Large tuscan l-shaped light wood floor and beige floor open concept kitchen photo in Dallas with an undermount sink, recessed-panel cabinets, gray cabinets, quartzite countertops, yellow backsplash, ceramic backsplash, paneled appliances and an island

NSPJ Architects / Cathy Kudelko
Home design - transitional home design idea in Kansas City

Example of a mid-sized minimalist wooden straight open staircase design in Orange County

Floating staircase with steel mono-stringer and white oak treads as seen from below. The wood top rail seamlessly flows up the multi level staircase. Stairs and railings by Keuka Studios Photography by Dave Noonan

Inspiration for a contemporary hallway remodel in Chicago

Custom Surface Solutions (www.css-tile.com) - Owner Craig Thompson (512) 430-1215. This project shows the remodel of a small 1950's vintage home master bathroom. 8"" x 18" Calcutta gold marble tile was used on the shower walls and floor wall base and ceramic gray penny tile on the floor. Shower includes curbless pan / floor, dual shower boxes, frameless glass slider, trough duel fixture sink and chrome fixtures.

Inspiration for a large coastal l-shaped medium tone wood floor and brown floor open concept kitchen remodel with a double-bowl sink, shaker cabinets, white cabinets, granite countertops, blue backsplash, subway tile backsplash, stainless steel appliances and an island

Inspiration for a large transitional gray tile, white tile and matchstick tile alcove shower remodel in Miami with purple walls, a trough sink and marble countertops

Large trendy gender-neutral light wood floor and beige floor playroom photo in New York with gray walls

Peter Ellery Photographer
Contemporary white exterior home idea in Perth

This is a compact, pre-war urban parlor handled with the confidence of a much larger room, and its success rests on a disciplined negotiation between rectilinear architecture and curvilinear furnishings. The volume is defined by two competing datum lines: a substantial dropped beam and soffit bridging the left-hand window wall, and the crisp stepped architrave of the fireplace surround opposite, which projects into the room as the primary architectural event. That mantel—executed in tiered, chamfered planes with a shallow reveal and a honed black stone hearth extending as a cantilevered shelf—reads as a stripped-classical or Art Deco–inflected aedicule, its symmetry anchoring the seating plan. Circulation is organized on a diagonal: the long axis established by the low, tight-back sofa beneath the fenestration is intercepted by the oval mahogany cocktail table, whose ellipse dissolves the room's orthogonal grid and permits comfortable passage on all sides. Sightlines are deliberately layered—the gilt mirror above the mantel captures a reflected register of the opposing wall's cornice, drapery, and framed art, effectively doubling the perceived depth of the plan and admitting borrowed light. The furniture is uniformly low-slung, an intentional strategy that preserves headroom and visually raises the ceiling plane, while the exposed leg profiles (turned casters, tapered mahogany posts, square-section table legs) keep the floor plane continuous and the composition buoyant rather than freighted. The palette is a masterclass in tonal modulation within a narrow chromatic band—warm ivory plaster walls with a faintly pinkish undertone provide the neutral ground against which a family of golds, ochres, and honeyed camels is arranged in ascending saturation. The sofa's cut velvet in a deep saffron-caramel is the room's chromatic keystone, echoed in the club chair at right and moderated by two temperature-shifting accents: sage and moss velvet cushions that introduce a cool, desaturated counterpoint, and a damask-woven celadon slipper chair with matching ottoman whose subtle jacquard relief supplies pattern without noise. Textiles are stratified by pile depth and light response—the matte, slightly slubbed linen of the box-pleated pelmet and floor-length panels absorbs light, while the velvets refract it, producing that characteristic gilded bloom along the seat rolls and cushion edges. Against these soft goods, the designer sets three hard, contrasting registers: the French-polished mahogany table, whose figured, mirror-like top functions as a horizontal reflector; the water-gilded, deeply carved acanthus mirror frame, its burnished high points offering the room's only true metallic brilliance; and the patinated bronze bulldog andirons and blackened firebox, which supply necessary chromatic weight. Underfoot, a coarse woven sisal or seagrass rug provides the essential textural antithesis—dry, granular, and vernacular—as do the loose-woven rush baskets flanking the window, grounding the room's refinement in something agrarian and unpretentious. Daylighting is generous but rigorously controlled: the twin windows are filtered through translucent roller blinds that diffuse direct sun into an even, high-key wash, and the pelmet with its softly gathered box pleats crops the aperture to conceal hardware and reinforce the horizontal. The result is a luminous, almost overexposed north-facing quality along the left flank that gradates into softer shadow at the hearth wall—a chiaroscuro that gives the room its sense of depth and repose. Artificial illumination is deliberately architectural and understated rather than decorative: a swing-arm picture light above the abstract framed work at left, a second slim picture light on the return wall, and an articulating chrome task/floor lamp with a polished conical shade positioned to serve the reading corner. Notably, there is no central fixture; the strategy is entirely peripheral and layered, calibrated for evening intimacy at cushion height. Stylistically, the room synthesizes into what one might call Restrained American Traditionalism, or more precisely a Warm Modern Classicism—the vocabulary of a New York or London town-house drawing room, edited of clutter and pattern, retaining the ceremonial gestures (gilt overmantel mirror, tailored drapery, symmetrical hearth) while adopting modernist restraint in silhouette, chromatic economy, and the absence of ornament on the case goods. The reference points span Deco, Regency, and mid-century upholstery forms, yet the assembly feels neither eclectic nor historicist. It is, instead, a quietly authoritative interior—luxurious in material and light, ascetic in gesture, and calibrated for daily habitation rather than display.

