The central lanai outside the great room includes four swivel chairs for views in multiple directions and a bed swing, perfect for lazy afternoon naps. To the far right, the lanai outside the master completes the trio of al fresco spaces. The covered lanais significantly reduce solar gain before it penetrates the home, and screens, when deployed, serve as additional buffers against heat.

This small sloped backyard was terraced for more useable space. Existing Daylilies were planted en masse at the foot of the wall. Plants are predominantly southern California natives. Maintenance of the plants on the terraces is nearly non-existent.

Rather than starting with an outcome in mind, this 1,400 square foot residence began from a polemic place - exploring shared conviction regarding the concentrated power of living with a smaller footprint. From the gabled silhouette to passive ventilation, the home captures the nostalgia for the past with the sustainable practices of the future. While the exterior materials contrast a calm, minimal palette with the sleek lines of the gabled silhouette, the interior spaces embody a playful, artistic spirit. From the hand painted De Gournay wallpaper in the master bath to the rugged texture of the over-grouted limestone and Portuguese cobblestones, the home is an experience that encapsulates the unexpected and the timeless.

The remodeling of the kitchen and bathroom forms the core of this interior renovation. The existing peninsula design and cabinetry broke up the ‘great room’ and stood the kitchen as a distinct element within the room. Our design strategy operates more on a principle of integration. As such, we created a galley condition with a spine of cabinetry and appliances that anchors to the long wall of the room. The feature design element is the solid Caesarstone backsplash which appears to be carved from the wall itself. The particular challenge in the windowless bathroom was how to create an inviting, expanded sense of depth without a resulting cave-like feel. Removal of a half wall, soffit and tub unified the space overall. We reinforced the unification with the deployment of a single large format tile spec. Smaller details such as touch latch cabinetry hardware and flush conditions between tile, wall and mirror further the principle that simpler is bigger, deeper and more inviting. We were also charged with elevating what was a pedestrian 1990’s townhouse to something more sophisticated and engaging. Our approach was to first remove builder grade detailing around windows and railings. Then, we introduced simplified profiles and glass guardrails that would extend a consistency established in the new kitchen and bathroom designs. photo by Scott Hargis

The remodeling of the kitchen and bathroom forms the core of this interior renovation. The existing peninsula design and cabinetry broke up the ‘great room’ and stood the kitchen as a distinct element within the room. Our design strategy operates more on a principle of integration. As such, we created a galley condition with a spine of cabinetry and appliances that anchors to the long wall of the room. The feature design element is the solid Caesarstone backsplash which appears to be carved from the wall itself. The particular challenge in the windowless bathroom was how to create an inviting, expanded sense of depth without a resulting cave-like feel. Removal of a half wall, soffit and tub unified the space overall. We reinforced the unification with the deployment of a single large format tile spec. Smaller details such as touch latch cabinetry hardware and flush conditions between tile, wall and mirror further the principle that simpler is bigger, deeper and more inviting. We were also charged with elevating what was a pedestrian 1990’s townhouse to something more sophisticated and engaging. Our approach was to first remove builder grade detailing around windows and railings. Then, we introduced simplified profiles and glass guardrails that would extend a consistency established in the new kitchen and bathroom designs. photo by Scott Hargis

Sturdy awning systems allow the awnings to be rolled up tightly when they are not needed and deployed easily with a remote control. Sun and wind sensors are also available to automatically deploy your retractable awning when the sun hits that side of the home or to retract an open awning with wind speeds exceed a certain threshold.

