Flaunting one of the most brilliant colors found in the natural world, Beet’s saturated red-cast purple connotes high fashion and pairs well with everything from creamy white to bright green—like that found in its leafy tops.

The exemplary rendition of natural fine wood graining and contemporary colorations raises the bar in the wood-look porcelain hierarchy. These luxe linears connote refined/understated traditional waxed woods that have been revitalized with energized shades to fit right in with current residential and hospitality trends for graceful geometries.The natural warmth and tactile appeal of the noble walnuts and teaks that inspired the series are beautifully translated to rectified, easy-care, color-body porcelain.

Custom wood bathroom Cathedral ceilings and seamless cabinetry complement this kitchen’s river view The low ceilings in this ’70s contemporary were a nagging issue for the 6-foot-8 homeowner. Plus, drab interiors failed to do justice to the home’s Connecticut River view. By raising ceilings and removing non-load-bearing partitions, architect Christopher Arelt was able to create a cathedral-within-a-cathedral structure in the kitchen, dining and living area. Decorative mahogany rafters open the space’s height, introduce a warmer palette and create a welcoming framework for light. The homeowner, a Frank Lloyd Wright fan, wanted to emulate the famed architect’s use of reddish-brown concrete floors, and the result further warmed the interior. “Concrete has a connotation of cold and industrial but can be just the opposite,” explains Arelt. Clunky European hardware was replaced by hidden pivot hinges, and outside cabinet corners were mitered so there is no evidence of a drawer or door from any angle.

Cathedral ceilings and seamless cabinetry complement this kitchen’s river view The low ceilings in this ’70s contemporary were a nagging issue for the 6-foot-8 homeowner. Plus, drab interiors failed to do justice to the home’s Connecticut River view. By raising ceilings and removing non-load-bearing partitions, architect Christopher Arelt was able to create a cathedral-within-a-cathedral structure in the kitchen, dining and living area. Decorative mahogany rafters open the space’s height, introduce a warmer palette and create a welcoming framework for light. The homeowner, a Frank Lloyd Wright fan, wanted to emulate the famed architect’s use of reddish-brown concrete floors, and the result further warmed the interior. “Concrete has a connotation of cold and industrial but can be just the opposite,” explains Arelt. Clunky European hardware was replaced by hidden pivot hinges, and outside cabinet corners were mitered so there is no evidence of a drawer or door from any angle.

Reflecting a seamless organic shape and timeless form, the Lippa dining table has become a symbol of modernism for over the past 60 years. Before its release, homes were filled with clunky remnants of an industrial age long gone by. But in order to advance into the new world, homes first had to transition from the traditional square table, into a piece that connoted progress. The base and dimensions are true to the original specifications, while the table’s oval-shaped walnut veneer top, and tapered metal base, are carefully lacquered with a scratch and chip resistant finish.

Reflecting a seamless organic shape and timeless form, the Lippa Table has become a symbol of modernism for over the past 60 years. Before its release, homes were filled with clunky remnants of an industrial age long gone by. But in order to advance into the new world, homes first had to transition from the traditional square table, into a piece that connoted progress. The base and dimensions are true to the original specifications, while the table’s circular top, and tapered base, are carefully lacquered with a chip resistant finish. Buy Now 47" Round

EDEN is a family of products for relaxation and slumber, including a chaise longue, a bed and a sofa-bed. The particular feature of the collection is the original frame in metal and wood, entirely covered with cowhide, giving the product a precise connotation of luxury, functioning as the back of the chaise longue or the headboard of the bed and sofa-bed. In the daybed version the L-shaped back forms a support for soft down cushions. The bed comes with a base in wooden slats, with or without a storage compartment, and the headboard can be enhanced by two adjustable lateral wings that open to accommodate small bedside tables. The sofa-bed has a wooden slat platform and comes as a double bed or two twin beds; in the latter solution, the second extractable bed is raised off the ground with a simple touch of the foot, thanks to a patented mechanism that greatly facilitates the operation.

EDEN is a family of products for relaxation and slumber, including a chaise longue, a bed and a sofa-bed. The particular feature of the collection is the original frame in metal and wood, entirely covered with cowhide, giving the product a precise connotation of luxury, functioning as the back of the chaise longue or the headboard of the bed and sofa-bed. In the daybed version the L-shaped back forms a support for soft down cushions. The bed comes with a base in wooden slats, with or without a storage compartment, and the headboard can be enhanced by two adjustable lateral wings that open to accommodate small bedside tables. The sofa-bed has a wooden slat platform and comes as a double bed or two twin beds; in the latter solution, the second extractable bed is raised off the ground with a simple touch of the foot, thanks to a patented mechanism that greatly facilitates the operation.

