Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

A stainless steel dishwasher sits within light wood-look island cabinetry in this custom Scarborough kitchen renovation. This low view shows the appliance fitted beneath the pale countertop, with the range and surrounding cabinetry beyond. Protective film remains on the range during installation. Part of Cedarstone Group Inc.’s 2024 whole-home renovation and second-storey addition in Scarborough, Toronto. This custom kitchen is part of a complete main-floor renovation and whole-home remodel. Coordinated kitchen cabinetry, carefully planned storage and continuous work surfaces support the layout of the renovated home. For homeowners researching a kitchen renovation in Scarborough or a custom kitchen remodel in Toronto, this project shows how cabinet design, appliance placement and interior finishing can be developed together within a larger home transformation. Explore this project and Cedarstone Group Inc.’s renovation work at cedarstonereno.com.

Stucco is a popular building material that is mainly used in residential exterior siding. It is a combination of sand, Portland cement, limestone and sometimes water. Plaster can be applied to wood, block and concrete. When applying stucco to wood framing, it is usually attached to a wire lath that is attached to the structural framing. Wood framing must be protected by a water resistant moisture barrier such as, asphalt building paper or different types of building wraps before the wire lath and stucco are applied. New stucco should cure for thirty days before prime and paint are applied. A common problem found in stucco due to the trapped moisture that migrates towards the stucco surface, it sometimes carries mineral deposits within it. This can cause a discoloration and sometimes adhesion problems. New stucco can sometimes develop cracks during the curing process. As water is eliminated and the stucco hardens, hairline cracks tend to occur. Once you apply the primer and paint with a paint roller it typically fills the narrow cracks. The roller helps push the paint into the cracks. Larger stucco cracks require a stucco patch filler to bridge the gap. When painting new you must include a primer coat and one or two finishing coats. All paints and primers should be used for exterior surfaces.

Believe it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection. The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls. The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers. The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match! Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ Builder: Shannon Construction | Phoenix, AZ Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ Photography: Dino Tonn | Scottsdale, AZ Awards: 2014 Gold Nugget Award of Merit Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”

"Round Hill," created with the concept of a private, exquisite and exclusive resort, and designed for the discerning Buyer who seeks absolute privacy, security and luxurious accommodations for family, guests and staff, this just-completed resort-compound offers an extraordinary blend of amenity, location and attention to every detail. Ideally located between Napa, Yountville and downtown St. Helena, directly across from Quintessa Winery, and minutes from the finest, world-class Napa wineries, Round Hill occupies the 21+ acre hilltop that overlooks the incomparable wine­ producing region of the Napa Valley, and is within walking distance to the world famous Auberge du Soleil. An approximately 10,000 square foot main residence with two guest suites and private staff apartment, approximately 1,700-bottle wine cellar, gym, steam room and sauna, elevator, luxurious master suite with his and her baths, dressing areas and sitting room/study, and the stunning kitchen/family/great room adjacent the west-facing, sun-drenched, view-side terrace with covered outdoor kitchen and sparkling infinity pool, all embracing the unsurpassed view of the richly verdant Napa Valley. Separate two-bedroom, two en-suite-bath guest house and separate one-bedroom, one and one-half bath guest cottage. Total of seven bedrooms, nine full and three half baths and requiring five uninterrupted years of concept, design and development, this resort-estate is now offered fully furnished and accessorized. Quintessential resort living.

