Search results for "Comprehend" in Home Design Ideas
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CERTIFIED HOME INSPECTION IN PORTAGE, INDIANA
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Home Designs
http://nicecellingdesigns.blogspot.com The Copernican Revolution
The Copernican revolution was one of the most important steps forward in the advancement of our knowledge of the universe. The notion that the Earth is not the center of the universe, but actually is a planet, like Mercury, Venus, Mars, Jupiter, and Saturn, and therefore, moves through the heavens, was considered to be insane by most people. This theory contradicts what the bible says and what the church had taught since the days of the early church fathers. That the Earth is the center of the universe was considered to be so obvious that it would be insane to say it wasn't so. Obviously, the sun, moon, planets, and stars revolve around the Earth. A corollary to the Copernican theory is that day and night are caused by the fact that the Earth spins. Well this can't be so, people said. If the Earth was spinning around from west to east at the necessary speed, we would feel it. Not understanding inertia, people, even educated people made the argument that if the Eartmovie spinning and you jumped straight up, you would land somewhat west of the spot you jumped from.
Copernicus was certainly not the first to suggest that the Earth revolves around the sun. The idea had been discussed in ancient Greece, most notably by Aristarchus. There had even been a few European men who had suggested a sun-centered universe a century or so before Copernicus. What distinguishes Copernicus's account is his detailed mathematical analyses of the consequences of the Earth's motion around the sun. It was in large part, because his tables of the planets' positions differed significantly from the tables produced by an Earth-centered system, thus enabling his theory to be checked in the long run, that his theory was eventually accepted. The errors that accumulated in his heliocentric (sun-centered) system were much smaller than the errors that accumulated in the geocentric (Earth-centered) system.
Of all of the great ideas in history, this notion, set forth by Nicholas Copernicus, in his book, De Revolutionibus Orbium Caelestium in 1543, was probably the most important, for its consequences were so far reaching. It set off a huge wave of controversy. At first it was just a ripple. But this ripple soon grew into a huge tidal wave of opposition to this heretical idea.
In order to appreciate why this idea was so vehemently opposed, one needs to understand the official cosmology of the church and its reasons for promoting this cosmology. This cosmology was largely derived from Dante's Divine Comedy, which itself was, ironically, derived partly from Muslim teachings.
The fact that the Earth is a sphere is taken for granted in Dante's work. It had been know since the time of Aristotle that the Earth is a sphere. (Actually it is a slightly distorted sphere, being fatter at the equator, but that discovery had to wait until Dominco Cassini) Circa 500BCE Aristotle set forth a clear and cogent argument for the spherical shape of the Earth. He pointed out that when ships disappear over the horizon, the main body of the boat disappears from view first, then the bottom of the mast, then the top. Also, people on ships see the bottoms of mountains disappear before the tops, as they sail away from the shore. This is a better argument than seeing the mast of a ship disappear after the bottom is no longer visible because it is hard to believe that the small ships of that time would be anything more than a dot on the horizon to a viewer on land. And why should there be a horizon at all if the Earth is flat?
Aristotle also pointed out that when one city views a solar or lunar eclipse as occurring , say, thirty degrees above the eastern horizon, another city, farther east, would report the same eclipse as occurring higher in the sky. Cities much further west would report no eclipse at all. He pointed out the absurdity of believing that there were two separate eclipses on the same day, each visible by one city and not the other. Even with an Earth-centered solar system, it was obvious that this could not be so. And he also pointed out, that travelers have long known that the North Star gets higher in the sky as one travels in a northerly direction. It was probably common knowledge before Aristotle that the Earth is a sphere. He was merely able to present the evidence more clearly and concisely than anyone else.
Dante paints a vivid picture of the universe, with the Earth at its center, hell being located in the very center of the Earth, and heaven, above. There are nine concentric spheres of hell, the innermost, being the most corrupt and horrible of them all, and the very center of the universe. Above the Earth's surface, there are nice concentric spheres of heaven. Why nine? First there are seven concentric spheres, one for each naked eye planet and one each for the sun and moon. Beyond that, there is the sphere of the stars. A ninth sphere was added by the Muslims to account for the precession of the equinoxes.
