A daring combination of forms and finishes yielded an exciting contemporary/industrial hybrid. In a converted wedge-shaped factory building, this loft’s quirky shape was celebrated, not disguised. Contrasting flooring demarcates what is, in fact, a literal work triangle. The island’s unusual five-sided shape proudly reiterates the room’s footprint; the three waterfall ends accentuate its one-of-a-kind geometry. Four different materials were chosen to establish a playful dialogue between light, dark, and texture: caramel-stained rift cut oak on open cabinets; matte charcoal gray paint on tall and wall cabinets; brushed bronze oil-rubbed wire mesh inserts for bases; and panels in a laminate resembling knotty weathered wood. White quartz countertops provide a unifying feature. Open cabinets are singular for their asymmetrical placement and, in some spots, open-ended configuration within the tall units. The breathtaking dining table was fashioned from two free-form live edge planks, joined by a ribbon of clear epoxy resin, thus creating the illusion of a stream meandering through fallen trees. Black elements contribute an industrial edge: an open-framed metal wall shelf over the sink; iron table legs; a mix of dining chairs in mid-century wire mesh, molded plastic, and retro aluminum; and machinery castors on the low-slung coffee table. This project was designed by Bilotta Designer Daniel Popescu in collaboration with MeldNYC. Photography is by Nico Arellano.

Your smile is not the only curve in the room when you enter this room. This open and airy traditional Atlantic Beach kitchen flaunts a beautiful curved island in natural cherry which is the focal point of the space. There are occasional times when a homeowner comes to the table with a vision from which the designer can draw his inspiration. Such was the case when Bilotta designer Goran Savic and Interior designer, Catherine Ebert’s mutual client announced that design and an expansive feeling should be prioritized over the prevailing “more storage” maxim. Although the kitchen was opened up to afford a view of the beautiful sculptural staircase, cabinetry was limited to a modest “L”-shaped footprint with an island. But not just any island: curved cabinetry in cherry that references the curves of the staircase and its cherry newel post and railing. While the rounded shape doesn’t contribute much to storage, it provides plenty of room for seating and definitely makes a strong design statement. More seating can be found in the comfy cushioned banquette (with storage drawers below). That’s a perfect spot to grab breakfast or even read a book. The unique piece here is the custom table at the banquette. Its beveled oval cherry base and double stainless-steel column supports are evocative of a luxury Art Deco yacht and echo the curved island. Goran utilized a number of space-enlarging visual devices as part of his design arsenal. Open shelving and glass upper sections on the wall cabinets prevent the frequent claustrophobic effect of all solid doors. Installing the wall cabinets higher than usual created a larger backsplash that helps offset the normal feeling of countertop clutter. Of course, nothing opens up a room like the inclusion of abundant natural light, but choice of materials also plays a huge role. Here we have a bleached stain on the wood floor, white cabinets, pale-colored countertops and backsplash tiles, and clear glass pendants, all of which enhance the airiness of this stunning new room.

