This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choregraphed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture and architecture. A new interior plaster, steel and bronze stair carves through a space occupied by two small Clement sculptures in niches, a Page Kempner sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

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This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

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This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choregraphed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture and architecture. A new interior plaster, steel and bronze stair carves through a space occupied by two small Clement sculptures in niches, a Page Kempner sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choregraphed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture and architecture. A new interior plaster, steel and bronze stair carves through a space occupied by two small Clement sculptures in niches, a Page Kempner sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choregraphed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture and architecture. A new interior plaster, steel and bronze stair carves through a space occupied by two small Clement sculptures in niches, a Page Kempner sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.