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Sited perfectly and intuitively on a beautiful parcel of land, this Vermont contemporary home is complemented by an intricate roof design, appreciated from above. The long axis of the house faces south on the gently sloping site to bring midwinter daylight and passive solar gain deep into the 16 ft. wide main volume. Just 2.5 acres of the 17.5 acre lot was developed, to minimize disturbance to the site, to preserve many of the long-lived mixed hardwood and softwood trees, including the owners’ favorite, a yellow birch with golden curly bark, and to protect the natural wetlands and stream outflow.
The fully accessible main level contains the living room, dining room, kitchen, primary bedroom and bath, and a lovely westerly screened porch. Connected to the main volume are a garage with three bays including a small studio and a workshop. The home prioritizes intuitive, organic and incredibly functional spaces combined with simple stylistic elements, hints of a mid-century modern American home.

Believe it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection.
The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls.
The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers.
The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match!
Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ
Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ
Builder: Shannon Construction | Phoenix, AZ
Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL
Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ
Photography: Dino Tonn | Scottsdale, AZ
Awards: 2014 Gold Nugget Award of Merit
Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”

Get ready to be wowed, by this Spectacular Modern New Construction! This impressive 4,197 sq. ft. home features 4 bd, with massive Italian closets (separate his and hers), 7 bathrooms w/ an amazing spa-like bath that includes a fireplace in the master bath which is shared with the master bedroom, a private Theater room, and a gym. Equipped w/ high-end gadgets, such as smart control w/ voice recognition and enough security cameras to let you monitor the entire home. It also has top quality design features like custom glasswork, custom hardwood flooring, including top of the line MIELE appliances, a wine cooler, a wine room, a dumbwaiter which delivers your groceries right from your two-car garage into your kitchen pantry: you name it - this home has it. The backyard has privacy like no other and includes a zero-edge pool with fire inserts and three waterfalls, as well as a beautiful BBQ area. The entire house is walled-in and gated to protect your privacy. This home w/ views is a gem.
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Get ready to be wowed, by this Spectacular Modern New Construction! This impressive 4,197 sq. ft. home features 4 bd, with massive Italian closets (separate his and hers), 7 bathrooms w/ an amazing spa-like bath that includes a fireplace in the master bath which is shared with the master bedroom, a private Theater room, and a gym. Equipped w/ high-end gadgets, such as smart control w/ voice recognition and enough security cameras to let you monitor the entire home. It also has top quality design features like custom glasswork, custom hardwood flooring, including top of the line MIELE appliances, a wine cooler, a wine room, a dumbwaiter which delivers your groceries right from your two-car garage into your kitchen pantry: you name it - this home has it. The backyard has privacy like no other and includes a zero-edge pool with fire inserts and three waterfalls, as well as a beautiful BBQ area. The entire house is walled-in and gated to protect your privacy. This home w/ views is a gem.

Ironstone is pleased to announce the ground-breaking of our newest townhome community, Waterdale. This development is conveniently located south of Sunningdale Road between Richmond and Adelaide.
Many of London’s finest shopping and entertainment options are all within a 5-minute commute of your front door. London’s newest state of the art YMCA as well as numerous commercial fitness centres are close by as well. Plus, Waterdale is just minutes away from the University of Western Ontario.
Waterdale is a beautiful community of 73 homes with 29 backing onto a protected open green space. We are offering two distinct plans featuring a six level split home as well as a more traditional two storey plan. Our brand new community also offers a unique topography providing homeowners with a choice of many walk-out lots.

A new custom residence in the Harrison Views neighborhood of Issaquah Highlands.
The home incorporates high-performance envelope elements (a few of the strategies so far include alum-clad windows, rock wall house wrap insulation, green-roofs and provision for photovoltaic panels).
The building site has a unique upper bench and lower bench with a steep slope between them. The siting of the house takes advantage of this topography, creating a linear datum line that not only serves as a retaining wall but also as an organizing element for the home’s circulation.
The massing of the home is designed to maximize views, natural daylight and compliment the scale of the surrounding community. The living spaces are oriented to capture the panoramic views to the southwest and northwest, including Lake Washington and the Olympic mountain range as well as Seattle and Bellevue skylines.
A series of green roofs and protected outdoor spaces will allow the homeowners to extend their living spaces year-round.
With an emphasis on durability, the material palette will consist of a gray stained cedar siding, corten steel panels, cement board siding, T&G fir soffits, exposed wood beams, black fiberglass windows, board-formed concrete, glass railings and a standing seam metal roof.
A careful site analysis was done early on to suss out the best views and determine how unbuilt adjacent lots might be developed.
The total area is 3,425 SF of living space plus 575 SF for the garage.
Photos by Benjamin Benschneider. Architecture by Studio Zerbey Architecture + Design. Cabinets by LEICHT SEATTLE.

Get ready to be wowed, by this Spectacular Modern New Construction! This impressive 4,197 sq. ft. home features 4 bd, with massive Italian closets (separate his and hers), 7 bathrooms w/ an amazing spa-like bath that includes a fireplace in the master bath which is shared with the master bedroom, a private Theater room, and a gym. Equipped w/ high-end gadgets, such as smart control w/ voice recognition and enough security cameras to let you monitor the entire home. It also has top quality design features like custom glasswork, custom hardwood flooring, including top of the line MIELE appliances, a wine cooler, a wine room, a dumbwaiter which delivers your groceries right from your two-car garage into your kitchen pantry: you name it - this home has it. The backyard has privacy like no other and includes a zero-edge pool with fire inserts and three waterfalls, as well as a beautiful BBQ area. The entire house is walled-in and gated to protect your privacy. This home w/ views is a gem.

Sponsored
Sunbury, OH
J.Holderby - Renovations
Franklin County's Leading General Contractors - 2X Best of Houzz!

Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Above and Beyond is the third residence in a four-home collection in Paradise Valley, Arizona. Originally the site of the abandoned Kachina Elementary School, the infill community, appropriately named Kachina Estates, embraces the remarkable views of Camelback Mountain.
Nestled into an acre sized pie shaped cul-de-sac lot, the lot geometry and front facing view orientation created a remarkable privacy challenge and influenced the forward facing facade and massing. An iconic, stone-clad massing wall element rests within an oversized south-facing fenestration, creating separation and privacy while affording views “above and beyond.”
Above and Beyond has Mid-Century DNA married with a larger sense of mass and scale. The pool pavilion bridges from the main residence to a guest casita which visually completes the need for protection and privacy from street and solar exposure.
The pie-shaped lot which tapered to the south created a challenge to harvest south light. This was one of the largest spatial organization influencers for the design. The design undulates to embrace south sun and organically creates remarkable outdoor living spaces.
This modernist home has a palate of granite and limestone wall cladding, plaster, and a painted metal fascia. The wall cladding seamlessly enters and exits the architecture affording interior and exterior continuity.
Kachina Estates was named an Award of Merit winner at the 2019 Gold Nugget Awards in the category of Best Residential Detached Collection of the Year. The annual awards ceremony was held at the Pacific Coast Builders Conference in San Francisco, CA in May 2019.
Project Details: Above and Beyond
Architecture: Drewett Works
Developer/Builder: Bedbrock Developers
Interior Design: Est Est
Land Planner/Civil Engineer: CVL Consultants
Photography: Dino Tonn and Steven Thompson
Awards:
Gold Nugget Award of Merit - Kachina Estates - Residential Detached Collection of the Year

Believe it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection.
The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls.
The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers.
The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match!
Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ
Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ
Builder: Shannon Construction | Phoenix, AZ
Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL
Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ
Photography: Dino Tonn | Scottsdale, AZ
Awards: 2014 Gold Nugget Award of Merit
Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”

Believe it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection.
The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls.
The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers.
The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match!
Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ
Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ
Builder: Shannon Construction | Phoenix, AZ
Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL
Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ
Photography: Dino Tonn | Scottsdale, AZ
Awards: 2014 Gold Nugget Award of Merit
Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”

Above and Beyond is the third residence in a four-home collection in Paradise Valley, Arizona. Originally the site of the abandoned Kachina Elementary School, the infill community, appropriately named Kachina Estates, embraces the remarkable views of Camelback Mountain.
Nestled into an acre sized pie shaped cul-de-sac lot, the lot geometry and front facing view orientation created a remarkable privacy challenge and influenced the forward facing facade and massing. An iconic, stone-clad massing wall element rests within an oversized south-facing fenestration, creating separation and privacy while affording views “above and beyond.”
Above and Beyond has Mid-Century DNA married with a larger sense of mass and scale. The pool pavilion bridges from the main residence to a guest casita which visually completes the need for protection and privacy from street and solar exposure.
The pie-shaped lot which tapered to the south created a challenge to harvest south light. This was one of the largest spatial organization influencers for the design. The design undulates to embrace south sun and organically creates remarkable outdoor living spaces.
This modernist home has a palate of granite and limestone wall cladding, plaster, and a painted metal fascia. The wall cladding seamlessly enters and exits the architecture affording interior and exterior continuity.
Kachina Estates was named an Award of Merit winner at the 2019 Gold Nugget Awards in the category of Best Residential Detached Collection of the Year. The annual awards ceremony was held at the Pacific Coast Builders Conference in San Francisco, CA in May 2019.
Project Details: Above and Beyond
Architecture: Drewett Works
Developer/Builder: Bedbrock Developers
Interior Design: Est Est
Land Planner/Civil Engineer: CVL Consultants
Photography: Dino Tonn and Steven Thompson
Awards:
Gold Nugget Award of Merit - Kachina Estates - Residential Detached Collection of the Year

Believe it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection.
The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls.
The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers.
The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match!
Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ
Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ
Builder: Shannon Construction | Phoenix, AZ
Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL
Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ
Photography: Dino Tonn | Scottsdale, AZ
Awards: 2014 Gold Nugget Award of Merit
Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”

Sponsored
Sunbury, OH
J.Holderby - Renovations
Franklin County's Leading General Contractors - 2X Best of Houzz!

