Custom, luxurious window treatments which have been tailored to the highest standards are a particular speciality for Grunberger Interiors. The market is filled with bland, cookie cutter fabric and trim offerings provided by retailers who are salespeople first and designers second. The results are boring and uninspired, and all too often leave the homeowner feeling that something's still missing in their home's design. Window treatments are so much more than a means to gain privacy and light filtration. Whilst this is very important, before you rush to cover up your windows, you should instead be thinking about how these coverings could be an important vehicle to realize your home's potential and make a powerful design statement. My approach is to always think out of the box to develop fabric design schemes that are truly unique and eye catching. They tell a story of who you are and what you love. You won't find these selections and combinations at your local store. Your home's decor will shine and your experience of your spaces will be enhanced. The process begins with my window treatment and soft furnishings consultation, which is a comprehensive design working design session filled with exiting ideas, inspiration and solutions. I bring a bespoke tray of carefully curated fabrics, trims, and wallpaper - your introduction to a world of possibilities. After a design direction has been established, I will source beautiful fabrics and trims from a variety of trade resources, including the prestigious D&D building in Manhattan. We shall reconvene and have an enjoyable, creative exchange of ideas and determine the perfect design scheme for each room. Professional measuring, frequent liaison with my bespoke workroom to ensure that every last detail has been addressed, followed by expert installation completes the design process.

Custom, luxurious window treatments which have been tailored to the highest standards are a particular speciality for Grunberger Interiors. The market is filled with bland, cookie cutter fabric and trim offerings provided by retailers who are salespeople first and designers second. The results are boring and uninspired, and all too often leave the homeowner feeling that something's still missing in their home's design. Window treatments are so much more than a means to gain privacy and light filtration. Whilst this is very important, before you rush to cover up your windows, you should instead be thinking about how these coverings could be an important vehicle to realize your home's potential and make a powerful design statement. My approach is to always think out of the box to develop fabric design schemes that are truly unique and eye catching. They tell a story of who you are and what you love. You won't find these selections and combinations at your local store. Your home's decor will shine and your experience of your spaces will be enhanced. The process begins with my window treatment and soft furnishings consultation, which is a comprehensive design working design session filled with exiting ideas, inspiration and solutions. I bring a bespoke tray of carefully curated fabrics, trims, and wallpaper - your introduction to a world of possibilities. After a design direction has been established, I will source beautiful fabrics and trims from a variety of trade resources, including the prestigious D&D building in Manhattan. We shall reconvene and have an enjoyable, creative exchange of ideas and determine the perfect design scheme for each room. Professional measuring, frequent liaison with my bespoke workroom to ensure that every last detail has been addressed, followed by expert installation completes the design process.

Custom, luxurious window treatments which have been tailored to the highest standards are a particular speciality for Grunberger Interiors. The market is filled with bland, cookie cutter fabric and trim offerings provided by retailers who are salespeople first and designers second. The results are boring and uninspired, and all too often leave the homeowner feeling that something's still missing in their home's design. Window treatments are so much more than a means to gain privacy and light filtration. Whilst this is very important, before you rush to cover up your windows, you should instead be thinking about how these coverings could be an important vehicle to realize your home's potential and make a powerful design statement. My approach is to always think out of the box to develop fabric design schemes that are truly unique and eye catching. They tell a story of who you are and what you love. You won't find these selections and combinations at your local store. Your home's decor will shine and your experience of your spaces will be enhanced. The process begins with my window treatment and soft furnishings consultation, which is a comprehensive design working design session filled with exiting ideas, inspiration and solutions. I bring a bespoke tray of carefully curated fabrics, trims, and wallpaper - your introduction to a world of possibilities. After a design direction has been established, I will source beautiful fabrics and trims from a variety of trade resources, including the prestigious D&D building in Manhattan. We shall reconvene and have an enjoyable, creative exchange of ideas and determine the perfect design scheme for each room. Professional measuring, frequent liaison with my bespoke workroom to ensure that every last detail has been addressed, followed by expert installation completes the design process.

