©TerriBahun2013 A jeep trip to the hills over Maui on a sunny May day. This unexpected church appeared around the next curve- and it was fantastic
Example of a beach style home design design in Dallas

Photo: Mina Brinkey © 2013 Houzz
Trendy kids' room photo in Tampa with green walls

Landkamer Art / Avenida Triptych 007 • This series began in a more sparse mode as shown in this piece and was primarily inspired by the swaying California coastal kelp forests. There’s a blog post about that on my site. But an additional layer of meaning was on my mind—a frightening incident when very young where I was pushed off a Minnesota lake dock and needed to be pulled out of the lake quickly as I could not swim. This series references both inspiration moments into one positive healing work. There is the beauty and power of the swaying ocean kelp linked to the turbulence and fright of being knocked into the lake and looking up to the water’s surface from below. Unintentionally the result is uplifting beauty and abundant positive energy for me. Like three frames from a film, the triptych panels communicate with each other. My hope is viewers can relate to where the work is coming from and share a positive emotional bond with it that puts them in a better space as well. • View more new art on Instagram: @landkamerart • Custom size prints available. Send an Email inquiry to: Mark@LandkamerArt.com • © 2019 Mark Landkamer. All rights reserved.

Owner's wife's corporate office. We worked with the architects on the interior design of the whole floor. We commissioned custom paintings and Feng Shui'ed the space. This is one of the paintings by Natasha Barnes: "Abstract in Green II".

Landkamer Art / Avenida Triptych 036 • An earthy palette emerged for this piece that in reality began as a vivid reverie of neon tetras as they raced though the aquariums of my youth. • View more new art on Instagram: @landkamerart • Custom size prints available. Send an Email inquiry to: Mark@LandkamerArt.com • © 2019 Mark Landkamer. All rights reserved.

Large Experimental Abstract Art Piece Titled: "Symphony of Rebellion" Available for purchase (one edition) Size: 72 x 48" (x3) Modern abstract art shouldn't be dull and ugly. This triptych contemporary art piece has an intimidating presence. "Symphony of Rebellion" brings an alternative energy into the atmosphere. It's bold and experimental. This piece has the rhythm of the city and is the fashion of the future. Art is mounted to an elegant, acrylic glass. Art arrives ready to hang. Similar styles are available for commission

Patio - craftsman patio idea

The built-in banquette frames and showcases the client’s treasured leaded glass triptych as it surrounds a hammered copper breakfast table with a steel base. The built-in banquette frames and showcases the client’s treasured leaded glass triptych as it surrounds a hammered copper breakfast tabletop. A Bonisolli Photography

The framed pictures behind the sofa, a triptych of single flowers, became the inspiration for the entire redesign. They were the perfect color, scale and tone and guided us in our selection of fabrics and patterns throughout the space. Photos by 618 Creative of Waterloo, IL

Landkamer Art / Avenida Triptych 041 • Inspired by a male Western Tanager’s intense plumage as it stared at me outside my studio window in the unfurling lime green Honey Locust leaves. This piece took on new energetic fervor and it’s my boldest variation yet for this series. I love May because the vibrant Western Tanagers make a brief surprise visit to the yard before migrating hundreds of miles north. • View more new art on Instagram: @landkamerart • Custom size prints available. Send an Email inquiry to: Mark@LandkamerArt.com • © 2019 Mark Landkamer. All rights reserved.

Landkamer Art / Avenida Triptych 043 • This color scheme was inspired by another beautiful bird—a Black-headed Grosbeak. It’s become a familiar theme for me this spring to develop color palettes by closely observing Santa Fe’s stimulating spring flora and fauna. Even though this series began with visions of giant California coastal kelp beds conceptually, I push myself into new color conversations within the series structure daily. A happy challenge to develop and always great fun to welcome unexpected color results into each new work. • View more new art on Instagram: @landkamerart • Custom size prints available. Send an Email inquiry to: Mark@LandkamerArt.com • © 2019 Mark Landkamer. All rights reserved.

Landkamer Art / Quadratic Triptych 033 • Revved up the heat on this one. It actually started out all deep blue and rich purples but ended up on a warmer, more intense path. I must have needed the lift that these vibrant colors provide. Happens with all my paintings—they become a world unto themselves and I let it flow out of me as best I can without too much control or constrictions. * View more new art first on Instagram: @landkamerart • Custom size prints available for sale. Send an Email inquiry to: Mark@LandkamerArt.com. * © 2019 Mark Landkamer. All rights reserved.

Triptych House is composed of three volumes that are united by a horizontal plane extending out to define outdoor spaces and functions. Inside, the definition between the volumes dissolves as the open kitchen, living, and dining spaces provide a flowing spatial experience for guests and family alike. This form arose from the functional goal of a home with spaces that at times offer privacy but are most often shared and familial. The volumes were also pulled apart to create pockets of greenery and outdoor space that are experienced as one circulates around the home. The home relates to its neighborhood abstractly in terms of scale, datum, and rhythm of openings, rather than through stylistic replication. The distinct nature of each volume is emphasized by its material character. The verticality of board and batten siding cladding the central two-story volume draws the eye downward, while its dark color allows the single-story light brick volume to hold the foreground when viewed from the street. The steel-edged canopy highlights the horizontal datum that ties all spaces together, allowing a series of special moments articulated in millwork and saturated color to be united under a single plane.

Triptych House is composed of three volumes that are united by a horizontal plane extending out to define outdoor spaces and functions. Inside, the definition between the volumes dissolves as the open kitchen, living, and dining spaces provide a flowing spatial experience for guests and family alike. This form arose from the functional goal of a home with spaces that at times offer privacy but are most often shared and familial. The volumes were also pulled apart to create pockets of greenery and outdoor space that are experienced as one circulates around the home. The home relates to its neighborhood abstractly in terms of scale, datum, and rhythm of openings, rather than through stylistic replication. The distinct nature of each volume is emphasized by its material character. The verticality of board and batten siding cladding the central two-story volume draws the eye downward, while its dark color allows the single-story light brick volume to hold the foreground when viewed from the street. The steel-edged canopy highlights the horizontal datum that ties all spaces together, allowing a series of special moments articulated in millwork and saturated color to be united under a single plane.

Patrick Coulie
Example of a large trendy master concrete floor and yellow floor bedroom design in Albuquerque with beige walls and no fireplace

Triptych House is composed of three volumes that are united by a horizontal plane extending out to define outdoor spaces and functions. Inside, the definition between the volumes dissolves as the open kitchen, living, and dining spaces provide a flowing spatial experience for guests and family alike. This form arose from the functional goal of a home with spaces that at times offer privacy but are most often shared and familial. The volumes were also pulled apart to create pockets of greenery and outdoor space that are experienced as one circulates around the home. The home relates to its neighborhood abstractly in terms of scale, datum, and rhythm of openings, rather than through stylistic replication. The distinct nature of each volume is emphasized by its material character. The verticality of board and batten siding cladding the central two-story volume draws the eye downward, while its dark color allows the single-story light brick volume to hold the foreground when viewed from the street. The steel-edged canopy highlights the horizontal datum that ties all spaces together, allowing a series of special moments articulated in millwork and saturated color to be united under a single plane.