Believe it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection.
The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls.
The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers.
The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match!
Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ
Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ
Builder: Shannon Construction | Phoenix, AZ
Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL
Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ
Photography: Dino Tonn | Scottsdale, AZ
Awards: 2014 Gold Nugget Award of Merit
Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”

Believe it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection.
The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls.
The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers.
The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match!
Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ
Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ
Builder: Shannon Construction | Phoenix, AZ
Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL
Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ
Photography: Dino Tonn | Scottsdale, AZ
Awards: 2014 Gold Nugget Award of Merit
Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”

Above and Beyond is the third residence in a four-home collection in Paradise Valley, Arizona. Originally the site of the abandoned Kachina Elementary School, the infill community, appropriately named Kachina Estates, embraces the remarkable views of Camelback Mountain.
Nestled into an acre sized pie shaped cul-de-sac lot, the lot geometry and front facing view orientation created a remarkable privacy challenge and influenced the forward facing facade and massing. An iconic, stone-clad massing wall element rests within an oversized south-facing fenestration, creating separation and privacy while affording views “above and beyond.”
Above and Beyond has Mid-Century DNA married with a larger sense of mass and scale. The pool pavilion bridges from the main residence to a guest casita which visually completes the need for protection and privacy from street and solar exposure.
The pie-shaped lot which tapered to the south created a challenge to harvest south light. This was one of the largest spatial organization influencers for the design. The design undulates to embrace south sun and organically creates remarkable outdoor living spaces.
This modernist home has a palate of granite and limestone wall cladding, plaster, and a painted metal fascia. The wall cladding seamlessly enters and exits the architecture affording interior and exterior continuity.
Kachina Estates was named an Award of Merit winner at the 2019 Gold Nugget Awards in the category of Best Residential Detached Collection of the Year. The annual awards ceremony was held at the Pacific Coast Builders Conference in San Francisco, CA in May 2019.
Project Details: Above and Beyond
Architecture: Drewett Works
Developer/Builder: Bedbrock Developers
Interior Design: Est Est
Land Planner/Civil Engineer: CVL Consultants
Photography: Dino Tonn and Steven Thompson
Awards:
Gold Nugget Award of Merit - Kachina Estates - Residential Detached Collection of the Year

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An academic couple, a renown materials scientist and a respected artist, wanted an outdoor space for entertainment and contemplation in their elegantly designed garden. We determined during the initial meeting that the design goal was “…to give them a reason to use the garden.” After several iterations, we developed the new space as an extension of the existing deck, creating a framed, optimal view of the garden and landscape that was previously de-emphasized. The pavilion can serve both as a stand-alone insect-protected space for a small group, or a covered deck expansion for larger gatherings.
The repetition of patterns is a theme throughout the space. The corrugated white metal exterior is conceived as a textural complement to the pale horizontal face brick of the adjacent ranch house. The decking planks become the floor of the pavilion. Wall and ceiling panels align with lights and fixtures. Temporal patterns result from rainwater channelled across the correlated roof surface, as well as scalloped shadows cast onto the deck and wall surfaces. The “light chimney” to the North reflects the house fireplace chimney to the South, and draws south light into the pavilion serving area. All of the pavilion's openings are carefully arranged to frame the existing plant compositions.
Since completion, the clients have entertained extensively in the pavilion. It has also become a favorite place for morning coffee, writing, and contemplation, thus fulfilling the initial goal of the project.

Luxury Custom Homes, Renovations & Additions
Goldenline Remodeling specializes in custom built homes, additions, renovations and restorations. Our mission is to deliver the highest standard of craftsmanship with a commitment to excellent service. Reliability, project management, meticulous attention to detail and uncompromising honesty are the cornerstone of evertyhing we do.
People forget that their customers are the reason they are in business. At Goldenline Remodeling we never forget.
Since 2002, my commitment has remained focused on providing the highest level of service combined with quality craftsmanship. Cultivating the experience for the client is as vital as the construction of the project.. We have developed an approach that is disciplined, methodical, responsive and accountable. Our company size is such that we are flexible enough to react quickly, overcome obstacles and solve problems to your best advantage. We respect your budget and work diligently to ensure we protect your investment. Let us be the solution to your building needs.

Luxury Custom Homes, Renovations & Additions
Goldenline Remodeling specializes in custom built homes, additions, renovations and restorations. Our mission is to deliver the highest standard of craftsmanship with a commitment to excellent service. Reliability, project management, meticulous attention to detail and uncompromising honesty are the cornerstone of evertyhing we do.
People forget that their customers are the reason they are in business. At Goldenline Remodeling we never forget.
Since 2002, my commitment has remained focused on providing the highest level of service combined with quality craftsmanship. Cultivating the experience for the client is as vital as the construction of the project.. We have developed an approach that is disciplined, methodical, responsive and accountable. Our company size is such that we are flexible enough to react quickly, overcome obstacles and solve problems to your best advantage. We respect your budget and work diligently to ensure we protect your investment. Let us be the solution to your building needs.
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