Our client's central stairwell is dramatically lit by a custom domed acrylic skylight. They soon discovered that the stairwell became too bright and hot, especially during summer months. The challenge was to control the temperature and glare without overheating the acrylic of the skylight or compromising the elegant character of the stairway. The solution is a nearly 12’ long x 8’ wide horizontal OpenLight shade that operates with the push of a button. White/white 3% open fabric stops 97% of the light while allowing sufficient light to brighten the stairway. It also minimizes heating falling into the stairwell while letting enough heat dissipate so as not to overheat the skylight. The fabric itself has a fiberglass substrate so that it can withstand the heat without stretching. OpenLight shades are fabricated in the Creative Windows Ann Arbor plant and are available in an exceptionally wide selection of fabrics and creative applications. Shade shown here is partially deployed to highlight the dramatic stairwell and interesting architecture of the home. The white fabric of the shade matches the shade fabric used throughout the house. The white casing blends with the wall and trim color. The shade is an elegant solution to the problem that complements the homes modern aesthetic. Best of all, our client now can enjoy their stairway year-round. Our client purchased a lakeside home in Fenton, MI that features a central stairwell that is dramatically lit by a custom 12’ long x8’ wide domed skylight. Positioned over the entry stairwell and running the entire length of the foyer below, they soon discovered that the stairwell became too bright and hot, especially during summer months. The challenge was to control the temperature and glare without compromising the clean lines and elegant character of the home’s main entry. The solution was an expansive motorized screen shade that operates with the simple push of a button. The selected shade cloth, in 3% openness, stops 97% of the harsh light while allowing sufficient brightness in the stairway. The white color not only compliments the home’s interior finishes but serves to reflect heat that would otherwise fall into the stairwell, without overheating the acrylic skylight. The fabric itself has a fiberglass substrate and can withstand the heat without stretching, and the unique shading system features a zippered design that holds the shade cloth perfectly taut, regardless of the expansive coverage required. The shade, shown here, is partially deployed to highlight the dramatic stairwell and reveal the interesting architecture of the domed skylight above. The shade is an elegant solution to the problem that not only compliments the homes modern aesthetic but allows our client to enjoy their stairway year-round.

Executed in Boca Raton, this custom-engineered outdoor living compound redefines luxury estate defense. Operating under Florida Lic. #CGC057260, our engineering desk integrated fully automated, Miami-Dade NOA-certified motorized kinetic shielding to enclose this bespoke lanai and pool pavilion. Designed specifically for the High-Velocity Hurricane Zone (HVHZ), this deployable Category 5 impact screen system provides immediate wind-load and large-missile protection without the visual burden of traditional storm shutters. When retracted, the architectural housing becomes completely invisible, preserving uninterrupted modern sightlines of the tranquil custom pool oasis. When deployed, it delivers absolute structural security, daily UV climate control, and sophisticated privacy at the push of a button. Uncompromising modern aesthetic meets military-grade Palm Beach County hurricane engineering.

Inspiration for a huge contemporary rooftop deck remodel in Chicago with a pergola

