Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession. Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm. They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm. “They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone. Design Process There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms. Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively. The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers. Exterior The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements. Interior The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers. “Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.” The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

From The Washington Post: "Developer Ahmad Khreshi of Northern Virginia-based Home Perfection Contracting isn’t afraid to take risks when building a house. He embraces the unexpected, challenging his architect, interior designer and builder to experiment with new techniques. This house in McLean, Va., is his most ambitious project to date. Instead of remodeling an existing house such as the one that was featured as a House of the Week in 2016, Khreshi built an entirely new one. Khreshi worked with architect Peter VanderPoel and designer Karen Bengel to create a modern house that borrows from Frank Lloyd Wright’s philosophy of incorporating the house in the landscape. The house has three distinct masses — garage, living and bedroom — and three levels, each one set at a different ground level. The layout of the structure is one aspect of the design. Another is the influence of Mondrian style, named for Piet Mondrian, a modern abstract artist who popularized paintings with colorful arrangements of squares and rectangles. “We wanted something different,” he said. “That’s what we are on the hunt for. We needed the house to stand out from the rest [of the houses], yet belong to the neighborhood.” Designed first by hand and then by computer, the asymmetrical window pattern is laid out in the Mondrian style, which is repeated in the asymmetrical design of the Hardie board (fiber-cement siding) on one side of the house. The opposite side and the middle section are a combination of brick and yakisugi carbonized-wood siding. The yakisugi siding is heat-treated in a way similar to an ancient Japanese technique, with the wood burned to give it a carbon layer that protects it from insects and decay." Read the full article on The Washington Post here.

The Kiguchi family moved into their Austin, Texas home in 1994. Built in the 1980’s as part of a neighborhood development, they happily raised their family here but longed for something more contemporary. Once they became empty nesters, they decided it was time for a major remodel. After spending many years visiting Austin AIA Home Tours that highlight contemporary residential architecture, they had a lot of ideas and in 2013 were ready to interview architects and get their renovation underway. The project turned into a major remodel due to an unstable foundation. Architects Ben Arbib and Ed Hughey, of Arbib Hughey Design were hired to solve the structural issue and look for inspiration in the bones of the house, which sat on top of a hillside and was surrounded by great views. Unfortunately, with the old floor plan, the beautiful views were hidden by small windows that were poorly placed. In order to bring more natural light into the house the window sizes and configurations had to be addressed, all while keeping in mind the homeowners desire for a modern look and feel. To achieve a more contemporary and sophisticated front of house, a new entry was designed that included removing a two-story bay window and porch. The entrance of the home also became more integrated with the landscape creating a template for new foliage to be planted. Older exterior materials were updated to incorporate a more muted palette of colors with a metal roof, dark grey siding in the back and white stucco in the front. Deep eaves were added over many of the new large windows for clean lines and sun protection. “Inside it was about opening up the floor plan, expanding the views throughout the house, and updating the material palette to get a modern look that was also warm and inviting,” said Ben from Arbib Hughey Design. “Prior to the remodel, the house had the typical separation of rooms. We removed the walls between them and changed all of the windows to Milgard Thermally Improved Aluminum to connect the inside with the outside. No matter where you are you get nice views and natural light.” The architects wanted to create some drama, which they accomplished with the window placement and opening up the interior floor plan to an open concept approach. Cabinetry was used to help delineate intimate spaces. To add warmth to an all-white living room, white-washed oak wood floors were installed and pine planks were used around the fireplace. The large windows served as artwork bringing the color of nature into the space. An octagon shaped, elevated dining room, (named “the turret”), had a big impact on the design of the house. They architects rounded the corners and added larger window openings overlooking a new sunken garden. The great room was also softened by rounding out the corners and that circular theme continued throughout the house, being picked up in skylight wells and kitchen cabinetry. A staircase leading to a catwalk was added and the result was a two-story window wall that flooded the home with natural light. When asked why Milgard® Thermally Improved Aluminum windows were selected, the architectural team listed many reasons: 1) Aesthetics: “We liked the slim profiles and narrow sightlines. The window frames never get in the way of the view and that was important to us. They also have a very contemporary look that went well with our design.” 2) Options: “We liked that we could get large sliding doors that matched the windows, giving us a very cohesive look and feel throughout the project.” 3) Cost Effective: “Milgard windows are affordable. You get a good product at a good price.” 4) Custom Sizes: “Milgard windows are customizable, which allowed us to get the right window for each location.” Ready to take on your own traditional to modern home remodeling project? Arbib Hughey Design advises, “Work with a good architect. That means picking a team that is creative, communicative, listens well and is responsive. We think it’s important for an architect to listen to their clients and give them something they want, not something the architect thinks they should have. At the same time you want an architect who is willing and able to think outside the box and offer up design options that you may not have considered. Design is about a lot of back and forth, trying out ideas, getting feedback and trying again.” The home was completely transformed into a unique, contemporary house perfectly integrated with its site. Internally the home has a natural flow for the occupants and externally it is integrated with the surroundings taking advantage of great natural light. As a side note, it was highly praised as part of the Austin AIA homes tour.