The hero in Dante's story descends progressively through all of the spheres of the Earth until he is in the very pits of hell. He comes out on the other side of the Earth, where purgatory is located, and then he ascends progressively through all of the heavenly spheres until he reaches the last one, the very throne of God.
This picture of the universe has man in an intermediary position, above the abode of the damned, yet within sight of heaven. This picture, with the demons below, the worst demon of all, Satan, in the very center, and the angels above, being progressively more angelic as one ascends through the heavenly spheres, places mankind in a precarious position, tempted by evil from below, inspired by divinity from above. This view of the universe was so congruent with Christian doctrine that it would not easily yield to a new view of the universe no matter how much evidence there may be in support of a new view. Ever since its publication, the cosmology of Dante's book had been an important part of the theology of the Church, both Catholic and Protestant. With mankind's position, balanced precariously between heaven and hell, it painted a vivid picture and reinforced the basic belief system of the church. Morality, cosmology, and theology were completely intertwined.
At first the opposition came only from Protestant circles. One of the first to speak out against this new heresy was Martin Luther. He called Copernicus a fool, pointing out, that the biblical story of Joshua clearly states that Joshua commanded the sun to stand still, not the Earth. Other Protestants soon joined in. Calvin cited the opening verse of psalm 93-"The Earth is stabilized that it cannot be moved." Church officials began to search the bible with a fine tooth comb, looking for passages that "prove" Copernicus is wrong. Eventually the Catholic Church joined in the battle, banning Copernicus's book in the year 1610.
Copernicus's heliocentric theory was so violently opposed, not so much because it contradicted the bible, which it does, but because it made nonsense out of the official theology of Christianity. After all, the bible clearly describes the world as being flat, and its true shape had been known centuries before Hebrew scribes began to write the Jewish Bible, or Old Testament, as it is called by Christians. This should have been a cause for some caution in using the bible to "prove" that the Earth is the center of the universe. The church officials knew good and well that the bible was never meant to be taken literally, but were not averse to using literal interpretations when it proved useful their argument.
Here are the main objections to the heliocentric theory, as pointed out by the pope himself. If Earth is just another planet, circling the sun with the other planets, how can the Earth be a place of iniquity and sin, with devils below and angels above? He said that Copernicus's theory makes a mockery of the ascension of Christ, because if the Earth is orbiting the sun, how could Christ have ascended up to heaven? If the stars are not the lights of heaven, but actually other suns, as the theory suggests, then God, in His infinite goodness, would have created inhabitants on them too. How could Christ have died for the sins of all of the inhabitants of these other planets? Many Copernicans believed that the universe was infinite. This was one of the worst heresies of all. If the universe is infinite, then where can the throne of God be located? No wonder the pope said that the Copernican heresy is the greatest threat there has ever been to Christianity and should be wiped out at all costs.
In 1610 Galileo went public with his own support of the heliocentric theory. He had observed that Venus goes through phases like the moon, and that these phases are in synch with its position relative to the sun. He also observed that Jupiter has four moons orbiting it, which contradicts an important argument of the Church. The opponents of the heliocentric theory said that the moon can't be orbiting the Earth at the same time the Earth orbits the sun because God would not make things so complicated, and no one disagreed that the moon orbits the Earth. The phases of Venus had been correctly predicted by supporters of the heliocentric theory before Galileo had observed them. And the moons of Jupiter made it clear that objects can be orbiting another object, which itself is in orbit around the sun.
Galileo was put on trial and put under house arrest to effectively shut him up. The church considered him a big threat to their power because he was very vocal about the heliocentric theory and in fact had uncovered good evidence in its favor. Almost four centuries later, the Catholic Church officially apologized for the imprisonment of Galileo.
Eventually most Protestant sects were persuaded by the evidence. By the middle of the seventeenth century the accumulating evidence was too great to ignore. But the Catholic Church held its ban until 1822 on any books that espoused the heliocentric theory or treated the Earth's motion as a reality.
One objection to the heliocentric theory had been the lack of any observed stellar parallax. If the Earth orbits the sun, then the stars should shift their positions as the Earth moves in its orbit. If accurate measurements of a star's position are made six months apart, then a noticeable shift in the star's position should be apparent. Despite many attempts to view stellar parallax, none was seen. This bolstered the Church's argument against the heliocentric theory. For no parallax to be observed, the stars must be incredibly far away, and most people were not willing to believe that God would waste so much space by putting the stars so far apart.