Custom, luxurious window treatments which have been tailored to the highest standards are a particular speciality for Grunberger Interiors. The market is filled with bland, cookie cutter fabric and trim offerings provided by retailers who are salespeople first and designers second. The results are boring and uninspired, and all too often leave the homeowner feeling that something's still missing in their home's design. Window treatments are so much more than a means to gain privacy and light filtration. Whilst this is very important, before you rush to cover up your windows, you should instead be thinking about how these coverings could be an important vehicle to realize your home's potential and make a powerful design statement. My approach is to always think out of the box to develop fabric design schemes that are truly unique and eye catching. They tell a story of who you are and what you love. You won't find these selections and combinations at your local store. Your home's decor will shine and your experience of your spaces will be enhanced. The process begins with my window treatment and soft furnishings consultation, which is a comprehensive design working design session filled with exiting ideas, inspiration and solutions. I bring a bespoke tray of carefully curated fabrics, trims, and wallpaper - your introduction to a world of possibilities. After a design direction has been established, I will source beautiful fabrics and trims from a variety of trade resources, including the prestigious D&D building in Manhattan. We shall reconvene and have an enjoyable, creative exchange of ideas and determine the perfect design scheme for each room. Professional measuring, frequent liaison with my bespoke workroom to ensure that every last detail has been addressed, followed by expert installation completes the design process.

Custom, luxurious window treatments which have been tailored to the highest standards are a particular speciality for Grunberger Interiors. The market is filled with bland, cookie cutter fabric and trim offerings provided by retailers who are salespeople first and designers second. The results are boring and uninspired, and all too often leave the homeowner feeling that something's still missing in their home's design. Window treatments are so much more than a means to gain privacy and light filtration. Whilst this is very important, before you rush to cover up your windows, you should instead be thinking about how these coverings could be an important vehicle to realize your home's potential and make a powerful design statement. My approach is to always think out of the box to develop fabric design schemes that are truly unique and eye catching. They tell a story of who you are and what you love. You won't find these selections and combinations at your local store. Your home's decor will shine and your experience of your spaces will be enhanced. The process begins with my window treatment and soft furnishings consultation, which is a comprehensive design working design session filled with exiting ideas, inspiration and solutions. I bring a bespoke tray of carefully curated fabrics, trims, and wallpaper - your introduction to a world of possibilities. After a design direction has been established, I will source beautiful fabrics and trims from a variety of trade resources, including the prestigious D&D building in Manhattan. We shall reconvene and have an enjoyable, creative exchange of ideas and determine the perfect design scheme for each room. Professional measuring, frequent liaison with my bespoke workroom to ensure that every last detail has been addressed, followed by expert installation completes the design process.

A little farm below a hillside resort-style off-the-grid view home, all offering unparalleled views of the Sonoma Valley and year-round sunsets from every corner of this truly special lot. State-of-the-art sustainable features are incorporated throughout the fully utilized 3 acres, emphasizing self-sufficiency and durability. This small compound property boasts multiple gathering spaces, playgrounds, and an extensive network of paths for communing with nature and slowing down the pace of life and promoting the healthiest of lifestyle in the heart of the Wine Country. Ideal for both small and large-scale entertainment, every aspect of this freshly built, compound-like estate, thoughtfully designed and with no spared expenses in above and below-ground infrastructure, creating a truly unique property. Perfect for a family, a private couple retreat, or a recreational oasis, it offers dramatic and spectacular views from every level. The floor plan is very versatile and can accommodate multiple uses and configurations, but particular efforts were placed in spending time outside on the multiple decks or in the terraced gardens or tiered gathering spaces. Developed with a strong emphasis on safety and self-sustenance, the property can operate off the grid, produce its own water, food, and energy, all with the latest technologies and smarthome features. Noble and durable materials are incorporated throughout, including water reuse systems, meticulous hydrology, and marvels of civil engineering to create a unique and peaceful promontory overlooking wineries and magically chiselled landscapes to create the perfect backdrop year round, featuring a dynamic that is just as interesting during the day, and different most days, and extraordinary at night both looking down in the valley and to gaze at the starry sky. Save money and the environment, or withdraw from the world by utilizing self-sufficiency. Deliberate restraint was exercised to contain or eliminate any carbon footprint and promote indoor outdoor living at its finest. This view property is conveniently located minutes away from the town of Glen Ellen and straddles both Sonoma and Napa County, offering all the best of the Wine Country life, while being close to San Francisco as well.

Custom, luxurious window treatments which have been tailored to the highest standards are a particular speciality for Grunberger Interiors. The market is filled with bland, cookie cutter fabric and trim offerings provided by retailers who are salespeople first and designers second. The results are boring and uninspired, and all too often leave the homeowner feeling that something's still missing in their home's design. Window treatments are so much more than a means to gain privacy and light filtration. Whilst this is very important, before you rush to cover up your windows, you should instead be thinking about how these coverings could be an important vehicle to realize your home's potential and make a powerful design statement. My approach is to always think out of the box to develop fabric design schemes that are truly unique and eye catching. They tell a story of who you are and what you love. You won't find these selections and combinations at your local store. Your home's decor will shine and your experience of your spaces will be enhanced. The process begins with my window treatment and soft furnishings consultation, which is a comprehensive design working design session filled with exiting ideas, inspiration and solutions. I bring a bespoke tray of carefully curated fabrics, trims, and wallpaper - your introduction to a world of possibilities. After a design direction has been established, I will source beautiful fabrics and trims from a variety of trade resources, including the prestigious D&D building in Manhattan. We shall reconvene and have an enjoyable, creative exchange of ideas and determine the perfect design scheme for each room. Professional measuring, frequent liaison with my bespoke workroom to ensure that every last detail has been addressed, followed by expert installation completes the design process.

Custom, luxurious window treatments which have been tailored to the highest standards are a particular speciality for Grunberger Interiors. The market is filled with bland, cookie cutter fabric and trim offerings provided by retailers who are salespeople first and designers second. The results are boring and uninspired, and all too often leave the homeowner feeling that something's still missing in their home's design. Window treatments are so much more than a means to gain privacy and light filtration. Whilst this is very important, before you rush to cover up your windows, you should instead be thinking about how these coverings could be an important vehicle to realize your home's potential and make a powerful design statement. My approach is to always think out of the box to develop fabric design schemes that are truly unique and eye catching. They tell a story of who you are and what you love. You won't find these selections and combinations at your local store. Your home's decor will shine and your experience of your spaces will be enhanced. The process begins with my window treatment and soft furnishings consultation, which is a comprehensive design working design session filled with exiting ideas, inspiration and solutions. I bring a bespoke tray of carefully curated fabrics, trims, and wallpaper - your introduction to a world of possibilities. After a design direction has been established, I will source beautiful fabrics and trims from a variety of trade resources, including the prestigious D&D building in Manhattan. We shall reconvene and have an enjoyable, creative exchange of ideas and determine the perfect design scheme for each room. Professional measuring, frequent liaison with my bespoke workroom to ensure that every last detail has been addressed, followed by expert installation completes the design process.

Custom, luxurious window treatments which have been tailored to the highest standards are a particular speciality for Grunberger Interiors. The market is filled with bland, cookie cutter fabric and trim offerings provided by retailers who are salespeople first and designers second. The results are boring and uninspired, and all too often leave the homeowner feeling that something's still missing in their home's design. Window treatments are so much more than a means to gain privacy and light filtration. Whilst this is very important, before you rush to cover up your windows, you should instead be thinking about how these coverings could be an important vehicle to realize your home's potential and make a powerful design statement. My approach is to always think out of the box to develop fabric design schemes that are truly unique and eye catching. They tell a story of who you are and what you love. You won't find these selections and combinations at your local store. Your home's decor will shine and your experience of your spaces will be enhanced. The process begins with my window treatment and soft furnishings consultation, which is a comprehensive design working design session filled with exiting ideas, inspiration and solutions. I bring a bespoke tray of carefully curated fabrics, trims, and wallpaper - your introduction to a world of possibilities. After a design direction has been established, I will source beautiful fabrics and trims from a variety of trade resources, including the prestigious D&D building in Manhattan. We shall reconvene and have an enjoyable, creative exchange of ideas and determine the perfect design scheme for each room. Professional measuring, frequent liaison with my bespoke workroom to ensure that every last detail has been addressed, followed by expert installation completes the design process.

Custom, luxurious window treatments which have been tailored to the highest standards are a particular speciality for Grunberger Interiors. The market is filled with bland, cookie cutter fabric and trim offerings provided by retailers who are salespeople first and designers second. The results are boring and uninspired, and all too often leave the homeowner feeling that something's still missing in their home's design. Window treatments are so much more than a means to gain privacy and light filtration. Whilst this is very important, before you rush to cover up your windows, you should instead be thinking about how these coverings could be an important vehicle to realize your home's potential and make a powerful design statement. My approach is to always think out of the box to develop fabric design schemes that are truly unique and eye catching. They tell a story of who you are and what you love. You won't find these selections and combinations at your local store. Your home's decor will shine and your experience of your spaces will be enhanced. The process begins with my window treatment and soft furnishings consultation, which is a comprehensive design working design session filled with exiting ideas, inspiration and solutions. I bring a bespoke tray of carefully curated fabrics, trims, and wallpaper - your introduction to a world of possibilities. After a design direction has been established, I will source beautiful fabrics and trims from a variety of trade resources, including the prestigious D&D building in Manhattan. We shall reconvene and have an enjoyable, creative exchange of ideas and determine the perfect design scheme for each room. Professional measuring, frequent liaison with my bespoke workroom to ensure that every last detail has been addressed, followed by expert installation completes the design process.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Miele Appliances at Universal Appliance and Kitchen Center 26767 Agoura Road, Calabasas, CA 91302 Phone 818.880.0011 Fax 818.880.0411 12050 Ventura Blvd.,Studio City, CA 91604 Phone 818.755.1111 Fax 818.755.9111 www.uakc.com Miele Generation 6000 is bringing design and innovation that exceed expectations. It includes two distinct design styles - PureLine and ContourLine - as well as several color options including Brilliant White and Truffle Brown. Design for Miele is not simply the exterior. Like the design principle, form follows function; the true beauty of the Generation 6000 series is highlighted by its intuitive user interface, which ensures unsurpassed performance and convenience in the kitchen. With these new color options and the uniform design of the Generation 6000 series, Miele has created a series of appliances that will seamlessly integrate into any kitchen or lifestyle. Whether appliances are installed vertically, horizontally, as a square or in a T-shape configuration, the design is fully resolved. M Touch – Top-class technology with a special touch Whether it’s creating a double cappuccino at the touch of a single button, finding the desired MasterChef automatic program on the Combi-Steam Oven in an instant or selecting the operating mode and temperature in just a few simple steps – Miele eliminates the guesswork. All of these operations are easier than ever because of M Touch. Reminiscent of smart phones and tablets, M Touch is an intuitive user interface that allows the user to swipe or scroll through the menu with the tip of a finger. A new high resolution control panel with white TFT (Thin Film Transistor) text brings a brilliant display. And because the interface is universal across all Gen 6000 appliances, the transition from appliance to appliance is easier than ever. Oven Innovations: Moisture Plus, Gourmet Center and MultiSteam Developed exclusively for Miele USA, Moisture Plus is a truly unique steam injection system featured in Miele M Touch 30” Convection Ovens. Moisture Plus automatically injects a burst of steam into the oven cavity at pre-determined points during the cooking process. The addition of moisture improves results when proofing dough, gives loaves of bread a crisp crust and glossy finish and makes cuts of meat particularly crisp on the outside and succulent inside. Also new to the 30” Convection Oven is the addition of MasterChef Plus programs. Ideal for the consummate baker at home, this exclusive new menu system houses 14 automatic bread programs and replicates results seen in artisan bakeries. Included are programs for sourdough, whole grain, rolls and baguettes. A pioneer in steam oven technology, Generation 6000 Steam and Combi-Steam Ovens are equipped with MultiSteam technology, a revolutionary new steam cooking generation. The addition of six steam inlets in the Steam Oven and eight steam inlets in the Combi-Steam Oven, delivers fast, even steam distribution and incredibly quick heat-up times for even cooking results through a more powerful steam generator. Long regarded for its ingredient-driven menu, Miele MasterChef programs are now located within the Gourmet Center. Choose from more than 100 easy to use programs for grains, vegetables, meats, fish and poultry. At just the touch of a button, the program will deliver menu options that guide the user step by step - from the desired oven mode to temperature - all resulting in the perfect dish. Generation 6000 Coffee Systems impress with comfort and innovation There are several new highlights to the Generation 6000 Whole Bean Coffee System including a new CupSensor, EasyClick Milk System and One Touch for Two features. Exclusive to Miele, the CupSensor automatically adjusts the height of the spout to the optimum position for different cup and glass sizes. Whether a tall latté macchiato or a dainty espresso is being prepared, the central spout automatically adjusts to the cup’s rim and eliminates splashing. The CupSensor even reacts precisely to beverages made with milk by raising the spout slightly to make room for the incoming espresso. Also new is the EasyClick milk system which is a dishwasher safe glass, milk flask that effortlessly clicks into place at the front of the machine. And for easy maintenance, the new Miele Coffee Systems now automatically rinse all milk spouts and hoses with water after each use. The One Touch for Two feature allows the user to prepare two coffee specialties such as cappuccino and latté macchiato at the same time, thus reducing prep time when two or more drinks are being served. Miele Generation 6000 series is distinguished by its elegant design and remarkable innovations to deliver unmatched results that can be seen, touched and tasted. German engineered and tested to last 20 years, Generation 6000 reinforces the Miele Design for Life philosophy and solidifies Miele at the forefront of residential culinary appliances.