From The Washington Post: "Developer Ahmad Khreshi of Northern Virginia-based Home Perfection Contracting isn’t afraid to take risks when building a house. He embraces the unexpected, challenging his architect, interior designer and builder to experiment with new techniques. This house in McLean, Va., is his most ambitious project to date. Instead of remodeling an existing house such as the one that was featured as a House of the Week in 2016, Khreshi built an entirely new one. Khreshi worked with architect Peter VanderPoel and designer Karen Bengel to create a modern house that borrows from Frank Lloyd Wright’s philosophy of incorporating the house in the landscape. The house has three distinct masses — garage, living and bedroom — and three levels, each one set at a different ground level. The layout of the structure is one aspect of the design. Another is the influence of Mondrian style, named for Piet Mondrian, a modern abstract artist who popularized paintings with colorful arrangements of squares and rectangles. “We wanted something different,” he said. “That’s what we are on the hunt for. We needed the house to stand out from the rest [of the houses], yet belong to the neighborhood.” Designed first by hand and then by computer, the asymmetrical window pattern is laid out in the Mondrian style, which is repeated in the asymmetrical design of the Hardie board (fiber-cement siding) on one side of the house. The opposite side and the middle section are a combination of brick and yakisugi carbonized-wood siding. The yakisugi siding is heat-treated in a way similar to an ancient Japanese technique, with the wood burned to give it a carbon layer that protects it from insects and decay." Read the full article on The Washington Post here.

From The Washington Post: "Developer Ahmad Khreshi of Northern Virginia-based Home Perfection Contracting isn’t afraid to take risks when building a house. He embraces the unexpected, challenging his architect, interior designer and builder to experiment with new techniques. This house in McLean, Va., is his most ambitious project to date. Instead of remodeling an existing house such as the one that was featured as a House of the Week in 2016, Khreshi built an entirely new one. Khreshi worked with architect Peter VanderPoel and designer Karen Bengel to create a modern house that borrows from Frank Lloyd Wright’s philosophy of incorporating the house in the landscape. The house has three distinct masses — garage, living and bedroom — and three levels, each one set at a different ground level. The layout of the structure is one aspect of the design. Another is the influence of Mondrian style, named for Piet Mondrian, a modern abstract artist who popularized paintings with colorful arrangements of squares and rectangles. “We wanted something different,” he said. “That’s what we are on the hunt for. We needed the house to stand out from the rest [of the houses], yet belong to the neighborhood.” Designed first by hand and then by computer, the asymmetrical window pattern is laid out in the Mondrian style, which is repeated in the asymmetrical design of the Hardie board (fiber-cement siding) on one side of the house. The opposite side and the middle section are a combination of brick and yakisugi carbonized-wood siding. The yakisugi siding is heat-treated in a way similar to an ancient Japanese technique, with the wood burned to give it a carbon layer that protects it from insects and decay." Read the full article on The Washington Post here.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