This is a quintessentially urban prewar-into-modern hybrid: a broad, laterally organized reception room whose principal architectural gesture is the corner glazing that dissolves two walls into a panoramic register of treetops and distant skyline. The plan reads as a series of soft, overlapping conversational precincts rather than a single axial arrangement — a pair of swivel-capable lounge chairs anchoring the window wall, a facing pair of high-backed tub chairs, and a deep tuxedo-profile sofa closing the composition toward the viewer — all orbiting an organically contoured cocktail table that performs as the room's centrifugal keystone. The ceiling is treated with a recessed reveal and shallow soffit that traces the perimeter, a device that both conceals drapery hardware and lifts the plane visually, granting the low-slung modern floor plate an unexpected sense of loft. A blade wall carrying a single framed canvas performs critical spatial work, terminating the living volume while permitting an enfilade sightline through to a secondary dining zone beyond, where a glazed wall of ivy-clad courtyard reads as a green tapestry. The geometry throughout is deliberately curvilinear — barrel-backed seating, amoeboid tabletops, splayed tapered legs — set against the orthogonal discipline of window mullions, drapery pleats, and rectilinear millwork, producing a productive tension between architectural rigor and furnishings that behave sculpturally. **II. Materiality, Color & Texture** The palette is a study in tonal restraint calibrated for maximum textural incident. Walls are finished in a matte, faintly striated plaster or grasscloth with a warm ecru undertone that absorbs rather than reflects light, establishing a neutral field against which every surface differential registers. Seating is upholstered in a lustrous chenille or crushed velvet of pale greige, whose short pile catches raking daylight and reads almost pearlescent, while the foreground sofa introduces a coarser boucle in an oatmeal register and the opposing sofa shifts decisively into a saturated tobacco-and-umber channel-tufted chenille, its French-polished rosewood or macassar ebony frame supplying the room's darkest, most reflective note. Stone is deployed with connoisseurial precision: the cocktail tables are honed alabaster or backlit-quality onyx, their translucent creamy strata and honey veining offering a warm mineral counterpoint to the cool, ink-washed abstraction of the hand-knotted area rug, which functions as a painterly ground — a gestural silver-and-charcoal wash pooling beneath the furniture. Bronze, patinated brass, and stainless accents appear in table bases, the vessel-form vase, and the sconce, providing metallic punctuation without gleam. Drapery in a heavy sand-toned linen, edged in a beaded or embroidered tape, softens the glazing perimeter and reinforces the room's tactile vocabulary of nap, weave, slub, and polish. **III. Lighting, Atmosphere & Style Profile** Natural light is the dominant luminous strategy: the corner glazing admits a soft, diffuse northern wash under overcast conditions, which the designer has intelligently accepted rather than resisted — the flat, shadowless quality flatters the velvet piles and plaster walls, and the drapery is stacked to admit maximum daylight while modulating glare at the jambs. Artificial sources are almost entirely concealed or decorative: a slim architectural sconce on the blade wall, a sculptural biomorphic table lamp in white lacquer or ceramic in the dining zone, and an extraordinary petal-form pendant in patinated metal that reads as an art object first and a fixture second. The resulting atmosphere is hushed, cerebral, and quietly patrician — a room of low chroma and high material intelligence, where drama is supplied by silhouette and surface rather than by color or ornament. Stylistically, the project synthesizes into what might best be termed **Modernist Salon** or **Warm Continental Minimalism**: the DNA of mid-century French decorative arts — Royère, Frank, Adnet — filtered through a contemporary sensibility of tonal layering and soft geometry, with an Art Deco undertow in the ebonized woods and channel tufting. It is a scheme of curatorial discipline: nothing is decorative for its own sake, the view is treated as the primary artwork, and every material is selected for how it behaves in light.