The client's wanted a large upper deck for dining and lounge but didn't want the space below to go to waste. Pro-Land designed the deck to be constructed with a rain escape system, which would divert any rain landing on the deck out into downspouts. Because the client's could use the space below the deck, rain or shine, it became a large focus of the project. Extra dining and lounge space is accompanied by a fire feature, tv wall, and outdoor kitchen. The space looks out onto the pool patio, which has ample room for any amount of friends the kids want to bring over. Being in a new development, the clients wanted to ensure there was privacy added to the space. Pyramidal trees will grow compact, but tall to block any views from the neighbours. But, until then, privacy screens are placed along the property, one even doubling as a shower.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Among our Houston outdoor kitchens, this one is unique because of its concrete countertops, pergola with stucco wrapping and custom storage. "It's not one of our biggest covered outdoor kitchens in Houston," says Outdoor Homescapes of Houston owner Wayne Franks. "But it's unique, and it looks really nice, too!" The client, a young family, wanted an outdoor kitchen with a more minimalistic, modern look, explains Outdoor Homescapes senior designer Lisha Maxey. "They're both doctors and very much attuned to detail," she says. "Their primary goal was to create a space where they could lounge while the children played as well as an area to entertain family and friends while cooking and dining outside." Like a growing number of people wanting small outdoor kitchens in Houston, this client expressed interest in using concrete as a surface material: "The look is contemporary and is easily paired with any type of outdoor furniture," says Maxey, "from wicker to teak to iron." Here's a closeup of the concrete countertops. You'll notice that they're glossy and smooth like glass, thanks to special sealers and a topcoat of UV-resistant resin that prevents the countertop from yellowing. Since these particular clients lean toward the minimalistic side of contemporary design, she continues, "the standard granite countertop of many Houston outdoor kitchens would not work, since it typically has a lot of movement and can be busy." Lisha sees the use of concrete as a growing outdoor design trend for Houston outdoor kitchens: "It's easy to maintain and again, leans towards a more modern look for outdoor." All the furniture and lighting is from Restoration Hardware, says Lisha, who's offering $500 in free outdoor furniture consultation services as a special promotion. (Interested? Just contact us!) The dining and lounge chairs are from the Antibes collection in cast aluminum with a bronze finish. The table is a Belgian Trestle made of weathered concrete and teak. Simple track lighting was used on the pergola in keeping with the minimalist look of the space. The pergola is a treated pine, stained a Minwax Jacobean, which appears almost black. "This client chose a pergola over a roof extension off the house because they wanted it to still seem light and airy in their outdoor space for their young children," explains Lisha. "They wanted a certain degree of sun and shade protection, which a pergola does provide, but they wanted it to seem a bit like a park for the kids to play in." "The seating/storage bin was not a part of the original design," says Lisha. "As the project progressed, the client expressed interest in some sort of chest for the new outdoor furniture cushions to be stored in." The design for the storage bin was developed to accommodate this request: "It eventually evolved into a seating area as well. And to keep the look consistent with the new kitchen, it was agreed that the stone be carried through the design. The wood top was necessary so we could design a hinged access for storage."

The clients called me on the recommendation from a neighbor of mine who had met them at a conference and learned of their need for an architect. They contacted me and after meeting to discuss their project they invited me to visit their site, not far from White Salmon in Washington State. Initially, the couple discussed building a ‘Weekend’ retreat on their 20± acres of land. Their site was in the foothills of a range of mountains that offered views of both Mt. Adams to the North and Mt. Hood to the South. They wanted to develop a place that was ‘cabin-like’ but with a degree of refinement to it and take advantage of the primary views to the north, south and west. They also wanted to have a strong connection to their immediate outdoors. Before long my clients came to the conclusion that they no longer perceived this as simply a weekend retreat but were now interested in making this their primary residence. With this new focus we concentrated on keeping the refined cabin approach but needed to add some additional functions and square feet to the original program. They wanted to downsize from their current 3,500± SF city residence to a more modest 2,000 – 2,500 SF space. They desired a singular open Living, Dining and Kitchen area but needed to have a separate room for their television and upright piano. They were empty nesters and wanted only two bedrooms and decided that they would have two ‘Master’ bedrooms, one on the lower floor and the other on the upper floor (they planned to build additional ‘Guest’ cabins to accommodate others in the near future). The original scheme for the weekend retreat was only one floor with the second bedroom tucked away on the north side of the house next to the breezeway opposite of the carport. Another consideration that we had to resolve was that the particular location that was deemed the best building site had diametrically opposed advantages and disadvantages. The views and primary solar orientations were also the source of the prevailing winds, out of the Southwest. The resolve was to provide a semi-circular low-profile earth berm on the south/southwest side of the structure to serve as a wind-foil directing the strongest breezes up and over the structure. Because our selected site was in a saddle of land that then sloped off to the south/southwest the combination of the earth berm and the sloping hill would effectively created a ‘nestled’ form allowing the winds rushing up the hillside to shoot over most of the house. This allowed me to keep the favorable orientation to both the views and sun without being completely compromised by the winds.

