Every design decision for this Caribbean beach residence was guided by the desire to maximize the views of the property’s breathtaking natural surroundings. To connect the spaces and reveal the views from every vantage point, the team reconfigured the layout to create vistas, and installed window film to reduce solar heat gain. These modifications increased efficiencies, reused 90% of the interior envelope and did not impact the exterior structure of the building. In addition to providing incredible views, opening up the plan allows cross ventilation, maximizing the use of ocean breezes to cool the interior. The result is an effortless flow and maximization of space. Throughout the interior, dark materials express the concept of respite in the shade, and emphasize the sweeping views of the Caribbean Sea. Millwork crafted by local artisans from local materials establishes hierarchy – providing a clear understanding of the layout – and filters light to create privacy and drama. Screens help define the spaces and create suspense. Varying screen opacities serve specific functions: nearly opaque screens build suspense, translucent screens provide privacy, and reflective screens – as seen in the kitchen ceiling – create mystery in the core where light and views are challenged. Referencing the seaside location, the baseboards create a sense of being in a deep shallow. The 16” tall baseboards create a pool effect, engaging the walls with Cradle to Cradle certified Mosa tile flooring. The irregular height also conceals power and data cabling. The resulting space is a contemporary oasis that offers a high-level of comfort and functionality. Anne Rausch Photography

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet Contractor: James Sappho © Axis Mundi Design LLC.

A Spanish alabaster linear chandelier defines this high-design contemporary dining space, suspended against clean white panelled architecture to introduce calm horizontal proportion and balanced ambient illumination. Positioned above the elongated table, the sculptural fixture enhances spatial rhythm while maintaining visual softness within the minimalist interior. Each natural alabaster globe reveals unique mineral veining and subtle translucency, allowing warm light to diffuse gently across surrounding surfaces. Solid copper connectors add tonal contrast and structural refinement, reinforcing the chandelier’s quiet luxury presence within modern open-plan environments. Designed for contemporary residences, loft-style apartments, and curated dining interiors, this lighting concept demonstrates how authentic materials and architectural alignment can transform functional dining zones into gallery-like spatial compositions.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet © Axis Mundi Design LLC

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet © Axis Mundi Design LLC

AM49643A DESCRIPTION: Alabaster mostly found in somedesert regions. Italy, England, Spain,Mexico, United States of America are the major localities of Alabaster.often used for carving, Alabaster crystals are one of the forms of Selenite gemstone.Generally, Alabaster has been used magically to symbolize transparency and purity. These crystals signifies their excellence through their color, it means the whiter the stone the better.These stones are also used as translucent building material and be protective against rain. SPECIFICATIONS: Collection: Size: (Custom sizes also available) Shape: Spherical Metal Finished: (Different finish available at no additional cost) Materials: Metal,Alabaster Weight: N/A LBS. Extension: Adjustable cord customizable up to 12 ft. Bulbs: N/A Assembly: Some assembly required. Dimmer Switch Compatible: Optional Shipping: Free Door-To-Door Shipping Worldwide! Rush Order: 4-6 Weeks; 15% added to the total Regular Lead Time: 6-10 Weeks Warranty: 5 Years Full Coverage (includes replacement parts) Custom Sizes, Finishes, Colors Available Upon Request

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet © Axis Mundi Design LLC

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet © Axis Mundi Design LLC

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet Contractor: James Sappho © Axis Mundi Design LLC.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet © Axis Mundi Design LLC

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet Contractor: James Sappho © Axis Mundi Design LLC.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet Contractor: James Sappho © Axis Mundi Design LLC.