Measuring stellar parallax became the holy grail of astronomy. Though there was enough evidence for the heliocentric theory by mid seventeenth century to convince all but the most die-hard fanatics, stellar parallax was not observed until 1838.
In principle, if a star's position is carefully measured at six month intervals, then the diameter of the Earth's orbit becomes a baseline from which simple trigonometry will give the distance to the star. It turns out that the stars are much farther away and farther apart from each other than almost anyone in the sixteenth or seventeenth century was willing to believe.
I believe that the true implications of heliocentricity have not been fully realized by most people, especially those who are prone to believing a literal interpretation of religious scripture. The number of stars in the known universe is beyond our ability to comprehend. The number of planets, of course, is unknown, but is almost certainly an incredibly huge number. The Earth is an insignificant speck in an unimaginably vast universe.
Legal Eagle Contractors
This balcony speaks to spacious comfort and style, and a visitor would be hard-pressed to comprehend that the near window in the picture is faux. To achieve balance from the curb view, high-end shutters were painted and installed to coordinate with the new shutters beside the entry/exit door to the balcony a bit further down in the picture. The ceiling is painted blue to dissuade visiting insects. Photo: Dan Bawden.
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Postdrox
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Leone Interiors, Inc.
This unique home office features the rounded window wall and gorgeous dome ceiling accented in metallic champagne/light bronze finish. The desk is built into the curve of the wall and allows plenty of workspace for 2. The dark hardwood floors give a rustic accent and further distinguishes this area from the travertine floors throughout most of the home.
Urbanology Designs
Step into a world where enchantment and elegance collide in the most captivating way. Hoàng-Kim Cung, a beauty and lifestyle content creator from Dallas, Texas, enlisted our help to create a space that transcends conventional nursery design. As the daughter of Vietnamese political refugees and the first Vietnamese-American to compete at Miss USA, Hoàng-Kim's story is woven with resilience and cultural richness.
Winn Wittman
When coming up with a dream project, people expect that their architects are Capable to understand and comprehend their needs correctly. Winnwittman a Contemporary Architect of Austin can offer unique yet environmentally friendly Sustainable designs to their clients. He wins several awards for their Contemporary Home Designs
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For More Contact Details
Name: Winnwittman Architecture
Address: Site 110-488, Austin, 78701, United States
Phone: +1-5126302724
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CourseworkService
The natural right of each youngster to a quality instruction was initially recognized in 1948 in the Universal Declaration of Human Rights (UDHR). Embraced by the UN General Assembly on 10 December 1948, the Universal Declaration of Human Rights (UDHR) states that: everybody has the privilege to training and that it ought to be free in any event at the essential level. Not just does everybody have the privilege to a free and mandatory essential instruction, that training ought to concentrate on full human advancement, fortify admiration for human rights, and advance comprehension, resistance and companionship (UDHR Article 26).
The 1960, UNESCO Convention Against Discrimination in Education fortifies the privilege to a free and obligatory quality essential trainings laid out in the 1948 UDHR, and further orders that segregation in instruction is an infringement of human rights. It sets out that segregation in instruction incorporates any qualification, rejection, restriction or inclination that depends on race, shading, sex, dialect, religion, political or other feeling, national or social birthplace, monetary condition or conception.
The Convention on the Rights of the Child of 1989 further characterized youngsters' entitlement to training. The Millennium Development Goals and other worldwide traditions have subsequent to fortified instruction as a widespread right to be ensured to ALL youngsters.
Rights-based methodology
Getting to and accepting a quality training is an all inclusive human right. Instruct A Child's work is established in the privilege of ALL CHILDREN around the globe to get to a quality training that regards and elevates their entitlement to pride and full improvement.
There are three imperative parts of instruction as a human right:
Investment in quality instruction in itself;
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Training as a privilege that encourages the satisfaction of different rights.
Our work depends on various global instruments that recognize instruction as a human right. A few of these global instruments show the fancied nature, or nature of this training. When we take a gander at these instruments together and translate them we go a long ways past single articles to a web of responsibilities that identifies with the profundity and expansiveness of how to start to comprehend instructive quality.
