Costa Christ
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The original design of this late Mid-century Modern house featured a horrifically ugly entry which the owners needed our help to fix. In addition, they wanted to add a master suite, create a home theatre, and remodel the family room. Although they originally considered adding a second floor, our final design resulted in an extension of the house which accentuated its existing linear quality. Our solution to the entry problem included cutting back part of the vaulted roof to allow more light in and adding a cantilevered canopy instead. A new entry bridge crosses a koi pond, and new clerestory windows, stone planters and cedar trim complete the makeover of the previously bland plywood-clad box. The new master suite features 12 foot ceilings, clerestory windows, 8 foot high French doors and a fireplace. The exterior of the addition employs the same pallet of materials as the new façade but with a carefully composed composition of form and proportion. The new family room features the same stone cladding as we used on the exterior. Photo by Christopher Stark Photography.

We designed and built a 2-story, 2-stall garage addition on this Cape Cod style home in Westwood, MA. We removed the former breezeway and single-story, 2-stall garage and replaced it with a beautiful and functional design. We replaced the breezeway (which did not connect the garage and house) with a mudroom filled with space and storage (and a powder room) as well as the 2-stall garage and a main suite above. The main suite includes a large bedroom, walk-in closest (hint - those two small dormers you see) and a large main bathroom. Back on the first floor, we relocated a bathroom, renovated the kitchen and above all, improved form, flow and function between spaces. Our team also replaced the deck which offers a perfect combination of indoor/outdoor living.

The shape of the angled porch-roof, sets the tone for a truly modern entryway. This protective covering makes a dramatic statement, as it hovers over the front door. The blue-stone terrace conveys even more interest, as it gradually moves upward, morphing into steps, until it reaches the porch. Porch Detail The multicolored tan stone, used for the risers and retaining walls, is proportionally carried around the base of the house. Horizontal sustainable-fiber cement board replaces the original vertical wood siding, and widens the appearance of the facade. The color scheme — blue-grey siding, cherry-wood door and roof underside, and varied shades of tan and blue stone — is complimented by the crisp-contrasting black accents of the thin-round metal columns, railing, window sashes, and the roof fascia board and gutters. This project is a stunning example of an exterior, that is both asymmetrical and symmetrical. Prior to the renovation, the house had a bland 1970s exterior. Now, it is interesting, unique, and inviting. Photography Credit: Tom Holdsworth Photography Contractor: Owings Brothers Contracting

The shape of the angled porch-roof, sets the tone for a truly modern entryway. This protective covering makes a dramatic statement, as it hovers over the front door. The blue-stone terrace conveys even more interest, as it gradually moves upward, morphing into steps, until it reaches the porch. Porch Detail The multicolored tan stone, used for the risers and retaining walls, is proportionally carried around the base of the house. Horizontal sustainable-fiber cement board replaces the original vertical wood siding, and widens the appearance of the facade. The color scheme — blue-grey siding, cherry-wood door and roof underside, and varied shades of tan and blue stone — is complimented by the crisp-contrasting black accents of the thin-round metal columns, railing, window sashes, and the roof fascia board and gutters. This project is a stunning example of an exterior, that is both asymmetrical and symmetrical. Prior to the renovation, the house had a bland 1970s exterior. Now, it is interesting, unique, and inviting. Photography Credit: Tom Holdsworth Photography Contractor: Owings Brothers Contracting

an asymmetrical modernist addition at the side houses an additional bedroom and provides new access into the home from the side yard and driveway
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The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by NIls Finne

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The shape of the angled porch-roof, sets the tone for a truly modern entryway. This protective covering makes a dramatic statement, as it hovers over the front door. The blue-stone terrace conveys even more interest, as it gradually moves upward, morphing into steps, until it reaches the porch. Porch Detail The multicolored tan stone, used for the risers and retaining walls, is proportionally carried around the base of the house. Horizontal sustainable-fiber cement board replaces the original vertical wood siding, and widens the appearance of the facade. The color scheme — blue-grey siding, cherry-wood door and roof underside, and varied shades of tan and blue stone — is complimented by the crisp-contrasting black accents of the thin-round metal columns, railing, window sashes, and the roof fascia board and gutters. This project is a stunning example of an exterior, that is both asymmetrical and symmetrical. Prior to the renovation, the house had a bland 1970s exterior. Now, it is interesting, unique, and inviting. Photography Credit: Tom Holdsworth Photography Contractor: Owings Brothers Contracting

The original design of this late Mid-century Modern house featured a horrifically ugly entry which the owners needed our help to fix. In addition, they wanted to add a master suite, create a home theatre, and remodel the family room. Although they originally considered adding a second floor, our final design resulted in an extension of the house which accentuated its existing linear quality. Our solution to the entry problem included cutting back part of the vaulted roof to allow more light in and adding a cantilevered canopy instead. A new entry bridge crosses a koi pond, and new clerestory windows, stone planters and cedar trim complete the makeover of the previously bland plywood-clad box. The new master suite features 12 foot ceilings, clerestory windows, 8 foot high French doors and a fireplace. The exterior of the addition employs the same pallet of materials as the new façade but with a carefully composed composition of form and proportion. The new family room features the same stone cladding as we used on the exterior. Photo by Christopher Stark Photography.

The clients imagined a rock house with cut stone accents and a steep roof with French and English influences; an asymmetrical house that spread out to fit their broad building site. We designed the house with a shallow, but rambling footprint to allow lots of natural light into the rooms. The interior is anchored by the dramatic but cozy family room that features a cathedral ceiling and timber trusses. A breakfast nook with a banquette is built-in along one wall and is lined with windows on two sides overlooking the flower garden.