John Wilbanks Photography
Arts and crafts living room library photo in Seattle with red walls

Tessa Neustadt
Inspiration for a mid-sized farmhouse dark wood floor laundry room remodel in Los Angeles with shaker cabinets, gray cabinets, wood countertops, white walls, a stacked washer/dryer and beige countertops

Richard Leo Johnson Wall Color: Heaven - Regal Wall Satin, Latex Flat (Benjamin Moore) Trim Color: Super White - Oil, Semi Gloss (Benjamin Moore) Ceiling: Phillip Jeffries Extra Fine Arrowroot in Hyacinth - Grizzel and Mann Chandelier: Sputnik Chandelier - Lost City Arts Sofa: Antique - Jere's Antiques (reupholstered and restored) Sofa Fabric: D1865-16 - Designer's Guild Sofa Paint Color: Grenada Villa - Benjamin Moore Lounge Chairs: Antique (restored) Ottoman: Antique coffee table (repurposed) Ottoman Fabric: Christopher Farr Design Adras - Indigo, Grizzel and Mann Rug: 11x11 Stripe, Milk - Yerra Small Mirrors: No.411 Planters: Plaster Hourglass Planters - BOBO Deck Flooring: IPE Click and Lock Flooring - Handydeck

Example of a large transitional master blue tile medium tone wood floor and brown floor bathroom design in Boston with furniture-like cabinets, medium tone wood cabinets, a two-piece toilet, gray walls, a vessel sink and white countertops

Mid-century modern light wood floor great room photo in Raleigh with green walls and no fireplace

This Campbell home underwent a full renovation and addition, expanding the kitchen footprint into the rear yard with a new high ceiling and striking glass wall for an indoor/outdoor feel. The style of the home is Japandi, with soft and warm minimalist design elements throughout.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Our remodeled 1994 Deck House was a stunning hit with our clients. All original moulding, trim, truss systems, exposed posts and beams and mahogany windows were kept in tact and refinished as requested. All wood ceilings in each room were painted white to brighten and lift the interiors. This is the view looking from the living room toward the kitchen. Our mid-century design is timeless and remains true to the modernism movement.

Working within a set of constraints, whether of space or budget, challenges my creativity and leads to a beautiful end result. The old kitchen used the space very poorly. The intent was just to replace the countertop. But once we investigated, the inferior cabinets needed replacing, too, so a rethink of space usage created a small and stylish kitchen of lasting quality.

Designer: Honeycomb Home Design Photographer: Marcel Alain This new home features open beam ceilings and a ranch style feel with contemporary elements.

Example of a large cottage chic galley concrete floor and blue floor eat-in kitchen design in Salt Lake City with a drop-in sink, flat-panel cabinets, white cabinets, wood countertops, white appliances, an island and brown countertops

Doing laundry can be tedious, mundane and a little stressful but in this space, doing laundry can be more satisfying with the pets around. Wellborn’s cabinetry was used throughout this design, with the Saybrook door style in Maple and complete in the newly launched Gray Mist with a Granite glaze.

Pale and weathered driftwood. Coastal morning fog. A cool spot of sand – The essence of a Hamptons beach scene captured in a light and inviting Bakes & Kropp kitchen. The foundation for this space is our custom cabinetry, Meridian style, in a hand-painted white finish with Smoke Walnut accents. The expansive waterfall island features the same Smoke Walnut signature finish, as does the custom Bakes & Kropp range hood, which is beautifully banded in stainless steel. Chic orb chandeliers and Bakes hardware in polished nickel bring some jewelry-like radiance to the room, juxtaposing the Walnut’s soft matte finish. From every view and angle, the composition reflects this home’s serene coastal vibe.

Kitchen - transitional kitchen idea in Los Angeles

Everyday dishes are displayed on three understated shelves, also crafted from Reclaimed Chestnut. Photo Credit: Crown Point Cabinetry
Kitchen - rustic kitchen idea in Burlington with recessed-panel cabinets, medium tone wood cabinets, granite countertops, white backsplash, subway tile backsplash and stainless steel appliances

David Guettler
Inspiration for a mid-sized timeless beige floor powder room remodel in Los Angeles with furniture-like cabinets, beige walls, a drop-in sink and dark wood cabinets

Lissa Gotwals Photography
Example of a large classic white two-story wood exterior home design in Raleigh with a metal roof

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider