The project includes turnkey construction of the entire architectural space, where the large open space is divided into functional areas – dining and living – by an impressive composition with a T layout that includes the kitchen with island, the living room furniture, and the equipped wall. On linear composition, the kitchen with central island, developed on T45 model, is entirely in Gres Laminam Noir Desir, upon request of the customer. The material continuously covers the sides, the T45 drawer fronts, bins, and storage compartments, and the worktop incorporating a filo top hob and a built-in Gres sink. The painted structure in metal effect creates a linear contrast design that frames the doors and fronts. The composition of columns, designed on model D90, has a natural Birch structure and front elements in Noce Canaletto with an inside handle. The set-up is punctuated by the alternation between storage compartments and appliances supplied such as a fridge column, thermo-regulated cellar with glass door, and ovens columns. The backlit glass cabinet on the bronze structure adds particular charm to the composition, while the retractable doors give access to the auxiliary work area. The cabinets above the ovens are in continuity with the columns and their opening is facilitated by a push & pull mechanism. To delimit the functional space of the two rooms, a central wall has been created with doors in bronzed glass on both sides. Developed on model D90, it has structure and paneling in Noce Canaletto, while internal shelves, equipped with LED lighting, are made of glass. The large open module features asymmetric composition compared to the central module in gres which houses the wood fireplace and home entertainment. The alternation between drawers, storage compartments with flap doors, and open compartments of various heights create a compositional elegance. In continuity with the kitchen furniture, in the living room, a built-in area cabinet has been realized with lower doors in the T45 model, an intermediate suspended unit with flap doors and LED lighting and an upper bookcase unit.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

After years of enjoying their backyard, the clients of this property enlisted our firm to improve the original landscape we had completed over ten years ago. Our goal was to update the patio and further develop their backyard by creating a garden with a variety of color and texture. Over time the existing patio had settled, plantings grew, and an existing Oak thrived. During the initial home and landscape construction our clients were particularly concerned about the health of the mature Oak located just off the home. Special care was given when the patio was first built. Precautions were again taken in working around the Oak as the existing patio was removed and replaced. Surrounding trees and shrubs had grown and enclosed the backyard limiting access. This required almost all work and transport of material to be done by hand. The old concrete paver patio was replaced with bluestone. Existing mortared limestone around the edges of the patio levels were cleaned and tuck-pointed. A new stoop was constructed with mortared limestone risers and bluestone treads. A built-in grill and fireplace further updated the backyard space. The fireplace was designed to follow the organic curve of the patio. Mortared limestone and bluestone material were repeated on all elements, tying them together. Along with the updated patio, many additions were made in transforming the modest backyard into a lush garden. Masses of annuals, ornamental grasses, and perennials along with mixed shrubs created sweeps of color and texture in front of a new arborvitae hedge and other existing trees and shrubs. After careful planning and execution the completed landscape gave our clients the updated landscape they desired. The completion of the project was a rewarding and fulfilling experience as we transformed a good past project into a fantastic new project.