This detail shot by Rady Interior emphasizes the importance of layered window treatments in a high end Modern Majlis. The design features floor to ceiling velvet blackout curtains in a sophisticated taupe, paired with delicate, high translucency sheer drapes. This combination allows for precise control over natural light while maintaining the home’s privacy and thermal comfort in the Dubai climate. The verticality of the drapes is mirrored by the elegant recessed wall niches featuring tropical botanical art and integrated linear lighting. Above, the monumental glass-rod chandelier creates a cascading light effect that softens the transition between the interior lounge and the view outside. The inclusion of a large indoor Strelitzia (Bird of Paradise) plant adds a touch of organic greenery, bridging the gap between the structured luxury of the tufted furniture and the natural world.

The Council Crest Residence is a renovation and addition to an early 1950s house built for inventor Karl Kurz, whose work included stereoscopic cameras and projectors. Designed by prominent local architect Roscoe Hemenway, the house was built with a traditional ranch exterior and a mid-century modern interior. It became known as “The View-Master House,” alluding to both the inventions of its owner and the dramatic view through the glass entry. Approached from a small neighborhood park, the home was re-clad maintaining its welcoming scale, with privacy obtained through thoughtful placement of translucent glass, clerestory windows, and a stone screen wall. The original entry was maintained as a glass aperture, a threshold between the quiet residential neighborhood and the dramatic view over the city of Portland and landscape beyond. At the south terrace, an outdoor fireplace is integrated into the stone wall providing a comfortable space for the family and their guests. Within the existing footprint, the main floor living spaces were completely remodeled. Raised ceilings and new windows create open, light filled spaces. An upper floor was added within the original profile creating a master suite, study, and south facing deck. Space flows freely around a central core while continuous clerestory windows reinforce the sense of openness and expansion as the roof and wall planes extend to the exterior. Images By: Jeremy Bitterman, Photoraphy Portland OR

AM70010 DESCRIPTION: Alabaster mostly found in somedesert regions. Italy, England, Spain,Mexico, United States of America are the major localities of Alabaster.often used for carving, Alabaster crystals are one of the forms of Selenite gemstone. Generally, Alabaster has been used magically to symbolize transparency and purity. These crystals signifies their excellence through their color, it means the whiter the stone the better.These stones are also used as translucent building material and be protective against rain. SPECIFICATIONS: Collection: Size: (Custom sizes also available) Shape: Tube Metal Finished: (Different finish available at no additional cost) Materials: Alabaster Weight: N/A LBS. Extension: Adjustable cord customizable up to 12 ft. Bulbs: N/A Assembly: Some assembly required. Dimmer Switch Compatible: Optional Shipping: Free Door-To-Door Shipping Worldwide! Rush Order: 4-6 Weeks; 15% added to the total Regular Lead Time: 6-10 Weeks Warranty: 5 Years Full Coverage (includes replacement parts) Custom Sizes, Finishes, Colors Available Upon Request

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet Contractor: James Sappho © Axis Mundi Design LLC.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet Contractor: James Sappho © Axis Mundi Design LLC.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet © Axis Mundi Design LLC

OMEGA NO. 5 Omega 5 $5795* INQUIRE While Michelle Woolley Sauter has been painting professionally for many years, she has just recently arrived at a new gateway in her journey as an artist and painter. While her work has always been about color and the architecture of painting and the relationships between colors, the delineations between those colors in an environment have always captivated her. Michelle’s hope is that through her work she will share with others what is being revealed to her personally as an artist. “I am amazed at what I have been told is a ‘combustible combination of translucency, strength, and sheer size’ Viewers of these pieces often do not know whether to stand back or get up close and touch it.” But Michelle wants people to get close in order to see through all the layers that appear both tangible yet illusive at the same time. The transversal lines which delineate the sections of the color fields are meant to give the color its parameters but in no way restrict the sections from intermingling with one another. ‘As a matter of fact, where these colors intersect and juxtapose one another is where I believe the painting delivers up its messages. This is how each piece dances’ These effects are something I do not have to force; it comes naturally and it gives me great joy. I believe my work whispers something to each viewer, something just for them. Framed original acrylic on sanded canvas Size: 56″ x 68″ (shown) *shipping calculated based on destination