Elucidation of the different instruments as to quality training must be inserted inside of the general current nearby and world settings and desires of instruction. That is, training must be set and comprehended as far as the bigger setting. A quality training must reflect learning in connection to the learner as an individual, a family and group part, and a portion of a world society.
A quality instruction comprehends the past, is significant to the present, and has a perspective to what's to come. Quality training identifies with learning building and the handy utilization of all types of information by special people who capacity both freely and in connection to others. A quality instruction mirrors the dynamic way of society and dialects, the estimation of the person in connection to the bigger setting, and the significance of living in a way that advances equity in the present and encourages an economical future.
About the Author: She is a superb essayist. Her major is «Phycology». She examines the issues of kids' advanceme at courseworkservice.com
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Cns builders & developers
The aim was to design an office space for CNS Builders, a 30 year old construction company. It was an attempt to unfold limitless opportunities that architecture had to offer. The design process of the project was challenging as well as exiting. The requirement was a minimalistic contemporary design with glass walled spaces along with rich landscaping. Adopting the tropical architecture with the thought of blending in the built environment and the greenscape have efficiently out-turns into a beautiful and unique office space. The office was an extension to the already existing old office.
The design development started from a simple rectangular plan to comprehend the minimalism. A water body is introduced which runs around and envelops the rectangular plan. The office is designed in such a way that it floats above this water channel. It helped in emphasizing the lightness of the design and strengthened the concept of incorporation of landscape into the design. Another vital element which reinforced the concept is the vertical trailing plants dangling from the roof contributing to the greenery which is absorbed to the interior. This feature acts as a screening from the sunlight and simultaneously enhance the aesthetics. The inclusion of greenery is visually availed by the users through the glass walls.
Another major feature is the five meters high brick wall of wire cut bricks built as a mass wall to shield the dust and noise from nearby carpentry workshop to the office. This wall is sunlit through the rectangular perforations of roof and the direction of light and shade cast on the wall constantly change according to the sun path. The roof is done in exposed concrete finish with chamfered edges in two levels, one at the height of brick wall and another at the height of the office bringing about depth to the form.
The floor floating above the water body is held by circular concrete columns and defines as the support of form. Materials used exhibits its truthfulness and the textures imparts a sense of honesty. Office comprises of a workstation and a conference room in which the glass walls submerge the exterior greenery with interior. Introducing Koi fish into the water body amplify the idea of representing nature through the design. The water body can be accessed from both workstation and conference room, where one can experience a foot spa. The plain and simple vertical wooden paneling on walls and defined edge of furniture and exposed ceiling contribute in maintaining the minimalist theme and elevating the image of the work station. The full height glass walls and water body coacts
and sets an overall green reflection which induce energy into the spaces. Inverted beams are provide in order to attain a continuous space and keep up the flow of interior surfaces.
The whole site evokes a sense of walking through the nature where the hardscape and softscape is balanced to create exterior working atmosphere. Additive transformation employed on the hardscape encourages outdoor meetings where in between lies a ‘Tulasi Thara’, a classic element of Kerala architecture redefined with simpler form. A wide range of cascading, spiky, irregular and mounding shrubs including tropical bloomers like red button ginger plant and bird of paradise is incorporated to break the monotony of green.
The aim of creating not merely an office space, but something to be felt like a space to feel comfortable, pleasant and energetic to work is achieved by the amalgamation of tropical elements with a number of contextual elements. A wide exterior view of the design enfolded in landscape is obtained from both sides of the access road by shortening the height of compound wall and providing upper half with metal rails. Detail of handrail above the compound wall is inspired from the floating circular pillars of main structure. Entering the office through the bridge connecting old and new office space brings in a feel of transformation through spaces and improving the visual as well as mental experience.
Sri Vijayadharani Associates
Sri Vijayadharani Associates are one of the best and well-trained property developers in Coimbatore. From our entire team values, held a quality standard construction with reliability. Note Sri Vijayadharani Associates is a well-growing construction company in Coimbatore for a short period of time. We have trained engineers with experience in constructing villas, apartments, etc. we one of the most trusted property developers who give the right services to every customer while building their home as true. call us: 0422-4642211, +91-9842221345 to get in touch.
