Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Photography by Jenn Verrier
Eat-in kitchen - large craftsman u-shaped light wood floor eat-in kitchen idea in DC Metro with an undermount sink, shaker cabinets, medium tone wood cabinets, granite countertops, gray backsplash, glass tile backsplash, stainless steel appliances and no island

The photos on this page are of a Sandstone Kitchen floor at a house in the High Green suburb of Sheffield. The Sandstone tiles looked grubby and needed some love and attention. Our client was getting fed up trying to keep the stone clean, particularly around the kitchen area where cleaning didn’t seem to make much. You can see how dirty it had become on the before picture below, this is stark contrast to the middle of the of the kitchen where the portable kitchen island normally sits. I went to the property to get a better look at the problem floor and carried out a small test clean to see which products and methods would have the best impact. The patch came up really clean without much difficulty, so I was confident on being able to restore its appearance. It was clear to me the original protective sealer had worn off and dirt had become ingrained in the pores of the stone where it was proving difficult to remove. My client was very encouraged by the test clean initial result and agreed to go ahead with the quote. We arranged a suitable time to carry out the work on a day when the family would be out of the way. I started by taping up the area to make sure the skirting and woodwork were protected from splashing. Once done a strong dilution of Tile Doctor Pro-Clean was sprayed onto Sandstone tile and grout. It was left to dwell for approximately ten minutes to help break down all the grime and dirt and was then worked into the stone using a rotary floor machine fitted with a stiff bristled brush. This method totally transformed the dull sandstone, the stunning sandstone colours started to leap out and I could see the stone was well on its way to being transformed. The floor was then rinsed several times with water and the now soiled cleaning solution carefully removed with an industrial wet vacuum. With the floor clean I inspected all the tiles and repeated the process until I was happy the floor was total clean. I should mention It’s not always this easy to clean a stone floor and quite often I find myself having to utilise all sorts of products and methods before I’m totally satisfied it’s as clean as it could possibly be. With the cleaning done I left the floor to dry out overnight aided with heaters and air blowers. I returned to seal the floor the next day checking first that the stone was dry with a damp meter. Leaving the blowers on overnight had helped and the readings I took from the floor confirmed it was now ready for sealing. Earlier I had discussed the different types of sealer available with my clients and they had chosen to have the floor sealed with Tile Doctor Seal & Go. This works really well on Sandstone, enhancing its appearance, improving colour and of course adding protection to the stone to prevent grime and dirt stuck in the pores of the stone. Several coats were applied until I could see if was fully sealed and the right level of finish had been achieved. Sealing a floor can take some time as you need to allow each coat to dry before applying the next. Once done the floor looked meticulously clean and the new sealer had added a lovely subtle sheen to the stone. My client was very please with the transformation and left the following feedback. ‘Very professional approach, friendly, and offered great advice throughout the job. Very pleased with the finish Cheers Matt we will see you again’ One of the problems we find with many homeowners is that for cleaning they use strong bleach-based cleaning product on their sealed tiles, and this actually strips off the sealer leaving the stone vulnerable to ingrained dirt. As a result, Tile Doctor has developed Tile Doctor Neutral Tile Cleaner, it is pH neutral and gentle enough for everyday use without affecting the sealer. Matthew Lovett South Yorkshire Tile Doctor

This outdoor living room offers the homeowners a quiet and secluded place to rest and unwind. A neighbouring Black Walnut Tree reduced the overall functional usability of this backyard, and the idea for an outdoor living room was developed. The pocket doors can be screens or can be switched to glass windows when the weather turns colder, offering extended use of the outdoor room during the shoulder seasons.

The owners desired a modest home that would enable them to experience the dual natures of the outdoors: intimate forest and sweeping views. The use of economical, pre-fabricated materials was seen as an opportunity to develop an expressive architecture. The house is organized on a four-foot module, establishing a delicate rigor for the building and maximizing the use of pre-manufactured materials. A series of open web trusses are combined with dimensional wood framing to form broad overhangs. Plywood sheets spanning between the trusses are left exposed at the eaves. An insulated aluminum window system is attached to exposed laminated wood columns, creating an expansive yet economical wall of glass in the living spaces with mountain views. On the opposite side, support spaces and a children’s desk are located along the hallway. A bridge clad in green fiber cement panels marks the entry. Visible through the front door is an angled yellow wall that opens to a protected outdoor space between the garage and living spaces, offering the first views of the mountain peaks. Living and sleeping spaces are arranged in a line, with a circulation corridor to the east. The exterior is clad in pre-finished fiber cement panels that match the horizontal spacing of the window mullions, accentuating the linear nature of the structure. Two boxes clad in corrugated metal punctuate the east elevation. At the north end of the house, a deck extends into the landscape, providing a quiet place to enjoy the view. Images by Nic LeHoux Photography

