3D Kitchen Rendering – Visualize Before You Build This 3D image was created to help the client visualize the kitchen renovation before construction begins. While some elements were later adjusted—such as cabinet finishes and lighting choices—this preview provided a clear understanding of the layout, materials, and overall design. By offering realistic renderings like this one, we give clients the ability to make important design decisions in advance, reducing surprises during construction and ensuring the final result reflects their vision perfectly.

**Structure:** 8'×8' exterior sauna, 7.5' interior ceilings, single-pitch shed-style roof **Location context:** Backyard with views of an adjacent mountain — some privacy considerations **Interior design:** - Redwood benches - Cedar interior paneling - Under-bench LED lighting - Two small windows — sized and placed for privacy and partial mountain views - No drain **Notable design decisions:** - Redwood benches (less common than cedar — offers a different aesthetic and durability profile) - Under-bench LED lighting adds ambiance without compromising the sauna environment - No drain — simpler build, lower cost, appropriate for a sauna not intended for bathing use

This project was about a remodel of an apartment in Mexico City, the client asked for the visualization of the space to make decisions around the design, materials and furniture. These renders are the final result of those decisions.

This project is a Houzz Kitchen of the Week! Click below to read the full story! https://www.houzz.com/ideabooks/116547325/list/kitchen-of-the-week-better-brighter-and-no-longer-basic Our clients came to us wanting an elegant and functional kitchen and brighter living room. Their kitchen was dark and inefficient. The cabinets felt cluttered and the storage was there, but not functional for this family. They wanted all new finishes; especially new cabinets, but the floors were going to stay and be refinished. No wall relocation was needed but adding a door into the dining room to block the view from the front into the kitchen was discussed. They wanted to bring in more light somehow and preferably natural light. There was an unused sink in the butler’s pantry that they wanted capped, giving them more space and organized storage was a must! In their living room, they love their fireplace because it reminds her of her home in Colorado, so that definitely had to stay but everything else was left to the designers. After all decisions were made, this gorgeous kitchen and living space came to life! It is bright, open and airy, just like our clients wanted. Soft White Shiloh cabinetry was installed with a contrasting Cocoa island. Honed Levantina Taj Mahal quartzite was a beautiful countertop for this space. Bedrosians Grace 4”x 12” wall tile in Panna was the backsplash throughout the kitchen. The stove wall is flanked with dark wooden shelves on either side of vent-a-hood creating a feature area to the cook area. A beautiful maple barn door with seeded baroque tempered glass inserts was installed to close off the pantry and giving them more room than a traditional door. The original wainscoting remained in the kitchen and living areas but was modified in the kitchen where the cabinets were slightly extended and painted white throughout. LED tape lighting was installed under the cabinets, LED lighting was also added to the top of the upper glass cabinets, in addition to the grow lights installed for their herbs. All of the light fixtures were updated to a timeless classic look and feel. Imbrie articulating wall sconces were installed over the kitchen window/sink and in the butler’s pantry and aged brass Hood classic globe pendants were hung over the island, really drawing your attention to the kitchen. The Alturas fixture from SeaGull Lighing now hangs in the center of the living room, where there was once an outdated ceiling fan. In the living room, the walls were painted white, while leaving the wood and stone fireplace, as requested, leaving an absolutely amazing contrast! Design/Remodel by Hatfield Builders & Remodelers | Photography by Versatile Imaging

**Structure:** 8'×8' exterior sauna, 7.5' interior ceilings, single-pitch shed-style roof **Location context:** Backyard with views of an adjacent mountain — some privacy considerations **Interior design:** - Redwood benches - Cedar interior paneling - Under-bench LED lighting - Two small windows — sized and placed for privacy and partial mountain views - No drain **Notable design decisions:** - Redwood benches (less common than cedar — offers a different aesthetic and durability profile) - Under-bench LED lighting adds ambiance without compromising the sauna environment - No drain — simpler build, lower cost, appropriate for a sauna not intended for bathing use

**Structure:** 8'×8' exterior sauna, 7.5' interior ceilings, single-pitch shed-style roof **Location context:** Backyard with views of an adjacent mountain — some privacy considerations **Interior design:** - Redwood benches - Cedar interior paneling - Under-bench LED lighting - Two small windows — sized and placed for privacy and partial mountain views - No drain **Notable design decisions:** - Redwood benches (less common than cedar — offers a different aesthetic and durability profile) - Under-bench LED lighting adds ambiance without compromising the sauna environment - No drain — simpler build, lower cost, appropriate for a sauna not intended for bathing use