Sri Vijayadharani Associates is one of the top building promoters in Coimbatore. We are extensively known for the best constructor of residential villas, higher quality commercial building constructors, and multi-storeyed builders in Coimbatore. We are a pleasure to ensure the real estate services include Professional property management, the best property development, customized infrastructural buildings, and creative home decor, etc, with comprehending their needs in the best manner.
Sri Vijayadharani Associates as a professional construction promoter in Coimbatore work hard to provide the best services to our clients to conquer customer satisfaction. We promise perfection in the design and quality of the home as well as any other buildings at an affordable cost. Our clients appreciated for timely completion of any project.
We, Sri Vijayadharani Associates as a reliable construction promoter in Coimbatore endow with clients’ preferred design and timely completion of construction work to existing as a market leader in the construction industry.
Sri Vijayadharani Associates is here to provide you the best innovative design, and architecture services based on clients’ requirements. We offer Planning for civil-Structure of any buildings, we work to craft the best creative Home interiors, and also plumbing, electrical, and painting works at any time.
Sri Vijayadharani Associates is offering perfect solutions for all your property needs. We provide the service of the best home renovation in and around Coimbatore. Sri Vijayadharani Associates offers a complete makeover of the building or residential villas for the least cost.
Sri Vijayadharani Associates is a real estate property developer in Coimbatore, Tamilnadu. We are widely known for the construction of residential villas, multi-storeyed buildings, and commercial buildings with high quality.
Cns builders & developers
The aim was to design an office space for CNS Builders, a 30 year old construction company. It was an attempt to unfold limitless opportunities that architecture had to offer. The design process of the project was challenging as well as exiting. The requirement was a minimalistic contemporary design with glass walled spaces along with rich landscaping. Adopting the tropical architecture with the thought of blending in the built environment and the greenscape have efficiently out-turns into a beautiful and unique office space. The office was an extension to the already existing old office.
The design development started from a simple rectangular plan to comprehend the minimalism. A water body is introduced which runs around and envelops the rectangular plan. The office is designed in such a way that it floats above this water channel. It helped in emphasizing the lightness of the design and strengthened the concept of incorporation of landscape into the design. Another vital element which reinforced the concept is the vertical trailing plants dangling from the roof contributing to the greenery which is absorbed to the interior. This feature acts as a screening from the sunlight and simultaneously enhance the aesthetics. The inclusion of greenery is visually availed by the users through the glass walls.
Another major feature is the five meters high brick wall of wire cut bricks built as a mass wall to shield the dust and noise from nearby carpentry workshop to the office. This wall is sunlit through the rectangular perforations of roof and the direction of light and shade cast on the wall constantly change according to the sun path. The roof is done in exposed concrete finish with chamfered edges in two levels, one at the height of brick wall and another at the height of the office bringing about depth to the form.
The floor floating above the water body is held by circular concrete columns and defines as the support of form. Materials used exhibits its truthfulness and the textures imparts a sense of honesty. Office comprises of a workstation and a conference room in which the glass walls submerge the exterior greenery with interior. Introducing Koi fish into the water body amplify the idea of representing nature through the design. The water body can be accessed from both workstation and conference room, where one can experience a foot spa. The plain and simple vertical wooden paneling on walls and defined edge of furniture and exposed ceiling contribute in maintaining the minimalist theme and elevating the image of the work station. The full height glass walls and water body coacts
and sets an overall green reflection which induce energy into the spaces. Inverted beams are provide in order to attain a continuous space and keep up the flow of interior surfaces.
The whole site evokes a sense of walking through the nature where the hardscape and softscape is balanced to create exterior working atmosphere. Additive transformation employed on the hardscape encourages outdoor meetings where in between lies a ‘Tulasi Thara’, a classic element of Kerala architecture redefined with simpler form. A wide range of cascading, spiky, irregular and mounding shrubs including tropical bloomers like red button ginger plant and bird of paradise is incorporated to break the monotony of green.
