice views and natural light.” The architects wanted to create some drama, which they accomplished with the window placement and opening up the interior floor plan to an open concept approach. Cabinetry was used to help delineate intimate spaces. To add warmth to an all-white living room, white-washed oak wood floors were installed and pine planks were used around the fireplace. The large windows served as artwork bringing the color of nature into the space. An octagon shaped, elevated dining room, (named “the turret”), had a big impact on the design of the house. They architects rounded the corners and added larger window openings overlooking a new sunken garden. The great room was also softened by rounding out the corners and that circular theme continued throughout the house, being picked up in skylight wells and kitchen cabinetry. A staircase leading to a catwalk was added and the result was a two-story window wall that flooded the home with natural light. When asked why Milgard® Thermally Improved Aluminum windows were selected, the architectural team listed many reasons: 1) Aesthetics: “We liked the slim profiles and narrow sightlines. The window frames never get in the way of the view and that was important to us. They also have a very contemporary look that went well with our design.” 2) Options: “We liked that we could get large sliding doors that matched the windows, giving us a very cohesive look and feel throughout the project.” 3) Cost Effective: “Milgard windows are affordable. You get a good product at a good price.” 4) Custom Sizes: “Milgard windows are customizable, which allowed us to get the right window for each location.” Ready to take on your own traditional to modern home remodeling project? Arbib Hughey Design advises, “Work with a good architect. That means picking a team that is creative, communicative, listens well and is responsive. We think it’s important for an architect to listen to their clients and give them something they want, not something the architect thinks they should have. At the same time you want an architect who is willing and able to think outside the box and offer up design options that you may not have considered. Design is about a lot of back and forth, trying out ideas, getting feedback and trying again.” The home was completely transformed into a unique, contemporary house perfectly integrated with its site. Internally the home has a natural flow for the occupants and externally it is integrated with the surroundings taking advantage of great natural light. As a side note, it was highly praised as part of the Austin AIA homes tour.

The Kiguchi family moved into their Austin, Texas home in 1994. Built in the 1980’s as part of a neighborhood development, they happily raised their family here but longed for something more contemporary. Once they became empty nesters, they decided it was time for a major remodel. After spending many years visiting Austin AIA Home Tours that highlight contemporary residential architecture, they had a lot of ideas and in 2013 were ready to interview architects and get their renovation underway. The project turned into a major remodel due to an unstable foundation. Architects Ben Arbib and Ed Hughey, of Arbib Hughey Design were hired to solve the structural issue and look for inspiration in the bones of the house, which sat on top of a hillside and was surrounded by great views. Unfortunately, with the old floor plan, the beautiful views were hidden by small windows that were poorly placed. In order to bring more natural light into the house the window sizes and configurations had to be addressed, all while keeping in mind the homeowners desire for a modern look and feel. To achieve a more contemporary and sophisticated front of house, a new entry was designed that included removing a two-story bay window and porch. The entrance of the home also became more integrated with the landscape creating a template for new foliage to be planted. Older exterior materials were updated to incorporate a more muted palette of colors with a metal roof, dark grey siding in the back and white stucco in the front. Deep eaves were added over many of the new large windows for clean lines and sun protection. “Inside it was about opening up the floor plan, expanding the views throughout the house, and updating the material palette to get a modern look that was also warm and inviting,” said Ben from Arbib Hughey Design. “Prior to the remodel, the house had the typical separation of rooms. We removed the walls between them and changed all of the windows to Milgard Thermally Improved Aluminum to connect the inside with the outside. No matter where you are you get nice views and natural light.” The architects wanted to create some drama, which they accomplished with the window placement and opening up the interior floor plan to an open concept approach. Cabinetry was used to help delineate intimate spaces. To add warmth to an all-white living room, white-washed oak wood floors were installed and pine planks were used around the fireplace. The large windows served as artwork bringing the color of nature into the space. An octagon shaped, elevated dining room, (named “the turret”), had a big impact on the design of the house. They architects rounded the corners and added larger window openings overlooking a new sunken garden. The great room was also softened by rounding out the corners and that circular theme continued throughout the house, being picked up in skylight wells and kitchen cabinetry. A staircase leading to a catwalk was added and the result was a two-story window wall that flooded the home with natural light. When asked why Milgard® Thermally Improved Aluminum windows were selected, the architectural team listed many reasons: 1) Aesthetics: “We liked the slim profiles and narrow sightlines. The window frames never get in the way of the view and that was important to us. They also have a very contemporary look that went well with our design.” 2) Options: “We liked that we could get large sliding doors that matched the windows, giving us a very cohesive look and feel throughout the project.” 3) Cost Effective: “Milgard windows are affordable. You get a good product at a good price.” 4) Custom Sizes: “Milgard windows are customizable, which allowed us to get the right window for each location.” Ready to take on your own traditional to modern home remodeling project? Arbib Hughey Design advises, “Work with a good architect. That means picking a team that is creative, communicative, listens well and is responsive. We think it’s important for an architect to listen to their clients and give them something they want, not something the architect thinks they should have. At the same time you want an architect who is willing and able to think outside the box and offer up design options that you may not have considered. Design is about a lot of back and forth, trying out ideas, getting feedback and trying again.” The home was completely transformed into a unique, contemporary house perfectly integrated with its site. Internally the home has a natural flow for the occupants and externally it is integrated with the surroundings taking advantage of great natural light. As a side note, it was highly praised as part of the Austin AIA homes tour.

