This waterfront home was conceived by the architects as a series of identically scaled, simply articulated gable-roofed elements linked by flat-roofed connectors. From the entrance driveway, the house appears almost as a village of individual granite residences. These two elements – gables and flat roofs – complement each other, establishing a dynamic of light and dark, smooth and rough, grounded and floating. It was critical to the ultimate success of this building that it be well suited and connected to tits content so that it seems like it could not be anywhere else. The home was positioned to capture this view and, in a way, imbue it with power. We responded to this directive by incorporating large expanses of windows that allow one to literally look through the house from the front yard to the sailboats bobbing on the water at the rear. House and pool make a glowing pair at night.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This waterfront home was conceived by the architects as a series of identically scaled, simply articulated gable-roofed elements linked by flat-roofed connectors. From the entrance driveway, the house appears almost as a village of individual granite residences. These two elements – gables and flat roofs – complement each other, establishing a dynamic of light and dark, smooth and rough, grounded and floating. It was critical to the ultimate success of this building that it be well suited and connected to tits content so that it seems like it could not be anywhere else. The home was positioned to capture this view and, in a way, imbue it with power. We responded to this directive by incorporating large expanses of windows that allow one to literally look through the house from the front yard to the sailboats bobbing on the water at the rear.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choregraphed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture and architecture. A new interior plaster, steel and bronze stair carves through a space occupied by two small Clement sculptures in niches, a Page Kempner sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

Pipex.ai is a trusted B2B Portal designed to connect verified buyers and suppliers across the industrial sector with speed and transparency. The platform simplifies sourcing by offering detailed product listings, direct supplier communication, and reliable business networking. As a leading stainless steel fittings Supplier, businesses can showcase their capabilities while buyers gain access to quality-assured components suited for demanding industrial requirements. On Pipex.ai, industries can source premium stainless steel 310 pipe fittings Supplier in India, engineered for high-temperature strength and excellent oxidation resistance. The portal also connects global buyers with a dependable stainless steel 310s pipe fittings Supplier, offering low carbon variants that enhance weldability and corrosion resistance for critical applications in petrochemical, power generation, and heat treatment sectors. Strengthening industrial supply chains further, Pipex.ai supports manufacturers and exporters of advanced grades like stainless steel 310h pipe fittings Manufacturer, widely preferred for elevated temperature environments requiring enhanced creep resistance. As a growth-driven B2B Platform, Pipex.ai empowers businesses to expand market reach, generate verified inquiries, and build long-term partnerships in the competitive stainless steel industry.

Minimalist home design photo in New York

Example of a trendy sunroom design in Ahmedabad

Uphill House exterior
Example of a large minimalist brown two-story flat roof design in Seattle

THEME The main theme for this room is an active, physical and personalized experience for a growing boy. This was achieved with the use of bold colors, creative inclusion of personal favorites and the use of industrial materials. FOCUS The main focus of the room is the 12 foot long x 4 foot high elevated bed. The bed is the focal point of the room and leaves ample space for activity within the room beneath. A secondary focus of the room is the desk, positioned in a private corner of the room outfitted with custom lighting and suspended desktop designed to support growing technical needs and school assignments. STORAGE A large floor armoire was built at the far die of the room between the bed and wall.. The armoire was built with 8 separate storage units that are approximately 12”x24” by 8” deep. These enclosed storage spaces are convenient for anything a growing boy may need to put away and convenient enough to make cleaning up easy for him. The floor is built to support the chair and desk built into the far corner of the room. GROWTH The room was designed for active ages 8 to 18. There are three ways to enter the bed, climb the knotted rope, custom rock wall, or pipe monkey bars up the wall and along the ceiling. The ladder was included only for parents. While these are the intended ways to enter the bed, they are also a convenient safety system to prevent younger siblings from getting into his private things. SAFETY This room was designed for an older child but safety is still a critical element and every detail in the room was reviewed for safety. The raised bed includes extra long and higher side boards ensuring that any rolling in bed is kept safe. The decking was sanded and edges cleaned to prevent any potential splintering. Power outlets are covered using exterior industrial outlets for the switches and plugs, which also looks really cool.