The aim of creating not merely an office space, but something to be felt like a space to feel comfortable, pleasant and energetic to work is achieved by the amalgamation of tropical elements with a number of contextual elements. A wide exterior view of the design enfolded in landscape is obtained from both sides of the access road by shortening the height of compound wall and providing upper half with metal rails. Detail of handrail above the compound wall is inspired from the floating circular pillars of main structure. Entering the office through the bridge connecting old and new office space brings in a feel of transformation through spaces and improving the visual as well as mental experience.
Precision Deck & Fence
Access to the water was an issue at this cottage. The shear groundwork that a project like this requires is not easily comprehended, but the crew embraced the challenge.
Cns builders & developers
The aim was to design an office space for CNS Builders, a 30 year old construction company. It was an attempt to unfold limitless opportunities that architecture had to offer. The design process of the project was challenging as well as exiting. The requirement was a minimalistic contemporary design with glass walled spaces along with rich landscaping. Adopting the tropical architecture with the thought of blending in the built environment and the greenscape have efficiently out-turns into a beautiful and unique office space. The office was an extension to the already existing old office.
The design development started from a simple rectangular plan to comprehend the minimalism. A water body is introduced which runs around and envelops the rectangular plan. The office is designed in such a way that it floats above this water channel. It helped in emphasizing the lightness of the design and strengthened the concept of incorporation of landscape into the design. Another vital element which reinforced the concept is the vertical trailing plants dangling from the roof contributing to the greenery which is absorbed to the interior. This feature acts as a screening from the sunlight and simultaneously enhance the aesthetics. The inclusion of greenery is visually availed by the users through the glass walls.
Another major feature is the five meters high brick wall of wire cut bricks built as a mass wall to shield the dust and noise from nearby carpentry workshop to the office. This wall is sunlit through the rectangular perforations of roof and the direction of light and shade cast on the wall constantly change according to the sun path. The roof is done in exposed concrete finish with chamfered edges in two levels, one at the height of brick wall and another at the height of the office bringing about depth to the form.
The floor floating above the water body is held by circular concrete columns and defines as the support of form. Materials used exhibits its truthfulness and the textures imparts a sense of honesty. Office comprises of a workstation and a conference room in which the glass walls submerge the exterior greenery with interior. Introducing Koi fish into the water body amplify the idea of representing nature through the design. The water body can be accessed from both workstation and conference room, where one can experience a foot spa. The plain and simple vertical wooden paneling on walls and defined edge of furniture and exposed ceiling contribute in maintaining the minimalist theme and elevating the image of the work station. The full height glass walls and water body coacts
and sets an overall green reflection which induce energy into the spaces. Inverted beams are provide in order to attain a continuous space and keep up the flow of interior surfaces.
The whole site evokes a sense of walking through the nature where the hardscape and softscape is balanced to create exterior working atmosphere. Additive transformation employed on the hardscape encourages outdoor meetings where in between lies a ‘Tulasi Thara’, a classic element of Kerala architecture redefined with simpler form. A wide range of cascading, spiky, irregular and mounding shrubs including tropical bloomers like red button ginger plant and bird of paradise is incorporated to break the monotony of green.
The aim of creating not merely an office space, but something to be felt like a space to feel comfortable, pleasant and energetic to work is achieved by the amalgamation of tropical elements with a number of contextual elements. A wide exterior view of the design enfolded in landscape is obtained from both sides of the access road by shortening the height of compound wall and providing upper half with metal rails. Detail of handrail above the compound wall is inspired from the floating circular pillars of main structure. Entering the office through the bridge connecting old and new office space brings in a feel of transformation through spaces and improving the visual as well as mental experience.
abdul mamun
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Cns builders & developers
The aim was to design an office space for CNS Builders, a 30 year old construction company. It was an attempt to unfold limitless opportunities that architecture had to offer. The design process of the project was challenging as well as exiting. The requirement was a minimalistic contemporary design with glass walled spaces along with rich landscaping. Adopting the tropical architecture with the thought of blending in the built environment and the greenscape have efficiently out-turns into a beautiful and unique office space. The office was an extension to the already existing old office.
