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We renovated the exterior and the 4-car garage of this colonial, New England-style estate in Haverford, PA. The 3-story main house has white, western red cedar siding and a green roof. The detached, 4-car garage also functions as a gentleman’s workshop. Originally, that building was two separate structures. The challenge was to create one building with a cohesive look that fit with the main house’s New England style. Challenge accepted! We started by building a breezeway to connect the two structures. The new building’s exterior mimics that of the main house’s siding, stone and roof, and has copper downspouts and gutters. The stone exterior has a German shmear finish to make the stone look as old as the stone on the house. The workshop portion features mahogany, carriage style doors. The workshop floors are reclaimed Belgian block brick.
RUDLOFF Custom Builders has won Best of Houzz for Customer Service in 2014, 2015 2016 and 2017. We also were voted Best of Design in 2016, 2017 and 2018, which only 2% of professionals receive. Rudloff Custom Builders has been featured on Houzz in their Kitchen of the Week, What to Know About Using Reclaimed Wood in the Kitchen as well as included in their Bathroom WorkBook article. We are a full service, certified remodeling company that covers all of the Philadelphia suburban area. This business, like most others, developed from a friendship of young entrepreneurs who wanted to make a difference in their clients’ lives, one household at a time. This relationship between partners is much more than a friendship. Edward and Stephen Rudloff are brothers who have renovated and built custom homes together paying close attention to detail. They are carpenters by trade and understand concept and execution. RUDLOFF CUSTOM BUILDERS will provide services for you with the highest level of professionalism, quality, detail, punctuality and craftsmanship, every step of the way along our journey together.
Specializing in residential construction allows us to connect with our clients early in the design phase to ensure that every detail is captured as you imagined. One stop shopping is essentially what you will receive with RUDLOFF CUSTOM BUILDERS from design of your project to the construction of your dreams, executed by on-site project managers and skilled craftsmen. Our concept: envision our client’s ideas and make them a reality. Our mission: CREATING LIFETIME RELATIONSHIPS BUILT ON TRUST AND INTEGRITY.
Photo Credit: JMB Photoworks

There are few things we enjoy nearly as much as helping a homeowner create a statement that is so exclusively them that it’s all but impossible for another to duplicate what they’re creating in their home. Sure, there can be common colors and sometimes even common themes, but for as many homeowners as there are, there are as many individual tastes, thoughts, and ideas that can inspire creativity and design. Tapping into where each homeowner is coming from is what is what brings us so much joy and excitement.
Just imagine the excitement we felt when this homeowner asked us to help him with this unusual project! He received this Jack Daniels barrel as a gift from a close friend and wanted to create a new bar in his basement to entertain family and friends. The initial thought was to have the barrel as a stand alone conversation piece, but after some further discussion we suggested using it as a focal point and thus the project was born.
Jack was known to be a man of refinement and to pay him the appropriate respect it only made sense to approach this project with an equal sense of detail in the crafting of this project, if for no other reason, we hold the same values. To match all of this with our homeowner’s fondness of entertaining friends, the warm and relaxing feeling he was looking for and the aesthetics of the room, the use of reclaimed and live-edge wood made for a natural fit.
In fact aside from a few structural 2x4s beneath the surface, the entire project is built from reused, reclaimed, or re-purposed materials. The most obvious example would be the barrel itself. A bit of research revealed that Jack Daniels only uses their barrels one time before replacing them. Rather than simply destroying them or throwing them away, the barrels are made available to the public to use for other purposes. As a side note we appreciate seeing other companies taking this responsible and earth friendly approach to business.
As a part of our own mission to reduce, reuse, and recycle as often as we can, you’ll note the wall paneling is also re-purposed materials. These particular boards we retrieved from an old building that was being removed and rather than allowing all these materials to be bulldozed with the rest of the old structure, we took as much of the old building materials as we could to use elsewhere. For this project we had the old planks and beams them re-sawn into the wall paneling you see here. Look closely at the picture and you’ll see the original nail holes in the boards that made their new home in this project.
We even incorporated the reclaimed paneling into wrapping the column the previously exposed wood beams above bar area. It adds to the overall feel by incorporating the theme into an otherwise ungainly (and obviously necessary!) part of the house structure.