Another one of the most popular closet accessories, the valet rod. This is one of five included in this master closet.
Inspiration for a contemporary walk-in closet remodel in Houston

The Deschutes House is located on an urban site facing the Deschutes River in Bend, Oregon. The architectural massing of the house has been wrapped around a south-facing, grassy courtyard, with dramatic 2nd story spaces cantilevered toward the river. The main living space is completely transparent to the river on one side and to the courtyard on the other side, providing two entirely different views from the room. The living ceiling plane has enlivened by CNC-milled wood-strip ceiling panels, with variegated shapes inspired by landscape morphology. The house is clad with a two different types of siding: tightly spaced Western red cedar and corrugated metal siding. The warm tones of the wood contrast nicely with the cool tones of the metal siding and metal roofing. The fireplace chimney is clad in Montana ledgestone with a combination of earth tones and grey-blue colors. The house has a number of sustainable or “green” building features, including 2x8 construction (40% greater insulation value); generous glass areas to provide natural lighting and ventilation; large overhangs for sun and snow protection; metal siding for maximum durability; and radiant floor heating. The house also has solar hot water panels for domestic hot water.

Island style hallway photo in Charleston

The owners of this 1980’s built-home wanted to create a completely new look for their outdated master bath and turned to Renovisions for design and build services. Having perused Renovisions website, they were confident they made the right choice to help them transform their ordinary space into something truly extraordinary. The design team created several configurations for the homeowners review until they nailed down one particular design that would create that wow factor. The main challenges were creating an open, spacious feel and maximizing natural light and ventilation with plenty of storage and customizations. The addition of a second window allows ample light into the space throughout the day along with the recessed and sconce lights which were perfectly placed. Storage, which was a key element of this design, includes two separate vanity cabinets (his and hers) with plenty of space for needed toiletries, a matching framed medicine cabinet for her and a custom built cubby for him. Built on site was a linen closet with both roll out and stationary shelves for towels and shower supplies. The spacious walk-in, all tiled shower boasts ‘no door’ access with lineal drain, traditional fixed and hand-held shower heads and a rounded shower seat. Polished black granite was used inside the cubby and topping both the threshold and seat creating a nice contrast to and tying in with the floor. The decorative grab bar ensures safety for these homeowners while showering. The heated floors added throughout the bath take the edge off when stepping out of the warm shower and are conveniently operated by a 24 hour programmable thermostat. Classic white subway tile and chair rail trims adorne all walls and tie in nicely to each vanity station. Carrera look quartz was the perfect choice for countertops creating a clean fresh look. Stunning marble basket-weave mosaic floor tile set the stage in this exquisite bath as the beautiful white painted cabinetry softened the overall feel of the space. These homeowners are not saving spa retreats for once-a-year vacations anymore, they now enjoy a relaxing spa-like shower experience every day in their own home!

Patrick Barta Photography
Example of a classic kitchen design in Seattle

Cru Wine Cellars

Luxury Elements created this walk in wine cellar as a focal point within the basement. The custom glass panels and center glass door allows this space to be seen at all times while also creating its own dedicated environment. The large-scale light grey tile was installed on the floor throughout the bar area and wine cellar in order to bring a sense of connection between the two spaces.

With many years of experience in wine cellar cooling projects in Dallas, Wine Cellar Specialists has been known for providing innovative wine storage solutions. In this photo, you can see the installation project they completed under the staircase. They built a contemporary wine cellar in this tiny in a Dallas home. They installed Ultra PEG metal wine racks on the back wall. Learn more about the project: http://www.winecellarrefrigerationsystems.com/modern-wine-cellar-cooling-installation-dallas-texas-1-972-454-0480/ US Cellar Systems 2470 Brayton Ave. Signal Hill, California 90755 (562) 513-3017 dan@uscellarsystems.com See what people say about us: https://www.google.com/search?q=us%20cellar%20systems&lrd=0x80dd338b17b6e057%3A0x9995f30dbfee9fc1%2C1%2C&rct=j http://www.winecellarrefrigerationsystems.com/