This project presented unique opportunities that are not often found in residential landscaping. The homeowners were not only restoring their 1840's era farmhouse, a piece of their family’s history, but also enlarging and updating the home for modern living. The landscape designers continued this idea by creating a space that is a modern day interpretation of an 1840s era farm rather then a strict recreation. The resulting design combines elements of farm living from that time, as well as acknowledging the property’s history as a horse farm, with staples of 21st century landscapes such as space for outdoor living, lighting, and newer plant varieties. Guests approach from the main driveway which winds through the property and ends at the main barn. There is secondary gated driveway just for the homeowners. Connected to this main driveway is a narrower gravel lane which leads directly to the residence. The lane passes near fruit trees planted in broken rows to give the illusion that they are the remains of an orchard that once existed on the site. The lane widens at the entrance to the gardens where there is a hitching post built into the fence that surrounds the gardens and a watering trough. The widened section is intended as a place to park a golf cart or, in a nod to the home’s past, tie up horses before entering. The gravel lane passes between two stone pillars and then ends at a square gravel court edged in cobblestones. The gravel court transitions into a wide flagstone walk bordered with yew hedges and lavender leading to the front door. Directly to the right, upon entering the gravel court, is located a gravel and cobblestone edged walk leading to a secondary entrance into the residence. The walk is gated where it connects with the gravel court to close it off so as not to confuse visitors and guests to the main residence and to emphasize the primary entrance. An area for a bench is provided along this walk to encourage stopping to view and enjoy the gardens. On either side of the front door, gravel and cobblestone walks branch off into the garden spaces. The one on the right leads to a flagstone with cobblestone border patio space. Since the home has no designated backyard like most modern suburban homes the outdoor living space had to be placed in what would traditionally be thought of as the front of the house. The patio is separated from the entrance walk by the yew hedge and further enclosed by three Amelanchiers and a variety of plantings including modern cultivars of old fashioned plants such as Itea and Hydrangea. A third entrance, the original front door to the 1840’s era section, connects to the patio from the home’s kitchen, making the space ideal for outdoor dining. The gravel and cobblestone walk branching off to the left of the front door leads to the vegetable and perennial gardens. The idea for the vegetable garden was to recreate the tradition of a kitchen garden which would have been planted close to the residence for easy access. The vegetable garden is surrounded by mixed perennial beds along the inside of the wood picket fence which surrounds the entire garden space. Another area designated for a bench is provided here to encourage stopping and viewing. The home’s original smokehouse, completely restored and used as a garden shed, provides a strong architectural focal point to the vegetable garden. Behind the smokehouse is planted lilacs and other plants to give mass and balance to the corner and help screen the garden from the neighboring subdivision. At the rear corner of the garden a wood arbor was constructed to provide a structure on which to grow grapes or other vines should the homeowners choose to. The landscape and gardens for this restored farmhouse and property are a thoughtfully designed and planned recreation of a historic landscape reinterpreted for modern living. The idea was to give a sense of timelessness when walking through the gardens as if they had been there for years but had possibly been updated and rejuvenated as lifestyles changed. The attention to materials and craftsmanship blend seamlessly with the residence and insure the gardens and landscape remain an integral part of the property. The farm has been in the homeowner’s family for many years and they are thrilled at the results and happy to see respect given to the home’s history and to its meticulous restoration.