After long waiting, Expo Milan 2015 has finally opened its doors! Among more than 140 pavilions to describe the world, UAE pavilions , an imposing structure , including a theater and the Emir apartment was created . The pavilion, which stands for modernity, is one of the larger lots of Expo Milano 2015, and benefits from a privileged location, right in the center of the exhibition, alongside the main axis Decumanus. The FOSTER+PARTNERS architectural office , who designed it, was able to reflect the country's cultural heritage and in particular its focus on sustainable development. The amazing shape is shaped by a series of rippled walls, with a height over 12 meters, evoking both the shaded streets of country’s historic settlements , and the magnificent sand dunes of its deserts. There is also a charming green space dedicated to the native vegetation. At the end of the World Fair The lot will be dismantled and reassembled in Masdar City. THE CONTRIBUTION OF GRASSI PIETRE Grassi Pietre also participated in the creation of this wonderful project by FOSTER+PARTNERS. In particular (on behalf of Tecton, Reggio Emilia - Italy) the company from Nanto (Vicenza - Italy) provided 500 square meters of flooring in Trani Biancone - slabs 120x70x2 cm in honed finish - used for the Emir apartment (located inside the pavilion) and the lower level flooring adjacent to the auditorium. The Grassi Pietre marble was also used to clad the interior stairs leading to the apartment: Grassi Pietre provided the Trani Biancone for the shaped stairs, 3 cm thick honed surface. Moreover, Grassi Pietre also supplied 40 square meters of floor in marble Trani Biancone, in sandblasted finish (4 cm thick), for the outside terraces. The external staircase was built instead in Trani Bronzetto. All the outside surface have a non slippery bushhammered surface. TRANI BIANCONE And BRONZETTO Trani is a marble that moves between shades of beige (Bronzetto ), ivory (Biancone ) and rosé. The nuance changes depending on the variety. It is characterized by the many thin and sinuous veins. TECHNICAL INFORMATION Year of execution: 2014/2015 Lot size: 4386 m² Height: 12 m Capacity: 785 people/hour Location: Milano - Expo 2015 GRASSI PIETRE SRL (material supplier described above) via Madonetta, 2 | 36024 Nanto (Vi) Italy | www.grassipietre.it | info@grassipietre.it | www.facebook.com/grassipietre | TECTON SOC. COOP (Realization) via Galliano, 10 | 42124 Reggio Emilia Italy | www.tecton.it | info@tecton.it | FOSTER + PARTNERS (Design Studio) www.fosterandpartners.com PHOTO CREDITS: Cristian Iotti | www.cristianiotti.com |

After years of enjoying their backyard, the clients of this property enlisted our firm to improve the original landscape we had completed over ten years ago. Our goal was to update the patio and further develop their backyard by creating a garden with a variety of color and texture. Over time the existing patio had settled, plantings grew, and an existing Oak thrived. During the initial home and landscape construction our clients were particularly concerned about the health of the mature Oak located just off the home. Special care was given when the patio was first built. Precautions were again taken in working around the Oak as the existing patio was removed and replaced. Surrounding trees and shrubs had grown and enclosed the backyard limiting access. This required almost all work and transport of material to be done by hand. The old concrete paver patio was replaced with bluestone. Existing mortared limestone around the edges of the patio levels were cleaned and tuck-pointed. A new stoop was constructed with mortared limestone risers and bluestone treads. A built-in grill and fireplace further updated the backyard space. The fireplace was designed to follow the organic curve of the patio. Mortared limestone and bluestone material were repeated on all elements, tying them together. Along with the updated patio, many additions were made in transforming the modest backyard into a lush garden. Masses of annuals, ornamental grasses, and perennials along with mixed shrubs created sweeps of color and texture in front of a new arborvitae hedge and other existing trees and shrubs. After careful planning and execution the completed landscape gave our clients the updated landscape they desired. The completion of the project was a rewarding and fulfilling experience as we transformed a good past project into a fantastic new project.

Soft floral wallpaper adds a gentle, natural texture to the bathroom, bringing warmth and elegance to the space. Its subtle pattern complements the clean lines of the shower and vanity, creating a cohesive, inviting atmosphere that balances classic charm with modern style.

The project includes turnkey construction of the entire architectural space, where the large open space is divided into functional areas – dining and living – by an impressive composition with a T layout that includes the kitchen with island, the living room furniture, and the equipped wall. On linear composition, the kitchen with central island, developed on T45 model, is entirely in Gres Laminam Noir Desir, upon request of the customer. The material continuously covers the sides, the T45 drawer fronts, bins, and storage compartments, and the worktop incorporating a filo top hob and a built-in Gres sink. The painted structure in metal effect creates a linear contrast design that frames the doors and fronts. The composition of columns, designed on model D90, has a natural Birch structure and front elements in Noce Canaletto with an inside handle. The set-up is punctuated by the alternation between storage compartments and appliances supplied such as a fridge column, thermo-regulated cellar with glass door, and ovens columns. The backlit glass cabinet on the bronze structure adds particular charm to the composition, while the retractable doors give access to the auxiliary work area. The cabinets above the ovens are in continuity with the columns and their opening is facilitated by a push & pull mechanism. To delimit the functional space of the two rooms, a central wall has been created with doors in bronzed glass on both sides. Developed on model D90, it has structure and paneling in Noce Canaletto, while internal shelves, equipped with LED lighting, are made of glass. The large open module features asymmetric composition compared to the central module in gres which houses the wood fireplace and home entertainment. The alternation between drawers, storage compartments with flap doors, and open compartments of various heights create a compositional elegance. In continuity with the kitchen furniture, in the living room, a built-in area cabinet has been realized with lower doors in the T45 model, an intermediate suspended unit with flap doors and LED lighting and an upper bookcase unit.

The project includes turnkey construction of the entire architectural space, where the large open space is divided into functional areas – dining and living – by an impressive composition with a T layout that includes the kitchen with island, the living room furniture, and the equipped wall. On linear composition, the kitchen with central island, developed on T45 model, is entirely in Gres Laminam Noir Desir, upon request of the customer. The material continuously covers the sides, the T45 drawer fronts, bins, and storage compartments, and the worktop incorporating a filo top hob and a built-in Gres sink. The painted structure in metal effect creates a linear contrast design that frames the doors and fronts. The composition of columns, designed on model D90, has a natural Birch structure and front elements in Noce Canaletto with an inside handle. The set-up is punctuated by the alternation between storage compartments and appliances supplied such as a fridge column, thermo-regulated cellar with glass door, and ovens columns. The backlit glass cabinet on the bronze structure adds particular charm to the composition, while the retractable doors give access to the auxiliary work area. The cabinets above the ovens are in continuity with the columns and their opening is facilitated by a push & pull mechanism. To delimit the functional space of the two rooms, a central wall has been created with doors in bronzed glass on both sides. Developed on model D90, it has structure and paneling in Noce Canaletto, while internal shelves, equipped with LED lighting, are made of glass. The large open module features asymmetric composition compared to the central module in gres which houses the wood fireplace and home entertainment. The alternation between drawers, storage compartments with flap doors, and open compartments of various heights create a compositional elegance. In continuity with the kitchen furniture, in the living room, a built-in area cabinet has been realized with lower doors in the T45 model, an intermediate suspended unit with flap doors and LED lighting and an upper bookcase unit.

After long waiting, Expo Milan 2015 has finally opened its doors! Among more than 140 pavilions to describe the world, UAE pavilions , an imposing structure , including a theater and the Emir apartment was created . The pavilion, which stands for modernity, is one of the larger lots of Expo Milano 2015, and benefits from a privileged location, right in the center of the exhibition, alongside the main axis Decumanus. The FOSTER+PARTNERS architectural office , who designed it, was able to reflect the country's cultural heritage and in particular its focus on sustainable development. The amazing shape is shaped by a series of rippled walls, with a height over 12 meters, evoking both the shaded streets of country’s historic settlements , and the magnificent sand dunes of its deserts. There is also a charming green space dedicated to the native vegetation. At the end of the World Fair The lot will be dismantled and reassembled in Masdar City. THE CONTRIBUTION OF GRASSI PIETRE Grassi Pietre also participated in the creation of this wonderful project by FOSTER+PARTNERS. In particular (on behalf of Tecton, Reggio Emilia - Italy) the company from Nanto (Vicenza - Italy) provided 500 square meters of flooring in Trani Biancone - slabs 120x70x2 cm in honed finish - used for the Emir apartment (located inside the pavilion) and the lower level flooring adjacent to the auditorium. The Grassi Pietre marble was also used to clad the interior stairs leading to the apartment: Grassi Pietre provided the Trani Biancone for the shaped stairs, 3 cm thick honed surface. Moreover, Grassi Pietre also supplied 40 square meters of floor in marble Trani Biancone, in sandblasted finish (4 cm thick), for the outside terraces. The external staircase was built instead in Trani Bronzetto. All the outside surface have a non slippery bushhammered surface. TRANI BIANCONE And BRONZETTO Trani is a marble that moves between shades of beige (Bronzetto ), ivory (Biancone ) and rosé. The nuance changes depending on the variety. It is characterized by the many thin and sinuous veins. TECHNICAL INFORMATION Year of execution: 2014/2015 Lot size: 4386 m² Height: 12 m Capacity: 785 people/hour Location: Milano - Expo 2015 GRASSI PIETRE SRL (material supplier described above) via Madonetta, 2 | 36024 Nanto (Vi) Italy | www.grassipietre.it | info@grassipietre.it | www.facebook.com/grassipietre | TECTON SOC. COOP (Realization) via Galliano, 10 | 42124 Reggio Emilia Italy | www.tecton.it | info@tecton.it | FOSTER + PARTNERS (Design Studio) www.fosterandpartners.com PHOTO CREDITS: Cristian Iotti | www.cristianiotti.com |