Described by The New York Times as "the gold standard in office seating", the Freedom chair redefines the concept of traditional task chairs. Designer Niels Diffrient aimed to design an office chair that automatically adapts to the user, allowing them to move freely from posture to posture. Diffrient’s unique approach removed complexities found in other chairs, such as cumbersome recline levers and back tension dials for a truly ergonomic task chair. As a result, he developed a recline mechanism that perfectly adjusts to the user, definitively reinventing modern task seating to be truly simple, functional, and beautiful.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Creating a comfortable outdoor living space is a priority for many homeowners and DIY enthusiasts. With rising summer temperatures, installing a shade tarp in your backyard offers an affordable and effective solution for sun protection. We’ve developed this detailed, step-by-step guide to help you confidently install a shade tarp that not only shields you from the sun but also adds aesthetic appeal to your outdoor area. Benefits of Installing a Backyard Shade Tarp Before diving into the installation process, let’s explore the key benefits of having a backyard shade tarp: Provides UV Protection: Keeps your family and guests safe from harmful sun exposure. Reduces Outdoor Temperatures: Creates a cooler, more enjoyable outdoor space. Protects Outdoor Furniture: Extends the life of patio furniture by reducing sun damage. Enhances Outdoor Aesthetics: Adds a modern, stylish look to your yard. Budget-Friendly: More affordable compared to permanent structures like pergolas. Materials and Tools You’ll Need To begin your DIY backyard shade project, gather the following materials and tools: Materials: Shade tarp (UV-resistant and breathable) Sturdy posts or existing structures (trees, fences, walls) Mounting hardware (eye bolts, D-rings, turnbuckles, snap hooks) Nylon or polyester rope, or stainless-steel wire Concrete (if installing new posts) Tools: Power drill Measuring tape Level Ladder Wrench or adjustable spanner Post hole digger (if installing new posts) Step 1: Plan Your Shade Tarp Layout The first step in installing your backyard shade tarp is careful planning. Take time to assess your outdoor area and answer these key questions: Where is the sun’s path throughout the day? What size and shape of tarp best suits your space? Will you anchor the tarp to existing structures or install new posts? What height do you want the tarp to sit at for maximum shade and airflow? Pro Tip: Use string or garden hoses to visualize the tarp layout on the ground before making permanent decisions. Step 2: Measure and Mark Anchor Points Once you’ve determined the tarp’s location and orientation: Measure the tarp dimensions. Mark the exact points where each corner of the tarp will be anchored. Ensure that the anchor points are at least 5–10% longer than the tarp size to allow for tensioning and slight adjustments. Consider slope angles for water runoff. Aim for at least a 20-degree angle to prevent water pooling on the tarp. Step 3: Install Support Posts (If Necessary) If your backyard lacks existing anchor points like trees or fences, you’ll need to install sturdy support posts: Dig post holes at least 24 inches deep and 8-12 inches wide for stability. Set posts in concrete, making sure they remain plumb and level. Allow the concrete to cure for at least 24–48 hours before applying tension from the tarp. We recommend using pressure-treated wood, galvanized steel poles, or aluminum posts for longevity and strength. Step 4: Install Mounting Hardware With your anchor points ready, it’s time to install the necessary hardware: Attach eye bolts or pad eyes securely into walls, posts, or other fixed structures. For added flexibility and adjustability, install turnbuckles or tensioners to fine-tune the tarp’s tightness. Connect snap hooks, D-rings, or carabiners to make assembly and disassembly easier. Make sure all hardware is rated for outdoor use to prevent rust and corrosion. Step 5: Attach and Tension the Shade Tarp Now it’s time for the most satisfying part—mounting the shade tarp: Begin by attaching one corner of the tarp to an anchor point. Gradually attach the remaining corners, moving diagonally for even tension. Adjust each connection point using your turnbuckles, ropes, or cables. Pull the tarp tight enough to avoid sagging, but not so tight that it risks tearing. Check that the tarp maintains the desired slope for rainwater runoff and adjust tension as needed. Step 6: Final Adjustments and Safety Check Before enjoying your new shaded area: Inspect all anchor points and hardware for stability. Test the tarp’s tension and make adjustments for even distribution. Ensure that no sharp edges or loose connections remain that could damage the tarp or pose a safety hazard. Confirm that the tarp is secure in windy conditions by giving it a gentle tug. If you live in an area with frequent high winds, consider removing the tarp during storms to prevent damage. Step 7: Enjoy Your Shaded Backyard Oasis Once installed, your backyard shade tarp provides a comfortable and protective space for outdoor gatherings, relaxation, or family activities. You can decorate underneath with outdoor furniture, string lights, or potted plants to create a personalized outdoor retreat. Maintenance Tips for Long-Lasting Shade Tarp Performance To extend the life of your shade tarp, follow these maintenance guidelines: Regularly check for wear and tear, especially around anchor points and seams. Clean the tarp periodically with mild soap and water to prevent mildew buildup. Store the tarp indoors during harsh weather seasons if it's not designed for year-round use. Tighten hardware as needed to maintain proper tension and avoid sagging. By following these simple care steps, your shade tarp will continue to deliver years of sun protection and outdoor comfort. Conclusion: Upgrade Your Outdoor Space with a DIY Shade Tarp Installing a shade tarp in your backyard is a cost-effective and rewarding DIY project. With careful planning, quality materials, and proper installation techniques, you’ll enjoy cool, shaded outdoor living all season long. This step-by-step guide ensures your project goes smoothly from start to finish.