Cathedral ceilings and seamless cabinetry complement this kitchen’s river view The low ceilings in this ’70s contemporary were a nagging issue for the 6-foot-8 homeowner. Plus, drab interiors failed to do justice to the home’s Connecticut River view. By raising ceilings and removing non-load-bearing partitions, architect Christopher Arelt was able to create a cathedral-within-a-cathedral structure in the kitchen, dining and living area. Decorative mahogany rafters open the space’s height, introduce a warmer palette and create a welcoming framework for light. The homeowner, a Frank Lloyd Wright fan, wanted to emulate the famed architect’s use of reddish-brown concrete floors, and the result further warmed the interior. “Concrete has a connotation of cold and industrial but can be just the opposite,” explains Arelt. Clunky European hardware was replaced by hidden pivot hinges, and outside cabinet corners were mitered so there is no evidence of a drawer or door from any angle.

This was one of the first homes built in our Urban North subdivision. Pioneering a one-of-a-kind neighborhood to the suburbs of North Kansas City, this home could be nothing less than bright and welcoming. Modern tends to have connotations of being harsh, but we softened that look with a unique combination of materials, playful colors and natural lighting.

Cathedral ceilings and seamless cabinetry complement this kitchen’s river view The low ceilings in this ’70s contemporary were a nagging issue for the 6-foot-8 homeowner. Plus, drab interiors failed to do justice to the home’s Connecticut River view. By raising ceilings and removing non-load-bearing partitions, architect Christopher Arelt was able to create a cathedral-within-a-cathedral structure in the kitchen, dining and living area. Decorative mahogany rafters open the space’s height, introduce a warmer palette and create a welcoming framework for light. The homeowner, a Frank Lloyd Wright fan, wanted to emulate the famed architect’s use of reddish-brown concrete floors, and the result further warmed the interior. “Concrete has a connotation of cold and industrial but can be just the opposite,” explains Arelt. Clunky European hardware was replaced by hidden pivot hinges, and outside cabinet corners were mitered so there is no evidence of a drawer or door from any angle.

Cathedral ceilings and seamless cabinetry complement this kitchen’s river view The low ceilings in this ’70s contemporary were a nagging issue for the 6-foot-8 homeowner. Plus, drab interiors failed to do justice to the home’s Connecticut River view. By raising ceilings and removing non-load-bearing partitions, architect Christopher Arelt was able to create a cathedral-within-a-cathedral structure in the kitchen, dining and living area. Decorative mahogany rafters open the space’s height, introduce a warmer palette and create a welcoming framework for light. The homeowner, a Frank Lloyd Wright fan, wanted to emulate the famed architect’s use of reddish-brown concrete floors, and the result further warmed the interior. “Concrete has a connotation of cold and industrial but can be just the opposite,” explains Arelt. Clunky European hardware was replaced by hidden pivot hinges, and outside cabinet corners were mitered so there is no evidence of a drawer or door from any angle.

Waterfront living room Cathedral ceilings and seamless cabinetry complement this kitchen’s river view The low ceilings in this ’70s contemporary were a nagging issue for the 6-foot-8 homeowner. Plus, drab interiors failed to do justice to the home’s Connecticut River view. By raising ceilings and removing non-load-bearing partitions, architect Christopher Arelt was able to create a cathedral-within-a-cathedral structure in the kitchen, dining and living area. Decorative mahogany rafters open the space’s height, introduce a warmer palette and create a welcoming framework for light. The homeowner, a Frank Lloyd Wright fan, wanted to emulate the famed architect’s use of reddish-brown concrete floors, and the result further warmed the interior. “Concrete has a connotation of cold and industrial but can be just the opposite,” explains Arelt. Clunky European hardware was replaced by hidden pivot hinges, and outside cabinet corners were mitered so there is no evidence of a drawer or door from any angle.