## Spatial Composition & Architectural Volume This is a kitchen conceived less as a service zone than as a precisely calibrated architectural volume, resolved through an L-configuration of full-height cabinetry that terminates against a monolithic island set on an intentional diagonal to the orthogonal grid of the herringbone flooring. The island's waterfall treatment — a slab returning to the floor in a single unbroken plane — functions as both a peninsular counter and a piece of quasi-sculptural infrastructure, its overhang generating a shallow banquette-adjacent seating zone without resorting to a conventional breakfast bar. Above, a coffered soffit executed in flush drywall with a continuous cove-lit reveal establishes a datum line that both compresses and defines the working core, while the adjacent tray ceiling reads as a distinct volume, spatially decoupling the kitchen from the living room beyond. That threshold is the composition's most disciplined gesture: a wide cased opening framed in mitered rift-cut oak paneling, its architrave articulated as a shadow-gapped reveal rather than applied trim, drawing a deep enfilade sightline through to the window wall, its Roman shades, and the mid-rise cityscape beyond. Millwork here performs structurally as well as visually — the oak-clad pilasters and the fluted, hand-carved textural panel at right operate as pseudo-columnar elements, organizing the plan into legible bays. ## Materiality, Color & Texture The palette is constructed on a deliberate dialectic between two wood registers. The envelope employs a pale, quarter-sawn white oak with a honeyed, faintly amber undertone, its figure suppressed and its finish matte, functioning as a luminous neutral ground. Against this, the cabinetry deploys a deeply fumed or ebonized ash — likely a heavily lacquered, open-grain veneer — where the cathedral figuring is exaggerated into near-graphic striation and the high-gloss sheen produces a lacquered, almost Art Deco lustre. This contrast of value (blonde against bitter chocolate) and of sheen (matte against specular) is the project's principal tension. Mediating between them is the stone: a white quartzite or dolomitic marble with soft grey-taupe veining and a distinctly warm, cream-adjacent field, book-matched across the full-height backsplash and repeated on the island slab, its subtly honed surface refusing the glare of a polished finish. Metallic accents are restrained and consistently warm — satin brass on the pendant canopies and stool footrails, blackened bronze on the hardware, glazing frames, and the stools' slender tubular frames. Textiles introduce a low-frequency counterpoint: nubby bouclé upholstery on the sectional, a striated woven sheer at left, ikat-patterned cushions, and a tonal blue-grey geometric rug that supplies the only chromatic departure from the room's ochre-to-espresso spectrum. ## Lighting, Atmosphere & Style Profile The lighting scheme is layered with unusual rigor. Daylight is admitted obliquely, filtered through the plaid-toned Roman shades of the adjacent living room, so the kitchen receives it secondhand — soft, directional, and already warmed. Artificial light works in three tiers: the recessed cove uplighting that grazes the soffit and dissolves the ceiling's edges; concealed under-cabinet illumination that renders the stone backsplash as a glowing plane; and the pair of spun-brass disc pendants suspended on slender blackened stems, whose downward-facing diffusers deliver a controlled pool of task light while their polished undersides register as small suns in the composition. The absence of visible downlight clutter is notable and disciplined. The resulting atmosphere is enveloping and low-glare — cosseting rather than clinical — with a distinctly residential, almost salon-like decorum reinforced by the framed genre painting hung casually on the oak paneling, a curatorial gesture that domesticates the kitchen decisively. Stylistically, the project reads as **Warm Modernist Luxe**, drawing on the vocabulary of high-craft European cabinetry and mid-century Milanese interiors: the grain-forward veneers, brass discs, and slender bronze seating carry a whisper of 1970s Italian sophistication, while the flush detailing, shadow-gap reveals, and rigorous suppression of ornament situate it firmly in contemporary practice. It is tailored rather than austere — a demonstration that minimalist discipline and material sensuality need not be adversaries.

