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This 5-story 1860’s Brooklyn townhouse features Zola’s triple-glazed Thermo Clad windows and doors in pine.
Finding high performance windows that were large and quality-crafted was an important aspect of combining the passive house standard with the original intent of a top-notch design and tasteful renovation of the historic home.
Zola’s Thermo Clad windows and door line fit the bill. The home is extremely comfortable and energy-efficient. According to Laura Mackall, they did not turn the heat on all winter, and the inside temperatures stayed at around 70 degrees inspite of record-low temperatures in New York City this past winter. Architect Louis Mackall was impressed with level of insulation afforded by Zola windows and doors.
Architect: Louis Mackall
Builder: Build with Prospect, Jeremy Shannon, AIA
Photographer: Michel Arnaud

A rental property with 110 sq feet is designed to maximize every inch of floor space. Putting the bed on an angle allows access from each side and frees up floor space for the antique rocking chair, bedside table with Victorian phone and small side table. The room also has a light blue painted Victorian bookcase 45" high X 24" wide that was a great flea market find and perfect for collectables and storage. The quilt set adds that extra touch of color and personality to this room. Room is staged to show prospective tenants how they can jazz up their own rental.

This 5-story 1860’s Brooklyn townhouse features Zola’s triple-glazed Thermo Clad windows and doors in pine.
Finding high performance windows that were large and quality-crafted was an important aspect of combining the passive house standard with the original intent of a top-notch design and tasteful renovation of the historic home.
Zola’s Thermo Clad windows and door line fit the bill. The home is extremely comfortable and energy-efficient. According to Laura Mackall, they did not turn the heat on all winter, and the inside temperatures stayed at around 70 degrees inspite of record-low temperatures in New York City this past winter. Architect Louis Mackall was impressed with level of insulation afforded by Zola windows and doors.
Architect: Louis Mackall
Builder: Build with Prospect, Jeremy Shannon, AIA
Photographer: Michel Arnaud
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It wasn’t necessary to overthink things when Axis Mundi designed interiors for an apartment at Brooklyn’s glass-sheathed 1 Grand Army Plaza, the luxury building by Richard Meier already endowed with all the “starchitect” bells and whistles, as well as drop-dead stunning views of Brooklyn, the harbor and Prospect Park. What did require considerable aptitude was to strike the right balance between respect for these assets, particularly the panoramas, and livability. The all-white scheme doesn’t just complement Meier’s own aesthetic devotion to this purest of pure hues; it serves as a cool backdrop for the views, affording comfortable vantage points from which to enjoy them, yet not drawing attention away from the splendors of one of the world’s most distinctive boroughs. Sleek, low-lying Italian seating avoids distracting interruptions on the horizon line. But minimal color accents and pattern also sidestep what could have been a potentially antiseptic environment, making it tactile, human and luxurious.
2,200 sf
Design Team: John Beckmann, Richard Rosenbloom and Nick Messerlian
Vintage photography courtesy of the Ubu Gallery, New York
Photography: Adriana Buffi and Fran Parente
© Axis Mundi Design LLC

It wasn’t necessary to overthink things when Axis Mundi designed interiors for an apartment at Brooklyn’s glass-sheathed 1 Grand Army Plaza, the luxury building by Richard Meier already endowed with all the “starchitect” bells and whistles, as well as drop-dead stunning views of Brooklyn, the harbor and Prospect Park. What did require considerable aptitude was to strike the right balance between respect for these assets, particularly the panoramas, and livability. The all-white scheme doesn’t just complement Meier’s own aesthetic devotion to this purest of pure hues; it serves as a cool backdrop for the views, affording comfortable vantage points from which to enjoy them, yet not drawing attention away from the splendors of one of the world’s most distinctive boroughs. Sleek, low-lying Italian seating avoids distracting interruptions on the horizon line. But minimal color accents and pattern also sidestep what could have been a potentially antiseptic environment, making it tactile, human and luxurious.
2,200 sf
Design Team: John Beckmann, Richard Rosenbloom and Nick Messerlian
Vintage photography coursety of the Ubu Gallery, New York
Photography: Adriana Buffi and Fran Parente
© Axis Mundi Design LLC