All the boards in the design of the bar itself come from re-purposed, urban Ash logs. These are either aging and at-risk trees that cities need removed. Ash trees can be subject to assorted infections and diseases and it’s an unfortunate truth that once the disease is discovered, the best way to reduce it’s spreading is to remove the trees in the surrounding area. To further our mission, we take these trees before they end up in a shredder and re-purpose as many of them as we can rather than seeing them simply turned to mulch. We believe this to be a much more responsible use of available materials and just as beautiful.
Each board has so much individual character with their natural knots and swirls. We particularly enjoyed the perfectly sized and shaped piece that became the support at the far end of the bar top. It’s as if nature knew we were going to make this project and grew that board to the perfect dimensions just for this purpose!
We also had a small leftover piece that was extra knotty and so full of character that we incorporated it as a small shelf just above the barrel. Just because it’s small doesn’t mean it can’t make a statement…
Of course no bar would be complete without the top itself. We had a few extra large pieces of Ash with live edges on both sides for the owner to choose from that fit the rough dimensions we needed. His decision made, we added just a very subtle hint of blue and green with our proprietary treatment before the final finishing with epoxy to a mirror finish. We added a few recessed lights to help highlight the natural patterns in the bar top and this bar is ready to serve.
This project was satisfying for several reasons. We were thrilled we were able to complete the project entirely out of reclaimed and re-purposed materials. The homeowner’s desire for a rustic feel made it easier to accomplish this and we appreciate that we can partake in projects like this, particularly one so unique.
Custom doesn’t come out of a catalog. At Serenity Design Studio our number one goal is to see your unique vision come to life.
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Made in Italy
Modern Modular Office Furniture Composition VV LE5058. All the pieces within this Italian office furniture collection are made from the finest materials according to the European quality standards. This italian office line offers lots of customization opportunities, featuring a great variety of modules available in different sizes and colors, allowing to organize your home or work office space according to your dimensions and storage necessities. The storage cabinets can be ordered either without doors to have a fast access to your business papers or with wooden doors in walnut or wenge finish, high gloss white or red lacquer as well as clear glass doors or even drawers. There is also a wide selection of executive and corner office desks of different size and design, that can be also equipped with optional built-in drawers, keyboard tray or purchased with mobile free-standing drawer file cabinets. Office desk are available with wooden legs or metal legs. Metal legs are designed for hidden wiring of your electrical devices.
MATERIAL/CONSTRUCTION:
The structures and the panels are faced with melamine resins class E1 ( EEC CLASS, with a low formaldehyde emission).
Structure of the units can be ordered in either walnut or wenge finish.
Front doors of the storage units are available in clear glass, red and white gloss lacquered wood, wenge and walnut finishes
Shelves, side panels and partitions - 22 mm (0.9") thick
Front doors and back panels - 15 mm (0.6") thick
Metal legs of the office desks will help you with wiring your electronics
The starting price is for the Corner Office Desk as shown in the main picture. (Consists of: Two Office Desks W71" (Metal Legs) and Desk Corner Connector 31.5" x 31.5"
The File Cabinet as well as the other storage units are not included in the price and can be ordered separately.
Dimensions:
Office Desk (as shown): W(102" x 102") x D31.5" x H29"
Library Unit (as shown): W84" x D14.2" x H89"
Office Desk: W35.4" x D23.6" x H29"
Office Desk: W41.7" x D23.6" x H29"
Office Desk: W47.2" x D31.5" x H29"
Office Desk: W55" x D31.5" x H29"
Office Desk: W63" x D31.5" x H29"
Office Desk: W71" x D31.5" x H29"
Computer Desk: W41.7" x D23.6" x H29.2"
Desk corner connector: W31.5" x D31.5"
Desk corner connector: W31.5" x D23.6"
Low File cabinet: W16.5"x D20.5" x H19"
High File cabinet (with lock): W16.5"x D20.5"x H22.5"
Built-In Set of Drawers: W16.5" x D20.5" x H10.6"

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As with most projects, it all started with the kitchen layout. The home owners came to us wanting to upgrade their kitchen and overall aesthetic in their suburban home, with a combination of fresh paint, updated finishes, and improved flow for more ease when doing everyday activities.