This project presented unique opportunities that are not often found in residential landscaping. The homeowners were not only restoring their 1840's era farmhouse, a piece of their family’s history, but also enlarging and updating the home for modern living. The landscape designers continued this idea by creating a space that is a modern day interpretation of an 1840s era farm rather then a strict recreation. The resulting design combines elements of farm living from that time, as well as acknowledging the property’s history as a horse farm, with staples of 21st century landscapes such as space for outdoor living, lighting, and newer plant varieties. Guests approach from the main driveway which winds through the property and ends at the main barn. There is secondary gated driveway just for the homeowners. Connected to this main driveway is a narrower gravel lane which leads directly to the residence. The lane passes near fruit trees planted in broken rows to give the illusion that they are the remains of an orchard that once existed on the site. The lane widens at the entrance to the gardens where there is a hitching post built into the fence that surrounds the gardens and a watering trough. The widened section is intended as a place to park a golf cart or, in a nod to the home’s past, tie up horses before entering. The gravel lane passes between two stone pillars and then ends at a square gravel court edged in cobblestones. The gravel court transitions into a wide flagstone walk bordered with yew hedges and lavender leading to the front door. Directly to the right, upon entering the gravel court, is located a gravel and cobblestone edged walk leading to a secondary entrance into the residence. The walk is gated where it connects with the gravel court to close it off so as not to confuse visitors and guests to the main residence and to emphasize the primary entrance. An area for a bench is provided along this walk to encourage stopping to view and enjoy the gardens. On either side of the front door, gravel and cobblestone walks branch off into the garden spaces. The one on the right leads to a flagstone with cobblestone border patio space. Since the home has no designated backyard like most modern suburban homes the outdoor living space had to be placed in what would traditionally be thought of as the front of the house. The patio is separated from the entrance walk by the yew hedge and further enclosed by three Amelanchiers and a variety of plantings including modern cultivars of old fashioned plants such as Itea and Hydrangea. A third entrance, the original front door to the 1840’s era section, connects to the patio from the home’s kitchen, making the space ideal for outdoor dining. The gravel and cobblestone walk branching off to the left of the front door leads to the vegetable and perennial gardens. The idea for the vegetable garden was to recreate the tradition of a kitchen garden which would have been planted close to the residence for easy access. The vegetable garden is surrounded by mixed perennial beds along the inside of the wood picket fence which surrounds the entire garden space. Another area designated for a bench is provided here to encourage stopping and viewing. The home’s original smokehouse, completely restored and used as a garden shed, provides a strong architectural focal point to the vegetable garden. Behind the smokehouse is planted lilacs and other plants to give mass and balance to the corner and help screen the garden from the neighboring subdivision. At the rear corner of the garden a wood arbor was constructed to provide a structure on which to grow grapes or other vines should the homeowners choose to. The landscape and gardens for this restored farmhouse and property are a thoughtfully designed and planned recreation of a historic landscape reinterpreted for modern living. The idea was to give a sense of timelessness when walking through the gardens as if they had been there for years but had possibly been updated and rejuvenated as lifestyles changed. The attention to materials and craftsmanship blend seamlessly with the residence and insure the gardens and landscape remain an integral part of the property. The farm has been in the homeowner’s family for many years and they are thrilled at the results and happy to see respect given to the home’s history and to its meticulous restoration.

Example of a transitional wooden l-shaped metal railing staircase design in Denver with wooden risers

Nestled in the heart of the Laurelhurst neighborhood of Seattle, this charming home has been completed updated. Our clients desired a design that is fresh, understated and family friendly. The original kitchen was crowded and disconnected from other parts of the home. Our focus was to open up the spaces while maintaining the home’s integratory. The kitchen is now the center of the home with a large island for gathering. We selected classic finishes with modern touches throughout each space, thus providing a fresh look. Simple and smart furnishings were selected. We layered texture, color and scale with textiles and art to offer clean, uncluttered design lines that our clients wanted.

Elegant master carpeted and beige floor bedroom photo with white walls

Set amongst a splendid display of forty-one oaks, the design for this family residence demanded an intimate knowledge and respectful acceptance of the trees as the indigenous inhabitants of the space. Crafted from this symbiotic relationship, the architecture found natural placement in the beautiful spaces between the forty-one, acknowledging their presence and pedagogy. Conceived as a series of interconnected pavilions, the home hovers slightly above the native grasslands as it settles down amongst the oaks. Broad overhanging flat plate roofs cantilever out, connecting indoor living space to the nature beyond. Large windows are strategically placed to capture views of particularly well-sculptured trees, and enhance the connection of the grove and the home to the valley surround.

Photography by John Merkl
Example of a mid-sized transitional girl carpeted and blue floor playroom design in San Francisco with multicolored walls

Internationally Acknowledged Interior Designers & Decorators
Example of a classic gender-neutral playroom design in Atlanta with blue walls

Inspiration for a coastal master white floor freestanding bathtub remodel in Los Angeles with white cabinets and white walls

Inspiration for a transitional laundry room remodel in Austin

Inspiration for a coastal bathroom remodel in Baltimore

The dining room off the kitchen incorporates an antique dining set the homeowners acquired a number of years ago. We replicated 1 chair to make a set of 6 since there had only been 5 chairs originally.

Beach style gray floor bathroom photo with flat-panel cabinets, black cabinets, white walls, an undermount sink, white countertops and a floating vanity

French country kitchen photo in Minneapolis

Our clients have a busy life so they wanted their inner city garden to be low fuss and look low fuss. They wanted outdoor spaces that looked relaxed, with a simple and soft palette of finishes that acknowledged their coastal location. The site conditions and their brief also called for plants that were hardy and that would tolerate the full sun and sandy soils. The structural finishes and the plant colours provide a harmonious blend and compliment the design choices of the interior.