After long waiting, Expo Milan 2015 has finally opened its doors! Among more than 140 pavilions to describe the world, UAE pavilions , an imposing structure , including a theater and the Emir apartment was created . The pavilion, which stands for modernity, is one of the larger lots of Expo Milano 2015, and benefits from a privileged location, right in the center of the exhibition, alongside the main axis Decumanus. The FOSTER+PARTNERS architectural office , who designed it, was able to reflect the country's cultural heritage and in particular its focus on sustainable development. The amazing shape is shaped by a series of rippled walls, with a height over 12 meters, evoking both the shaded streets of country’s historic settlements , and the magnificent sand dunes of its deserts. There is also a charming green space dedicated to the native vegetation. At the end of the World Fair The lot will be dismantled and reassembled in Masdar City. THE CONTRIBUTION OF GRASSI PIETRE Grassi Pietre also participated in the creation of this wonderful project by FOSTER+PARTNERS. In particular (on behalf of Tecton, Reggio Emilia - Italy) the company from Nanto (Vicenza - Italy) provided 500 square meters of flooring in Trani Biancone - slabs 120x70x2 cm in honed finish - used for the Emir apartment (located inside the pavilion) and the lower level flooring adjacent to the auditorium. The Grassi Pietre marble was also used to clad the interior stairs leading to the apartment: Grassi Pietre provided the Trani Biancone for the shaped stairs, 3 cm thick honed surface. Moreover, Grassi Pietre also supplied 40 square meters of floor in marble Trani Biancone, in sandblasted finish (4 cm thick), for the outside terraces. The external staircase was built instead in Trani Bronzetto. All the outside surface have a non slippery bushhammered surface. TRANI BIANCONE And BRONZETTO Trani is a marble that moves between shades of beige (Bronzetto ), ivory (Biancone ) and rosé. The nuance changes depending on the variety. It is characterized by the many thin and sinuous veins. TECHNICAL INFORMATION Year of execution: 2014/2015 Lot size: 4386 m² Height: 12 m Capacity: 785 people/hour Location: Milano - Expo 2015 GRASSI PIETRE SRL (material supplier described above) via Madonetta, 2 | 36024 Nanto (Vi) Italy | www.grassipietre.it | info@grassipietre.it | www.facebook.com/grassipietre | TECTON SOC. COOP (Realization) via Galliano, 10 | 42124 Reggio Emilia Italy | www.tecton.it | info@tecton.it | FOSTER + PARTNERS (Design Studio) www.fosterandpartners.com PHOTO CREDITS: Cristian Iotti | www.cristianiotti.com |