The owners desired a modest home that would enable them to experience the dual natures of the outdoors: intimate forest and sweeping views. The use of economical, pre-fabricated materials was seen as an opportunity to develop an expressive architecture. The house is organized on a four-foot module, establishing a delicate rigor for the building and maximizing the use of pre-manufactured materials. A series of open web trusses are combined with dimensional wood framing to form broad overhangs. Plywood sheets spanning between the trusses are left exposed at the eaves. An insulated aluminum window system is attached to exposed laminated wood columns, creating an expansive yet economical wall of glass in the living spaces with mountain views. On the opposite side, support spaces and a children’s desk are located along the hallway. A bridge clad in green fiber cement panels marks the entry. Visible through the front door is an angled yellow wall that opens to a protected outdoor space between the garage and living spaces, offering the first views of the mountain peaks. Living and sleeping spaces are arranged in a line, with a circulation corridor to the east. The exterior is clad in pre-finished fiber cement panels that match the horizontal spacing of the window mullions, accentuating the linear nature of the structure. Two boxes clad in corrugated metal punctuate the east elevation. At the north end of the house, a deck extends into the landscape, providing a quiet place to enjoy the view. Images by Nic LeHoux Photography

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession. Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm. They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm. “They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone. Design Process There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms. Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively. The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers. Exterior The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements. Interior The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers. “Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.” The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

Among our Houston outdoor kitchens, this one is unique because of its concrete countertops, pergola with stucco wrapping and custom storage. "It's not one of our biggest covered outdoor kitchens in Houston," says Outdoor Homescapes of Houston owner Wayne Franks. "But it's unique, and it looks really nice, too!" The client, a young family, wanted an outdoor kitchen with a more minimalistic, modern look, explains Outdoor Homescapes senior designer Lisha Maxey. "They're both doctors and very much attuned to detail," she says. "Their primary goal was to create a space where they could lounge while the children played as well as an area to entertain family and friends while cooking and dining outside." Like a growing number of people wanting small outdoor kitchens in Houston, this client expressed interest in using concrete as a surface material: "The look is contemporary and is easily paired with any type of outdoor furniture," says Maxey, "from wicker to teak to iron." Here's a closeup of the concrete countertops. You'll notice that they're glossy and smooth like glass, thanks to special sealers and a topcoat of UV-resistant resin that prevents the countertop from yellowing. Since these particular clients lean toward the minimalistic side of contemporary design, she continues, "the standard granite countertop of many Houston outdoor kitchens would not work, since it typically has a lot of movement and can be busy." Lisha sees the use of concrete as a growing outdoor design trend for Houston outdoor kitchens: "It's easy to maintain and again, leans towards a more modern look for outdoor." All the furniture and lighting is from Restoration Hardware, says Lisha, who's offering $500 in free outdoor furniture consultation services as a special promotion. (Interested? Just contact us!) The dining and lounge chairs are from the Antibes collection in cast aluminum with a bronze finish. The table is a Belgian Trestle made of weathered concrete and teak. Simple track lighting was used on the pergola in keeping with the minimalist look of the space. The pergola is a treated pine, stained a Minwax Jacobean, which appears almost black. "This client chose a pergola over a roof extension off the house because they wanted it to still seem light and airy in their outdoor space for their young children," explains Lisha. "They wanted a certain degree of sun and shade protection, which a pergola does provide, but they wanted it to seem a bit like a park for the kids to play in." "The seating/storage bin was not a part of the original design," says Lisha. "As the project progressed, the client expressed interest in some sort of chest for the new outdoor furniture cushions to be stored in." The design for the storage bin was developed to accommodate this request: "It eventually evolved into a seating area as well. And to keep the look consistent with the new kitchen, it was agreed that the stone be carried through the design. The wood top was necessary so we could design a hinged access for storage."