**I. Spatial Composition & Architectural Volume** This powder room operates as a compressed, processional vestibule — a jewel-box volume whose narrowness is deliberately weaponized to intensify the encounter with a single focal event. The plan reads as a tight rectilinear corridor, entered obliquely past a pivoting sculptural door leaf at the left foreground, with the sightline funnelling directly to a recessed alcove at the terminal wall. That alcove is the compositional engine of the room: a deep, orthogonal reveal framed in slender blackened-metal profiles, within which a monolithic marble vanity cantilevers as a full-width plinth, its shadow-gap plinth detail dissolving the mass into apparent levitation. The full-height glazed screens flanking both side walls — divided into a disciplined grid of stile-and-rail metal mullions above a stone dado — introduce a Miesian rhythm of verticals that visually widen the space while preserving enclosure. Above, a crisp plaster soffit with a razor-thin perimeter reveal caps the volume, while the mullion grid's continuation across the ceiling plane and door surround creates a cage-like armature, an architectural drawing rendered in three dimensions. The suspended, wall-hung water closet at left is deliberately subordinated, half-concealed by the stone return, ensuring the axial procession terminates not on plumbing but on art. **II. Materiality, Color & Texture** The material palette is orchestrated as a controlled dialogue between the geologic, the vegetal, and the metallic. Book-matched Calacatta Viola — or a closely related Paonazzo — sheathes the dado and vanity in slabs whose oxblood, umber, and graphite veining reads as gestural brushwork, its cool bone-white ground counterweighted by the warm ferrous rust of its fissures; the veining on the right-hand wall is sequenced to cascade, treating stone as a continuous painterly field rather than a modular cladding. Against this, the foreground door presents a deeply carved, three-dimensional sculpted timber relief in a mid-tone oak or walnut, its undulating, plaited chevron texture introducing a haptic, almost textile-like tactility that provides the composition's most overtly artisanal register. The glazed screens deploy reeded or fluted glass in a smoky sage-olive cast, their striations diffusing and abstracting whatever lies beyond into vertical striae of light — a translucent counterpoint to the opacity of stone and wood. Blackened bronze or patinated steel mullions supply the graphic scaffolding, while unlacquered brass appears as accent punctuation: the gooseneck spout with exposed swivel collar, and, most emphatically, the flame-patinated bronze oval of the mirror frame, whose molten amber bloom is the single high-saturation event in an otherwise desaturated envelope of greys, greiges, and bone. Underfoot, chevron-laid oak parquet in a soft tobacco stain grounds the palette and repeats the door's zigzag geometry at a domestic scale. **III. Lighting, Atmosphere & Style Profile** Lighting is handled with theatrical restraint and a distinctly museological logic. The terminal alcove is backlit by a full-height plane of sheer, pinch-pleated linen sheers washed with daylight — an ambiguous, screened luminance that functions as a lightbox, silhouetting the mirror and reading as a window without conceding a view. Concealed cove or perimeter LED at the soffit reveal lifts the ceiling and grazes the plaster, while the reeded glass side screens capture and refract borrowed light along their flutes, producing a soft vertical shimmer that keeps the narrow volume from collapsing into gloom. The lower register is intentionally darker, the recessed shadow gap beneath the vanity and the bronze toe detail anchoring the composition in a low-key, chiaroscuro base. The atmosphere is hushed, contemplative, and faintly ecclesiastical — the alcove operating as a reredos, the framed portrait glimpsed in the mirror's reflection functioning as an unexpected, wry apparition that injects narrative and humor into an otherwise austere scheme. Stylistically, the room synthesizes into what might be termed *Tactile Luxe Modernism* or Refined Warm Modernism: the structural clarity and metal-gridded transparency of mid-century International Style, tempered by Italian post-war sensuality in the bronze and marble, and finally humanized by contemporary craft-forward texture. The result is a space of considerable discipline that nonetheless privileges touch, patina, and surprise over minimalist abstinence.

A revolutionary 'Single Track Design' that allows for unparalleled coverage, ease of deployment and unrelenting protection from both sun and rain. Custom designed and specified to an 1/8" offering flexible deployment on both existing and new structures. A fully framed retractable system built to withstand high winds and heavy rain.

A revolutionary 'Single Track Design' that allows for unparalleled coverage, ease of deployment and unrelenting protection from both sun and rain. Custom designed and specified to an 1/8" offering flexible deployment on both existing and new structures. A fully framed retractable system built to withstand high winds and heavy rain.

A revolutionary 'Single Track Design' that allows for unparalleled coverage, ease of deployment and unrelenting protection from both sun and rain. Custom designed and specified to an 1/8" offering flexible deployment on both existing and new structures. A fully framed retractable system built to withstand high winds and heavy rain.

A revolutionary 'Single Track Design' that allows for unparalleled coverage, ease of deployment and unrelenting protection from both sun and rain. Custom designed and specified to an 1/8" offering flexible deployment on both existing and new structures. A fully framed retractable system built to withstand high winds and heavy rain.

A revolutionary 'Single Track Design' that allows for unparalleled coverage, ease of deployment and unrelenting protection from both sun and rain. Custom designed and specified to an 1/8" offering flexible deployment on both existing and new structures. A fully framed retractable system built to withstand high winds and heavy rain.

A revolutionary 'Single Track Design' that allows for unparalleled coverage, ease of deployment and unrelenting protection from both sun and rain. Custom designed and specified to an 1/8" offering flexible deployment on both existing and new structures. A fully framed retractable system built to withstand high winds and heavy rain.

Each floor deploys a single sculptural light type in dialogue with the artworks. Above the dining table, the Vitis Pendant by Rich Brilliant Willing provides playful adjustability.