Inspiration for a modern patio remodel in Wilmington

After long waiting, Expo Milan 2015 has finally opened its doors! Among more than 140 pavilions to describe the world, UAE pavilions , an imposing structure , including a theater and the Emir apartment was created . The pavilion, which stands for modernity, is one of the larger lots of Expo Milano 2015, and benefits from a privileged location, right in the center of the exhibition, alongside the main axis Decumanus. The FOSTER+PARTNERS architectural office , who designed it, was able to reflect the country's cultural heritage and in particular its focus on sustainable development. The amazing shape is shaped by a series of rippled walls, with a height over 12 meters, evoking both the shaded streets of country’s historic settlements , and the magnificent sand dunes of its deserts. There is also a charming green space dedicated to the native vegetation. At the end of the World Fair The lot will be dismantled and reassembled in Masdar City. THE CONTRIBUTION OF GRASSI PIETRE Grassi Pietre also participated in the creation of this wonderful project by FOSTER+PARTNERS. In particular (on behalf of Tecton, Reggio Emilia - Italy) the company from Nanto (Vicenza - Italy) provided 500 square meters of flooring in Trani Biancone - slabs 120x70x2 cm in honed finish - used for the Emir apartment (located inside the pavilion) and the lower level flooring adjacent to the auditorium. The Grassi Pietre marble was also used to clad the interior stairs leading to the apartment: Grassi Pietre provided the Trani Biancone for the shaped stairs, 3 cm thick honed surface. Moreover, Grassi Pietre also supplied 40 square meters of floor in marble Trani Biancone, in sandblasted finish (4 cm thick), for the outside terraces. The external staircase was built instead in Trani Bronzetto. All the outside surface have a non slippery bushhammered surface. TRANI BIANCONE And BRONZETTO Trani is a marble that moves between shades of beige (Bronzetto ), ivory (Biancone ) and rosé. The nuance changes depending on the variety. It is characterized by the many thin and sinuous veins. TECHNICAL INFORMATION Year of execution: 2014/2015 Lot size: 4386 m² Height: 12 m Capacity: 785 people/hour Location: Milano - Expo 2015 GRASSI PIETRE SRL (material supplier described above) via Madonetta, 2 | 36024 Nanto (Vi) Italy | www.grassipietre.it | info@grassipietre.it | www.facebook.com/grassipietre | TECTON SOC. COOP (Realization) via Galliano, 10 | 42124 Reggio Emilia Italy | www.tecton.it | info@tecton.it | FOSTER + PARTNERS (Design Studio) www.fosterandpartners.com PHOTO CREDITS: Cristian Iotti | www.cristianiotti.com |

Custom Home Theater The creative minds behind Theater Monster put their heads together to develop an inspired and unique home theater for the residents of this particular home. They wanted to design a rustic theater that their client would be proud to show to guests, so it was a must to think outside the box. After conducting extensive research, Eldorado Stone was selected to meet their design needs and Autumn Leaf RoughCut was applied to the main walls. Additionally, they incorporated further visual appeal by constructing a modern, rolling tongue and groove ceiling to resemble a sound wave. Surprisingly, the use of architectural stone veneer in this space didn’t interfere with the quality of sound throughout the home theater. The rough edges of the stone helped to break up the sound waves emitted from the sound system and resulted in an even emission of sound in this space. Smooth walls typically cause refraction of sound unless heavily insulated, so the stone did double-duty by not only looking aesthetically appealing but also acting as natural insulation. Considering this was the first time the professionals at Theater Monster veered from more standard materials and utilized stone in a theater, they couldn’t have been happier with the end result. Architect/Designer: Nathan Goldstein www.theatermonster.com Builder: Theater Monster LLC Website: www.theatermonster.com Mason: Dustin Mathenia Phone: (559) 471-9140 Photography: Nathan Goldstein and Anthonie Mcgowan