The Kiguchi family moved into their Austin, Texas home in 1994. Built in the 1980’s as part of a neighborhood development, they happily raised their family here but longed for something more contemporary. Once they became empty nesters, they decided it was time for a major remodel. After spending many years visiting Austin AIA Home Tours that highlight contemporary residential architecture, they had a lot of ideas and in 2013 were ready to interview architects and get their renovation underway. The project turned into a major remodel due to an unstable foundation. Architects Ben Arbib and Ed Hughey, of Arbib Hughey Design were hired to solve the structural issue and look for inspiration in the bones of the house, which sat on top of a hillside and was surrounded by great views. Unfortunately, with the old floor plan, the beautiful views were hidden by small windows that were poorly placed. In order to bring more natural light into the house the window sizes and configurations had to be addressed, all while keeping in mind the homeowners desire for a modern look and feel. To achieve a more contemporary and sophisticated front of house, a new entry was designed that included removing a two-story bay window and porch. The entrance of the home also became more integrated with the landscape creating a template for new foliage to be planted. Older exterior materials were updated to incorporate a more muted palette of colors with a metal roof, dark grey siding in the back and white stucco in the front. Deep eaves were added over many of the new large windows for clean lines and sun protection. “Inside it was about opening up the floor plan, expanding the views throughout the house, and updating the material palette to get a modern look that was also warm and inviting,” said Ben from Arbib Hughey Design. “Prior to the remodel, the house had the typical separation of rooms. We removed the walls between them and changed all of the windows to Milgard Thermally Improved Aluminum to connect the inside with the outside. No matter where you are you get nice views and natural light.” The architects wanted to create some drama, which they accomplished with the window placement and opening up the interior floor plan to an open concept approach. Cabinetry was used to help delineate intimate spaces. To add warmth to an all-white living room, white-washed oak wood floors were installed and pine planks were used around the fireplace. The large windows served as artwork bringing the color of nature into the space. An octagon shaped, elevated dining room, (named “the turret”), had a big impact on the design of the house. They architects rounded the corners and added larger window openings overlooking a new sunken garden. The great room was also softened by rounding out the corners and that circular theme continued throughout the house, being picked up in skylight wells and kitchen cabinetry. A staircase leading to a catwalk was added and the result was a two-story window wall that flooded the home with natural light. When asked why Milgard® Thermally Improved Aluminum windows were selected, the architectural team listed many reasons: 1) Aesthetics: “We liked the slim profiles and narrow sightlines. The window frames never get in the way of the view and that was important to us. They also have a very contemporary look that went well with our design.” 2) Options: “We liked that we could get large sliding doors that matched the windows, giving us a very cohesive look and feel throughout the project.” 3) Cost Effective: “Milgard windows are affordable. You get a good product at a good price.” 4) Custom Sizes: “Milgard windows are customizable, which allowed us to get the right window for each location.” Ready to take on your own traditional to modern home remodeling project? Arbib Hughey Design advises, “Work with a good architect. That means picking a team that is creative, communicative, listens well and is responsive. We think it’s important for an architect to listen to their clients and give them something they want, not something the architect thinks they should have. At the same time you want an architect who is willing and able to think outside the box and offer up design options that you may not have considered. Design is about a lot of back and forth, trying out ideas, getting feedback and trying again.” The home was completely transformed into a unique, contemporary house perfectly integrated with its site. Internally the home has a natural flow for the occupants and externally it is integrated with the surroundings taking advantage of great natural light. As a side note, it was highly praised as part of the Austin AIA homes tour.

What surprises people most when entering and walking on the glowing white surface in this particular Private Residence (Williamsburg, VA) is when they find out they are walking on a sea of glass! Yes, GLASS! Not marble, not granite, but GLASS! Nathan Allan has created a very fresh, unique flooring surface, which is smooth to touch on the majority of the glass surface, yet has an almost invisible safety finish permanently embedded in the glass surface. THE GLASS Nathan Allan’s Glass Flooring incorporates features which are visually stunning, while also providing a safety finish which provides comfort to everyone walking on the glass. Our Sandstone texture is forged into the bottom surface of the glass, while our exclusive Glass Sandpaper safety finish is fused onto the walking surface. To enhance all features, we added a bright, sparkling, White Metallic color finish throughout each flooring panel. SPECIFICATIONS Each Glass Flooring panel is produced in 1/2″ (12mm) thick, Low Iron, tempered safety glass. Tempered glass provides added strength, insuring that the Glass Flooring can accept a heavy load. Panels vary in size and dimension, with most panels measured at a block size of 5’0 x 6’0 (1500mm x 1800mm). Perimeter Edge panels were carved and shaped to fit tightly against the curved walls. Glass Sandpaper, ASTM tested in labs with the highest slip-coefficient safety ratings, is fused onto the walking surface, to provide a very comfortable and effective safety feature. Flooring Glass Details: 1/2″ (12mm) thick, Low iron tempered safety glass Flat Polished Edges Glass Sandpaper on walking surface Sandstone texture on bottom surface White Metallic color finish on bottom surface Panels sizes up to 5’0 x 6’0 Approximately 800 square feet of glass flooring Perimeter panels shape cut to fit Almost overshadowed by the spectacular flooring is a 1.5” thick, Heavy Glasstop, Crescent shaped, with Nathan Allan’s Rocky Mountain texture. DESIGN A White Sea of Glass flooring is the finished result of combining a light Sandstone texture on the bottom glass surface, with the added touch of a sparkling White Metallic color finish. Combined with our Glass Sandpaper safety finish, and the natural and artificial light sources, our Glass Flooring shimmers within the entire entrance space. INSTALLATION Using very important installation techniques, Nathan Allan worked hand in hand with great team of professionals: Vicki Bristow, designer, W. M. Jordan Company, GC, and Pompei Inc, glass flooring installer. Templates were produced for all perimeter edge panels, and every shaped panel. All flooring panels are secured to the substrate with special adhesives, and joints are filled with matching color sealants. “A beautiful project is always enhanced when working with quality, prestigious builders, and talented trade’s people. The tight organization and open communication by all the team members contributed greatly to a project proceeding seamlessly, with the incredible visual results to prove it.” Barry Allan – Director Photo credit: Morgan Howarth

