An open floor plan kitchen renovation essentially merges your kitchen area with another living space, typically the dining room or living room, creating a more spacious and interconnected feel. Opening Up the Space and Removing walls: This is the key step, taking down non-load-bearing walls that separate the kitchen from the living or dining area. You'll want to consult a structural engineer to ensure any remaining walls can support the weight of the house. Considering beams or columns: Depending on the layout and size of the opening, you might need exposed beams or support columns to maintain structural integrity. These can be incorporated into the design as a stylish feature. Kitchen Repositioning and Functionality: Rethinking the work triangle: The work triangle refers to the refrigerator, sink, and stove - the most used areas in a kitchen. In an open plan, you'll want to ensure these elements remain close together for an efficient workflow. This might involve rearranging cabinetry or appliances. Creating a focal point: An island is a popular choice in open concept kitchens. It can house the sink, cooktop, provide additional storage and counter space, and even offer seating for guests to chat while you cook. Peninsula counters can also be used for a similar effect. Unifying Design Elements: Use consistent flooring throughout the open area to create a cohesive flow. You can also extend the same color scheme or material accents (like backsplash tile) from the kitchen into the adjoining space. Letting in Light: Maximize natural light by incorporating large windows or skylights. This will brighten the entire open area and make it feel even more spacious. Storage Solutions: With an open plan, you might lose some wall space for cabinets. Consider built-in storage solutions like pantry cabinets or creative mudroom cabinetry to ensure you have enough storage for your kitchenware. An open floor plan kitchen renovation can be a transformative project, creating a light-filled and social space in your home. By carefully planning the layout, incorporating design elements that unify the space, and addressing practical considerations with lighting and storage, you can achieve a beautiful and functional open concept kitchen.

An open floor plan kitchen renovation essentially merges your kitchen area with another living space, typically the dining room or living room, creating a more spacious and interconnected feel. Opening Up the Space and Removing walls: This is the key step, taking down non-load-bearing walls that separate the kitchen from the living or dining area. You'll want to consult a structural engineer to ensure any remaining walls can support the weight of the house. Considering beams or columns: Depending on the layout and size of the opening, you might need exposed beams or support columns to maintain structural integrity. These can be incorporated into the design as a stylish feature. Kitchen Repositioning and Functionality: Rethinking the work triangle: The work triangle refers to the refrigerator, sink, and stove - the most used areas in a kitchen. In an open plan, you'll want to ensure these elements remain close together for an efficient workflow. This might involve rearranging cabinetry or appliances. Creating a focal point: An island is a popular choice in open concept kitchens. It can house the sink, cooktop, provide additional storage and counter space, and even offer seating for guests to chat while you cook. Peninsula counters can also be used for a similar effect. Unifying Design Elements: Use consistent flooring throughout the open area to create a cohesive flow. You can also extend the same color scheme or material accents (like backsplash tile) from the kitchen into the adjoining space. Letting in Light: Maximize natural light by incorporating large windows or skylights. This will brighten the entire open area and make it feel even more spacious. Storage Solutions: With an open plan, you might lose some wall space for cabinets. Consider built-in storage solutions like pantry cabinets or creative mudroom cabinetry to ensure you have enough storage for your kitchenware. An open floor plan kitchen renovation can be a transformative project, creating a light-filled and social space in your home. By carefully planning the layout, incorporating design elements that unify the space, and addressing practical considerations with lighting and storage, you can achieve a beautiful and functional open concept kitchen.