This renovation was completed with the primary goal of removed the carpet in the stairs which was not only difficult to clean but constantly looking worn in this very busy household. Ideally they wanted a durable, low maintenance flooring solution that still added character and coziness. The solution: Luxury vinyl planks! The unique and discreet metal nosings we used respect the clean lines and richness of this amazing plank in a non-commercial way. NOTE: While not all vinyl planks are created equal - the good ones are worth paying a little extra for!

The Chisum Quill Barstool is stunning, not only for its solid hardwood framing, but particularly for its hand burnished-tufted leather with a contrasting ostrich pattern leather on the outback. Crafted to be either bar or counter height, this fine rustic barstool will make a statement in any home dining room or living area. Brass-studded accents and solid hardwood framing provide the perfect motif for this accent piece. The armrests' gentle sloping feature is a juxtaposition to the sturdily squared hard lines of the base of the barstool. All handcrafted and designed, the Chisum Quill Stool provides a uniquely authentic experience and rustic elegant charm to any space. If beauty and charm along with a stand alone character are what you seek, dive into the experience with our Chisum Quill Barstool and bring life to your home. Best as a dynamic set, these barstools are hand made classics for you. 100% American Made to the highest standards of quality and craftsmanship. Overall Barstool Dimensions: 43" H x 26" W x 22" D Seat Height: 30" Top of Arm Height: 40" Overall Counter Stool Dimension: 38" H x 26" W x 22" D Seat Height: 25" Top of Arm Height: 35" Leather Description: Dyes and waxes are hand applied to South American raw material to impart a transparent clarity. This coupled with substrate gives the leather a sophisticated, pebble grain appearance. All of the aniline dyes applied to the hides are hand rubbed in North Carolina by skilled artisans drawing from years of creative experience creating an impressive patina. The absence of pigments adds to the natural softness of the hides. A light protective top, utilizing a proprietary formulation developed by the tannery creates the exquisite touch Legends is know for and makes the leather suitable for active family homes. Because of the depth and transparency of this leather, natural markings will be exposed and should not be confused as defects or deficiencies, but appreciated as Nature's Autograph of Authenticity found in the finest full grain leathers. Embossed Leather Description: The leather hide is first embossed with an ostrich pattern and then colored by applying two base color coats of micro pigments. The leather is then wiped-off to give it a contrast of colors utilizing the base color combination. This color contrast is further accented by two additional top coat colors that are wiped-on by hand to give the leather a beautiful antique look. The last step is to slightly protect the hand work of the leather hide with a lacquer topcoat that provides great depth and warmth to the finished product. 100% top grain cowhide leather is characterized by variations in shade, texture, color and grain. Healed marks and scars are to be expected and enhance the natural beauty of the hides. These variations should not be considered defects as they are normal and unique features of genuine 100% top grain cowhide leather. Frame Construction: Made with American Alder Wood, our frames are glued, screwed and dowelled at the joints. Two coats of high quality stain is hand rubbed on the wood finish and then sealed with industrial grade clear coat.