This expansive traditional kitchen by senior designer, Randy O'Kane and Architect, Clark Neuringer, features Bilotta Collection cabinet in a custom color. Randy says, the best part about working with this client was that she loves design – and not just interior but she also loves holiday decorating and she has a beautiful sense of aesthetic (and does everything to the nines). For her kitchen she wanted a barn-like feel and it absolutely had to be functional because she both bakes and cooks for her family and neighbors every day. And as the mother of four teenage girls she has a lot of people coming in and out of her home all the time. She wanted her kitchen to be comfortable – not untouchable and not too “done”. When she first met with Bilotta senior designer Randy O’Kane, her #1 comment was: “I’m experiencing white kitchen fatigue”. So right from the start finding the perfect color was the prime focus. The challenge was infusing a center hall colonial with a sense of warmth, comfort and that barn aesthetic without being too rustic which is why they went with a straight greenish grey paint vs. something distressed. The flooring, by Artisan Wood floors, looks reclaimed with its wider long planks and fumed finish. The barn door separating the laundry room and the kitchen was made from hand selected barn wood, made custom according to the client’s detailed specifications, and hung with sliding hardware. The kitchen hardware was really a window sash pull from Rocky Mountain that was repurposed as handles in a living bronze finish mounted horizontally. Glazed brick tile, by Ann Sacks, really helped to embrace the overall concept. Since a lot of parties are hosted out of that space, the kitchen, and butler’s pantry off to the side, needed a good flow as well as areas to bake and stage the creations. Double ovens were a must as well as a 48” Wolf Range and a Rangecraft hood – four ovens are going all the time. Beverage drawers were added to allow others to flow through the kitchen without disturbing the cook. Lots of storage was added for a well-stocked kitchen. A unique detail is double door wall cabinets, some with wire mesh to allow to see their dishes for easy access. In the butler’s pantry, instead of mesh they opted for antique mirror glass fronts. Countertops are a natural quartzite for care free use and a solid wood table, by Brooks Custom, extends of the island, removable for flexibility, making the kitchen and dining area very functional. One of the client’s antique pieces (a hutch) was incorporated into the kitchen to give it a more authentic look as well as another surface to decorate and provide storage. The lighting over the island and breakfast table has exposed Edison bulbs which hearkens to that “barn” lighting. For the sinks, they used a fireclay Herbeau farmhouse on the perimeter and an undermount Rohl sink on the island. Faucets are by Waterworks. Standing back and taking it all in it’s a wonderful collaboration of carefully designed working space and a warm gathering space for family and guests. Bilotta Designer: Randy O’Kane, Architect: Clark Neuringer Architects, posthumously. Photo Credit: Peter Krupenye

Island countertop is white macaubus quartzite. Castaway Cabinets Steve Bracci
Example of a large classic u-shaped medium tone wood floor eat-in kitchen design in Atlanta with a farmhouse sink, white cabinets, white backsplash, stainless steel appliances, an island, shaker cabinets, quartzite countertops and subway tile backsplash

Kitchen - huge traditional u-shaped medium tone wood floor kitchen idea in New York with an undermount sink, white cabinets, quartzite countertops, white backsplash, stainless steel appliances, an island and recessed-panel cabinets

This expansive contemporary penthouse kitchen, with stunning views overlooking White Plains, and the Hudson Valley was designed by Barbara Bell and Bilotta senior designer, Jeff Eakley. The cabinetry is Artcraft in a mix of high-gloss Dannogri laminate, Anthracite high-gloss lacquer, and a custom Gray matte paint. The island, great for entertaining, features a waterfall quartzite countertop with Caesarstone on the perimeter. The backsplash is a metallic glass tile. The Anthracite high gloss lacquer cabinetry hides a paneled 36” Subzero refrigerator and 36” paneled freezer while showcasing a SubZero wine refrigerator and a stainless-steel Bosch wall oven and microwave. A stainless-steel Faber hood sits above a Wolf cooktop. Hidden in the island is an extra Subzero refrigerator drawer for easy to reach drinks. Dishwasher is Miele. Designer: Barbara Bell with Bilotta Designer Jeff Eakley Photo Credit: Phillip Ennis

Mid-sized elegant l-shaped brown floor and dark wood floor kitchen photo in New York with a farmhouse sink, shaker cabinets, soapstone countertops, white backsplash, ceramic backsplash, an island, black appliances and gray cabinets

Bilotta Senior Designer, Tom Vecchio and Lauren Stanley of Alive + Kicking Design were faced with a closed-in U-shaped kitchen that less inventive minds would have assumed offered few options, since the wall facing the “U” contained two below-counter-height windows that couldn’t be altered. They were undeterred by that obstacle. They removed the peninsula and instead placed an “island” against the wall between the windows, totally ignoring the fact that both sides of the countertop would slightly overlap the windows. The island is home to the sink and dishwasher, and even includes additional storage under the seating overhang. In this new configuration, the kitchen now offers direct access to the apartment’s entrance. Without the circuitous route around the peninsula, the improved flow immediately makes the space feel larger. Choosing Bilotta’s private label cabinetry in a sleek modern style in a whisper-soft shade of gray (Benjamin Moore’s Balboa Mist) also added to the voluminous feeling of the space. Both the backsplash and countertops are Silestone’s Eternal Calacatta Classic. Photography is by Kelsey Ann Rose.