Believe it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection. The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls. The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers. The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match! Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ Builder: Shannon Construction | Phoenix, AZ Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ Photography: Dino Tonn | Scottsdale, AZ Awards: 2014 Gold Nugget Award of Merit Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”

Believe it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection. The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls. The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers. The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match! Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ Builder: Shannon Construction | Phoenix, AZ Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ Photography: Dino Tonn | Scottsdale, AZ Awards: 2014 Gold Nugget Award of Merit Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”

Master ensuite bathroom with integrated bidet, custom millwork, curbless steam shower and heated floors. Wall to wall tile provides an elegant finish
Walk-in shower - large traditional master white tile and stone tile marble floor, gray floor and single-sink walk-in shower idea in Toronto with gray cabinets, a bidet, white walls, an undermount sink, quartz countertops, a hinged shower door, white countertops and a freestanding vanity

Believe it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection. The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls. The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers. The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match! Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ Builder: Shannon Construction | Phoenix, AZ Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ Photography: Dino Tonn | Scottsdale, AZ Awards: 2014 Gold Nugget Award of Merit Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession. Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm. They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm. “They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone. Design Process There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms. Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively. The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers. Exterior The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements. Interior The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers. “Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.” The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

Believe it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection. The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls. The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers. The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match! Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ Builder: Shannon Construction | Phoenix, AZ Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ Photography: Dino Tonn | Scottsdale, AZ Awards: 2014 Gold Nugget Award of Merit Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”

Located on a steep hillside in a lodgepole pine forest, these cabins were designed as micro dormitories for the Colorado Outward Bound School. The cabins sit lightly on the landscape, directing views from private spaces towards trees, rock outcroppings and distant mountain views of the Mosquito Range. More public “community” views are directed into social spaces that develop from the organization of the cabins in relationship to one another. These community spaces are made up of front porches and the negative spaces between cabins. To satisfy clients’ lodging and storage requirements, and to facilitate completion in three weeks of on-site construction, the cabins were conceived as two separate elements, a “box” and a “frame”. The “frame” acts as a storage device for the educators’ large gear (bikes, skis, kayaks, etc.) while simultaneously housing the cabin “box” and covered porches. The prefabricated cabin “box” rests in the frame under the protection of a “snow roof” designed to keep the winter snow load off the waterproofed roof below. Hot rolled steel provides a low maintenance rain screen for the box. This steel cladding and the vertical columns blend with the lodgepole forest minimizing the visual impact of the cabins. Structural taped glazing on the windows eliminates mullions and connects the occupants directly with natural views. The interior of the cabin is skinned in CNC’d birch plywood bringing warmth to the interior and evoking a connection with the trees surrounding the site. The plywood is specifically milled to accommodate desks, beds and storage for each user. The walls and CNC’d plywood were prefabricated in Denver, flat packed onto trucks and shipped to Leadville to shorten the on-site construction timeline.

Believe it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection. The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls. The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers. The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match! Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ Builder: Shannon Construction | Phoenix, AZ Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ Photography: Dino Tonn | Scottsdale, AZ Awards: 2014 Gold Nugget Award of Merit Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”

In many instances, Colorado home owners are unaware that their roofing system needs certain roofing repairs. When you neglect to have your roof repaired you can run into expensive damages down the road, even if your roofing problem seems insignificant. The tiniest roof leak can quickly develop into a large, costly problem. Our team of professional roofers has years of knowledge and experience when it comes to repairing your roof leaks. We can provide long term roofing repairs in Fort Collins that that will stop any leakage and prevent any further damage from occuring. Our professional contractors can inspect your Colorado roof and determine if there is any damage that needs to be repaired. If you want to make sure that your roof stays in the best conditioning possible, then contact Severe Weather Roofing & Restoration for all of your roof repair needs. We can provide you with expert advice regarding the condition of your roof and what repairs, if any, may be required.

