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Inspiration for a mid-sized timeless medium tone wood floor foyer remodel with white walls and a white front door

The character of the authentic barnwood used in this space is beyond any other material. Check out the original nail holes and remaining pieces of nails and staples!

Day Curtains help soften the overall look of your home by reducing the sun's glare. They require very little maintenance and provide excellent daytime privacy. Pair it with our Night Curtains for complete darkness and privacy at night.

Photo by Randall Ashey
Example of a mid-sized classic guest dark wood floor bedroom design in Portland Maine with beige walls and no fireplace
Example of a mid-sized classic guest dark wood floor bedroom design in Portland Maine with beige walls and no fireplace

TIFFANY KRISTEN PHOTOGRAPHY
Mid-sized transitional bathroom photo in Ottawa with white walls
Mid-sized transitional bathroom photo in Ottawa with white walls

design by beth keim owner lucy and company, photo by mekenzie france
Transitional home design photo in Charlotte
Transitional home design photo in Charlotte

Located in the heart of Manhattan’s Lower East Side, the building was erected on a shallow commercial lot between two 120 year old masonry buildings and a new residential rental building. 330 Grand Street is a mix of 725 SF 1BRs and 1050 SF 2BR apartments. It also contains a 1100 SF two story duplex as well as private and public rooftop space, large private balconies for most units and two large private terraces for the ground floor units.
330 Grand Street was originally designed and approved at the NYC DOB as a prefabricated modular building. During the pandemic, as shipping costs skyrocketed putting the project at risk, we suggested redesigning the building as a reinforced cast-in-place concrete structure. Concrete was readily available and prices had not been affected by the demand increase that many other materials suffered in the pandemic. We took this opportunity to raise floor to ceiling heights, enlarge high performance windows and redistribute the buildings MEPFS and Structural Systems to create very open floor plans.
The challenge was to create a luxurious sensorial living experience with very limited means. In a city with very high construction costs, low cost residential buildings in the area are usually devoid of good quality, design and character. Our approach was to aim high for the end user, prioritizing natural light, open space with long visual perspectives, high ceilings and as always, rejecting the use of predefined building templates.
Our biggest challenge was to ensure that the small spaces feel as clean cut, large and bright as possible. Several unique design decisions were made to ensure low cost and high quality;
Floor plans were laid out so that spaces were wide open and free of clutter from mechanical or structural interruptions. Therefore all infrastructure was placed in lateral demising walls, which in turn act as the unit’s storage and kitchen. The apartments feel wide open, are super quiet and have more storage space than any other comparable apartment in the city.
To solve the problem of the site’s shallow commercial lot which is typically prone to dark interior spaces we focused our attention on the building’s envelope. Instead of the usual small punched window openings, oversized high performance windows were designed to ensure that light penetrated as far as possible into the units. In the smaller 1BR units, the full 50’ depth of the lot is perceived by partitioning spaces with sliding pocket doors that can be retracted to allow deep visual perspectives, making the sight lines in the space feel longer, larger, more ample than normal. In addition to the full height glazing, each unit above the 2nd floor receives a 7 foot covered balcony, adding 120 to 240 sf to each apartment, something unusual in New York City buildings. The space is large enough for a full size dining table, when the weather permits being outside.
We also worked hard to ensure modularity. For example, all kitchen units are all identical throughout the building. The idea of modularity and the economy of the repetitive unit is exercised to the maximum through the building.
Hardware, appliances, flooring, wall coverings and material finishes are all carefully selected to feel bespoke, high quality and unique.
It was important to KURV that the result of this work manifest into something that would deeply connect with the end user and sustain relationships with the consumers of this space.
All images by KURV Architecture ©

We built our house 22 years ago. I have been a custom window treatment professional for 16 years. I have fabricated lots of draperies, valance and Roman shades, and, rather considered pillows to be an afterthought. Not anymore! after two decades of kids, dogs and elderly parents our decor was looking a little shabby. We are slowly updated and have started with our family room, which needed new furniture. We purchased vintage pieces ad a Goodwill Super Store and then, with the help of my friend, Lynda Reid, of Lynda Reid Designs, chose fabrics from which I made piilows. Most of the fabrics are Vervain and I just love them/
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