A monochromatic, earth-toned palette left the kitchen feeling uninspired. It lacked the brightness they wanted from their space. An eat-in table underutilized the available square footage. The butler’s pantry was out of the way and hard to access, and the dining room felt detached from the kitchen.
Lead Designer, Stephanie Cole, saw an improved layout for the spaces that were no longer working for this family. By eliminating an existing wall between the kitchen and dining room, and relocating the bar area to the dining room, we opened up the kitchen, providing all the space we needed to create a dreamy and functional layout. A new perimeter configuration promoted circulation while also making space for a large and functional island loaded with seating – a must for any family. Because an island that isn’t big enough for everyone (and a few more) is a recipe for disaster. The light white cabinetry is fresh and contrasts with the deeper tones in the wood flooring, creating a modern aesthetic that is elevated, yet approachable for everyday living.
With better flow as the overarching goal, we made some structural changes too. To remove a bottleneck in the entryway, we angled one of the dining room walls to create more natural separation between rooms and facilitate ease of movement throughout the large space.
At The Kitchen Studio, we believe a well-designed kitchen uses every square inch to the fullest. By starting from scratch, it was possible to rethink the entire kitchen layout and design the space according to how it is used, because the kitchen shouldn’t make it harder to feed the family. A new location for the existing range, flanked by a new column refrigerator and freezer on each side, worked to anchor the space. The very large and very spacious island (a dream island if we do say so ourselves) now houses the primary sink and provides ample space for food prep and family gathering.
The new kitchen table and coordinating banquette seating provide a cozy nook for quick breakfasts before school or work, and evening homework sessions. Elegant gold details catch the natural light, elevating the aesthetic.
The dining room was transformed into one of this client’s favorite spaces and we couldn’t agree more. We saw an opportunity to give the dining room a more distinguished identity by closing off the entrance from the foyer. The relocated wet bar enhances the sophisticated vibe of this gathering space, complete with beautiful antique mirror tiles and open shelving encased by moody built-in cabinets.
Updated furnishings add warmth. A rich walnut table is paired with custom chairs in a muted coral fabric. The large, transitional chandelier grounds the room, pairing beautifully with the gold finishes prevalent in the faucet and cabinet hardware. Linen-inspired wallpaper and cream-toned window treatments add to the glamorous feel of this entertainment space.
There is no way around it. The laundry room was cramped. The large washer and dryer blocked access to the sink and left little room for the space to serve its other essential function – as a mudroom. Because we reworked the kitchen layout to create more space overall, we could rethink the mudroom too – an essential for any busy family. The first step was moving the washer and dryer to an existing area on the second floor, where most of the family’s laundry lives (no one wants to carry laundry up and down the stairs if they don’t have to anyway). This is a more functional solution and opened up the space for all the mudroom necessities – including the existing kitchen refrigerator, loads of built-in cubbies, and a bench.
It’s hard to not fall in love with every detail of a new space, especially when it serves your day-to-day life. But that doesn’t mean the clients didn’t have their favorite features they use on the daily. This remodel was focused largely on function with a new kitchen layout. And it’s the functional features that have the biggest impact. The large island provides much needed workspace in the kitchen and is a spot where everyone gathers together – it grounds the space and the family. And the custom counter stools are the icing on the cake. The nearby mudroom has everything their previous space was lacking – ample storage, space for everyone’s essentials, and the beloved cement floor tiles that are both durable and artistic.

We renovated the exterior and the 4-car garage of this colonial, New England-style estate in Haverford, PA. The 3-story main house has white, western red cedar siding and a green roof. The detached, 4-car garage also functions as a gentleman’s workshop. Originally, that building was two separate structures. The challenge was to create one building with a cohesive look that fit with the main house’s New England style. Challenge accepted! We started by building a breezeway to connect the two structures. The new building’s exterior mimics that of the main house’s siding, stone and roof, and has copper downspouts and gutters. The stone exterior has a German shmear finish to make the stone look as old as the stone on the house. The workshop portion features mahogany, carriage style doors. The workshop floors are reclaimed Belgian block brick.