This clean and classic Northern Westchester kitchen features a mix of colors and finishes. The perimeter of the kitchen including the desk area is painted in Benjamin Moore’s Nordic White with satin chrome hardware. The island features Benjamin Moore’s Blue Toile with satin brass hardware. The focal point of the space is the Cornu Fe range and custom hood in satin black with brass and chrome trim. Crisp white subway tile covers the backwall behind the cooking area and all the way up the sink wall to the ceiling. In place of wall cabinets, the client opted for thick white open shelves on either side of the window above the sink to keep the space more open and airier. Countertops are a mix of Neolith’s Estatuario on the island and Ash Grey marble on the perimeter. Hanging above the island are Circa Lighting’s the “Hicks Large Pendants” by designer Thomas O’Brien; above the dining table is Tom Dixon’s “Fat Pendant”. Just off of the kitchen is a wet bar conveniently located next to the living area, perfect for entertaining guests. They opted for a contemporary look in the space. The cabinetry is Yosemite Bronzato laminate in a high gloss finish coupled with open glass shelves and a mirrored backsplash. The mirror and the abundance of windows makes the room appear larger than it is. Bilotta Senior Designer: Rita LuisaGarces Architect: Hirshson Design & Architecture Photographer: Stefan Radtke

Written by Mary Kate Hogan for Westchester Home Magazine. "The Goal: The family that cooks together has the most fun — especially when their kitchen is equipped with four ovens and tons of workspace. After a first-floor renovation of a home for a couple with four grown children, the new kitchen features high-tech appliances purchased through Royal Green and a custom island with a connected table to seat family, friends, and cooking spectators. An old dining room was eliminated, and the whole area was transformed into one open, L-shaped space with a bar and family room. “They wanted to expand the kitchen and have more of an entertaining room for their family gatherings,” says designer Danielle Florie. She designed the kitchen so that two or three people can work at the same time, with a full sink in the island that’s big enough for cleaning vegetables or washing pots and pans. Key Features: Well-Stocked Bar: The bar area adjacent to the kitchen doubles as a coffee center. Topped with a leathered brown marble, the bar houses the coffee maker as well as a wine refrigerator, beverage fridge, and built-in ice maker. Upholstered swivel chairs encourage people to gather and stay awhile. Finishing Touches: Counters around the kitchen and the island are covered with a Cambria quartz that has the light, airy look the homeowners wanted and resists stains and scratches. A geometric marble tile backsplash is an eye-catching decorative element. Into the Wood: The larger table in the kitchen was handmade for the family and matches the island base. On the floor, wood planks with a warm gray tone run diagonally for added interest." Bilotta Designer: Danielle Florie Photographer: Phillip Ennis

Some clients have such great taste, that it’s easy to help create the kitchen of their dreams. Our client in this case had such passion for the design of her own kitchen that it made it such a fun collaborative experience that you don’t always get with clients. She put her heart and soul into making sure every detail was exactly the way she wanted. This kitchen is only a small piece of a well-appointed home. The 1” thick custom door (from Bilotta’s private custom cabinet collection), traditionally styled, yet not overly so, matches beautifully with the details of the adjacent rooms. The grey colored cabinetry blends with the colors in the adjoining rooms creating the perfect centerpiece. The client chose a massive stone Francois & Co. Toulouse Shelf w/ Concave Stack hood from a dealer in London and had it shipped over on a boat! She selected beautiful “Mother of Pearl” knobs from Anthropologie and adorned select cabinets with them like pieces of jewelry. The naturally pearlescent clay tile, the Quartzite countertops and the lanterns above the island were all chosen to mirror these knobs. The lanterns were also chosen to replicate the movement of the gold pattern in the knobs. The client opted to turn the tile on the diagonal as it felt more fluid and in keeping with the movement in the knobs and lanterns. The stone hood, tile, and quartzite sample coordinated perfectly. The room was equipped with a mix of SubZero Wolf and Miele appliances with a Kohler apron sink. The space of course has the perfect amount of accessories for making it more than just visually appealing – it’s a baker’s dream with a lift up for a frequently used mixer. There’s a built-in paper towel holder and just the right amount of utensil dividers, cutlery dividers, tray dividers, roll-outs and even a secret pantry with matching cabinetry hidden in the corner. Bilotta Designer: Randy O’Kane, CKD & Senior Designer Builder: Rob Norr, Nordic Construction Architect: Brad Demotte Photographer: Anthony Acocella