In the Tuscany region of central Italy, a region made famous around the world for its history, landscapes, traditions, artistic legacy and fine wine, perhaps nothing is more universally recognized than the old world villa’s that are nestled into the rolling countryside. Standing at approximately 10,500 square feet, this custom residence has all of the elegance, style and craftsmanship of those old world homes, but with all of the modern amenities of a new modern luxury home. This stunning residence was recognized by the National Association of Home Builders (NAHB) as the best custom built home in the country in 2010, a testament to the skillful designers and craftsmen who brought the homeowners vision into reality. When Chad Haas, Founder of VAULT (www.vaultgarage.com), a company that prides itself in furnishing some of the most beautiful garages in the world, was brought into the project, the home and garage had already been built. The accolades of the gorgeous villa already awarded. But the homeowner felt that the exterior and interior of the garage lacked architectural harmony with the rest of the home and so he flew Mr. Haas out to visit the space directly so that he could assist hands-on with re-designing a new look and to add furnishings to accessories the space. “When I first approached the villa from the street, I knew that I’d have my work cut out for me. Everything looked so perfect exactly the way it was designed and built. I questioned myself ‘how was I going to improve upon perfection?’, since remarkable attention was paid to even the smallest of details in the home” asked Haas. The client’s goal was to engage Haas to design and furnish a garage where he could relax, separate from the home, enjoy his growing car collection and entertain family and friends. After spending a short weekend together with the home owner to gather his ideas, Haas returned back to his Beaverton, Oregon-based company with a clearer vision: create the ultimate gentlemen’s retreat through the look of a turn-of-a-century Tuscan ‘car barn’. Absolutely nothing in the garage was overlooked – and it shows. Every design element in the garage for color, texture and material was meticulously thought out to elicit just the right feeling and emotion in everyone that enters what may be one of the most beautifully elegant garages in America, a space commonly overlooked in the construction of homes today. A main focal point of the exterior of garage is the beautiful view from the courtyard, where all three carriage doors can be seen. While the existing wood doors looked acceptable, it was agreed that something more befitting of the quality and beauty of the home were appropriate. Haas designed luxurious castle-style doors handcrafted from solid Mahogany and bathed in a rich dark brown stain that was complemented by hand-wrought iron grills, clavos and door pull hardware. The double-wide door, in particular, is truly remarkable in both its elegance, as well as its one-of-a-kind operation. “The client was concerned in this area of having mounting hardware and a motor on the ceiling. Because the cars in this area do not get brought out on a regular (daily) basis, the doors open manually by hand and operate accordion style on a track”. The homes main overhead garage doors feature jack-shaft operation which removes the clutter of a motor on the garage ceiling, but offers the convenience of powered operation. These extraordinary, custom-made castle doors look just as beautiful on the inside as the out and their unparalleled design and craftsmanship take the exterior of the home to even greater heights than before. On to the interior, a black and white epoxy coating was stripped and replaced with porcelain tiles that resembled Italian travertine stone. To give the car barn a rustic feeling and a presence that it was older, not modern, Haas worked on the development and concept directly with the home owner to collaborate with a local millwork company that designed and hand-finished substantial wood beams from distressed Doug Fir. All of the walls were hand-plastered by a local artist using straw that was harvested from the immediate area surrounding the home and incorporated into the plaster to give it a rustic antique quality. Haas conceived and designed a bar area and cabinetry for a work area that pulled inspiration from old ice boxes of the 1920’s that utilized heavy nickel-plated hardware, again