An open floor plan kitchen renovation essentially merges your kitchen area with another living space, typically the dining room or living room, creating a more spacious and interconnected feel. Opening Up the Space and Removing walls: This is the key step, taking down non-load-bearing walls that separate the kitchen from the living or dining area. You'll want to consult a structural engineer to ensure any remaining walls can support the weight of the house. Considering beams or columns: Depending on the layout and size of the opening, you might need exposed beams or support columns to maintain structural integrity. These can be incorporated into the design as a stylish feature. Kitchen Repositioning and Functionality: Rethinking the work triangle: The work triangle refers to the refrigerator, sink, and stove - the most used areas in a kitchen. In an open plan, you'll want to ensure these elements remain close together for an efficient workflow. This might involve rearranging cabinetry or appliances. Creating a focal point: An island is a popular choice in open concept kitchens. It can house the sink, cooktop, provide additional storage and counter space, and even offer seating for guests to chat while you cook. Peninsula counters can also be used for a similar effect. Unifying Design Elements: Use consistent flooring throughout the open area to create a cohesive flow. You can also extend the same color scheme or material accents (like backsplash tile) from the kitchen into the adjoining space. Letting in Light: Maximize natural light by incorporating large windows or skylights. This will brighten the entire open area and make it feel even more spacious. Storage Solutions: With an open plan, you might lose some wall space for cabinets. Consider built-in storage solutions like pantry cabinets or creative mudroom cabinetry to ensure you have enough storage for your kitchenware. An open floor plan kitchen renovation can be a transformative project, creating a light-filled and social space in your home. By carefully planning the layout, incorporating design elements that unify the space, and addressing practical considerations with lighting and storage, you can achieve a beautiful and functional open concept kitchen.

An open floor plan kitchen renovation essentially merges your kitchen area with another living space, typically the dining room or living room, creating a more spacious and interconnected feel. Opening Up the Space and Removing walls: This is the key step, taking down non-load-bearing walls that separate the kitchen from the living or dining area. You'll want to consult a structural engineer to ensure any remaining walls can support the weight of the house. Considering beams or columns: Depending on the layout and size of the opening, you might need exposed beams or support columns to maintain structural integrity. These can be incorporated into the design as a stylish feature. Kitchen Repositioning and Functionality: Rethinking the work triangle: The work triangle refers to the refrigerator, sink, and stove - the most used areas in a kitchen. In an open plan, you'll want to ensure these elements remain close together for an efficient workflow. This might involve rearranging cabinetry or appliances. Creating a focal point: An island is a popular choice in open concept kitchens. It can house the sink, cooktop, provide additional storage and counter space, and even offer seating for guests to chat while you cook. Peninsula counters can also be used for a similar effect. Unifying Design Elements: Use consistent flooring throughout the open area to create a cohesive flow. You can also extend the same color scheme or material accents (like backsplash tile) from the kitchen into the adjoining space. Letting in Light: Maximize natural light by incorporating large windows or skylights. This will brighten the entire open area and make it feel even more spacious. Storage Solutions: With an open plan, you might lose some wall space for cabinets. Consider built-in storage solutions like pantry cabinets or creative mudroom cabinetry to ensure you have enough storage for your kitchenware. An open floor plan kitchen renovation can be a transformative project, creating a light-filled and social space in your home. By carefully planning the layout, incorporating design elements that unify the space, and addressing practical considerations with lighting and storage, you can achieve a beautiful and functional open concept kitchen.

Great room - tropical great room idea in Miami with white walls

Concrete can be made to look like any substance. Tile, stone, wood, brick, etc. With unlimited color options, Ky-Kan Coatings can transform any room in your home or business using lightweight, beautiful concrete.

We used: Custom cherry cabinetry in Arts & Crafts Shaker style by Kabinart in Boulder and Espresso stains. Liberty Hardware Venetian bronze 1-1/2" cabinet knobs. KitchenAid Architect II Series 22 CF counter-depth French door refrigerator. KitchenAid Architect Series II 27" convection single wall oven. KitchenAid 36" 6-burner dual fuel freestanding commercial-style range. KitchenAid Architect II Series 24" dishwasher. Sharp Insight Pro Series 24" built-in microwave drawer (Model #KB6524PS). Crystorama Solaris 12" wide pendant lights in English bronze. Granite countertops in Brown Fantasy. 3"x6" polished marble backsplash. Paint colors: Walls: Glidden Silver Cloud 30YY 63/024 Ceilings/Trims/Doors: Glidden Swan White GLC23 Robert B. Narod Photography

Inspiration for a mid-sized transitional wooden u-shaped staircase remodel in New York with painted risers

This previously unused attic space is now a sauna/yoga room. The left sauna wall follows the attic rafters down diagonally to allow a wider space for leg room on the twin sauna benches.

This image is a detail of the exposed aggregate concrete driveway. The aggregate used is a granite that matches the granite stone wall at the front of the home.