Beauty meets practicality in this Florida Contemporary on a Boca golf course. The indoor – outdoor connection is established by running easy care wood-look porcelain tiles from the patio to all the public rooms. The clean-lined slab door has a narrow-raised perimeter trim, while a combination of rift-cut white oak and “Super White” balances earthy with bright. Appliances are paneled for continuity. Dramatic LED lighting illuminates the toe kicks and the island overhang. Instead of engineered quartz, these countertops are engineered marble: “Unique Statuario” by Compac. The same material is cleverly used for carved island panels that resemble cabinet doors. White marble chevron mosaics lend texture and depth to the backsplash. The showstopper is the divider between the secondary sink and living room. Fashioned from brushed gold square metal stock, its grid-and-rectangle motif references the home’s entry door. Wavy glass obstructs kitchen mess, yet still admits light. Brushed gold straps on the white hood tie in with the divider. Gold hardware, faucets and globe pendants add glamour. In the pantry, kitchen cabinetry is repeated, but here in all white with Caesarstone countertops. Flooring is laid diagonally. Matching panels front the wine refrigerator. Open cabinets display glassware and serving pieces. This project was done in collaboration with JBD JGA Design & Architecture and NMB Home Management Services LLC. Bilotta Designer: Randy O’Kane. Photography by Nat Rea. Description written by Paulette Gambacorta adapted for Houzz.

This clean and classic Northern Westchester kitchen features a mix of colors and finishes. The perimeter of the kitchen including the desk area is painted in Benjamin Moore’s Nordic White with satin chrome hardware. The island features Benjamin Moore’s Blue Toile with satin brass hardware. The focal point of the space is the Cornu Fe range and custom hood in satin black with brass and chrome trim. Crisp white subway tile covers the backwall behind the cooking area and all the way up the sink wall to the ceiling. In place of wall cabinets, the client opted for thick white open shelves on either side of the window above the sink to keep the space more open and airier. Countertops are a mix of Neolith’s Estatuario on the island and Ash Grey marble on the perimeter. Hanging above the island are Circa Lighting’s the “Hicks Large Pendants” by designer Thomas O’Brien; above the dining table is Tom Dixon’s “Fat Pendant”. Just off of the kitchen is a wet bar conveniently located next to the living area, perfect for entertaining guests. They opted for a contemporary look in the space. The cabinetry is Yosemite Bronzato laminate in a high gloss finish coupled with open glass shelves and a mirrored backsplash. The mirror and the abundance of windows makes the room appear larger than it is. Bilotta Senior Designer: Rita LuisaGarces Architect: Hirshson Design & Architecture Photographer: Stefan Radtke

Classic elegance with a fresh face characterizes this stunner, adorned in Benjamin Moore’s pale green “Vale Mist”. For a serene, cohesive look, the beadboard and casings are painted to match. Counters and backsplashes are subtly-veined Himalayan Marble. Flat panel inset cabinetry was enhanced with a delicate ogee profile and graceful bracket feet. Oak floors were artfully stenciled to form a diamond pattern with intersecting dots. Brushed brass fixtures and hardware lend old-world appeal with a stylish flourish. Balancing the formality are casual rattan bistro stools and dining chairs. A metal-rimmed glass tabletop allows full view of the curvaceous walnut pedestal. Tucked into the narrow end of the kitchen is a cozy desk. Its walnut top warms the space, while mullion glass doors contribute openness. Preventing claustrophobia is a frosted wheel-style oculus window to boost light and depth. A bold statement is made for the small hutch, where a neutral animal print wallpaper is paired with Benjamin Moore’s ruby-red semi-gloss “My Valentine” paint on cabinetry and trim. Glass doors display serving pieces. Juxtaposed against the saturated hue is the pop of a white marble counter and contemporary acrylic handles. What could have been a drab niche is now a jewel box! This project was designed in collaboration with Ashley Sharpe of Sharpe Development and Design. Photography by Lesley Unruh. Bilotta Designer: David Arnoff Post Written by Paulette Gambacorta adapted for Houzz