From The Washington Post: "Developer Ahmad Khreshi of Northern Virginia-based Home Perfection Contracting isn’t afraid to take risks when building a house. He embraces the unexpected, challenging his architect, interior designer and builder to experiment with new techniques. This house in McLean, Va., is his most ambitious project to date. Instead of remodeling an existing house such as the one that was featured as a House of the Week in 2016, Khreshi built an entirely new one. Khreshi worked with architect Peter VanderPoel and designer Karen Bengel to create a modern house that borrows from Frank Lloyd Wright’s philosophy of incorporating the house in the landscape. The house has three distinct masses — garage, living and bedroom — and three levels, each one set at a different ground level. The layout of the structure is one aspect of the design. Another is the influence of Mondrian style, named for Piet Mondrian, a modern abstract artist who popularized paintings with colorful arrangements of squares and rectangles. “We wanted something different,” he said. “That’s what we are on the hunt for. We needed the house to stand out from the rest [of the houses], yet belong to the neighborhood.” Designed first by hand and then by computer, the asymmetrical window pattern is laid out in the Mondrian style, which is repeated in the asymmetrical design of the Hardie board (fiber-cement siding) on one side of the house. The opposite side and the middle section are a combination of brick and yakisugi carbonized-wood siding. The yakisugi siding is heat-treated in a way similar to an ancient Japanese technique, with the wood burned to give it a carbon layer that protects it from insects and decay." Read the full article on The Washington Post here.

From The Washington Post: "Developer Ahmad Khreshi of Northern Virginia-based Home Perfection Contracting isn’t afraid to take risks when building a house. He embraces the unexpected, challenging his architect, interior designer and builder to experiment with new techniques. This house in McLean, Va., is his most ambitious project to date. Instead of remodeling an existing house such as the one that was featured as a House of the Week in 2016, Khreshi built an entirely new one. Khreshi worked with architect Peter VanderPoel and designer Karen Bengel to create a modern house that borrows from Frank Lloyd Wright’s philosophy of incorporating the house in the landscape. The house has three distinct masses — garage, living and bedroom — and three levels, each one set at a different ground level. The layout of the structure is one aspect of the design. Another is the influence of Mondrian style, named for Piet Mondrian, a modern abstract artist who popularized paintings with colorful arrangements of squares and rectangles. “We wanted something different,” he said. “That’s what we are on the hunt for. We needed the house to stand out from the rest [of the houses], yet belong to the neighborhood.” Designed first by hand and then by computer, the asymmetrical window pattern is laid out in the Mondrian style, which is repeated in the asymmetrical design of the Hardie board (fiber-cement siding) on one side of the house. The opposite side and the middle section are a combination of brick and yakisugi carbonized-wood siding. The yakisugi siding is heat-treated in a way similar to an ancient Japanese technique, with the wood burned to give it a carbon layer that protects it from insects and decay." Read the full article on The Washington Post here.

Every culture has multiple ways of saying hello. Greetings are an essential, and important, human interaction. Smiles, handshakes, high fives, and hugs all convey welcome; but, as I tell our three boys, your choice of greeting, sends a greater message than just, “hi”. A firm handshake and eye contact says a lot about you and how you regard the other person. Homes greet us, too. A home’s entrance sends a message, whether formal like a handshake or warm like a hug, it greets guests and owners with the same message. A mudroom entrance might invite a guest into the heart of the home like an old friend, or a formal entry may give a guest pause to look around and gauge the home’s owner by the impression left on the guest. One of our Red House “clients for life” is a couple that bought a builder grade development home in RI. After taking care of some high priority functional & aesthetic remodeling (a new master bathroom and walk-in closet), the owners contacted Red House again to finally upgrade the front door & entry to the home. The original, a low-end entry door from a big box store, had finally reached the end of its’ usable life. It was leaking air and starting to rust. It didn’t live up to the aesthetic improvements the owners had made in other areas of the home, and, it no longer served its purpose to shelter and protect or to welcome and greet. After gauging the space, we realized that with a few minor adjustments to the entry area, we could add some paneling above the door and center a window feature in the foyer. These details created a elegant, yet warm, formality. A three-quarter glass door with a unique window patter provides warm light and an openness that creates the friendly invitation of a true home. The newly remodeled space speaks to the quality standards of the owners of the home, and, in turn, it will continue to inform the identity of the family while they live there. But more than that, the new entry foreshadows the quality and aesthetics of the other rooms in the house, just like a firm handshake and eye contact is a preview of what to expect. - Justin Zeller owns a design-build remodeling firm, Red House Custom Building, serving RI and MA. Besides being a Certified Remodeler, Justin has led the team at Red House to win multiple peer-reviewed awards for design and service achievements. Justin also sits on the Board of Directors and serves as Vice President of EM NARI. Photos by Aaron Usher Instagram: @redhousedesignbuild