This project is a Houzz Kitchen of the Week! Click below to read the full story! https://www.houzz.com/ideabooks/116547325/list/kitchen-of-the-week-better-brighter-and-no-longer-basic Our clients came to us wanting an elegant and functional kitchen and brighter living room. Their kitchen was dark and inefficient. The cabinets felt cluttered and the storage was there, but not functional for this family. They wanted all new finishes; especially new cabinets, but the floors were going to stay and be refinished. No wall relocation was needed but adding a door into the dining room to block the view from the front into the kitchen was discussed. They wanted to bring in more light somehow and preferably natural light. There was an unused sink in the butler’s pantry that they wanted capped, giving them more space and organized storage was a must! In their living room, they love their fireplace because it reminds her of her home in Colorado, so that definitely had to stay but everything else was left to the designers. After all decisions were made, this gorgeous kitchen and living space came to life! It is bright, open and airy, just like our clients wanted. Soft White Shiloh cabinetry was installed with a contrasting Cocoa island. Honed Levantina Taj Mahal quartzite was a beautiful countertop for this space. Bedrosians Grace 4”x 12” wall tile in Panna was the backsplash throughout the kitchen. The stove wall is flanked with dark wooden shelves on either side of vent-a-hood creating a feature area to the cook area. A beautiful maple barn door with seeded baroque tempered glass inserts was installed to close off the pantry and giving them more room than a traditional door. The original wainscoting remained in the kitchen and living areas but was modified in the kitchen where the cabinets were slightly extended and painted white throughout. LED tape lighting was installed under the cabinets, LED lighting was also added to the top of the upper glass cabinets, in addition to the grow lights installed for their herbs. All of the light fixtures were updated to a timeless classic look and feel. Imbrie articulating wall sconces were installed over the kitchen window/sink and in the butler’s pantry and aged brass Hood classic globe pendants were hung over the island, really drawing your attention to the kitchen. The Alturas fixture from SeaGull Lighing now hangs in the center of the living room, where there was once an outdated ceiling fan. In the living room, the walls were painted white, while leaving the wood and stone fireplace, as requested, leaving an absolutely amazing contrast! Design/Remodel by Hatfield Builders & Remodelers | Photography by Versatile Imaging

Placement of your TV relative to your furniture, speakers, etc. is crucial to the overall design aesthetic. If your TV will be mounted above a cabinet with nothing on top of it, we typically recommend the bottom of the TV be no less than two inches and no more than six inches from the top of the cabinet. The latter, six inches, should only be with very large TVs and/or very tall ceilings. If there will be a speaker or some sort of decoration on top of the table, we typically error on the side of less space from the top of whatever that is to the bottom of the TV rather than more. This job was particularly interesting because we were dealing with a curved TV mounted above a soundbar with the added design challenge of incorporating the existing chair rail on the wall. In the end, we decided to marry the bottom of the soundbar with the top of the chair rail. From that decision, we could determine the top of the soundbar and place the TV wall bracket in such a way that there would be a 1-2 inch gap between the bottom of the TV and the wall mounted soundbar. Note that your TV mount comes in two parts. One part attaches to the wall, the other part is usually two arms that connect to the TV. The two parts essentially hook together for an easy hanging installation. Its important to measure according to where the hooking will take place (rather than the outside edge of the TV per se) in order to achieve proper spacing.

**Structure:** 8'×8' exterior sauna, 7.5' interior ceilings, single-pitch shed-style roof **Location context:** Backyard with views of an adjacent mountain — some privacy considerations **Interior design:** - Redwood benches - Cedar interior paneling - Under-bench LED lighting - Two small windows — sized and placed for privacy and partial mountain views - No drain **Notable design decisions:** - Redwood benches (less common than cedar — offers a different aesthetic and durability profile) - Under-bench LED lighting adds ambiance without compromising the sauna environment - No drain — simpler build, lower cost, appropriate for a sauna not intended for bathing use