to give storage spaces a rustic appearance. The warm glow from several custom porcelain neon signs, each one meticulously built entirely by hand by VAULT, are dispersed throughout the space and transform the entire room and bring it to life. The client had never previously owned a neon sign before and along with the carriage doors felt that these items have transformed the space more than any other feature. Several antique gas pumps, restored in the client’s favorite petro bran, and a few additional porcelain signs will eventually furnish the rest of the space to complement the clients amazing car collection. In addition to the countless details that set this showcase garage apart, its ability to seamlessly blend with the rest of the home and the natural, rustic setting of the Colorado Rockies, yet house modern automobiles in a manner in which they feel well placed and belong, is also noteworthy. GARAGE DESIGN & FURNISHINGS To learn more about VAULT visit them at: http://www.vaultgarage.com/ And on Facebook: http://www.facebook.com/VaultGarage PHOTOGRAPHY All photographs were used with the permission of photographer John Vanderpool (john.vanderpool5@gmail.com) You can visit John Vanderpool on Facebook at: https://www.facebook.com/JVanderpoolPhotography ARCHITECTURE Jerry Gloss, Principal, KGA Architects: http://www.kgarch.com/ HOMEBUILDER Thomas Sattler Home: http://thomassattlerhomes.com/ VEHICLES Here is an overview of the cars that were photographed in this article: 1. 2014 Ferrari 458 Italia 2. 2013 Maserati GranTurismo Sport 3. 2007 Porsche 911 GT3 RS (997) 4. 2008 Porsche Cayenne GTS 5. 2008 Porsche GT3 RS 6. 2013 Porsche 911 Turbo S (997) 7. 2014 Porsche Panamera GTS 8. 2013 Ford SVT Raptor (6.2L CrewCab)’ Overview of project reprinted with permission of DuPont Registry.

The clients called me on the recommendation from a neighbor of mine who had met them at a conference and learned of their need for an architect. They contacted me and after meeting to discuss their project they invited me to visit their site, not far from White Salmon in Washington State. Initially, the couple discussed building a ‘Weekend’ retreat on their 20± acres of land. Their site was in the foothills of a range of mountains that offered views of both Mt. Adams to the North and Mt. Hood to the South. They wanted to develop a place that was ‘cabin-like’ but with a degree of refinement to it and take advantage of the primary views to the north, south and west. They also wanted to have a strong connection to their immediate outdoors. Before long my clients came to the conclusion that they no longer perceived this as simply a weekend retreat but were now interested in making this their primary residence. With this new focus we concentrated on keeping the refined cabin approach but needed to add some additional functions and square feet to the original program. They wanted to downsize from their current 3,500± SF city residence to a more modest 2,000 – 2,500 SF space. They desired a singular open Living, Dining and Kitchen area but needed to have a separate room for their television and upright piano. They were empty nesters and wanted only two bedrooms and decided that they would have two ‘Master’ bedrooms, one on the lower floor and the other on the upper floor (they planned to build additional ‘Guest’ cabins to accommodate others in the near future). The original scheme for the weekend retreat was only one floor with the second bedroom tucked away on the north side of the house next to the breezeway opposite of the carport. Another consideration that we had to resolve was that the particular location that was deemed the best building site had diametrically opposed advantages and disadvantages. The views and primary solar orientations were also the source of the prevailing winds, out of the Southwest. The resolve was to provide a semi-circular low-profile earth berm on the south/southwest side of the structure to serve as a wind-foil directing the strongest breezes up and over the structure. Because our selected site was in a saddle of land that then sloped off to the south/southwest the combination of the earth berm and the sloping hill would effectively created a ‘nestled’ form allowing the winds rushing up the hillside to shoot over most of the house. This allowed me to keep the favorable orientation to both the views and sun without being completely compromised by the winds.