From The Washington Post: "Developer Ahmad Khreshi of Northern Virginia-based Home Perfection Contracting isn’t afraid to take risks when building a house. He embraces the unexpected, challenging his architect, interior designer and builder to experiment with new techniques. This house in McLean, Va., is his most ambitious project to date. Instead of remodeling an existing house such as the one that was featured as a House of the Week in 2016, Khreshi built an entirely new one. Khreshi worked with architect Peter VanderPoel and designer Karen Bengel to create a modern house that borrows from Frank Lloyd Wright’s philosophy of incorporating the house in the landscape. The house has three distinct masses — garage, living and bedroom — and three levels, each one set at a different ground level. The layout of the structure is one aspect of the design. Another is the influence of Mondrian style, named for Piet Mondrian, a modern abstract artist who popularized paintings with colorful arrangements of squares and rectangles. “We wanted something different,” he said. “That’s what we are on the hunt for. We needed the house to stand out from the rest [of the houses], yet belong to the neighborhood.” Designed first by hand and then by computer, the asymmetrical window pattern is laid out in the Mondrian style, which is repeated in the asymmetrical design of the Hardie board (fiber-cement siding) on one side of the house. The opposite side and the middle section are a combination of brick and yakisugi carbonized-wood siding. The yakisugi siding is heat-treated in a way similar to an ancient Japanese technique, with the wood burned to give it a carbon layer that protects it from insects and decay." Read the full article on The Washington Post here.

From The Washington Post: "Developer Ahmad Khreshi of Northern Virginia-based Home Perfection Contracting isn’t afraid to take risks when building a house. He embraces the unexpected, challenging his architect, interior designer and builder to experiment with new techniques. This house in McLean, Va., is his most ambitious project to date. Instead of remodeling an existing house such as the one that was featured as a House of the Week in 2016, Khreshi built an entirely new one. Khreshi worked with architect Peter VanderPoel and designer Karen Bengel to create a modern house that borrows from Frank Lloyd Wright’s philosophy of incorporating the house in the landscape. The house has three distinct masses — garage, living and bedroom — and three levels, each one set at a different ground level. The layout of the structure is one aspect of the design. Another is the influence of Mondrian style, named for Piet Mondrian, a modern abstract artist who popularized paintings with colorful arrangements of squares and rectangles. “We wanted something different,” he said. “That’s what we are on the hunt for. We needed the house to stand out from the rest [of the houses], yet belong to the neighborhood.” Designed first by hand and then by computer, the asymmetrical window pattern is laid out in the Mondrian style, which is repeated in the asymmetrical design of the Hardie board (fiber-cement siding) on one side of the house. The opposite side and the middle section are a combination of brick and yakisugi carbonized-wood siding. The yakisugi siding is heat-treated in a way similar to an ancient Japanese technique, with the wood burned to give it a carbon layer that protects it from insects and decay." Read the full article on The Washington Post here.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Shoreline WA Smart Pergola Design-Build Project Project Overview In Shoreline, WA, our team successfully completed a design-build project featuring a state-of-the-art smart pergola. This innovative outdoor structure was custom-designed to enhance the client's residential space, blending modern aesthetics with advanced technology to create a functional and luxurious backyard retreat. Scope of Work Design Phase: Collaborated with the client to develop a tailored pergola design that complemented the existing landscape and home architecture. Incorporated smart features such as automated louvered roofing, integrated lighting, and climate control systems. Construction: Executed a full build, including site preparation, foundation work, and pergola installation. Utilized high-quality, weather-resistant materials to ensure durability and low maintenance. Smart Technology Integration: Installed a user-friendly control system allowing remote operation of the pergola’s features via smartphone app or voice commands. Included adjustable slats for customizable shade and ventilation, as well as energy-efficient LED lighting for ambiance. Landscaping Integration: Coordinated with landscapers to seamlessly integrate the pergola into the surrounding environment, enhancing the outdoor living experience. Key Features Automated Louvered Roof: Adjustable slats for optimal sunlight and weather protection. Smart Controls: Wi-Fi-enabled system for remote management of lighting, louvers, and optional heating elements. Sustainable Design: Eco-friendly materials and energy-efficient components to minimize environmental impact. Aesthetic Appeal: Sleek, modern design with customizable finishes to match the client’s style. Outcome The Shoreline smart pergola project was completed on time and within budget, delivering a versatile outdoor space that the client can enjoy year-round. The integration of smart technology elevated the functionality, providing convenience and comfort while adding significant value to the property. The project received high praise for its craftsmanship, innovation, and seamless blend of form and function. Location Shoreline, WA Project Type Residential Design-Build