While renovating their home located on a horse farm in Bedford, NY, it wasn’t surprising this husband and wife (who also is an equestrian) wanted their house to have a “barn feel”. To start, sourced reclaimed wood was used on the walls, floors and ceiling beams. This traditional kitchen, designed by Paulette Gambacorta, features Bilotta Collection cabinetry in a flush flat panel custom green paint with a glaze on maple. An added detail of a “crossbuck” end on the peninsula was custom made from reclaimed wood and inspired by the look of barn doors. Reclaimed wood shelves on iron brackets replaced upper cabinets for easy access. The marble countertops have a hand cut edge detail to resemble the look of when the stone was first quarried. An antique carpenter’s work bench was restored by the builder, for use as an island and extra work station. An apron front sink and a wains panel backsplash completed the barn look and feel. Bilotta Designer: Paulette Gambacorta Builder: Doug Slater, D.A.S. Custom Builders Interior Designer: Reza Nouranian, Reza Nouranian Design, LLC Architect: Rich Granoff Photo Credit:Peter Krupenye

A convergence of sleek contemporary style and organic elements culminate in this elevated esthetic. High gloss white contrasts with sustainable bamboo veneers, run horizontally, and stained a warm matte caramel color. The showpiece is the 3” bamboo framing around the tall units, engineered in strips that perfectly align with the breaks in the surrounding cabinetry. So as not to clutter the clean lines of the flat panel doors, the white cabinets open with touch latches, most of which have lift-up mechanisms. Base cabinets have integrated channel hardware in stainless steel, echoing the appliances. Storage abounds, with such conveniences as tray partitions, corner swing-out lazy susans, and assorted dividers and inserts for the profusion of large drawers. Pure white quartz countertops terminate in a waterfall end at the peninsula, where there’s room for three comfortable stools under the overhang. A unique feature is the execution of the cooktop: it’s set flush into the countertop, with a fascia of quartz below it; the cooktop’s knobs are set into that fascia. To assure a clean look throughout, the quartz is continued onto the backsplashes, punctuated by a sheet of stainless steel behind the rangetop and hood. Serenity and style in a hardworking space. This project was designed in collaboration with Taylor Viazzo Architects. Photography by Jason Taylor, R.A., AIA. Written by Paulette Gambacorta, adapted for Houzz Bilotta Designer: Danielle Florie Architect: Taylor Viazzo Architects Photographer: Jason Taylor, R.A., AIA

For this expansive kitchen renovation, Designer, Randy O’Kane of Bilotta Kitchens worked with interior designer Gina Eastman and architect Clark Neuringer. The backyard was the client’s favorite space, with a pool and beautiful landscaping; from where it’s situated it’s the sunniest part of the house. They wanted to be able to enjoy the view and natural light all year long, so the space was opened up and a wall of windows was added. Randy laid out the kitchen to complement their desired view. She selected colors and materials that were fresh, natural, and unique – a soft greenish-grey with a contrasting deep purple, Benjamin Moore’s Caponata for the Bilotta Collection Cabinetry and LG Viatera Minuet for the countertops. Gina coordinated all fabrics and finishes to complement the palette in the kitchen. The most unique feature is the table off the island. Custom-made by Brooks Custom, the top is a burled wood slice from a large tree with a natural stain and live edge; the base is hand-made from real tree limbs. They wanted it to remain completely natural, with the look and feel of the tree, so they didn’t add any sort of sealant. The client also wanted touches of antique gold which the team integrated into the Armac Martin hardware, Rangecraft hood detailing, the Ann Sacks backsplash, and in the Bendheim glass inserts in the butler’s pantry which is glass with glittery gold fabric sandwiched in between. The appliances are a mix of Subzero, Wolf and Miele. The faucet and pot filler are from Waterstone. The sinks are Franke. With the kitchen and living room essentially one large open space, Randy and Gina worked together to continue the palette throughout, from the color of the cabinets, to the banquette pillows, to the fireplace stone. The family room’s old built-in around the fireplace was removed and the floor-to-ceiling stone enclosure was added with a gas fireplace and flat screen TV, flanked by contemporary artwork. Designer: Bilotta’s Randy O’Kane with Gina Eastman of Gina Eastman Design & Clark Neuringer, Architect posthumously Photo Credit: Phillip Ennis