Winter has arrived and this means many months of snow and ice are ahead. When trees shed their leaves and go dormant for the winter, this is like how bears hibernate; they are both sleeping through the cold and waiting until the warm spring weather comes back. But unlike hibernating bears, who are safe and snuggled up in a warm cave somewhere, trees are left to withstand the harsh, cold elements throughout the entire winter. This means that they are more impacted than you might believe. It is easier for mature trees to be able to handle the long winter months due to their extensive root system and thick bark. But saplings and other newly planted trees are not yet fully equipped with these natural defenses to handle the cold. No matter if you have new or older trees, following our tips will help them prosper during the cold Canadian winter ahead. Our team at Five Star Tree Services has come up with some winter maintenance essentials for your trees that will give them an extra hand over the winter. One Last Water Getting one last good watering in before the ground freezes is helpful to newly planted and young trees. Always make sure to water your tree slowly and gently. This allows the water to seep down into the root system as opposed to it running off the top and freezing. Apply Mulch When you use mulch, it acts like a barrier between the tree roots and the cold snow, it helps to insulate it. When you are applying mulch, make sure you spread it around the base of the tree so that it is no more than 3 inches deep. You also need to make sure to spread the mulch all the way to the drip line surrounding the tree. Make sure to not exceed 3 inches around your entire tree and keep the mulch away from the trunk of the tree. Wrap Tree Trunks There is a condition called sunscalding that can occur during the winter months. This happens when there is a temperature change that happens quickly. You might notice it when the sun warms the trees, which thaws the bark but during the night, when it gets cold again, it causes the melted water in the bark to rupture, causing cracks in the tree’s trunk. Young trees are especially susceptible to this happening. To help stop this from happening, it is best to wrap your trees with tree wraps or a plastic guard. It is advisable to wrap the trunk from the ground up and stop just below the first branch. Shelter Your Trees Young or newly planted trees are fairly defenseless for the first handful of years. Older and more mature trees have had time to develop a strong root system and hardy bark that help to protect them against things like animals and the freezing cold. If you want to help your little sapling along this winter, you can build a shelter that can handle having snow piled on it. You can also periodically use a broom to brush off the snow that accumulates on a tree’s branches. But try to avoid breaking off any ice that has formed on the branches, as this can actually end up hurting the tree if you accidentally break one of its branches instead. Keep Road Salt Away It’s no big secret that the use of road salt is detrimental to trees. When it gets on them, the end result come springtime is a dead tree, or at least, a severely damaged one. As much as you can, protect your trees and limit their exposure to salt over the winter. Protect Your Trees Winter is not only limiting for trees, but for a lot of other animals as well. This includes rabbits, mice, moles, squirrels, and other furry little creatures, who like to use trees as a food source during the summer months. During the winter, this food is now cut off when the trees go dormant. This only leaves the tree’s bark as an alternative food source for these critters. They seem to especially like young tree bark to chew on over the winter. In order to stop this from happening, you need to protect the bark with things like a fence surrounding your tree, wrapping the trunk with a plastic guard or hardware cloth. Winter Pruning The best time to prune any tree is during the winter months when the tree is dormant. Pruning allows you to rid the tree of any excess branches and control disease. Winter pruning is highly beneficial and lets your tree improve branch development in the spring. Don’t Use Always make sure to avoid products that are known to hurt trees, especially ones containing sodium chloride. Products like that cause negative reactions in trees or any plants, as it hinders their water intake. Instead, look for products that have potassium, calcium, and magnesium chloride. How Five Star Tree Services Can Help For newly planted and young trees, it is especially important to help them through the winter as best you can. We here at Five Star Tree Services are here to help you get your trees through the winter. If you require Toronto Tree Care, make sure to give us a call at (416) 990-3355.

Timex Metals is a reliable Wire Mesh Manufacturer in India, offering high-performance mesh products for industrial, commercial, construction, engineering, and infrastructure applications. We manufacture our products using quality materials and precise production methods to achieve excellent strength, durability, dimensional accuracy, and long-term performance. As an experienced Wire Mesh Supplier in India, we cater to diverse project requirements with dependable solutions designed to meet demanding industry standards. Our product portfolio includes Expanded Metal Mesh for walkways, safety barriers, partitions, ventilation, screening, and industrial protection, along with Stainless Steel Wire Mesh for applications requiring superior corrosion resistance and durability. We also provide Welded Wire Mesh for structural, construction, and fabrication requirements, while our Sintered Mesh is suitable for precision filtration, separation, and screening applications where consistent performance and reliability are essential. Each product is developed to deliver efficient operation, reduced maintenance, and lasting value. With a strong emphasis on quality, innovation, and customer satisfaction, Timex Metals continues to serve domestic and international markets, including Qatar and the USA, while expanding its presence across South Africa and Nepal. We are also recognized as a Triply Circles Manufacturer in India, supplying products aligned with evolving industrial requirements and international quality expectations.