The Crossing is a private home built on the original cattle tablelands overlooking Pakiri Beach. The house fuses together a limited material palette of concrete, blue steel, and oiled cedar into a bold and incredibly dynamic space, allowing the owner (a professional writer) genuine flexibility to entertain, while acknowledging the need for the relative solitude of a working studio space. The form of the house is immediately and boldly sculptural; at once reflecting the traditional rural steel farm buildings of the area, and the dramatic local landscape. The sophisticated position of the hilltop home is a reflection of its ability to capture sun and views. The design consists of two primary axis; a long north-south facing corridor (extended by a 10m concrete ‘walkway’ which brings you to the entrance door) and the other, which intersects the house east to west. This is an important intersection which reinforces the name ‘The Crossing’, but also divides the house into ‘dark’ bedrooms and ‘light’ living spaces. This was an important design feature brought to life even further by working with a lighting designer from concept stage. A staircase leads to a studio space, which nests above the kitchen below – and frames a view of Pakiri Beach. The front of the house is flexible and consists of large sliding doors, which open the space to indoor/outdoor living and a concrete terrace, designed to compliment and acknowledge the form of the roofline above.The skin of the house is terne coated copper which ‘wraps’ the walls and roof of the house in a continual fold. By contrast, the interior largely consists of oiled cedar panels, which contrast warmly with the black interior and concrete floors. Steel is incorporated in the panels of the studio and the uniquely sculptural kitchen bench – both locally made.

The Crossing is a private home built on the original cattle tablelands overlooking Pakiri Beach. The house fuses together a limited material palette of concrete, blue steel, and oiled cedar into a bold and incredibly dynamic space, allowing the owner (a professional writer) genuine flexibility to entertain, while acknowledging the need for the relative solitude of a working studio space. The form of the house is immediately and boldly sculptural; at once reflecting the traditional rural steel farm buildings of the area, and the dramatic local landscape. The sophisticated position of the hilltop home is a reflection of its ability to capture sun and views. The design consists of two primary axis; a long north-south facing corridor (extended by a 10m concrete ‘walkway’ which brings you to the entrance door) and the other, which intersects the house east to west. This is an important intersection which reinforces the name ‘The Crossing’, but also divides the house into ‘dark’ bedrooms and ‘light’ living spaces. This was an important design feature brought to life even further by working with a lighting designer from concept stage. A staircase leads to a studio space, which nests above the kitchen below – and frames a view of Pakiri Beach. The front of the house is flexible and consists of large sliding doors, which open the space to indoor/outdoor living and a concrete terrace, designed to compliment and acknowledge the form of the roofline above.The skin of the house is terne coated copper which ‘wraps’ the walls and roof of the house in a continual fold. By contrast, the interior largely consists of oiled cedar panels, which contrast warmly with the black interior and concrete floors. Steel is incorporated in the panels of the studio and the uniquely sculptural kitchen bench – both locally made.

The Crossing is a private home built on the original cattle tablelands overlooking Pakiri Beach. The house fuses together a limited material palette of concrete, blue steel, and oiled cedar into a bold and incredibly dynamic space, allowing the owner (a professional writer) genuine flexibility to entertain, while acknowledging the need for the relative solitude of a working studio space. The form of the house is immediately and boldly sculptural; at once reflecting the traditional rural steel farm buildings of the area, and the dramatic local landscape. The sophisticated position of the hilltop home is a reflection of its ability to capture sun and views. The design consists of two primary axis; a long north-south facing corridor (extended by a 10m concrete ‘walkway’ which brings you to the entrance door) and the other, which intersects the house east to west. This is an important intersection which reinforces the name ‘The Crossing’, but also divides the house into ‘dark’ bedrooms and ‘light’ living spaces. This was an important design feature brought to life even further by working with a lighting designer from concept stage. A staircase leads to a studio space, which nests above the kitchen below – and frames a view of Pakiri Beach. The front of the house is flexible and consists of large sliding doors, which open the space to indoor/outdoor living and a concrete terrace, designed to compliment and acknowledge the form of the roofline above.The skin of the house is terne coated copper which ‘wraps’ the walls and roof of the house in a continual fold. By contrast, the interior largely consists of oiled cedar panels, which contrast warmly with the black interior and concrete floors. Steel is incorporated in the panels of the studio and the uniquely sculptural kitchen bench – both locally made.