The cabinets are a grey painted wood with custom routed pulls that triangulate to taper. The countertops in the space are a juxtaposition of concrete-effect dekton along with a 4” thick live-edge walnut slab.

The cabinets are a grey painted wood with custom routed pulls that triangulate to taper. The countertops in the space are a juxtaposition of concrete-effect dekton along with a 4” thick live-edge walnut slab.

In south Seattle, a tiny backyard garden needed a makeover to add usability and create a sitting area for entertaining. Raised garden beds for edible plants provide the transition between the existing deck and new patio below, eliminating the need for a railing. A firepit provides the focal point for the new patio. Angles create drama and direct flow to the steel stairs and gate. Installed June, 2014. Photography: Mark S. Garff ASLA, LLA

Jim Bartsch
Example of a mid-sized tuscan medium tone wood floor dining room design in Santa Barbara with white walls and no fireplace

The cabinets are a grey painted wood with custom routed pulls that triangulate to taper. The countertops in the space are a juxtaposition of concrete-effect dekton along with a 4” thick live-edge walnut slab.

Small elegant gray one-story mixed siding gable roof photo in Charleston

Photographer: Thomas Robert Clark
Example of a mid-sized mountain style galley medium tone wood floor and brown floor enclosed kitchen design in Philadelphia with open cabinets, medium tone wood cabinets, soapstone countertops, stainless steel appliances and an island

Newly restored master bedroom of Pasinetti House, Beverly Hills 2008. Sculpture "Triangulation II" by Christopher Georgesco, son of architect Haralamb Georgescu. Flooring: maple. Pocket slider by Fleetwood. Artwork by Lee Mullican courtesy of Marc Selwyn Fine Art. Photograph by Paul Jonason.

Newly restored master bedroom of Pasinetti House, Beverly Hills 2008. Sculpture "Triangulation II" by Christopher Georgesco, son of architect Haralamb Georgescu. Cabinetry: mahogany. Flooring: maple. Pocket slider by Fleetwood. Artwork by Lee Mullican courtesy of Marc Selwyn Fine Art. Photograph by Marc Angeles.

USI Remodeling recently completed a luxury master bath design in Colleyville, showcasing how thoughtful planning and craftsmanship can feature function and style. This master design was geared to the creation of a zero entry, doorless and glass free shower enclosure. The transitional master bath style feels indulgent yet completely masks the practical quality of life support systems integrated throughout the suite. • Dressing room • Vanity docking drawer • Jewelry cabinet • Mirrored recessed medicine cabinet collection • En-suite laundry Proudly part of our bathroom remodeling Dallas-Fort Worth portfolio, this project reflects why USI Remodeling bathroom projects consistently balance luxury with livability.

Elegant home office photo in Richmond

Travis Knoop Photography
Example of a cottage formal and open concept light wood floor living room design in Seattle with white walls, no fireplace and a tv stand

Kevin Keim
Example of a minimalist home design design in Austin

Kevin Keim
Minimalist home design photo in Austin

Close up view of rugged stone slab steps that are fitted gracefully into the stone veneered wall and lead down to the lowest terrace that looks out over the river gorge below. These steps are carfeully integrated with the boulders to give the effect of these being carved right out of the natural bedrock. They look rugged but they are smooth even surfaces, set at an easy, walking cadence so going from the top to the bottom of the whole terrace system is a very easy and comfortable barefoot stroll. Photos Jane Luce

Living room - traditional formal dark wood floor living room idea in Phoenix with beige walls, a standard fireplace and a media wall

Our game plan going in was to use both modern and traditional elements, blending together eclectic patterns and textures, to create a visually layered room. One of the first decisions we made was to divide the room into four quadrants. Why? Two reasons. First, usability. In a big open room filled with long tables, there is no way to create a defined space for conferences, group meetings, or casual conversation. With the room pieced into sections, the areas for talking are more intimate, and the sofas and chairs are triangulated in a way that facilitates conversation. Additionally, you can have four separate meetings or conversations occurring simultaneously without one group disrupting another, so it’s just practical. The second reason for the quadrants was design cohesion. It’s difficult to construct an eclectic look in a large room that is also cohesive. But by breaking the room up, we were able to design four parts that each have their own tone and personality, and then each of the four sections play off one another to work as a unified whole.

D. Johnson
Example of a classic home design design in Denver