Sutter Photographers The Hardware Studio - hardware Martinwood Cabinetry - millwork Studio GlassWorks - glass countertop Window Design Center - awning window Nonn's Showplace - quartz, granite countertops • The most difficult part of the project was figuring out all the technical details to install the glass counter-top, which would weigh about 300 pounds! • One goal was to avoid seeing the cabinet supports through the glass. The glass itself proposed problems because it had a wavy texture and separate confetti glass that could be added to the bottom. Therefore, we needed to add something below it. • A custom steel base was designed to carry the weight yet float the glass so you are able to see the beauty of the glass itself. A small 1/2 inch trim piece on the steel was added to accomplish this task. • Once the steel was made, we took it to the glass distributor. We turned the very heavy base upside down, traced the 1/2 inch trim piece on a full size piece of paper, and sent it to the glass manufacturer. • After this, the base was sent to a powder coater and the raw steel was transformed into a beautiful champagne color. • In the meantime, the glass manufacturer molded a channel for the glass to rest that would suspend the glass 1/2 inch higher than the powder coated steel base. • The glass manufacturer was instructed to make the top of the glass smooth, so it would hold a plate without rocking; they added an extra layer of 1/4 inch glass after it was fired the first time to accomplish this. • When the base was brought to the job site, the carpenter installed a thick 6 inch block of wood through the tile and into the floor joists. The hollow 6 inch square base of the steel table was glued and screwed into the wood. The base was leveled and ready for the top to arrive several days later. • The glass installers put it over the base, and it fit PERFECTLY! (whew) • The steel base is 3 inches smaller than the glass, creating a see-through effect around the entire perimeter of the kidney bean shape. • The granite was then templated by using a specialized camera that measured the curve of the glass. However, upon arrival, the fit was less than perfect. Thanks to a patient and skilled granite installer from Nonn's Showplace spent several hours hand grinding and polishing the curve on site until it fit perfectly. • A small bead of silicone between the granite and the glass was all that was needed to complete the perfect installation. • With a few shims under the end of the granite, the top is perfectly level! • Our client was extremely excited and very patient with the process because they trusted our abilities so that the end result would be spectacular.

The Kiguchi family moved into their Austin, Texas home in 1994. Built in the 1980’s as part of a neighborhood development, they happily raised their family here but longed for something more contemporary. Once they became empty nesters, they decided it was time for a major remodel. After spending many years visiting Austin AIA Home Tours that highlight contemporary residential architecture, they had a lot of ideas and in 2013 were ready to interview architects and get their renovation underway. The project turned into a major remodel due to an unstable foundation. Architects Ben Arbib and Ed Hughey, of Arbib Hughey Design were hired to solve the structural issue and look for inspiration in the bones of the house, which sat on top of a hillside and was surrounded by great views. Unfortunately, with the old floor plan, the beautiful views were hidden by small windows that were poorly placed. In order to bring more natural light into the house the window sizes and configurations had to be addressed, all while keeping in mind the homeowners desire for a modern look and feel. To achieve a more contemporary and sophisticated front of house, a new entry was designed that included removing a two-story bay window and porch. The entrance of the home also became more integrated with the landscape creating a template for new foliage to be planted. Older exterior materials were updated to incorporate a more muted palette of colors with a metal roof, dark grey siding in the back and white stucco in the front. Deep eaves were added over many of the new large windows for clean lines and sun protection. “Inside it was about opening up the floor plan, expanding the views throughout the house, and updating the material palette to get a modern look that was also warm and inviting,” said Ben from Arbib Hughey Design. “Prior to the remodel, the house had the typical separation of rooms. We removed the walls between them and changed all of the windows to Milgard Thermally Improved Aluminum to connect the inside with the outside. No matter where you are you get nice views and natural light.” The architects wanted to create some drama, which they accomplished with the window placement and opening up the interior floor plan to an open concept approach. Cabinetry was used to help delineate intimate spaces. To add warmth to an all-white living room, white-washed oak wood floors were installed and pine planks were used around the fireplace. The large windows served as artwork bringing the color of nature into the space. An octagon shaped, elevated dining room, (named “the turret”), had a big impact on the design of the house. They architects rounded the corners and added larger window openings overlooking a new sunken garden. The great room was also softened by rounding out the corners and that circular theme continued throughout the house, being picked up in skylight wells and kitchen cabinetry. A staircase leading to a catwalk was added and the result was a two-story window wall that flooded the home with natural light. When asked why Milgard® Thermally Improved Aluminum windows were selected, the architectural team listed many reasons: 1) Aesthetics: “We liked the slim profiles and narrow sightlines. The window frames never get in the way of the view and that was important to us. They also have a very contemporary look that went well with our design.” 2) Options: “We liked that we could get large sliding doors that matched the windows, giving us a very cohesive look and feel throughout the project.” 3) Cost Effective: “Milgard windows are affordable. You get a good product at a good price.” 4) Custom Sizes: “Milgard windows are customizable, which allowed us to get the right window for each location.” Ready to take on your own traditional to modern home remodeling project? Arbib Hughey Design advises, “Work with a good architect. That means picking a team that is creative, communicative, listens well and is responsive. We think it’s important for an architect to listen to their clients and give them something they want, not something the architect thinks they should have. At the same time you want an architect who is willing and able to think outside the box and offer up design options that you may not have considered. Design is about a lot of back and forth, trying out ideas, getting feedback and trying again.” The home was completely transformed into a unique, contemporary house perfectly integrated with its site. Internally the home has a natural flow for the occupants and externally it is integrated with the surroundings taking advantage of great natural light. As a side note, it was highly praised as part of the Austin AIA homes tour.