This project is a Houzz Kitchen of the Week! Click below to read the full story! https://www.houzz.com/ideabooks/116547325/list/kitchen-of-the-week-better-brighter-and-no-longer-basic Our clients came to us wanting an elegant and functional kitchen and brighter living room. Their kitchen was dark and inefficient. The cabinets felt cluttered and the storage was there, but not functional for this family. They wanted all new finishes; especially new cabinets, but the floors were going to stay and be refinished. No wall relocation was needed but adding a door into the dining room to block the view from the front into the kitchen was discussed. They wanted to bring in more light somehow and preferably natural light. There was an unused sink in the butler’s pantry that they wanted capped, giving them more space and organized storage was a must! In their living room, they love their fireplace because it reminds her of her home in Colorado, so that definitely had to stay but everything else was left to the designers. After all decisions were made, this gorgeous kitchen and living space came to life! It is bright, open and airy, just like our clients wanted. Soft White Shiloh cabinetry was installed with a contrasting Cocoa island. Honed Levantina Taj Mahal quartzite was a beautiful countertop for this space. Bedrosians Grace 4”x 12” wall tile in Panna was the backsplash throughout the kitchen. The stove wall is flanked with dark wooden shelves on either side of vent-a-hood creating a feature area to the cook area. A beautiful maple barn door with seeded baroque tempered glass inserts was installed to close off the pantry and giving them more room than a traditional door. The original wainscoting remained in the kitchen and living areas but was modified in the kitchen where the cabinets were slightly extended and painted white throughout. LED tape lighting was installed under the cabinets, LED lighting was also added to the top of the upper glass cabinets, in addition to the grow lights installed for their herbs. All of the light fixtures were updated to a timeless classic look and feel. Imbrie articulating wall sconces were installed over the kitchen window/sink and in the butler’s pantry and aged brass Hood classic globe pendants were hung over the island, really drawing your attention to the kitchen. The Alturas fixture from SeaGull Lighing now hangs in the center of the living room, where there was once an outdated ceiling fan. In the living room, the walls were painted white, while leaving the wood and stone fireplace, as requested, leaving an absolutely amazing contrast! Design/Remodel by Hatfield Builders & Remodelers | Photography by Versatile Imaging

This dramatic family room is light and bright and modern while still being comfortable for the family.
Example of a large minimalist open concept light wood floor and brown floor family room design in Dallas with white walls, a standard fireplace, a stacked stone fireplace and a wall-mounted tv

This project was about a remodel of an apartment in Mexico City, the client asked for the visualization of the space to make decisions around the design, materials and furniture. These renders are the final result of those decisions.

This project was about a remodel of an apartment in Mexico City, the client asked for the visualization of the space to make decisions around the design, materials and furniture. These renders are the final result of those decisions.

This project was about a remodel of an apartment in Mexico City, the client asked for the visualization of the space to make decisions around the design, materials and furniture. These renders are the final result of those decisions.

This project is a perfect example of why our unique “programming” approach with early identification of investment limits is so essential to a successful remodel. At the start, these homeowners wanted to explore the possibility of 3 season porch addition off the back of their home. The goal was to expand gathering and entertainment space for their family and friends, addressing the current cramped porch and uncovered deck. It became clear to everyone after diligent time spent in phase one of programming that also addressing other concerns in the home, such as the front entry porch and fixing the windows in the existing 4 season porch, would blow the budget. We worked through a re-design with the homeowner over the next months and eventually created a large deck, an updated porch with new windows and patio door, and a front entry deck. We installed a water drainage system underneath the deck with LED lighting, so the homeowner could finish an additional patio space underneath the new deck. This couple made the decision early on that this was their last home and therefore the investment was more than mere ROI would suggest is proper. However, they also wanted to remodel within their means, and we wanted that too.

Complete Master bathroom makeover with seamless drainage, and not even the need for a sower enclosure! This bathroom needed a complete make over. It had a large time worn bathtub that was not being used and was taking up a lot of space. There was a need for a larger shower space and having other bathtubs in the house; the decision to eliminate the bathtub was a starting point for the remodeling of this luxurious comfort bathroom. The vanity was custom designed and wood crafted with a walnut impermeable imported veneer. The drawers have subdivisions for custom jewelry and small items to be adequately stored. The plumbing area under the sink is disguised as drawers, but it is in reality an interior open space freely accessible in case of pipe maintenance. It can still accommodate extra towels. The plumbing that goes under the sink was the main reason to avoid a second basin. No matter how you work around it; plumbing always take precious storage space away or may have to be exposed, which was not a desirable solution for this job. The wall covered in mother pearl mosaic was brought out to shelter the mirror cabinets which are deep and provides with lots of good storage. Also provided and indirect led lighting and interesting design.