This expansive outdoor deck and garden is the ultimate in luxury entertaining, lounging, dining and includes amenities for shade, a vegetable garden, outdoor seating, outdoor dining, grilling and a glass enclosure with heaters to get the most enjoyment and extended use year round. Rooftopia incorporated multiple customized Renson pergolas into the central dining and lounge areas. Each of three Renson pergola systems and their unique features are controlled with the touch of a button. The motorized overhead louvers can be enjoyed open or fully closed to provide shade and a waterproof cover. Each pergola has integrated dimmable LED lighting in the roof blades or louvers. The seating and lounge area was designed with gorgeous modern furnishings and a luxurious fire table. The lounge area can be fully enclosed by sliding glass panels around its walls, to capture the heat from the fire table and integrated Renson heaters. A privacy and shade screen can also be retractable at the west to offer another layer of protection from the intensity of the setting sun. The lounges also feature an integrated sound system and mobile TV cabinet so the space can be used year round to stay warm and cozy while watching a movie or a football game. The outdoor kitchen and dining area features appliances by Hestan and highly customized concrete countertops with matching shelves mounted on the wall. The aluminum cabinets are custom made by Urban Bonfire and feature accessories for storing kitchen items like dishes, appliances, beverages, an ice maker and receptacles for recycling and refuse. The Renson pergola over the dining area also integrates a set of sliding loggia panels to offer a modern backdrop, add privacy and block the sun. Rooftopia partnered with the talented Derek Lerner for original artwork that was transformed into a large-scale mural, and with the help of Chicago Sign Systems, the artwork was enlarged, printed and installed as one full wall of the penthouse. This artwork is truly a special part of the design. Rooftopia customized the design of the planter boxes in partnership with ORE Designs to streamline the look and finish of the metal planter containers. Many of the planter boxes also have toe kick lighting to improve the evening ambiance. Several large planters are home to birch trees, ornamental grasses, annual flowers and the design incorporates containers for seasonal vegetables and an herb garden. Our teams partnered with Architects, Structural engineers, electricians, plumbers and sound engineers to upgrade the roof to support the pergola systems, integrate lighting and appliances, an automatic watering system and outdoor sound systems. This large residential roof deck required a multi year development, permitting and installation timeline, proving that the best things are worth the wait.

We were lucky to be contacted by a client who designed their own dream home directly abutting a stunning nature preserve. When the homeowners were considering making some adjustments to their property, maintaining the connection between the home and its natural surroundings was of the utmost importance. The couple wanted to create a space where they could drink in the beauty of the preserve. But what spurred the project was the need to make functional improvements. There was erosion on a hill sloping away from the house that needed to be addressed. Poor drainage saw rainwater was threatening the driveway and deck access on the side of the house. As careful thinkers, they came into this project brimming with creative ideas for how to transform the space into something functional and worthy of its surroundings. They called us to help tie the project together and execute it. Initial ideas were for a 3 or 4 season porch that would provide unmatched views of the surroundings, but with the functional aspects of the project, the dream porch was out of budget and still did not address the eroding hillside. Not to worry the team at Lotus was able to take inspiration from the couples’ ideas, and together, we developed a stunning space truly worthy of the nature preserve around it. PRACTICAL SOLUTIONS In landscaping, the importance of water management cannot be overstated. Our first job in the landscape design process was to improve the drainage for the site. Improved drainage protects not just the landscaping, but the home itself. In fact, estimates indicate that water problems are responsible for 85% of home repair expenses in the US annually. To ensure the drainage problems were fixed permanently, Lotus constructed a retaining wall to protect the foundation of the house. Once we fixed the broken drainage, we moved on to the slope at the side of the house. The hillside was badly eroding, making it another area of concern for the homeowners. Almost immediately, our team of experts saw the eroding hillside not as a problem, but as an opportunity. We fixed some grading issues and then planted the slope with native plants. These served a number of different functions: Native plants tied the home and its landscape to the nature preserve. The Ann Arbor area features a diverse and beautiful array of plant life and this was something the Lotus team and the homeowners were excited to celebrate. The plants’ root structure protects the integrity of the hillside. Plant roots act as anchors, gripping the earth and making the soil much more resistant to erosion. Native plants are especially good for this because they evolved alongside the native soil. Plants on the hillside provided privacy from the neighbors. Look, we love our neighbors. But sometimes, in those quiet moments life affords us all too infrequently, it is nice to have a bit of peace and quiet. While a fence could do the job just as well, a fence isn’t suited to every environment. When your backyard is a nature preserve, you want to feel as connected to the land as possible. Tall native plants add to the feeling of connectedness in a way a fence simply can’t. BEAUTIFUL RESULTS The couple had a deck and a walkout patio, but these spaces felt disconnected. Many of the solutions they put forward were attempts to address this separation. Working with our designers, we created a beautiful, tiered walkway that connected the deck and the walkout using modern bluestone from Rock Bottom Stone Supply, right here in Michigan. We added lighting features that would increase the feeling of connectivity between these spaces. We set out to create a space that would hover between the patio and the deck. This space would make our homeowners feel connected to the nature preserve around them while allowing them to feel creative and comfortable. To start, we made benches, stairs, and a built-in table. From there we finished with a cedar pergola that would give them shade in the summer months. We ended up making the pergola curved so it would relax into the space and provide a bit of the wow factor. We connected the deck and the walkout and paid homage to the slope and the preserve by installing still more native plants. All in all, the space completely rejuvenated the couple’s yard. It proved an elegant solution to a number of practical problems and served as a connection between the house and the stunning property onto which the house was built. At Lotus, we have proven our ability to provide similar solutions for many properties like this, but this one stands out. If for no other reason than to remind us, again and again, that nature and natural beauty are truly worth celebrating. Designer: Traven Pelletier Location: Brighton, Mi Materials: Limestone outcrop, bluestone patio, cedar pergola, all natural stone Vendors: Rock Bottom Stone supply in Burton, Michigan, Hobart stone in New York is bluestone supplier