This 1990's home, located in North Vancouver's Lynn Valley neighbourhood, had high ceilings and a great open plan layout but the decor was straight out of the 90's complete with sponge painted walls in dark earth tones. The owners, a young professional couple, enlisted our help to take it from dated and dreary to modern and bright. We started by removing details like chair rails and crown mouldings, that did not suit the modern architectural lines of the home. We replaced the heavily worn wood floors with a new high end, light coloured, wood-look laminate that will withstand the wear and tear from their two energetic golden retrievers. Since the main living space is completely open plan it was important that we work with simple consistent finishes for a clean modern look. The all white kitchen features flat doors with minimal hardware and a solid surface marble-look countertop and backsplash. We modernized all of the lighting and updated the bathrooms and master bedroom as well. The only departure from our clean modern scheme is found in the dressing room where the client was looking for a more dressed up feminine feel but we kept a thread of grey consistent even in this more vivid colour scheme. This transformation, featuring the clients' gorgeous original artwork and new custom designed furnishings is admittedly one of our favourite projects to date!

HOMEREDI renovation marries the newly designed contemporary Living Room into the Dining Room as well our kitchen. Rectangular wall cut-outs extend the view to the Kitchen and the Entry Hallway. A ceiling mounted wall accent partition creates a conversational piece as well as a functional space separator for the living room and the lower level family Den. Material List: Custom Furniture by Soliel Furniture, Sofa by Safavieh. Chuck Danas Photography

What surprises people most when entering and walking on the glowing white surface in this particular Private Residence (Williamsburg, VA) is when they find out they are walking on a sea of glass! Yes, GLASS! Not marble, not granite, but GLASS! Nathan Allan has created a very fresh, unique flooring surface, which is smooth to touch on the majority of the glass surface, yet has an almost invisible safety finish permanently embedded in the glass surface. THE GLASS Nathan Allan’s Glass Flooring incorporates features which are visually stunning, while also providing a safety finish which provides comfort to everyone walking on the glass. Our Sandstone texture is forged into the bottom surface of the glass, while our exclusive Glass Sandpaper safety finish is fused onto the walking surface. To enhance all features, we added a bright, sparkling, White Metallic color finish throughout each flooring panel. SPECIFICATIONS Each Glass Flooring panel is produced in 1/2″ (12mm) thick, Low Iron, tempered safety glass. Tempered glass provides added strength, insuring that the Glass Flooring can accept a heavy load. Panels vary in size and dimension, with most panels measured at a block size of 5’0 x 6’0 (1500mm x 1800mm). Perimeter Edge panels were carved and shaped to fit tightly against the curved walls. Glass Sandpaper, ASTM tested in labs with the highest slip-coefficient safety ratings, is fused onto the walking surface, to provide a very comfortable and effective safety feature. Flooring Glass Details: 1/2″ (12mm) thick, Low iron tempered safety glass Flat Polished Edges Glass Sandpaper on walking surface Sandstone texture on bottom surface White Metallic color finish on bottom surface Panels sizes up to 5’0 x 6’0 Approximately 800 square feet of glass flooring Perimeter panels shape cut to fit Almost overshadowed by the spectacular flooring is a 1.5” thick, Heavy Glasstop, Crescent shaped, with Nathan Allan’s Rocky Mountain texture. DESIGN A White Sea of Glass flooring is the finished result of combining a light Sandstone texture on the bottom glass surface, with the added touch of a sparkling White Metallic color finish. Combined with our Glass Sandpaper safety finish, and the natural and artificial light sources, our Glass Flooring shimmers within the entire entrance space. INSTALLATION Using very important installation techniques, Nathan Allan worked hand in hand with great team of professionals: Vicki Bristow, designer, W. M. Jordan Company, GC, and Pompei Inc, glass flooring installer. Templates were produced for all perimeter edge panels, and every shaped panel. All flooring panels are secured to the substrate with special adhesives, and joints are filled with matching color sealants. “A beautiful project is always enhanced when working with quality, prestigious builders, and talented trade’s people. The tight organization and open communication by all the team members contributed greatly to a project proceeding seamlessly, with the incredible visual results to prove it.” Barry Allan – Director Photo credit: Morgan Howarth