Designer: Brittny Mee Of Vermont Kitchen Design
Transitional kitchen photo in Burlington

This project was born out of the owner’s passion for cooking. A personal chef to a local family, the kitchen was going to not only be her office, but a training space for students learning her trade. The most important change was to remove a wall and expand the work space by 2 feet. Adding a prep sink, counter seating and a custom pantry were critical appointments. The materials selected are modern, clean and fresh. The expansive island combines a warm grey painted cabinet and is topped by waterfall white veined quartz countertops. The matte black plumbing fixtures and hardware create drama and contrast against the white countertops and modern shaker cabinetry. The oversized black dome pendants lend a restaurant vibe to the peninsula seating. The stacked stone backsplash lends texture and dimension, and it’s lines are echoed in the fireplace façade. Being averse to countertop outlets, a power strip was tucked underneath the wall cabinetry to keep the backsplash unobstructed. A picket shaped tile was featured as an accent over the client’s BlueStar range. The client’s original ventilation hood was also repurposed. A hospitality station was included and features a beverage cooler, glass display cabinetry and set apart with corbel brackets. The fireplace was refaced with new natural stacked stone in warm greys and touches of spice and features a dark stain wood mantel beam. The recessed niche was fitted with matching lighted floating shelves for display.

THEME The main theme for this room is an active, physical and personalized experience for a growing boy. This was achieved with the use of bold colors, creative inclusion of personal favorites and the use of industrial materials. FOCUS The main focus of the room is the 12 foot long x 4 foot high elevated bed. The bed is the focal point of the room and leaves ample space for activity within the room beneath. A secondary focus of the room is the desk, positioned in a private corner of the room outfitted with custom lighting and suspended desktop designed to support growing technical needs and school assignments. STORAGE A large floor armoire was built at the far die of the room between the bed and wall.. The armoire was built with 8 separate storage units that are approximately 12”x24” by 8” deep. These enclosed storage spaces are convenient for anything a growing boy may need to put away and convenient enough to make cleaning up easy for him. The floor is built to support the chair and desk built into the far corner of the room. GROWTH The room was designed for active ages 8 to 18. There are three ways to enter the bed, climb the knotted rope, custom rock wall, or pipe monkey bars up the wall and along the ceiling. The ladder was included only for parents. While these are the intended ways to enter the bed, they are also a convenient safety system to prevent younger siblings from getting into his private things. SAFETY This room was designed for an older child but safety is still a critical element and every detail in the room was reviewed for safety. The raised bed includes extra long and higher side boards ensuring that any rolling in bed is kept safe. The decking was sanded and edges cleaned to prevent any potential splintering. Power outlets are covered using exterior industrial outlets for the switches and plugs, which also looks really cool.

The comfortable elegance of this French-Country inspired home belies the challenges faced during its conception. The beautiful, wooded site was steeply sloped requiring study of the location, grading, approach, yard and views from and to the rolling Pennsylvania countryside. The client desired an old world look and feel, requiring a sensitive approach to the extensive program. Large, modern spaces could not add bulk to the interior or exterior. Furthermore, it was critical to balance voluminous spaces designed for entertainment with more intimate settings for daily living while maintaining harmonic flow throughout. The result home is wide, approached by a winding drive terminating at a prominent facade embracing the motor court. Stone walls feather grade to the front façade, beginning the masonry theme dressing the structure. A second theme of true Pennsylvania timber-framing is also introduced on the exterior and is subsequently revealed in the formal Great and Dining rooms. Timber-framing adds drama, scales down volume, and adds the warmth of natural hand-wrought materials. The Great Room is literal and figurative center of this master down home, separating casual living areas from the elaborate master suite. The lower level accommodates casual entertaining and an office suite with compelling views. The rear yard, cut from the hillside, is a composition of natural and architectural elements with timber framed porches and terraces accessed from nearly every interior space flowing to a hillside of boulders and waterfalls. The result is a naturally set, livable, truly harmonious, new home radiating old world elegance. This home is powered by a geothermal heating and cooling system and state of the art electronic controls and monitoring systems.