RUDLOFF Custom Builders has won Best of Houzz for Customer Service in 2014, 2015 2016 and 2017. We also were voted Best of Design in 2016, 2017 and 2018, which only 2% of professionals receive. Rudloff Custom Builders has been featured on Houzz in their Kitchen of the Week, What to Know About Using Reclaimed Wood in the Kitchen as well as included in their Bathroom WorkBook article. We are a full service, certified remodeling company that covers all of the Philadelphia suburban area. This business, like most others, developed from a friendship of young entrepreneurs who wanted to make a difference in their clients’ lives, one household at a time. This relationship between partners is much more than a friendship. Edward and Stephen Rudloff are brothers who have renovated and built custom homes together paying close attention to detail. They are carpenters by trade and understand concept and execution. RUDLOFF CUSTOM BUILDERS will provide services for you with the highest level of professionalism, quality, detail, punctuality and craftsmanship, every step of the way along our journey together.
Specializing in residential construction allows us to connect with our clients early in the design phase to ensure that every detail is captured as you imagined. One stop shopping is essentially what you will receive with RUDLOFF CUSTOM BUILDERS from design of your project to the construction of your dreams, executed by on-site project managers and skilled craftsmen. Our concept: envision our client’s ideas and make them a reality. Our mission: CREATING LIFETIME RELATIONSHIPS BUILT ON TRUST AND INTEGRITY.
Photo Credit: JMB Photoworks

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Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

A 6,000 square foot 2-story new home complex in Milpitas was designed to facilitate the owners’ large business parties and gatherings, to have rooms for the kids to come back to upstairs, and a ground floor master suite with a huge walk-in closet. Several separate structures make up the dwelling: The main house, 3-car garage with carport for overflow parking, and a separate entertainment and recreation building separated by a courtyard from the main house.
The business activities include gatherings in the hundreds of people, so parking was maximized and guests can flow in through a separate gate to party in the courtyard and recreation building. Inside this structure is a wet bar, billiard room, workout gym and home theater. The main house ground floor has formal and informal living rooms, open kitchen and master suite with views and expansive windows in every direction. The house is sited on the crestline of a hill with views of the San Francisco Bay and private golf course below. The indoor-outdoor aspect of the house is further accentuated with outside living and dining areas.
High ceilings and expansive glass walls dissolve the sense of enclosure taking advantage of the site’s openness and privacy. The owner’s suite is downstairs in anticipation of aging-in-place, and upstairs there are three bedrooms and four bathrooms plus a sitting area lounge and casual TV loft area.
The house sits on one acre at the top of a low hill range overlooking Milpitas. The city was very cognizant of the importance of keeping a low profile at this crestline and required extensive story poles and photo evidence of the proper height and siting so as not to be seen from certain selected vantage points.
GENERAL CONTRACTOR: JCD Builders Inc.
LANDSCAPE DESIGN: Morf Chang Landscape Architecture / ODS Architecture
PHOTOGRAPHS: Paul Dyer Photography

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THE SETUP
Sam’s clients wanted to update their hall bathroom used by their three children. The goal was to create a space that is both kid-friendly and elegant, ensuring it remains functional and stylish as the children grow. The original bathroom felt confined due to dark materials and a single-sink vanity. The challenge was to find a design that looks great now and in the future.
Design objectives:
Create a sense of spaciousness
Increase storage for bathroom necessities and daily routines
Enhance lighting
THE REMODEL
Design challenges to be solved:
No structural changes – must keep the tub and wall structure
Transforming a small, dark space into a bright, open one without adding a new window
Multi-user-minded – Improving functionality for multiple users simultaneously
Timeless & kid-friendly – create a comfy kid-friendly look that won’t appear dated as the kids grow older
THE RENEWED SPACE
Design solutions:
Slimmer Tub and Sliding Shower Door installed to free up functional space, making the bathroom feel larger.
Lighter Materials used to reflect more light and add a vibrant feel. Open shelves above the toilet provide storage without making the space feel cramped, while allowing light from the existing window to permeate.