The 300-acre Jewell Hill farm spans a broad hilltop in Ashby, MA. Under the care, now, of the Trustees of Reservations, it's a key piece of a broader 3,500-acre contiguous area permanently protected for public enjoyment. Our colleagues at Colonial Barn Restoration were asked by The Trustees to find a new home for Jewell Hill's early 19th-century sheep barn, and found a buyer in the hills above Fitchburg just a mile South. On an idyllic hilltop of their own, this buyer's retirement homestead has developed a broad landscape of productive and recreational gardens and fields, all around the remnant foundation of a long-gone larger barn. From the Jewell Hill barn's mortise and tenon bones, and the remnant foundation on the Fitchburg site, Studio InSitu designed a new hybrid barn. The restored foundation anchors the smaller timber frame over its West half, and brackets a pair of ramps to Main floor and undercroft in its East half. The ramp down serves storage, and the ramp up serves the barn's main room - which may periodically host social gatherings. Into this assembly of pedigreed timbers and structural stone, we made one conspicuous intervention. The cupola and observation room penetrate the barn's roof like a periscope. A slender steel stair is suspended and sheathed by a wooden latticework, which provides both a foil for light and a comforting sense of enclosure. The assembly is meant to invite visitors into a tactile and intimate experience of the barn's and the landscape's contrasting volumes and scales, ultimately rewarding climbers with sweeping views of the hillside fields and valley below.

In many instances, Colorado home owners are unaware that their roofing system needs certain roofing repairs. When you neglect to have your roof repaired you can run into expensive damages down the road, even if your roofing problem seems insignificant. The tiniest roof leak can quickly develop into a large, costly problem. Our team of professional roofers has years of knowledge and experience when it comes to repairing your roof leaks. We can provide long term roofing repairs in Fort Collins that that will stop any leakage and prevent any further damage from occuring. Our professional contractors can inspect your Colorado roof and determine if there is any damage that needs to be repaired. If you want to make sure that your roof stays in the best conditioning possible, then contact Severe Weather Roofing & Restoration for all of your roof repair needs. We can provide you with expert advice regarding the condition of your roof and what repairs, if any, may be required.

The owners desired a modest home that would enable them to experience the dual natures of the outdoors: intimate forest and sweeping views. The use of economical, pre-fabricated materials was seen as an opportunity to develop an expressive architecture. The house is organized on a four-foot module, establishing a delicate rigor for the building and maximizing the use of pre-manufactured materials. A series of open web trusses are combined with dimensional wood framing to form broad overhangs. Plywood sheets spanning between the trusses are left exposed at the eaves. An insulated aluminum window system is attached to exposed laminated wood columns, creating an expansive yet economical wall of glass in the living spaces with mountain views. On the opposite side, support spaces and a children’s desk are located along the hallway. A bridge clad in green fiber cement panels marks the entry. Visible through the front door is an angled yellow wall that opens to a protected outdoor space between the garage and living spaces, offering the first views of the mountain peaks. Living and sleeping spaces are arranged in a line, with a circulation corridor to the east. The exterior is clad in pre-finished fiber cement panels that match the horizontal spacing of the window mullions, accentuating the linear nature of the structure. Two boxes clad in corrugated metal punctuate the east elevation. At the north end of the house, a deck extends into the landscape, providing a quiet place to enjoy the view. Images by Nic LeHoux Photography