It wasn’t necessary to overthink things when Axis Mundi designed interiors for an apartment at Brooklyn’s glass-sheathed 1 Grand Army Plaza, the luxury building by Richard Meier already endowed with all the “starchitect” bells and whistles, as well as drop-dead stunning views of Brooklyn, the harbor and Prospect Park. What did require considerable aptitude was to strike the right balance between respect for these assets, particularly the panoramas, and livability. The all-white scheme doesn’t just complement Meier’s own aesthetic devotion to this purest of pure hues; it serves as a cool backdrop for the views, affording comfortable vantage points from which to enjoy them, yet not drawing attention away from the splendors of one of the world’s most distinctive boroughs. Sleek, low-lying Italian seating avoids distracting interruptions on the horizon line. But minimal color accents and pattern also sidestep what could have been a potentially antiseptic environment, making it tactile, human and luxurious.
2,200 sf
Design Team: John Beckmann, Richard Rosenbloom and Nick Messerlian
Vintage photography coursety of the Ubu Gallery, New York
Photography: Adriana Buffi and Fran Parente
© Axis Mundi Design LLC

It wasn’t necessary to overthink things when Axis Mundi designed interiors for an apartment at Brooklyn’s glass-sheathed 1 Grand Army Plaza, the luxury building by Richard Meier already endowed with all the “starchitect” bells and whistles, as well as drop-dead stunning views of Brooklyn, the harbor and Prospect Park. What did require considerable aptitude was to strike the right balance between respect for these assets, particularly the panoramas, and livability. The all-white scheme doesn’t just complement Meier’s own aesthetic devotion to this purest of pure hues; it serves as a cool backdrop for the views, affording comfortable vantage points from which to enjoy them, yet not drawing attention away from the splendors of one of the world’s most distinctive boroughs. Sleek, low-lying Italian seating avoids distracting interruptions on the horizon line. But minimal color accents and pattern also sidestep what could have been a potentially antiseptic environment, making it tactile, human and luxurious.
2,200 sf
Design Team: John Beckmann, Richard Rosenbloom and Nick Messerlian
Vintage photography coursety of the Ubu Gallery, New York
Photography: Adriana Buffi and Fran Parente
© Axis Mundi Design LLC

It wasn’t necessary to overthink things when Axis Mundi designed interiors for an apartment at Brooklyn’s glass-sheathed 1 Grand Army Plaza, the luxury building by Richard Meier already endowed with all the “starchitect” bells and whistles, as well as drop-dead stunning views of Brooklyn, the harbor and Prospect Park. What did require considerable aptitude was to strike the right balance between respect for these assets, particularly the panoramas, and livability. The all-white scheme doesn’t just complement Meier’s own aesthetic devotion to this purest of pure hues; it serves as a cool backdrop for the views, affording comfortable vantage points from which to enjoy them, yet not drawing attention away from the splendors of one of the world’s most distinctive boroughs. Sleek, low-lying Italian seating avoids distracting interruptions on the horizon line. But minimal color accents and pattern also sidestep what could have been a potentially antiseptic environment, making it tactile, human and luxurious.
2,200 sf
Design Team: John Beckmann, Richard Rosenbloom and Nick Messerlian
Photography: Adriana Buffi and Fran Parente
© Axis Mundi Design LLC

It wasn’t necessary to overthink things when Axis Mundi designed interiors for an apartment at Brooklyn’s glass-sheathed 1 Grand Army Plaza, the luxury building by Richard Meier already endowed with all the “starchitect” bells and whistles, as well as drop-dead stunning views of Brooklyn, the harbor and Prospect Park. What did require considerable aptitude was to strike the right balance between respect for these assets, particularly the panoramas, and livability. The all-white scheme doesn’t just complement Meier’s own aesthetic devotion to this purest of pure hues; it serves as a cool backdrop for the views, affording comfortable vantage points from which to enjoy them, yet not drawing attention away from the splendors of one of the world’s most distinctive boroughs. Sleek, low-lying Italian seating avoids distracting interruptions on the horizon line. But minimal color accents and pattern also sidestep what could have been a potentially antiseptic environment, making it tactile, human and luxurious.
2,200 sf
Design Team: John Beckmann, Richard Rosenbloom and Nick Messerlian
Vintage photography coursety of the Ubu Gallery, New York
Photography: Adriana Buffi and Fran Parente
© Axis Mundi Design LLC

It wasn’t necessary to overthink things when Axis Mundi designed interiors for an apartment at Brooklyn’s glass-sheathed 1 Grand Army Plaza, the luxury building by Richard Meier already endowed with all the “starchitect” bells and whistles, as well as drop-dead stunning views of Brooklyn, the harbor and Prospect Park. What did require considerable aptitude was to strike the right balance between respect for these assets, particularly the panoramas, and livability. The all-white scheme doesn’t just complement Meier’s own aesthetic devotion to this purest of pure hues; it serves as a cool backdrop for the views, affording comfortable vantage points from which to enjoy them, yet not drawing attention away from the splendors of one of the world’s most distinctive boroughs. Sleek, low-lying Italian seating avoids distracting interruptions on the horizon line. But minimal color accents and pattern also sidestep what could have been a potentially antiseptic environment, making it tactile, human and luxurious.
2,200 sf
Design Team: John Beckmann, Richard Rosenbloom and Nick Messerlian
Vintage photography coursety of the Ubu Gallery, New York
Photography: Adriana Buffi and Fran Parente
© Axis Mundi Design LLC