Dual Sink Vanity added, and split the mirror into two, creating individual stations for the kids and enhancing usability during busy routines.
Kid-Friendly Features – Incorporated toe-kick lighting that works as a nightlight, a lower-mounted shower handheld, and a large, accessible shower niche. The geometric shapes and blue color palette contribute to a fun yet sophisticated look.
The clients are thrilled with the transformation. The bathroom is now fun and elegant, providing a timeless look that will grow with the kids. They appreciate the increased functionality and the bright, open feel of the space.
This remodel successfully blends practical solutions with stylish design, ensuring the hall bathroom meets the needs of a busy family while maintaining a sophisticated look.

A 6,000 square foot 2-story new home complex in Milpitas was designed to facilitate the owners’ large business parties and gatherings, to have rooms for the kids to come back to upstairs, and a ground floor master suite with a huge walk-in closet. Several separate structures make up the dwelling: The main house, 3-car garage with carport for overflow parking, and a separate entertainment and recreation building separated by a courtyard from the main house.
The business activities include gatherings in the hundreds of people, so parking was maximized and guests can flow in through a separate gate to party in the courtyard and recreation building. Inside this structure is a wet bar, billiard room, workout gym and home theater. The main house ground floor has formal and informal living rooms, open kitchen and master suite with views and expansive windows in every direction. The house is sited on the crestline of a hill with views of the San Francisco Bay and private golf course below. The indoor-outdoor aspect of the house is further accentuated with outside living and dining areas.
High ceilings and expansive glass walls dissolve the sense of enclosure taking advantage of the site’s openness and privacy. The owner’s suite is downstairs in anticipation of aging-in-place, and upstairs there are three bedrooms and four bathrooms plus a sitting area lounge and casual TV loft area.
The house sits on one acre at the top of a low hill range overlooking Milpitas. The city was very cognizant of the importance of keeping a low profile at this crestline and required extensive story poles and photo evidence of the proper height and siting so as not to be seen from certain selected vantage points.
GENERAL CONTRACTOR: JCD Builders Inc.
LANDSCAPE DESIGN: Morf Chang Landscape Architecture / ODS Architecture
PHOTOGRAPHS: Paul Dyer Photography

A 6,000 square foot 2-story new home complex in Milpitas was designed to facilitate the owners’ large business parties and gatherings, to have rooms for the kids to come back to upstairs, and a ground floor master suite with a huge walk-in closet. Several separate structures make up the dwelling: The main house, 3-car garage with carport for overflow parking, and a separate entertainment and recreation building separated by a courtyard from the main house.
The business activities include gatherings in the hundreds of people, so parking was maximized and guests can flow in through a separate gate to party in the courtyard and recreation building. Inside this structure is a wet bar, billiard room, workout gym and home theater. The main house ground floor has formal and informal living rooms, open kitchen and master suite with views and expansive windows in every direction. The house is sited on the crestline of a hill with views of the San Francisco Bay and private golf course below. The indoor-outdoor aspect of the house is further accentuated with outside living and dining areas.
High ceilings and expansive glass walls dissolve the sense of enclosure taking advantage of the site’s openness and privacy. The owner’s suite is downstairs in anticipation of aging-in-place, and upstairs there are three bedrooms and four bathrooms plus a sitting area lounge and casual TV loft area.
The house sits on one acre at the top of a low hill range overlooking Milpitas. The city was very cognizant of the importance of keeping a low profile at this crestline and required extensive story poles and photo evidence of the proper height and siting so as not to be seen from certain selected vantage points.
GENERAL CONTRACTOR: JCD Builders Inc.
LANDSCAPE DESIGN: Morf Chang Landscape Architecture / ODS Architecture
PHOTOGRAPHS: Paul Dyer Photography

A 6,000 square foot 2-story new home complex in Milpitas was designed to facilitate the owners’ large business parties and gatherings, to have rooms for the kids to come back to upstairs, and a ground floor master suite with a huge walk-in closet. Several separate structures make up the dwelling: The main house, 3-car garage with carport for overflow parking, and a separate entertainment and recreation building separated by a courtyard from the main house.