Stuart Wade, Envision Virtual Tours The design goal was to produce a corporate or family retreat that could best utilize the uniqueness and seclusion as the only private residence, deep-water hammock directly assessable via concrete bridge in the Southeastern United States. Little Hawkins Island was seven years in the making from design and permitting through construction and punch out. The multiple award winning design was inspired by Spanish Colonial architecture with California Mission influences and developed for the corporation or family who entertains. With 5 custom fireplaces, 75+ palm trees, fountain, courtyards, and extensive use of covered outdoor spaces; Little Hawkins Island is truly a Resort Residence that will easily accommodate parties of 250 or more people. The concept of a “village” was used to promote movement among 4 independent buildings for residents and guests alike to enjoy the year round natural beauty and climate of the Golden Isles. The architectural scale and attention to detail throughout the campus is exemplary. From the heavy mud set Spanish barrel tile roof to the monolithic solid concrete portico with its’ custom carved cartouche at the entrance, every opportunity was seized to match the style and grace of the best properties built in a bygone era.

Custom Home Theater The creative minds behind Theater Monster put their heads together to develop an inspired and unique home theater for the residents of this particular home. They wanted to design a rustic theater that their client would be proud to show to guests, so it was a must to think outside the box. After conducting extensive research, Eldorado Stone was selected to meet their design needs and Autumn Leaf RoughCut was applied to the main walls. Additionally, they incorporated further visual appeal by constructing a modern, rolling tongue and groove ceiling to resemble a sound wave. Surprisingly, the use of architectural stone veneer in this space didn’t interfere with the quality of sound throughout the home theater. The rough edges of the stone helped to break up the sound waves emitted from the sound system and resulted in an even emission of sound in this space. Smooth walls typically cause refraction of sound unless heavily insulated, so the stone did double-duty by not only looking aesthetically appealing but also acting as natural insulation. Considering this was the first time the professionals at Theater Monster veered from more standard materials and utilized stone in a theater, they couldn’t have been happier with the end result. Architect/Designer: Nathan Goldstein www.theatermonster.com Builder: Theater Monster LLC Website: www.theatermonster.com Mason: Dustin Mathenia Phone: (559) 471-9140 Photography: Nathan Goldstein and Anthonie Mcgowan

There are some pool projects where the customer comes to us with a budget rather than a vision. Such was the case with this stunning backyard outdoor entertainment paradise. With this particular project, we worked with the home's developer to create a backyard oasis that was every bit as stunning as the home itself. Working with a pre-determined budget, we had a few design parameters - there had to be an outdoor kitchen/entertainment area that could be used throughout most of the year. A spa was also on the list and they wanted the overall design of the pool area to be in perfect sync with the exterior of the home. With that as a base, we set to work, creating a pool area that became a natural extension of the home, along with a covered outdoor kitchen/entertainment area that would be a welcome respite when temperatures cool off as well as an ideal place for family and friends to cook, dine, relax and unwind. The stamped concrete pool deck has ample room for patio furniture where there are plenty of large umbrellas to provide cover from the sun. Two waterfalls, one that spills from the spa into the pool and the other that features a sheer descent coming from the lush planter, add a touch of elegance to the overall look. The free form pool features skyline blue tile and a gorgeous, Tropical Breeze PebbleTec plaster finish. A retaining wall was built around the outside perimeter of the pool area where the lush landscaping frames out this backyard oasis. The final result is an outdoor area that will provide year-round entertainment on a grand scale. And all delivered within the original budget parameters.