Entering the back yard is like entering an English garden. To ensure a seamless look between the original new parts of the house, we built the covered patio using the same German schist stone and timber framed stucco. Further, the stone’s pointing matches the original historic stone, and we used a gray grout for a weathered, aged look. The space is finished off with spiraled lattice iron works and all slate roof. At the end of the roof is an open truss timber frame in a cathedral design. Copper flashing at the joints protects the wood from water sitting in the spaces and eventually rotting the joints. The patio itself features a flagstone floor, built in gas grill, and the other side of the Rumford fireplace found in the family room. Rudloff Custom Builders has won Best of Houzz for Customer Service in 2014, 2015 2016, 2017, 2019, and 2020. We also were voted Best of Design in 2016, 2017, 2018, 2019 and 2020, which only 2% of professionals receive. Rudloff Custom Builders has been featured on Houzz in their Kitchen of the Week, What to Know About Using Reclaimed Wood in the Kitchen as well as included in their Bathroom WorkBook article. We are a full service, certified remodeling company that covers all of the Philadelphia suburban area. This business, like most others, developed from a friendship of young entrepreneurs who wanted to make a difference in their clients’ lives, one household at a time. This relationship between partners is much more than a friendship. Edward and Stephen Rudloff are brothers who have renovated and built custom homes together paying close attention to detail. They are carpenters by trade and understand concept and execution. Rudloff Custom Builders will provide services for you with the highest level of professionalism, quality, detail, punctuality and craftsmanship, every step of the way along our journey together. Specializing in residential construction allows us to connect with our clients early in the design phase to ensure that every detail is captured as you imagined. One stop shopping is essentially what you will receive with Rudloff Custom Builders from design of your project to the construction of your dreams, executed by on-site project managers and skilled craftsmen. Our concept: envision our client’s ideas and make them a reality. Our mission: CREATING LIFETIME RELATIONSHIPS BUILT ON TRUST AND INTEGRITY. Photo Credit: Linda McManus Images

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession. Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm. They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm. “They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone. Design Process There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms. Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively. The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers. Exterior The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements. Interior The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers. “Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.” The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