In the Tuscany region of central Italy, a region made famous around the world for its history, landscapes, traditions, artistic legacy and fine wine, perhaps nothing is more universally recognized than the old world villa’s that are nestled into the rolling countryside. Standing at approximately 10,500 square feet, this custom residence has all of the elegance, style and craftsmanship of those old world homes, but with all of the modern amenities of a new modern luxury home. This stunning residence was recognized by the National Association of Home Builders (NAHB) as the best custom built home in the country in 2010, a testament to the skillful designers and craftsmen who brought the homeowners vision into reality. When Chad Haas, Founder of VAULT (www.vaultgarage.com), a company that prides itself in furnishing some of the most beautiful garages in the world, was brought into the project, the home and garage had already been built. The accolades of the gorgeous villa already awarded. But the homeowner felt that the exterior and interior of the garage lacked architectural harmony with the rest of the home and so he flew Mr. Haas out to visit the space directly so that he could assist hands-on with re-designing a new look and to add furnishings to accessories the space. “When I first approached the villa from the street, I knew that I’d have my work cut out for me. Everything looked so perfect exactly the way it was designed and built. I questioned myself ‘how was I going to improve upon perfection?’, since remarkable attention was paid to even the smallest of details in the home” asked Haas. The client’s goal was to engage Haas to design and furnish a garage where he could relax, separate from the home, enjoy his growing car collection and entertain family and friends. After spending a short weekend together with the home owner to gather his ideas, Haas returned back to his Beaverton, Oregon-based company with a clearer vision: create the ultimate gentlemen’s retreat through the look of a turn-of-a-century Tuscan ‘car barn’. Absolutely nothing in the garage was overlooked – and it shows. Every design element in the garage for color, texture and material was meticulously thought out to elicit just the right feeling and emotion in everyone that enters what may be one of the most beautifully elegant garages in America, a space commonly overlooked in the construction of homes today. A main focal point of the exterior of garage is the beautiful view from the courtyard, where all three carriage doors can be seen. While the existing wood doors looked acceptable, it was agreed that something more befitting of the quality and beauty of the home were appropriate. Haas designed luxurious castle-style doors handcrafted from solid Mahogany and bathed in a rich dark brown stain that was complemented by hand-wrought iron grills, clavos and door pull hardware. The double-wide door, in particular, is truly remarkable in both its elegance, as well as its one-of-a-kind operation. “The client was concerned in this area of having mounting hardware and a motor on the ceiling. Because the cars in this area do not get brought out on a regular (daily) basis, the doors open manually by hand and operate accordion style on a track”. The homes main overhead garage doors feature jack-shaft operation which removes the clutter of a motor on the garage ceiling, but offers the convenience of powered operation. These extraordinary, custom-made castle doors look just as beautiful on the inside as the out and their unparalleled design and craftsmanship take the exterior of the home to even greater heights than before. On to the interior, a black and white epoxy coating was stripped and replaced with porcelain tiles that resembled Italian travertine stone. To give the car barn a rustic feeling and a presence that it was older, not modern, Haas worked on the development and concept directly with the home owner to collaborate with a local millwork company that designed and hand-finished substantial wood beams from distressed Doug Fir. All of the walls were hand-plastered by a local artist using straw that was harvested from the immediate area surrounding the home and incorporated into the plaster to give it a rustic antique quality. Haas conceived and designed a bar area and cabinetry for a work area that pulled inspiration from old ice boxes of the 1920’s that utilized heavy nickel-plated hardware, again to give storage spaces a rustic appearance. The warm glow from several custom porcelain neon signs, each one meticulously built entirely by hand by VAULT, are dispersed throughout the space and transform the entire room and bring it to life. The client had never previously owned a neon sign before and along with the carriage doors felt that these items have transformed the space more than any other feature. Several antique gas pumps, restored in the client’s favorite petro bran, and a few additional porcelain signs will eventually furnish the rest of the space to complement the clients amazing car collection. In addition to the countless details that set this showcase garage apart, its ability to seamlessly blend with the rest of the home and the natural, rustic setting of the Colorado Rockies, yet house modern automobiles in a manner in which they feel well placed and belong, is also noteworthy. GARAGE DESIGN & FURNISHINGS To learn more about VAULT visit them at: http://www.vaultgarage.com/ And on Facebook: http://www.facebook.com/VaultGarage PHOTOGRAPHY All photographs were used with the permission of photographer John Vanderpool (john.vanderpool5@gmail.com) You can visit John Vanderpool on Facebook at: https://www.facebook.com/JVanderpoolPhotography ARCHITECTURE Jerry Gloss, Principal, KGA Architects: http://www.kgarch.com/ HOMEBUILDER Thomas Sattler Home: http://thomassattlerhomes.com/ VEHICLES Here is an overview of the cars that were photographed in this article: 1. 2014 Ferrari 458 Italia 2. 2013 Maserati GranTurismo Sport 3. 2007 Porsche 911 GT3 RS (997) 4. 2008 Porsche Cayenne GTS 5. 2008 Porsche GT3 RS 6. 2013 Porsche 911 Turbo S (997) 7. 2014 Porsche Panamera GTS 8. 2013 Ford SVT Raptor (6.2L CrewCab)’ Overview of project reprinted with permission of DuPont Registry.