The design development started from a simple rectangular plan to comprehend the minimalism. A water body is introduced which runs around and envelops the rectangular plan. The office is designed in such a way that it floats above this water channel. It helped in emphasizing the lightness of the design and strengthened the concept of incorporation of landscape into the design. Another vital element which reinforced the concept is the vertical trailing plants dangling from the roof contributing to the greenery which is absorbed to the interior. This feature acts as a screening from the sunlight and simultaneously enhance the aesthetics. The inclusion of greenery is visually availed by the users through the glass walls.
Another major feature is the five meters high brick wall of wire cut bricks built as a mass wall to shield the dust and noise from nearby carpentry workshop to the office. This wall is sunlit through the rectangular perforations of roof and the direction of light and shade cast on the wall constantly change according to the sun path. The roof is done in exposed concrete finish with chamfered edges in two levels, one at the height of brick wall and another at the height of the office bringing about depth to the form.
The floor floating above the water body is held by circular concrete columns and defines as the support of form. Materials used exhibits its truthfulness and the textures imparts a sense of honesty. Office comprises of a workstation and a conference room in which the glass walls submerge the exterior greenery with interior. Introducing Koi fish into the water body amplify the idea of representing nature through the design. The water body can be accessed from both workstation and conference room, where one can experience a foot spa. The plain and simple vertical wooden paneling on walls and defined edge of furniture and exposed ceiling contribute in maintaining the minimalist theme and elevating the image of the work station. The full height glass walls and water body coacts
and sets an overall green reflection which induce energy into the spaces. Inverted beams are provide in order to attain a continuous space and keep up the flow of interior surfaces.
The whole site evokes a sense of walking through the nature where the hardscape and softscape is balanced to create exterior working atmosphere. Additive transformation employed on the hardscape encourages outdoor meetings where in between lies a ‘Tulasi Thara’, a classic element of Kerala architecture redefined with simpler form. A wide range of cascading, spiky, irregular and mounding shrubs including tropical bloomers like red button ginger plant and bird of paradise is incorporated to break the monotony of green.
The aim of creating not merely an office space, but something to be felt like a space to feel comfortable, pleasant and energetic to work is achieved by the amalgamation of tropical elements with a number of contextual elements. A wide exterior view of the design enfolded in landscape is obtained from both sides of the access road by shortening the height of compound wall and providing upper half with metal rails. Detail of handrail above the compound wall is inspired from the floating circular pillars of main structure. Entering the office through the bridge connecting old and new office space brings in a feel of transformation through spaces and improving the visual as well as mental experience.
Showing Results for "Comprehend"
Cns builders & developers
The aim was to design an office space for CNS Builders, a 30 year old construction company. It was an attempt to unfold limitless opportunities that architecture had to offer. The design process of the project was challenging as well as exiting. The requirement was a minimalistic contemporary design with glass walled spaces along with rich landscaping. Adopting the tropical architecture with the thought of blending in the built environment and the greenscape have efficiently out-turns into a beautiful and unique office space. The office was an extension to the already existing old office.
The design development started from a simple rectangular plan to comprehend the minimalism. A water body is introduced which runs around and envelops the rectangular plan. The office is designed in such a way that it floats above this water channel. It helped in emphasizing the lightness of the design and strengthened the concept of incorporation of landscape into the design. Another vital element which reinforced the concept is the vertical trailing plants dangling from the roof contributing to the greenery which is absorbed to the interior. This feature acts as a screening from the sunlight and simultaneously enhance the aesthetics. The inclusion of greenery is visually availed by the users through the glass walls.
Another major feature is the five meters high brick wall of wire cut bricks built as a mass wall to shield the dust and noise from nearby carpentry workshop to the office. This wall is sunlit through the rectangular perforations of roof and the direction of light and shade cast on the wall constantly change according to the sun path. The roof is done in exposed concrete finish with chamfered edges in two levels, one at the height of brick wall and another at the height of the office bringing about depth to the form.
The floor floating above the water body is held by circular concrete columns and defines as the support of form. Materials used exhibits its truthfulness and the textures imparts a sense of honesty. Office comprises of a workstation and a conference room in which the glass walls submerge the exterior greenery with interior. Introducing Koi fish into the water body amplify the idea of representing nature through the design. The water body can be accessed from both workstation and conference room, where one can experience a foot spa. The plain and simple vertical wooden paneling on walls and defined edge of furniture and exposed ceiling contribute in maintaining the minimalist theme and elevating the image of the work station. The full height glass walls and water body coacts
and sets an overall green reflection which induce energy into the spaces. Inverted beams are provide in order to attain a continuous space and keep up the flow of interior surfaces.