From The Washington Post: "Developer Ahmad Khreshi of Northern Virginia-based Home Perfection Contracting isn’t afraid to take risks when building a house. He embraces the unexpected, challenging his architect, interior designer and builder to experiment with new techniques. This house in McLean, Va., is his most ambitious project to date. Instead of remodeling an existing house such as the one that was featured as a House of the Week in 2016, Khreshi built an entirely new one. Khreshi worked with architect Peter VanderPoel and designer Karen Bengel to create a modern house that borrows from Frank Lloyd Wright’s philosophy of incorporating the house in the landscape. The house has three distinct masses — garage, living and bedroom — and three levels, each one set at a different ground level. The layout of the structure is one aspect of the design. Another is the influence of Mondrian style, named for Piet Mondrian, a modern abstract artist who popularized paintings with colorful arrangements of squares and rectangles. “We wanted something different,” he said. “That’s what we are on the hunt for. We needed the house to stand out from the rest [of the houses], yet belong to the neighborhood.” Designed first by hand and then by computer, the asymmetrical window pattern is laid out in the Mondrian style, which is repeated in the asymmetrical design of the Hardie board (fiber-cement siding) on one side of the house. The opposite side and the middle section are a combination of brick and yakisugi carbonized-wood siding. The yakisugi siding is heat-treated in a way similar to an ancient Japanese technique, with the wood burned to give it a carbon layer that protects it from insects and decay." Read the full article on The Washington Post here.

The Kiguchi family moved into their Austin, Texas home in 1994. Built in the 1980’s as part of a neighborhood development, they happily raised their family here but longed for something more contemporary. Once they became empty nesters, they decided it was time for a major remodel. After spending many years visiting Austin AIA Home Tours that highlight contemporary residential architecture, they had a lot of ideas and in 2013 were ready to interview architects and get their renovation underway. The project turned into a major remodel due to an unstable foundation. Architects Ben Arbib and Ed Hughey, of Arbib Hughey Design were hired to solve the structural issue and look for inspiration in the bones of the house, which sat on top of a hillside and was surrounded by great views. Unfortunately, with the old floor plan, the beautiful views were hidden by small windows that were poorly placed. In order to bring more natural light into the house the window sizes and configurations had to be addressed, all while keeping in mind the homeowners desire for a modern look and feel. To achieve a more contemporary and sophisticated front of house, a new entry was designed that included removing a two-story bay window and porch. The entrance of the home also became more integrated with the landscape creating a template for new foliage to be planted. Older exterior materials were updated to incorporate a more muted palette of colors with a metal roof, dark grey siding in the back and white stucco in the front. Deep eaves were added over many of the new large windows for clean lines and sun protection. “Inside it was about opening up the floor plan, expanding the views throughout the house, and updating the material palette to get a modern look that was also warm and inviting,” said Ben from Arbib Hughey Design. “Prior to the remodel, the house had the typical separation of rooms. We removed the walls between them and changed all of the windows to Milgard Thermally Improved Aluminum to connect the inside with the outside. No matter where you are you get nice views and natural light.” The architects wanted to create some drama, which they accomplished with the window placement and opening up the interior floor plan to an open concept approach. Cabinetry was used to help delineate intimate spaces. To add warmth to an all-white living room, white-washed oak wood floors were installed and pine planks were used around the fireplace. The large windows served as artwork bringing the color of nature into the space. An octagon shaped, elevated dining room, (named “the turret”), had a big impact on the design of the house. They architects rounded the corners and added larger window openings overlooking a new sunken garden. The great room was also softened by rounding out the corners and that circular theme continued throughout the house, being picked up in skylight wells and kitchen cabinetry. A staircase leading to a catwalk was added and the result was a two-story window wall that flooded the home with natural light. When asked why Milgard® Thermally Improved Aluminum windows were selected, the architectural team listed many reasons: 1) Aesthetics: “We liked the slim profiles and narrow sightlines. The window frames never get in the way of the view and that was important to us. They also have a very contemporary look that went well with our design.” 2) Options: “We liked that we could get large sliding doors that matched the windows, giving us a very cohesive look and feel throughout the project.” 3) Cost Effective: “Milgard windows are affordable. You get a good product at a good price.” 4) Custom Sizes: “Milgard windows are customizable, which allowed us to get the right window for each location.” Ready to take on your own traditional to modern home remodeling project? Arbib Hughey Design advises, “Work with a good architect. That means picking a team that is creative, communicative, listens well and is responsive. We think it’s important for an architect to listen to their clients and give them something they want, not something the architect thinks they should have. At the same time you want an architect who is willing and able to think outside the box and offer up design options that you may not have considered. Design is about a lot of back and forth, trying out ideas, getting feedback and trying again.” The home was completely transformed into a unique, contemporary house perfectly integrated with its site. Internally the home has a natural flow for the occupants and externally it is integrated with the surroundings taking advantage of great natural light. As a side note, it was highly praised as part of the Austin AIA homes tour.