The project includes turnkey construction of the entire architectural space, where the large open space is divided into functional areas – dining and living – by an impressive composition with a T layout that includes the kitchen with island, the living room furniture, and the equipped wall. On linear composition, the kitchen with central island, developed on T45 model, is entirely in Gres Laminam Noir Desir, upon request of the customer. The material continuously covers the sides, the T45 drawer fronts, bins, and storage compartments, and the worktop incorporating a filo top hob and a built-in Gres sink. The painted structure in metal effect creates a linear contrast design that frames the doors and fronts. The composition of columns, designed on model D90, has a natural Birch structure and front elements in Noce Canaletto with an inside handle. The set-up is punctuated by the alternation between storage compartments and appliances supplied such as a fridge column, thermo-regulated cellar with glass door, and ovens columns. The backlit glass cabinet on the bronze structure adds particular charm to the composition, while the retractable doors give access to the auxiliary work area. The cabinets above the ovens are in continuity with the columns and their opening is facilitated by a push & pull mechanism. To delimit the functional space of the two rooms, a central wall has been created with doors in bronzed glass on both sides. Developed on model D90, it has structure and paneling in Noce Canaletto, while internal shelves, equipped with LED lighting, are made of glass. The large open module features asymmetric composition compared to the central module in gres which houses the wood fireplace and home entertainment. The alternation between drawers, storage compartments with flap doors, and open compartments of various heights create a compositional elegance. In continuity with the kitchen furniture, in the living room, a built-in area cabinet has been realized with lower doors in the T45 model, an intermediate suspended unit with flap doors and LED lighting and an upper bookcase unit.

THE APARTMENT NEXT TO THE PARK It is not often the case that an architect has a chance to work for someone he knows well and truly likes. I was lucky to design the investor’s former apartment some years ago which was a big advantage. We kicked off with mutual trust and understanding. We both wanted to design a luxurious urban apartment for an active businesswoman. Four-storey apartment building was erected on the edge of one of Warsaw parks. The place, immersed in stunning nature, is only 10 minutes’ drive from the city center. It is an excellent, prestigious location. From east and south the 160 square meters apartment is surrounded by large terraces that enlarge available space by additional 60 square meters. From the level of the second floor the apartment overlooks heavily-wooded park with a picturesque lake and a hill with a ski-lift. Living area of this open to three sides apartment is penetrated by the sun from dusk till dawn. The budget was considerable because of high standards of solutions used by the developer, particularly ventilation and heating installations as well as smart installation in KNX standard. The photo shoots and the publication (CZAS NA WNĘTRZE 10/2019) were a great pleasure. I am also pleased to announce: "...Architect Roland Stanczyk (RS Studio Projektowe) has won The European Property Award in the category of Interior Design Apartment with “The Apartment Next to the Park”. The award ceremony will take place at The Royal Lancaster Hotel on 24th October 2019 in London." Area: 160 sqm Stylization: Urszula Niemiro Photo: Hanna Długosz, photo of the details: Tomasz Markowski

We are thrilled to share with you our latest kitchen design project for a client who wanted a larger and more open space for their culinary pursuits. Our team worked closely with the client to develop a bespoke design plan that would fulfill their vision for a more innovative and functional kitchen. One of our major objectives was to create an open-concept floor plan by removing the kitchen and dining room walls. This immediately created a more spacious feel to the room and encouraged greater social interaction between family members. The result is a kitchen that feels both contemporary and inviting. Our client was particular about the custom look he wanted for his cabinetry. We listened to his specifications and delivered on our promise of a unique cabinet color that complemented the rest of the kitchen design. The effect is striking, and the cabinets now serve as a focal point of the room. To ensure the kitchen was fully equipped with the latest and most advanced appliances, we specified Wolf appliances. These state-of-the-art appliances are renowned for their functionality, durability, and stylish design. Our client now has access to the latest cooking technology, making meal preparation easier and more enjoyable than ever before! In order to accentuate the beauty of the kitchen space, we installed teardrop recessed lights and pendant lights above the sink and the peninsula. These elegant fixtures not only provide ample lighting, but also add a touch of sophistication to the kitchen. Rather than refinishing the floors, we opted to install new prefinished wood floors in an espresso color. This choice adds depth to the room and creates a cozy ambiance ideal for spending time with loved ones. Overall, our team is thrilled with the outcome of this project. We were able to achieve our client's vision of a larger and more open kitchen while maintaining a custom look personalized to the client's tastes. We hope you enjoyed learning about this project as much as we enjoyed designing it, and we look forward to helping more clients achieve their dream kitchens.