Shoreline WA Smart Pergola Design-Build Project Project Overview In Shoreline, WA, our team successfully completed a design-build project featuring a state-of-the-art smart pergola. This innovative outdoor structure was custom-designed to enhance the client's residential space, blending modern aesthetics with advanced technology to create a functional and luxurious backyard retreat. Scope of Work Design Phase: Collaborated with the client to develop a tailored pergola design that complemented the existing landscape and home architecture. Incorporated smart features such as automated louvered roofing, integrated lighting, and climate control systems. Construction: Executed a full build, including site preparation, foundation work, and pergola installation. Utilized high-quality, weather-resistant materials to ensure durability and low maintenance. Smart Technology Integration: Installed a user-friendly control system allowing remote operation of the pergola’s features via smartphone app or voice commands. Included adjustable slats for customizable shade and ventilation, as well as energy-efficient LED lighting for ambiance. Landscaping Integration: Coordinated with landscapers to seamlessly integrate the pergola into the surrounding environment, enhancing the outdoor living experience. Key Features Automated Louvered Roof: Adjustable slats for optimal sunlight and weather protection. Smart Controls: Wi-Fi-enabled system for remote management of lighting, louvers, and optional heating elements. Sustainable Design: Eco-friendly materials and energy-efficient components to minimize environmental impact. Aesthetic Appeal: Sleek, modern design with customizable finishes to match the client’s style. Outcome The Shoreline smart pergola project was completed on time and within budget, delivering a versatile outdoor space that the client can enjoy year-round. The integration of smart technology elevated the functionality, providing convenience and comfort while adding significant value to the property. The project received high praise for its craftsmanship, innovation, and seamless blend of form and function. Location Shoreline, WA Project Type Residential Design-Build