Example of a mid-sized transitional freestanding desk dark wood floor and brown floor study room design in New York with beige walls and no fireplace

This 5-story 1860’s Brooklyn townhouse features Zola’s triple-glazed Thermo Clad windows and doors in pine.
Finding high performance windows that were large and quality-crafted was an important aspect of combining the passive house standard with the original intent of a top-notch design and tasteful renovation of the historic home.
Zola’s Thermo Clad windows and door line fit the bill. The home is extremely comfortable and energy-efficient. According to Laura Mackall, they did not turn the heat on all winter, and the inside temperatures stayed at around 70 degrees inspite of record-low temperatures in New York City this past winter. Architect Louis Mackall was impressed with level of insulation afforded by Zola windows and doors.
Architect: Louis Mackall
Builder: Build with Prospect, Jeremy Shannon, AIA
Photographer: Michel Arnaud

This 5-story 1860’s Brooklyn townhouse features Zola’s triple-glazed Thermo Clad windows and doors in pine.
Finding high performance windows that were large and quality-crafted was an important aspect of combining the passive house standard with the original intent of a top-notch design and tasteful renovation of the historic home.
Zola’s Thermo Clad windows and door line fit the bill. The home is extremely comfortable and energy-efficient. According to Laura Mackall, they did not turn the heat on all winter, and the inside temperatures stayed at around 70 degrees inspite of record-low temperatures in New York City this past winter. Architect Louis Mackall was impressed with level of insulation afforded by Zola windows and doors.
Architect: Louis Mackall
Builder: Build with Prospect, Jeremy Shannon, AIA
Photographer: Michel Arnaud

It wasn’t necessary to overthink things when Axis Mundi designed interiors for an apartment at Brooklyn’s glass-sheathed 1 Grand Army Plaza, the luxury building by Richard Meier already endowed with all the “starchitect” bells and whistles, as well as drop-dead stunning views of Brooklyn, the harbor and Prospect Park. What did require considerable aptitude was to strike the right balance between respect for these assets, particularly the panoramas, and livability. The all-white scheme doesn’t just complement Meier’s own aesthetic devotion to this purest of pure hues; it serves as a cool backdrop for the views, affording comfortable vantage points from which to enjoy them, yet not drawing attention away from the splendors of one of the world’s most distinctive boroughs. Sleek, low-lying Italian seating avoids distracting interruptions on the horizon line. But minimal color accents and pattern also sidestep what could have been a potentially antiseptic environment, making it tactile, human and luxurious.
2,200 sf
Design Team: John Beckmann, Richard Rosenbloom and Nick Messerlian
Vintage photography coursety of the Ubu Gallery, New York
Photography: Adriana Buffi and Fran Parente
© Axis Mundi Design LLC

It wasn’t necessary to overthink things when Axis Mundi designed interiors for an apartment at Brooklyn’s glass-sheathed 1 Grand Army Plaza, the luxury building by Richard Meier already endowed with all the “starchitect” bells and whistles, as well as drop-dead stunning views of Brooklyn, the harbor and Prospect Park. What did require considerable aptitude was to strike the right balance between respect for these assets, particularly the panoramas, and livability. The all-white scheme doesn’t just complement Meier’s own aesthetic devotion to this purest of pure hues; it serves as a cool backdrop for the views, affording comfortable vantage points from which to enjoy them, yet not drawing attention away from the splendors of one of the world’s most distinctive boroughs. Sleek, low-lying Italian seating avoids distracting interruptions on the horizon line. But minimal color accents and pattern also sidestep what could have been a potentially antiseptic environment, making it tactile, human and luxurious.
2,200 sf
Design Team: John Beckmann, Richard Rosenbloom and Nick Messerlian
Photography: Adriana Buffi and Fran Parente
© Axis Mundi Design LLC

This 5-story 1860’s Brooklyn townhouse features Zola’s triple-glazed Thermo Clad windows and doors in pine.
Finding high performance windows that were large and quality-crafted was an important aspect of combining the passive house standard with the original intent of a top-notch design and tasteful renovation of the historic home.
Zola’s Thermo Clad windows and door line fit the bill. The home is extremely comfortable and energy-efficient. According to Laura Mackall, they did not turn the heat on all winter, and the inside temperatures stayed at around 70 degrees inspite of record-low temperatures in New York City this past winter. Architect Louis Mackall was impressed with level of insulation afforded by Zola windows and doors.
Architect: Louis Mackall
Builder: Build with Prospect, Jeremy Shannon, AIA
Photographer: Michel Arnaud