The whole site evokes a sense of walking through the nature where the hardscape and softscape is balanced to create exterior working atmosphere. Additive transformation employed on the hardscape encourages outdoor meetings where in between lies a ‘Tulasi Thara’, a classic element of Kerala architecture redefined with simpler form. A wide range of cascading, spiky, irregular and mounding shrubs including tropical bloomers like red button ginger plant and bird of paradise is incorporated to break the monotony of green.
The aim of creating not merely an office space, but something to be felt like a space to feel comfortable, pleasant and energetic to work is achieved by the amalgamation of tropical elements with a number of contextual elements. A wide exterior view of the design enfolded in landscape is obtained from both sides of the access road by shortening the height of compound wall and providing upper half with metal rails. Detail of handrail above the compound wall is inspired from the floating circular pillars of main structure. Entering the office through the bridge connecting old and new office space brings in a feel of transformation through spaces and improving the visual as well as mental experience.
Cns builders & developers
The aim was to design an office space for CNS Builders, a 30 year old construction company. It was an attempt to unfold limitless opportunities that architecture had to offer. The design process of the project was challenging as well as exiting. The requirement was a minimalistic contemporary design with glass walled spaces along with rich landscaping. Adopting the tropical architecture with the thought of blending in the built environment and the greenscape have efficiently out-turns into a beautiful and unique office space. The office was an extension to the already existing old office.
The design development started from a simple rectangular plan to comprehend the minimalism. A water body is introduced which runs around and envelops the rectangular plan. The office is designed in such a way that it floats above this water channel. It helped in emphasizing the lightness of the design and strengthened the concept of incorporation of landscape into the design. Another vital element which reinforced the concept is the vertical trailing plants dangling from the roof contributing to the greenery which is absorbed to the interior. This feature acts as a screening from the sunlight and simultaneously enhance the aesthetics. The inclusion of greenery is visually availed by the users through the glass walls.
Another major feature is the five meters high brick wall of wire cut bricks built as a mass wall to shield the dust and noise from nearby carpentry workshop to the office. This wall is sunlit through the rectangular perforations of roof and the direction of light and shade cast on the wall constantly change according to the sun path. The roof is done in exposed concrete finish with chamfered edges in two levels, one at the height of brick wall and another at the height of the office bringing about depth to the form.
The floor floating above the water body is held by circular concrete columns and defines as the support of form. Materials used exhibits its truthfulness and the textures imparts a sense of honesty. Office comprises of a workstation and a conference room in which the glass walls submerge the exterior greenery with interior. Introducing Koi fish into the water body amplify the idea of representing nature through the design. The water body can be accessed from both workstation and conference room, where one can experience a foot spa. The plain and simple vertical wooden paneling on walls and defined edge of furniture and exposed ceiling contribute in maintaining the minimalist theme and elevating the image of the work station. The full height glass walls and water body coacts
and sets an overall green reflection which induce energy into the spaces. Inverted beams are provide in order to attain a continuous space and keep up the flow of interior surfaces.
The whole site evokes a sense of walking through the nature where the hardscape and softscape is balanced to create exterior working atmosphere. Additive transformation employed on the hardscape encourages outdoor meetings where in between lies a ‘Tulasi Thara’, a classic element of Kerala architecture redefined with simpler form. A wide range of cascading, spiky, irregular and mounding shrubs including tropical bloomers like red button ginger plant and bird of paradise is incorporated to break the monotony of green.
The aim of creating not merely an office space, but something to be felt like a space to feel comfortable, pleasant and energetic to work is achieved by the amalgamation of tropical elements with a number of contextual elements. A wide exterior view of the design enfolded in landscape is obtained from both sides of the access road by shortening the height of compound wall and providing upper half with metal rails. Detail of handrail above the compound wall is inspired from the floating circular pillars of main structure. Entering the office through the bridge connecting old and new office space brings in a feel of transformation through spaces and improving the visual as well as mental experience.
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