This four-story Victorian revival was amazing to see unfold; from replacing the foundation, building out the 1st floor, hoisting structural steel into place, and upgrading to in-floor radiant heat. This gorgeous “Old Lady” got all the bells and whistles. This quintessential Victorian presented itself with all the complications imaginable when bringing an early 1900’s home back to life. Our favorite task? The Custom woodwork: hand carving and installing over 200 florets to match historical home details. Anyone would be hard-pressed to see the transitions from existing to new, but we invite you to come and try for yourselves!

Upper landing light fixture - Brussels, circa 1920s Chandelier - Sweden, 19th century Herring bone flooring installed by Polish craftsman 4 piece mantle - Italian cararra marble, 19th century Window rails - Hungary, 19th century Stair landing chandelier - Louis XIV style, 19th century Photo by KuDa Photography

Stripped of its original charm with sagging floors and water leaks, this 1900 row house was prime for a full renovation. While the staircase and marble fireplace are original, everything from the white oak flooring, crown, applied, and base moldings, to the archways and brass door hardware is new; yet they all feel original to the house. Other projects included removing soffits and tucking away randomly placed support beams and posts, relocating and expanding the kitchen, renovating each bathroom – and adding a new one, upgrading all the mechanical, electric and plumbing systems, removing a fireplace, and regrading the back patio for proper drainage and added greenery. The project is a perfect study of juxtaposing new and old, classic and modern. Photography Stacy Zarin Goldberg

Photo by: Joshua Caldwell
Mid-sized elegant enclosed medium tone wood floor and brown floor family room library photo in Salt Lake City with no fireplace

Stripped of its original charm with sagging floors and water leaks, this 1900 row house was prime for a full renovation. While the staircase and marble fireplace are original, everything from the white oak flooring, crown, applied, and base moldings, to the archways and brass door hardware is new; yet they all feel original to the house. Other projects included removing soffits and tucking away randomly placed support beams and posts, relocating and expanding the kitchen, renovating each bathroom – and adding a new one, upgrading all the mechanical, electric and plumbing systems, removing a fireplace, and regrading the back patio for proper drainage and added greenery. The project is a perfect study of juxtaposing new and old, classic and modern. Photography Stacy Zarin Goldberg

Stripped of its original charm with sagging floors and water leaks, this 1900 row house was prime for a full renovation. While the staircase and marble fireplace are original, everything from the white oak flooring, crown, applied, and base moldings, to the archways and brass door hardware is new; yet they all feel original to the house. Other projects included removing soffits and tucking away randomly placed support beams and posts, relocating and expanding the kitchen, renovating each bathroom – and adding a new one, upgrading all the mechanical, electric and plumbing systems, removing a fireplace, and regrading the back patio for proper drainage and added greenery. The project is a perfect study of juxtaposing new and old, classic and modern. Photography Stacy Zarin Goldberg

Photo: Mary Prince Photography © 2016 Houzz
Example of an ornate bedroom design in Boston

Stripped of its original charm with sagging floors and water leaks, this 1900 row house was prime for a full renovation. While the staircase and marble fireplace are original, everything from the white oak flooring, crown, applied, and base moldings, to the archways and brass door hardware is new; yet they all feel original to the house. Other projects included removing soffits and tucking away randomly placed support beams and posts, relocating and expanding the kitchen, renovating each bathroom – and adding a new one, upgrading all the mechanical, electric and plumbing systems, removing a fireplace, and regrading the back patio for proper drainage and added greenery. The project is a perfect study of juxtaposing new and old, classic and modern. Photography Stacy Zarin Goldberg

This project hits very close to home for us. Not your typical office space, we re-purposed a 19th century carriage barn into our office and workshop. With no heat, minimum electricity and few windows (most of which were broken), a priority for CEO and Designer Jason Hoffman was to create a space that honors its historic architecture, era and purpose but still offers elements of understated sophistication. The building is nearly 140 years old, built before many of the trees towering around it had begun growing. It was originally built as a simple, Victorian carriage barn, used to store the family’s horse and buggy. Later, it housed 2,000 chickens when the Owners worked the property as their farm. Then, for many years, it was storage space. Today, it couples as a workshop for our carpentry team, building custom projects and storing equipment, as well as an office loft space ready to welcome clients, visitors and trade partners. We added a small addition onto the existing barn to offer a separate entry way for the office. New stairs and an entrance to the workshop provides for a small, yet inviting foyer space. From the beginning, even is it’s dark state, Jason loved the ambiance of the old hay loft with its unfinished, darker toned timbers. He knew he wanted to find a way to refinish the space with a focus on those timbers, evident in the statement they make when walking up the stairs. On the exterior, the building received new siding, a new roof and even a new foundation which is a story for another post. Inside, we added skylights, larger windows and a French door, with a small balcony. Along with heat, electricity, WiFi and office furniture, we’re ready for visitors!

Contractor: Anderson Contracting Services Photographer: Eric Roth
Inspiration for a mid-sized victorian open concept carpeted family room remodel in Boston with white walls and no tv

Mid-sized transitional medium tone wood floor dining room photo in San Francisco with white walls

In this tiny attic study, we carved out space for an extra twin bed. The blinds on the left hide the printer and storage areas. Indian kalamkari on the walls

Study room - transitional built-in desk light wood floor study room idea in DC Metro with yellow walls

Subtle details and careful woodwork allow this study to emulate the traditional Victorian aesthetic and seaside accents of this home and its historic surroundings.

Hallway - large victorian light wood floor hallway idea in Boston with white walls

Stripped of its original charm with sagging floors and water leaks, this 1900 row house was prime for a full renovation. While the staircase and marble fireplace are original, everything from the white oak flooring, crown, applied, and base moldings, to the archways and brass door hardware is new; yet they all feel original to the house. Other projects included removing soffits and tucking away randomly placed support beams and posts, relocating and expanding the kitchen, renovating each bathroom – and adding a new one, upgrading all the mechanical, electric and plumbing systems, removing a fireplace, and regrading the back patio for proper drainage and added greenery. The project is a perfect study of juxtaposing new and old, classic and modern. Photography Stacy Zarin Goldberg

The Victorian inspired home features a round turret designed to provide a play area and study space for the homeowners' two young children. Featuring leaded-glass windows and a soaring ceiling, this light-filled space offers panoramic views of the surrounding countryside.

Facade improvement to replace 1950s stucco with traditional Victorian exterior, paint and details. Created new large ‘open plan’ out of two existing front rooms plus hallway.

This expansive Victorian had tremendous historic charm but hadn’t seen a kitchen renovation since the 1950s. The homeowners wanted to take advantage of their views of the backyard and raised the roof and pushed the kitchen into the back of the house, where expansive windows could allow southern light into the kitchen all day. A warm historic gray/beige was chosen for the cabinetry, which was contrasted with character oak cabinetry on the appliance wall and bar in a modern chevron detail. Kitchen Design: Sarah Robertson, Studio Dearborn Architect: Ned Stoll, Interior finishes Tami Wassong Interiors