**Structure:** 8'×8' exterior sauna, 7.5' interior ceilings, single-pitch shed-style roof **Location context:** Backyard with views of an adjacent mountain — some privacy considerations **Interior design:** - Redwood benches - Cedar interior paneling - Under-bench LED lighting - Two small windows — sized and placed for privacy and partial mountain views - No drain **Notable design decisions:** - Redwood benches (less common than cedar — offers a different aesthetic and durability profile) - Under-bench LED lighting adds ambiance without compromising the sauna environment - No drain — simpler build, lower cost, appropriate for a sauna not intended for bathing use

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

What simply started out as the purchase of a 30” Wolf gas stove to replace the old, turned into a complete kitchen renovation. The original intent was to replace the existing stove with the new. The new Wolf came other issues one being installing an adequate exhaust system to meet the needs of the stove. One thing led to the next and with that a new kitchen. The renovation included removing all existing fixtures, cabinetry and lighting. The existing tile floor remained the same but with some added area that was previously under existing base cabinets. The goal of the project, once the decision was made to do a complete renovation, was to update the kitchen creating an eclectic aesthetic with all new fixtures of the best quality that could be afforded. Listed below are the changes that were made. All fixtures remained in their existing locations other than removing small piece of wall that allowed an extended length of the new bakers table to extend 24” into the existing dining and living room space to pull the spaces together and provide a small eating bar with adjoining bar stools. One stool was a custom design and fabrication (Marlin Stool) Fixtures 1. Existing gas stove replaced with new 30” gas Wolf stove. 2. Existing Refrigerator replace with new 36” stainless steel Jen-Air refrigerator with bottom freezer. 3. Existing Dishwasher replace with new Jen-Air stainless steel interior and exterior dishwasher. 4. Existing base cabinets replaced with a combination of open and closed tables and cabinets. Two stainless steel commercial kitchen tables with an open bases and shelving. One with a stainless steel top the other a bakers table with a wood butcher block top. The cabinets were Kraft Made traditional wood base cabinets with a Kaffe finish and Fireslate counter surface. These cabinets were customized with stainless steel perforated door inserts and Mockett stainless steel drawer and door pulls. 5. Surface counter and table material included wood butcher block, stainless steel and Fireslate. 6. Overhead shelving included open commercial kitchen stainless steel shelves and open Appleply wood shelves with Rakks aluminum shelf brackets. 7. Existing lighting was replaced with Zumtobel track lighting with Ushio lamps, Lutron dimmers and an up lighted coffered ceiling (see Superman). 8. Existing kitchen sink was replaced with a large single compartment sink from Kindred with an In-Sinkerator Evolution garbage disposal. Filter water tap was added that connects to an Everprue water filter system. 9. Walls were tiled with Bottle Green 4 1/4” x 4 1/4” Daltile to staying consistent with existing original house tile. 10. The ceiling was reworked as required with a plaster finish 11. Marine grade caulk was used as required. 12. A soffit with up lighting was added to the periphery of kitchen facing the adjoining living and dining rooms. 13. Silver Masonite peg board storage wall adjacent to refrigerator. Credits: • Little Pete the Parakeet.....for being there • Catalina Aguirre.....pots • Many Friends....pots • David D’Imperio.....Sputnik lamp • Jose Maria Concha Sali.....painting • Ron Meyers.....Plates on wall • Bill Sanders.....Bunny screen painting • William Hoffman....Beverly lamp • William Hoffman.....marlin stool • William Hoffman.....Gulfstream side chair • William Hoffman.....Gulfstream dining table • William Hoffman.....5 from 1 plywood chair Problems • A custom fabricated exhaust duct was required due to existing soffit framing conditions. • The ceiling was not parallel to the floor so the intended full wall tile installation was held short of the ceiling. • Return Air duct to A/C air handler required relocation Project cost • +/- $22,000 Fixtures, materials and appliances Selection of fixtures, materials and fixtures were made based on quality, aesthetic and cost. Extensive research was done to find the best quality at a price point that was affordable. Items that were splurged on were the Wolf stove and Jen-Air refrigerator and dishwasher and the Zumtobel lighting Bill Sanders Photography