Deliberately implement down-to-earth aesthetics with the Drive industrial modern oval dining table. Fashioned on a cast iron pedestal base, the oval pine top is braced in a rim of iron to connote progress amidst rustic conditions. In contrast to the standard four legged tables, the single stand variety has been gaining popularity over the past 60 years. Now with the resurgence of industrial modernism, the warehouse of yesteryear comes remodeled into its present stance as an art form. **The wood top is not sealed so if you want to darken it up it is easy to do, however if you want the wood sealed then you need to do that. I have used a flat marine varnish on table tops for serious protection or a regular polyvarathane or even an oil finish depending on the protection you want or require. Buy Now 47"- OVERALL PRODUCT DIMENSIONS 29.5"L x 47"W x 30"H FLOOR TO UNDERSIDE OF TABLE 29"H BASE DIMENSIONS 23.5"L x 23.5"W 60" OVERALL PRODUCT DIMENSIONS 35.5"L x 60"W x 30"H FLOOR TO UNDERSIDE OF TABLE 29"H BASE DIMENSIONS 65.25"L x 65.25"W 78" OVERALL PRODUCT DIMENSIONS -78"L x 47.5"W x 30"H

EDEN is a family of products for relaxation and slumber, including a chaise longue, a bed and a sofa-bed. The particular feature of the collection is the original frame in metal and wood, entirely covered with cowhide, giving the product a precise connotation of luxury, functioning as the back of the chaise longue or the headboard of the bed and sofa-bed. In the daybed version the L-shaped back forms a support for soft down cushions. The bed comes with a base in wooden slats, with or without a storage compartment, and the headboard can be enhanced by two adjustable lateral wings that open to accommodate small bedside tables. The sofa-bed has a wooden slat platform and comes as a double bed or two twin beds; in the latter solution, the second extractable bed is raised off the ground with a simple touch of the foot, thanks to a patented mechanism that greatly facilitates the operation.

Cathedral ceilings and seamless cabinetry complement this kitchen’s river view The low ceilings in this ’70s contemporary were a nagging issue for the 6-foot-8 homeowner. Plus, drab interiors failed to do justice to the home’s Connecticut River view. By raising ceilings and removing non-load-bearing partitions, architect Christopher Arelt was able to create a cathedral-within-a-cathedral structure in the kitchen, dining and living area. Decorative mahogany rafters open the space’s height, introduce a warmer palette and create a welcoming framework for light. The homeowner, a Frank Lloyd Wright fan, wanted to emulate the famed architect’s use of reddish-brown concrete floors, and the result further warmed the interior. “Concrete has a connotation of cold and industrial but can be just the opposite,” explains Arelt. Clunky European hardware was replaced by hidden pivot hinges, and outside cabinet corners were mitered so there is no evidence of a drawer or door from any angle.

Modern design can have a mis-connotation of being cold. Adding a light wood to a transparent staircase will warm up your modern designed home.
Minimalist staircase photo in New York

Staging a property for rental should bridge the span between home and hotel. Small extras like providing slippers for guests connotes an aura of luxury that confirm to the renter that their money was well spent.

Sia Moore's design objective for Pivora, was to create a Mediterranean, luxurious and a boho-chic modern restaurant design. The restaurant is a two-storey space, composed of ground floor with the main hall and a mezzanine with dishwashing unit, electrical room and staff room. For the ground floor, the space was divided into two zones - the main dining room and the bar with three elliptical seafood showcase, refrigerators, wine racks and wall-mounted divided into two parts with the main hall on the ground floor and the banquet hall on the first floor. The restaurant space was originally built as one-storey area. However, during the design stage, building a mezzanine was proposed to client to provide a dining area with high ceiling and spacious feeling. Electrical and mechanical rooms, staff room and dishwashing unit was then located to the mezzanine floor, which was covered by glass film with an attempt to conceal the space from the gazes of guest dining area. Capturing the Mediterranean Spirit The restaurant is filled with rough unprocessed surfaces - complex brickwork, terrazzo flooring, exposed ceiling design. Many of the decoration details implies the seafood and organic life. Connotations that are vastly related to marine theme appear in the paintings or large elliptical seafood showcase and in the large kitchen window where the fresh food is cooked in front of the dining tables, and in the emerald green bar tiles, that is inspired by the colors of the fascinating underwater habitat. Reflecting the vibrant and energetic spirit of the Mediterranean culture, Pivora presents a warm seafood restaurant experience. From its custom design wooden furniture and bar decorations to the brickworks on the wall of main dining room and its boho-chic lighting solutions completed by indoor plants hanging over the ceiling are aiming to set the mood for a comfortable dining experience; an experience in which the joy rises with sharing. Not to forget, Pivora offers a wide selection of local shrimps, sea bass and a large assortment of white wines from all around the world.