Alcove shower - transitional 3/4 gray floor alcove shower idea with raised-panel cabinets, white cabinets, a two-piece toilet, beige walls, an undermount sink, a hinged shower door and gray countertops

full [s3e1] Power Se.ason 3 Ep.isode 1 On.line Call Me James. Alright, everything looks perfect then, and let's getting started to watch for it finally, Power s03e01: Call Me James. As the premiere of season 3, what we could expect then? James gets ready to leave Ghost behind. Angela needs to choose between honor and love. A bit reminder from "Ghost Is Dead" Bodies from Ghost's organization drop left and right, each death inching closer to Ghost and Tommy. Tasha learns of Shawn's death, believing it to have been Ghost's work. Kanan and Ghost fight with Ghost the victor, leaving him for dead and burning the evidence. Tommy Learns of Ghost's involvement with Holly. Ghost reveals to Tommy that he was the one killing most of the members from the organization. Soon after, Tommy shows Ghost the fake ID of Holly and goes solo. Lobo's calls Tommy wanting him to work with him or lose everything. Angela and Ghost reconcile telling her Ghost is dead, but at the risk of her possibly losing her job. Greg threatens to put Angela and Ghost in jail. The police investigate a fire at Ghost's and Kanan's fight, revealing someone escaped, strongly implying Kanan is still alive. Know further of this show, Power is an American crime drama television series airing on Starz. The show was created by Courtney Kemp Agboh and is produced by the rapper Curtis "50 Cent" Jackson. It premiered on June 7, 2014. On June 11, 2014, Starz renewed Power for a ten-episode second season, which began on June 6, 2015 and ended on August 15, 2015. On June 10, 2015, after a very positive critical response to its season 2 premiere, Power was renewed for a ten-episode third season which is scheduled to premiere on July 17, 2016. Very fantastic, The series follows James St. Patrick, nicknamed "Ghost," owner of a popular New York City nightclub "Truth." In addition, he is a major player in one of the city's biggest illegal drug networks. He struggles to balance these two lives, and the balance topples when he realizes he wants to leave the drug ring in order to support his legitimate business, and commit to his mistress. He seems eerily unhappy with his life, Tommy calling it a mid-life crisis, therefore getting in a relationship with Angela. He also has to keep his marriage with Tasha (Naughton) and his relationship with AUSA agent Angela Valdez (Loren). With help from his partner in crime Tommy Egan (Sikora), he tries to manage a double life. In the second season James is thrown out of his penthouse after Tasha found out that James took Angela to Miami. 100% working here: http://tinyurl.com/ju79smw http://tinyurl.com/jejqwra Kanan (50 Cent) who spent 10 years in a drug related crime, also believes Ghost set him up. Kanan has a son Shawn, who drives Ghost around and Kanan uses him to get information on Ghost. In the season 2 finale, Ghost and Kanan indulge in an extremely dangerous fight in a dilapidated building. Ghost eventually stabs Kanan and burns him. But in the final minutes of the season finale "Ghost Is Dead", it is revealed that sprinklers had put the fire out, resulting in Kanan escaping and ends with the line "Nobody broke in, somebody broke out". Go and start watching for it after all, Power season 3, episode 1 : Call Me James.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choregraphed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture and architecture. A new interior plaster, steel and bronze stair carves through a space occupied by two small Clement sculptures in niches, a Page Kempner sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choregraphed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture and architecture. A new interior plaster, steel and bronze stair carves through a space occupied by two small Clement sculptures in niches, a Page Kempner sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choregraphed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture and architecture. A new interior plaster, steel and bronze stair carves through a space occupied by two small Clement sculptures in niches, a Page Kempner sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.