The business activities include gatherings in the hundreds of people, so parking was maximized and guests can flow in through a separate gate to party in the courtyard and recreation building. Inside this structure is a wet bar, billiard room, workout gym and home theater. The main house ground floor has formal and informal living rooms, open kitchen and master suite with views and expansive windows in every direction. The house is sited on the crestline of a hill with views of the San Francisco Bay and private golf course below. The indoor-outdoor aspect of the house is further accentuated with outside living and dining areas.
High ceilings and expansive glass walls dissolve the sense of enclosure taking advantage of the site’s openness and privacy. The owner’s suite is downstairs in anticipation of aging-in-place, and upstairs there are three bedrooms and four bathrooms plus a sitting area lounge and casual TV loft area.
The house sits on one acre at the top of a low hill range overlooking Milpitas. The city was very cognizant of the importance of keeping a low profile at this crestline and required extensive story poles and photo evidence of the proper height and siting so as not to be seen from certain selected vantage points.
GENERAL CONTRACTOR: JCD Builders Inc.
LANDSCAPE DESIGN: Morf Chang Landscape Architecture / ODS Architecture
PHOTOGRAPHS: Paul Dyer Photography

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The design strategy included working within the footprint created by the home and backyard, wanting to incorporate a swimming pool “destination” within the backyard that would be large enough to fit the “larger than life” criteria, but without taking away any of the natural beauty or obstructing the view of the horse pastures, barn and nature surrounding the home.
Once the design work began, and the pool area was able to incorporate one of every feature the customer could have wanted, Curtis had some steel grates from a former tilt-a-whirl carnival ride that gave him the idea of suspending a stage over the pool. The initial idea was a modest stage with some waterfall/sheer decent features. With the idea of using steel to form the framework, the stage idea grew into something much more that would include a full stage set up, lighting trusses, a “green room” and staging area. Once the stage was designed to be so large, the pool size and scope needed to match including the patio surround, area underneath the stage, and all the additional features.
The home architecture is a Ranch with a full finished walkout basement adjacent to the pool area. An existing deck had to be removed to allow for the pool build and new Trex deck, as well as a 3 story tall observation tower that overlooks the pool and surrounding horse pastures.
The design strategy was to work within the footprint the house and decks provided to create an extension of the home for outdoor entertaining. Since the exterior of the house was quite long (and dull, the owner equating it to a 1970’s motel), our team needed to incorporate elements to make the space feel more like a backyard resort. The goal was maintaining a cozy at home feel in a grand expanse of space.
It takes a team and a unique blend of artistry to build this project. Sandi Maki, co-owner of the company is responsible for the business side of things, and marketing to reach exceptional customers who allow us to build these backyard dreams. The construction side of our company boasts a diverse, multi-geneational family business. Allan Curtis is the designer/builder and comes up with the fantastic pool plans and ideas. His team consists of his daughter Jesse Curtis, who is high right hand and manages the project just as much as Allan does. She is instrumental in everything from dig day, to tying the steel, pouring the concrete, stonework and tile work, forming the waterfall, applying ecoFinish, pouring and stamping patio, and everything in between. Allan’s nephew Mark Curtis installed and plumbed the three pool filtration systems. Allan’s wife Annie has become very good at stonework on walls and waterfalls adding the unique accents our projects have become known for. Allan’s sister-in-law, Karen Olson also does tile and stonework on the jobs and created the rockstar mural on the patio. Frank DiPiazza assists with structural elements and built the new deck, and college student Brendan Schafer assists where needed and maintains the pool and equipment during the summer on a weekly basis.
As with many homeowners who reach out to Legendary Escapes, this owner, Dale Walter, knew he wanted a “custom” pool without knowing what that really meant. He was able to show Curtis the space, and his initial ideas, and then allowed Allan and his team the freedom to dream and build. The majority of Legendary Escapes customers make the decision to hire the company after the first meeting with Curtis. As long as the project and design are challenging and interesting, the customer meets the criteria of being easy to work with, and is special in their own unique way Curtis will consider taking on their project. From the beginning it is important to Curtis that the customer understands they need to allow the project to take on a life of it’s own, and for Curtis to create without interference or asking too many questions – working together becomes a reality.