It wasn’t necessary to overthink things when Axis Mundi designed interiors for an apartment at Brooklyn’s glass-sheathed 1 Grand Army Plaza, the luxury building by Richard Meier already endowed with all the “starchitect” bells and whistles, as well as drop-dead stunning views of Brooklyn, the harbor and Prospect Park. What did require considerable aptitude was to strike the right balance between respect for these assets, particularly the panoramas, and livability. The all-white scheme doesn’t just complement Meier’s own aesthetic devotion to this purest of pure hues; it serves as a cool backdrop for the views, affording comfortable vantage points from which to enjoy them, yet not drawing attention away from the splendors of one of the world’s most distinctive boroughs. Sleek, low-lying Italian seating avoids distracting interruptions on the horizon line. But minimal color accents and pattern also sidestep what could have been a potentially antiseptic environment, making it tactile, human and luxurious.
2,200 sf
Design Team: John Beckmann, Richard Rosenbloom and Nick Messerlian
Vintage photography coursety of the Ubu Gallery, New York
Photography: Adriana Buffi and Fran Parente
© Axis Mundi Design LLC

It wasn’t necessary to overthink things when Axis Mundi designed interiors for an apartment at Brooklyn’s glass-sheathed 1 Grand Army Plaza, the luxury building by Richard Meier already endowed with all the “starchitect” bells and whistles, as well as drop-dead stunning views of Brooklyn, the harbor and Prospect Park. What did require considerable aptitude was to strike the right balance between respect for these assets, particularly the panoramas, and livability. The all-white scheme doesn’t just complement Meier’s own aesthetic devotion to this purest of pure hues; it serves as a cool backdrop for the views, affording comfortable vantage points from which to enjoy them, yet not drawing attention away from the splendors of one of the world’s most distinctive boroughs. Sleek, low-lying Italian seating avoids distracting interruptions on the horizon line. But minimal color accents and pattern also sidestep what could have been a potentially antiseptic environment, making it tactile, human and luxurious.
2,200 sf
Design Team: John Beckmann, Richard Rosenbloom and Nick Messerlian
Photography: Adriana Buffi and Fran Parente
© Axis Mundi Design LLC

It wasn’t necessary to overthink things when Axis Mundi designed interiors for an apartment at Brooklyn’s glass-sheathed 1 Grand Army Plaza, the luxury building by Richard Meier already endowed with all the “starchitect” bells and whistles, as well as drop-dead stunning views of Brooklyn, the harbor and Prospect Park. What did require considerable aptitude was to strike the right balance between respect for these assets, particularly the panoramas, and livability. The all-white scheme doesn’t just complement Meier’s own aesthetic devotion to this purest of pure hues; it serves as a cool backdrop for the views, affording comfortable vantage points from which to enjoy them, yet not drawing attention away from the splendors of one of the world’s most distinctive boroughs. Sleek, low-lying Italian seating avoids distracting interruptions on the horizon line. But minimal color accents and pattern also sidestep what could have been a potentially antiseptic environment, making it tactile, human and luxurious.
2,200 sf
Design Team: John Beckmann, Richard Rosenbloom and Nick Messerlian
Vintage photography courtesy of the Ubu Gallery, New York
Photography: Adriana Buffi and Fran Parente
© Axis Mundi Design LLC

It wasn’t necessary to overthink things when Axis Mundi designed interiors for an apartment at Brooklyn’s glass-sheathed 1 Grand Army Plaza, the luxury building by Richard Meier already endowed with all the “starchitect” bells and whistles, as well as drop-dead stunning views of Brooklyn, the harbor and Prospect Park. What did require considerable aptitude was to strike the right balance between respect for these assets, particularly the panoramas, and livability. The all-white scheme doesn’t just complement Meier’s own aesthetic devotion to this purest of pure hues; it serves as a cool backdrop for the views, affording comfortable vantage points from which to enjoy them, yet not drawing attention away from the splendors of one of the world’s most distinctive boroughs. Sleek, low-lying Italian seating avoids distracting interruptions on the horizon line. But minimal color accents and pattern also sidestep what could have been a potentially antiseptic environment, making it tactile, human and luxurious.
2,200 sf
Design Team: John Beckmann, Richard Rosenbloom and Nick Messerlian
Vintage photography courtesy of the Ubu Gallery, New York
Photography: Adriana Buffi and Fran Parente
© Axis Mundi Design LLC
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