Entering the back yard is like entering an English garden. To ensure a seamless look between the original new parts of the house, we built the covered patio using the same German schist stone and timber framed stucco. Further, the stone’s pointing matches the original historic stone, and we used a gray grout for a weathered, aged look. The space is finished off with spiraled lattice iron works and all slate roof. At the end of the roof is an open truss timber frame in a cathedral design. Copper flashing at the joints protects the wood from water sitting in the spaces and eventually rotting the joints. The patio itself features a flagstone floor, built in gas grill, and the other side of the Rumford fireplace found in the family room. Rudloff Custom Builders has won Best of Houzz for Customer Service in 2014, 2015 2016, 2017, 2019, and 2020. We also were voted Best of Design in 2016, 2017, 2018, 2019 and 2020, which only 2% of professionals receive. Rudloff Custom Builders has been featured on Houzz in their Kitchen of the Week, What to Know About Using Reclaimed Wood in the Kitchen as well as included in their Bathroom WorkBook article. We are a full service, certified remodeling company that covers all of the Philadelphia suburban area. This business, like most others, developed from a friendship of young entrepreneurs who wanted to make a difference in their clients’ lives, one household at a time. This relationship between partners is much more than a friendship. Edward and Stephen Rudloff are brothers who have renovated and built custom homes together paying close attention to detail. They are carpenters by trade and understand concept and execution. Rudloff Custom Builders will provide services for you with the highest level of professionalism, quality, detail, punctuality and craftsmanship, every step of the way along our journey together. Specializing in residential construction allows us to connect with our clients early in the design phase to ensure that every detail is captured as you imagined. One stop shopping is essentially what you will receive with Rudloff Custom Builders from design of your project to the construction of your dreams, executed by on-site project managers and skilled craftsmen. Our concept: envision our client’s ideas and make them a reality. Our mission: CREATING LIFETIME RELATIONSHIPS BUILT ON TRUST AND INTEGRITY. Photo Credit: Linda McManus Images

Shoreline WA Smart Pergola Design-Build Project Project Overview In Shoreline, WA, our team successfully completed a design-build project featuring a state-of-the-art smart pergola. This innovative outdoor structure was custom-designed to enhance the client's residential space, blending modern aesthetics with advanced technology to create a functional and luxurious backyard retreat. Scope of Work Design Phase: Collaborated with the client to develop a tailored pergola design that complemented the existing landscape and home architecture. Incorporated smart features such as automated louvered roofing, integrated lighting, and climate control systems. Construction: Executed a full build, including site preparation, foundation work, and pergola installation. Utilized high-quality, weather-resistant materials to ensure durability and low maintenance. Smart Technology Integration: Installed a user-friendly control system allowing remote operation of the pergola’s features via smartphone app or voice commands. Included adjustable slats for customizable shade and ventilation, as well as energy-efficient LED lighting for ambiance. Landscaping Integration: Coordinated with landscapers to seamlessly integrate the pergola into the surrounding environment, enhancing the outdoor living experience. Key Features Automated Louvered Roof: Adjustable slats for optimal sunlight and weather protection. Smart Controls: Wi-Fi-enabled system for remote management of lighting, louvers, and optional heating elements. Sustainable Design: Eco-friendly materials and energy-efficient components to minimize environmental impact. Aesthetic Appeal: Sleek, modern design with customizable finishes to match the client’s style. Outcome The Shoreline smart pergola project was completed on time and within budget, delivering a versatile outdoor space that the client can enjoy year-round. The integration of smart technology elevated the functionality, providing convenience and comfort while adding significant value to the property. The project received high praise for its craftsmanship, innovation, and seamless blend of form and function. Location Shoreline, WA Project Type Residential Design-Build

Shoreline WA Smart Pergola Design-Build Project Project Overview In Shoreline, WA, our team successfully completed a design-build project featuring a state-of-the-art smart pergola. This innovative outdoor structure was custom-designed to enhance the client's residential space, blending modern aesthetics with advanced technology to create a functional and luxurious backyard retreat. Scope of Work Design Phase: Collaborated with the client to develop a tailored pergola design that complemented the existing landscape and home architecture. Incorporated smart features such as automated louvered roofing, integrated lighting, and climate control systems. Construction: Executed a full build, including site preparation, foundation work, and pergola installation. Utilized high-quality, weather-resistant materials to ensure durability and low maintenance. Smart Technology Integration: Installed a user-friendly control system allowing remote operation of the pergola’s features via smartphone app or voice commands. Included adjustable slats for customizable shade and ventilation, as well as energy-efficient LED lighting for ambiance. Landscaping Integration: Coordinated with landscapers to seamlessly integrate the pergola into the surrounding environment, enhancing the outdoor living experience. Key Features Automated Louvered Roof: Adjustable slats for optimal sunlight and weather protection. Smart Controls: Wi-Fi-enabled system for remote management of lighting, louvers, and optional heating elements. Sustainable Design: Eco-friendly materials and energy-efficient components to minimize environmental impact. Aesthetic Appeal: Sleek, modern design with customizable finishes to match the client’s style. Outcome The Shoreline smart pergola project was completed on time and within budget, delivering a versatile outdoor space that the client can enjoy year-round. The integration of smart technology elevated the functionality, providing convenience and comfort while adding significant value to the property. The project received high praise for its craftsmanship, innovation, and seamless blend of form and function. Location Shoreline, WA Project Type Residential Design-Build