A marble high top divides the game room from the billiard area, providing a spot to watch a pool tournament, as well as additional space for family and friends to eat and drink. DaubmanPhotography@Cox.net

maple hardwood floor, water-popped, and stained with 50% rosewood and 50% neutral stains.
Inspiration for a timeless medium tone wood floor living room remodel in Salt Lake City

Large country u-shaped medium tone wood floor kitchen photo in Milwaukee with white cabinets and a peninsula

The Kiguchi family moved into their Austin, Texas home in 1994. Built in the 1980’s as part of a neighborhood development, they happily raised their family here but longed for something more contemporary. Once they became empty nesters, they decided it was time for a major remodel. After spending many years visiting Austin AIA Home Tours that highlight contemporary residential architecture, they had a lot of ideas and in 2013 were ready to interview architects and get their renovation underway. The project turned into a major remodel due to an unstable foundation. Architects Ben Arbib and Ed Hughey, of Arbib Hughey Design were hired to solve the structural issue and look for inspiration in the bones of the house, which sat on top of a hillside and was surrounded by great views. Unfortunately, with the old floor plan, the beautiful views were hidden by small windows that were poorly placed. In order to bring more natural light into the house the window sizes and configurations had to be addressed, all while keeping in mind the homeowners desire for a modern look and feel. To achieve a more contemporary and sophisticated front of house, a new entry was designed that included removing a two-story bay window and porch. The entrance of the home also became more integrated with the landscape creating a template for new foliage to be planted. Older exterior materials were updated to incorporate a more muted palette of colors with a metal roof, dark grey siding in the back and white stucco in the front. Deep eaves were added over many of the new large windows for clean lines and sun protection. “Inside it was about opening up the floor plan, expanding the views throughout the house, and updating the material palette to get a modern look that was also warm and inviting,” said Ben from Arbib Hughey Design. “Prior to the remodel, the house had the typical separation of rooms. We removed the walls between them and changed all of the windows to Milgard Thermally Improved Aluminum to connect the inside with the outside. No matter where you are you get nice views and natural light.” The architects wanted to create some drama, which they accomplished with the window placement and opening up the interior floor plan to an open concept approach. Cabinetry was used to help delineate intimate spaces. To add warmth to an all-white living room, white-washed oak wood floors were installed and pine planks were used around the fireplace. The large windows served as artwork bringing the color of nature into the space. An octagon shaped, elevated dining room, (named “the turret”), had a big impact on the design of the house. They architects rounded the corners and added larger window openings overlooking a new sunken garden. The great room was also softened by rounding out the corners and that circular theme continued throughout the house, being picked up in skylight wells and kitchen cabinetry. A staircase leading to a catwalk was added and the result was a two-story window wall that flooded the home with natural light. When asked why Milgard® Thermally Improved Aluminum windows were selected, the architectural team listed many reasons: 1) Aesthetics: “We liked the slim profiles and narrow sightlines. The window frames never get in the way of the view and that was important to us. They also have a very contemporary look that went well with our design.” 2) Options: “We liked that we could get large sliding doors that matched the windows, giving us a very cohesive look and feel throughout the project.” 3) Cost Effective: “Milgard windows are affordable. You get a good product at a good price.” 4) Custom Sizes: “Milgard windows are customizable, which allowed us to get the right window for each location.” Ready to take on your own traditional to modern home remodeling project? Arbib Hughey Design advises, “Work with a good architect. That means picking a team that is creative, communicative, listens well and is responsive. We think it’s important for an architect to listen to their clients and give them something they want, not something the architect thinks they should have. At the same time you want an architect who is willing and able to think outside the box and offer up design options that you may not have considered. Design is about a lot of back and forth, trying out ideas, getting feedback and trying again.” The home was completely transformed into a unique, contemporary house perfectly integrated with its site. Internally the home has a natural flow for the occupants and externally it is integrated with the surroundings taking advantage of great natural light. As a side note, it was highly praised as part of the Austin AIA homes tour.