The design is typically presented on paper, a hand-colored, hand drawn design that outlines only the large elements, and an accompanying budget which outlines the structural elements and budgets and has a “theme” budget for items to be determined but doesn’t change once it is set.
Once that contract is signed, Curtis and his team over-deliver on what the customer could only have dreamed up in their wildest imagination. Projects proceed in an organic way- not every element is planned before the project begins. As the space begins to take shape, so do the details and finishing elements. When the Rockstar project began, there was no plan for the guitars on the fences, or guitar fire features. The VIP seating area wasn’t added until mid way through the patio pours as the space began to take shape. The murals both in the grotto and on the pool floor were planned just moments before each of them was to be installed. It’s this free-flowing combination of the customers and team’s dreams, ideas, elements and the Legendary Escapes team that creates backyard pools that are as much art as they are design and engineering masterpieces.

THE SETUP
Sam’s clients wanted to update their hall bathroom used by their three children. The goal was to create a space that is both kid-friendly and elegant, ensuring it remains functional and stylish as the children grow. The original bathroom felt confined due to dark materials and a single-sink vanity. The challenge was to find a design that looks great now and in the future.
Design objectives:
Create a sense of spaciousness
Increase storage for bathroom necessities and daily routines
Enhance lighting
THE REMODEL
Design challenges to be solved:
No structural changes – must keep the tub and wall structure
Transforming a small, dark space into a bright, open one without adding a new window
Multi-user-minded – Improving functionality for multiple users simultaneously
Timeless & kid-friendly – create a comfy kid-friendly look that won’t appear dated as the kids grow older
THE RENEWED SPACE
Design solutions:
Slimmer Tub and Sliding Shower Door installed to free up functional space, making the bathroom feel larger.
Lighter Materials used to reflect more light and add a vibrant feel. Open shelves above the toilet provide storage without making the space feel cramped, while allowing light from the existing window to permeate.
Dual Sink Vanity added, and split the mirror into two, creating individual stations for the kids and enhancing usability during busy routines.
Kid-Friendly Features – Incorporated toe-kick lighting that works as a nightlight, a lower-mounted shower handheld, and a large, accessible shower niche. The geometric shapes and blue color palette contribute to a fun yet sophisticated look.
The clients are thrilled with the transformation. The bathroom is now fun and elegant, providing a timeless look that will grow with the kids. They appreciate the increased functionality and the bright, open feel of the space.
This remodel successfully blends practical solutions with stylish design, ensuring the hall bathroom meets the needs of a busy family while maintaining a sophisticated look.

A 6,000 square foot 2-story new home complex in Milpitas was designed to facilitate the owners’ large business parties and gatherings, to have rooms for the kids to come back to upstairs, and a ground floor master suite with a huge walk-in closet. Several separate structures make up the dwelling: The main house, 3-car garage with carport for overflow parking, and a separate entertainment and recreation building separated by a courtyard from the main house.
The business activities include gatherings in the hundreds of people, so parking was maximized and guests can flow in through a separate gate to party in the courtyard and recreation building. Inside this structure is a wet bar, billiard room, workout gym and home theater. The main house ground floor has formal and informal living rooms, open kitchen and master suite with views and expansive windows in every direction. The house is sited on the crestline of a hill with views of the San Francisco Bay and private golf course below. The indoor-outdoor aspect of the house is further accentuated with outside living and dining areas.
High ceilings and expansive glass walls dissolve the sense of enclosure taking advantage of the site’s openness and privacy. The owner’s suite is downstairs in anticipation of aging-in-place, and upstairs there are three bedrooms and four bathrooms plus a sitting area lounge and casual TV loft area.
The house sits on one acre at the top of a low hill range overlooking Milpitas. The city was very cognizant of the importance of keeping a low profile at this crestline and required extensive story poles and photo evidence of the proper height and siting so as not to be seen from certain selected vantage points.
GENERAL CONTRACTOR: JCD Builders Inc.
LANDSCAPE DESIGN: Morf Chang Landscape Architecture / ODS Architecture
PHOTOGRAPHS: Paul Dyer Photography
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