Bilotta Senior Designer, Thomas Vecchio, and Patrick J. Hamilton of Patrick James Hamilton Designs, partnered on this Manhattan upper east side kitchen renovation. This nondescript ‘60’s co-op and galley kitchen were reimagined into a pre-war era gem by adding architectural details: paneling, coffers, and moldings. Widening the opening created an open vista. Upper panes of glass on the Bilotta Collection wall cabinets echo the apartment’s transoms and unite the two sections that are interrupted by the paneled structural column. To compensate for the shorter wall, storage is optimized with plentiful pullouts, dividers, and specialized organizers. The “dead end” under the window was eliminated by continuing cabinetry and countertop materials around the room. Countertop wall cabinets create a hutch in full view of the dining room. With dark gray paint, corner posts and furniture base molding, the peninsula reads like an island and bridges the two areas. Quartz countertops sport “lightning bolt” veins for pattern. Sophisticated on- trend brushed brass was employed on the cabinet pulls and knobs, faucet, sconces, and pendants. A gamechanger was extending the footprint of the kitchen into the hallway with two tall cabinets. One is allocated for cleaning supplies, bulk items, recycling, and the vacuum. The other conceals a built-in wine rack; glassware and bar items; a docking drawer for charging devices; and a Penda-flex rack for files. An absolutely stunning metamorphosis. Written by Paulette Gambacorta adapted for Houzz. Bilotta Designer: Tom Vecchio Interior Designer: Patrick J. Hamilton of Patrick James Hamilton Designs Photographer: John Bessler

Despite its diamond-mullioned exterior, this stately home’s interior takes a more light-hearted approach to design. The Dove White inset cabinetry is classic, with recessed panel doors, a deep bevel inside profile and a matching hood. Streamlined brass cup pulls and knobs are timeless. Departing from the ubiquitous crown molding is a square top trim. The layout supplies plenty of function: a paneled refrigerator; prep sink on the island; built-in microwave and second oven; built-in coffee maker; and a paneled wine refrigerator. Contrast is provided by the countertops and backsplash: honed black Jet Mist granite on the perimeter and a statement-making island top of exuberantly-patterned Arabescato Corchia Italian marble. Flooring pays homage to terrazzo floors popular in the 70’s: “Geotzzo” tiles of inlaid gray and Bianco Dolomite marble. Field tiles in the breakfast area and cooking zone perimeter are a mix of small chips; feature tiles under the island have modern rectangular Bianco Dolomite shapes. Enameled metal pendants and maple stools and dining chairs add a mid-century Scandinavian touch. The turquoise on the table base is a delightful surprise. An adjacent pantry has tall storage, cozy window seats, a playful petal table, colorful upholstered ottomans and a whimsical “balloon animal” stool. This kitchen was done in collaboration with Daniel Heighes Wismer and Greg Dufner of Dufner Heighes and Sarah Witkin of Bilotta Architecture. It is the personal kitchen of the CEO of Sandow Media, Erica Holborn. Click here to read the article on her home featured in Interior Designer Magazine. Photographer: John Ellis Description written by Paulette Gambacorta adapted for Houzz.