Shoreline WA Smart Pergola Design-Build Project Project Overview In Shoreline, WA, our team successfully completed a design-build project featuring a state-of-the-art smart pergola. This innovative outdoor structure was custom-designed to enhance the client's residential space, blending modern aesthetics with advanced technology to create a functional and luxurious backyard retreat. Scope of Work Design Phase: Collaborated with the client to develop a tailored pergola design that complemented the existing landscape and home architecture. Incorporated smart features such as automated louvered roofing, integrated lighting, and climate control systems. Construction: Executed a full build, including site preparation, foundation work, and pergola installation. Utilized high-quality, weather-resistant materials to ensure durability and low maintenance. Smart Technology Integration: Installed a user-friendly control system allowing remote operation of the pergola’s features via smartphone app or voice commands. Included adjustable slats for customizable shade and ventilation, as well as energy-efficient LED lighting for ambiance. Landscaping Integration: Coordinated with landscapers to seamlessly integrate the pergola into the surrounding environment, enhancing the outdoor living experience. Key Features Automated Louvered Roof: Adjustable slats for optimal sunlight and weather protection. Smart Controls: Wi-Fi-enabled system for remote management of lighting, louvers, and optional heating elements. Sustainable Design: Eco-friendly materials and energy-efficient components to minimize environmental impact. Aesthetic Appeal: Sleek, modern design with customizable finishes to match the client’s style. Outcome The Shoreline smart pergola project was completed on time and within budget, delivering a versatile outdoor space that the client can enjoy year-round. The integration of smart technology elevated the functionality, providing convenience and comfort while adding significant value to the property. The project received high praise for its craftsmanship, innovation, and seamless blend of form and function. Location Shoreline, WA Project Type Residential Design-Build

From The Washington Post: "Developer Ahmad Khreshi of Northern Virginia-based Home Perfection Contracting isn’t afraid to take risks when building a house. He embraces the unexpected, challenging his architect, interior designer and builder to experiment with new techniques. This house in McLean, Va., is his most ambitious project to date. Instead of remodeling an existing house such as the one that was featured as a House of the Week in 2016, Khreshi built an entirely new one. Khreshi worked with architect Peter VanderPoel and designer Karen Bengel to create a modern house that borrows from Frank Lloyd Wright’s philosophy of incorporating the house in the landscape. The house has three distinct masses — garage, living and bedroom — and three levels, each one set at a different ground level. The layout of the structure is one aspect of the design. Another is the influence of Mondrian style, named for Piet Mondrian, a modern abstract artist who popularized paintings with colorful arrangements of squares and rectangles. “We wanted something different,” he said. “That’s what we are on the hunt for. We needed the house to stand out from the rest [of the houses], yet belong to the neighborhood.” Designed first by hand and then by computer, the asymmetrical window pattern is laid out in the Mondrian style, which is repeated in the asymmetrical design of the Hardie board (fiber-cement siding) on one side of the house. The opposite side and the middle section are a combination of brick and yakisugi carbonized-wood siding. The yakisugi siding is heat-treated in a way similar to an ancient Japanese technique, with the wood burned to give it a carbon layer that protects it from insects and decay." Read the full article on The Washington Post here.