Two Birds Photography
Kids' room - transitional kids' room idea in Chicago

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

The flooring that was originally envisioned for this house wasn't Wood Floor of the Year-caliber. When Steve Brattin, president at SVB Wood Floors in Grandview, Mo., got involved in the project, the designers were discussing a simple machine-sanded heart pine or reclaimed wood floor. But once Brattin visited the site—an old world traditional estate set on acreage with its own private lake—he knew it deserved more than a typical floor. "I chatted with the designers and said I would love to meet with the homeowners and have them in our showroom," he recalls. "I said I would really like to do something artistic with it." Brattin's mind was already envisioning the possibilities—something he says usually happens for him within a half hour of walking through a space. "I don't know how certain things come to me," he says, adding that often he draws things out and the designs don't end up being in the clients' budget. That wasn't the case here, however, and the final plans for the flooring called for five designs in various areas, including this Bordeaux parquet in the foyer. With the designs finalized, Brattin turned to Distinctive Floors' (Nashville, Tenn.) Dan Antes to create the walnut flooring, which called for hand-beveling with a circle-sawn and wire-brushed surface; in some areas the flooring was 10-inch plank. The width presented a challenge for Antes, as he had planned to contract out the circle-sawing, but the company he had in mind could handle widths only up to 81⁄2 inches. He decided he would have to do it himself. "We spent maybe $1,500 modifying $20,000 worth of equipment to end up with this awesome distressed product," he says. Due to a tight time frame to complete the job, once the flooring was milled, it was shipped to WD Flooring (Laona, Wis.) to be finished with hardwax oil—a choice Antes says he loves for its maintainability. The actual installation of all 3,000 square feet of flooring was uneventful, Brattin says, crediting his crew, experienced with high-end projects, for a great job. "They had a blast," he says. "They had so much fun out there on the project, and they do it quite frequently; it comes naturally for them at this point." Given the complexity of this job, from scribing around stone to large-scale chevron and mixed media, that's high praise. Antes, himself a Wood Floor of the Year winner and supplier to many more winning projects, sums up the scope of this job: "I think he could have entered any room in this house, really, and won."—K.M.W.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

Example of a transitional home design design in San Diego

The flooring that was originally envisioned for this house wasn't Wood Floor of the Year-caliber. When Steve Brattin, president at SVB Wood Floors in Grandview, Mo., got involved in the project, the designers were discussing a simple machine-sanded heart pine or reclaimed wood floor. But once Brattin visited the site—an old world traditional estate set on acreage with its own private lake—he knew it deserved more than a typical floor. "I chatted with the designers and said I would love to meet with the homeowners and have them in our showroom," he recalls. "I said I would really like to do something artistic with it." Brattin's mind was already envisioning the possibilities—something he says usually happens for him within a half hour of walking through a space. "I don't know how certain things come to me," he says, adding that often he draws things out and the designs don't end up being in the clients' budget. That wasn't the case here, however, and the final plans for the flooring called for five designs in various areas, including this Bordeaux parquet in the foyer. With the designs finalized, Brattin turned to Distinctive Floors' (Nashville, Tenn.) Dan Antes to create the walnut flooring, which called for hand-beveling with a circle-sawn and wire-brushed surface; in some areas the flooring was 10-inch plank. The width presented a challenge for Antes, as he had planned to contract out the circle-sawing, but the company he had in mind could handle widths only up to 81⁄2 inches. He decided he would have to do it himself. "We spent maybe $1,500 modifying $20,000 worth of equipment to end up with this awesome distressed product," he says. Due to a tight time frame to complete the job, once the flooring was milled, it was shipped to WD Flooring (Laona, Wis.) to be finished with hardwax oil—a choice Antes says he loves for its maintainability. The actual installation of all 3,000 square feet of flooring was uneventful, Brattin says, crediting his crew, experienced with high-end projects, for a great job. "They had a blast," he says. "They had so much fun out there on the project, and they do it quite frequently; it comes naturally for them at this point." Given the complexity of this job, from scribing around stone to large-scale chevron and mixed media, that's high praise. Antes, himself a Wood Floor of the Year winner and supplier to many more winning projects, sums up the scope of this job: "I think he could have entered any room in this house, really, and won."—K.M.W.